Anwar Hadid to release a docufilm on Palestine

The film follows Hadid as he explores Banksy’s Walled Off Hotel in Bethlehem. (Shutterstock)
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Updated 13 September 2022
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Anwar Hadid to release a docufilm on Palestine

  • Referencing Banksy’s Walled Off Hotel in Bethlehem, the film underlines the importance of socially and politically engaged art

LONDON: A documentary film co-produced by Palestinian model Anwar Hadid will be shown next month at San Carlo auditorium in Albenga, Italy.

Other producers on the project are Kweku Mandela, grandson of former South African president Nelson, and Pink Floyd guitarist Roger Waters.

The film, “Walled Off,” is written and directed by Vin Arfuso, an American filmmaker of Palestinian and Italian descent.

Referencing the Walled Off Hotel in Bethlehem, owned and designed by British artists Banksy, the film underlines the importance of socially and politically engaged art.

The film follows Hadid, brother of models Bella and Gigi, as he explores Banksy’s hotel’s site-specific installations and storied halls with its head manager, Wissam Salsa.

Later scenes feature five decades of archival footage, with the goal of combating the narrative of Palestinian struggle in Western media while also anchoring Arafat as a symbol of national identity.

Last week, Arfuso shared a teaser on Instagram.

“Artists working in this realm strive to provide a counterpoint to the prevailing images of power and also to the stereotypes that are fed to us by the media,” the teaser said.

The iconic British street artist opened the Walled Off hotel in Bethlehem in 2017. Nestled against Israel’s separation barrier, which encloses occupied Palestine and annexes part of its land, Banksy has claimed it has the “worst view of any hotel in the world.”

The pre-release screening of Walled Off will take place on Sept. 8, as part of European artist-activist Cake$’s debut solo exhibition “A Child Is Born In Bethlehem.”

The exhibition has been curated by British-Palestinian art dealer, curator, activist and journalist Zayna Al-Saleh, and Italian art collector and curator Lorenzo Sibilla.

 


Dubai Media announces partnership with media tech company NEP Group

Updated 7 sec ago
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Dubai Media announces partnership with media tech company NEP Group

  • Initiative will grow Dubai Media’s logistical and technical capabilities

LONDON: Dubai Media on Thursday announced a new partnership with the US media technology company NEP Group, the latest strategic initiative for the media sector in the region.

The collaboration aims to enhance cooperation and exchange expertise in various media service fields, including bolstering logistical and technical capabilities and advancing the development of the media content industry.

“Through its diverse TV and radio programs, Dubai Media seeks to develop the media content industry, which is currently one of the fastest-growing media sectors,” said Saleh Lootah, deputy CEO of technical support at Dubai Media.

Lootah said that the initiative is part of significant efforts to enhance the organization’s capabilities and logistical capacities, and to develop in-house talent “to produce high-quality media content that meets Dubai’s and the UAE’s major developmental aspirations.”

The memorandum of understanding, signed on the sidelines of the 22nd edition of the Arab Media Forum in May, aims to strengthen cooperative relations between the two parties.

Lootah explained that the new partnership will focus on using digital tools, technology and human resources provided by NEP Group to support Dubai Media’s external broadcast operations within and outside the UAE.

This will help fulfill the strategic goal of establishing Dubai as a leading global content creation center, he added.

Saeed Izadi, president of NEP Singapore, India and Middle East, said that the partnership will bolster Dubai Media’s commitment to advancing the media sector and positioning Dubai as a premier global hub for content creation.


‘Unprecedented’ number of journalists arrested in Palestine since Oct. 7

Updated 04 July 2024
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‘Unprecedented’ number of journalists arrested in Palestine since Oct. 7

  • 51 arrests took place in Gaza, the West Bank and East Jerusalem since Oct. 7 by both the Israeli and Palestinian authorities

LONDON: An “unprecedented” total of 51 arrests of journalists in Palestine have been documented by the Committee to Protect Journalists since the start of Israel’s onslaught on the Gaza Strip on Oct. 7, the press rights NGO said on Wednesday.

CPJ said that the arrests took place in Gaza, the West Bank and East Jerusalem, with 48 journalists detained by Israel and three by the Palestinian authorities.

Fifteen of the journalists, including those held by the Palestinian authorities, have been released, while 36 remain in Israel’s custody.

Moreover, 15 of those arrested by Israel are being held under administrative detention without charges. This form of detention can last from six months to years.

However, the number of Palestinian journalists in Israeli prisons is likely higher than what CPJ has documented due to the increasing difficulty of acquiring and verifying data during wartime.

“Since October 7, Israel has been arresting Palestinian journalists in record numbers and using administrative detention to keep them behind bars, thus depriving the region not only of much-needed information, but also of Palestinian voices on the conflict,” said CPJ Program Director Carlos Martinez de la Serna in New York.

“If Israel wants to live up to its self-styled reputation of being the only democracy in the Middle East, it needs to release detained Palestinian journalists and stop using military courts to hold them without evidence.”

Currently imprisoned journalists include Rasha Hirzallah, a reporter for the Palestinian Authority’s official news agency WAFA; Mahmoud Fatafta, a columnist and political commentator; Bilal Hamid Al-Taweel, who contributes to multiple outlets such as Al-Jazeera; Mahmoud Adel Ma’atan Barakat, a radio producer for the Wattan Media Network; and freelance journalist Rula Hassanein.

Released journalists include Khalil Dweeb, a freelance camera operator; Ahmed Al-Bitawi, a reporter for Sanad News Agency; Maher Haroun, a freelance journalist and media student at Al-Quds Open University; and Ismail Al-Ghoul, an Al-Jazeera correspondent.

Neither Israel’s domestic intelligence agency Shin Bet nor the Palestinian General Intelligence Service have replied to CPJ’s requests for comment about those arrested.

CPJ documented in 2023 the imprisonment of 17 Palestinian journalists by Israeli authorities, saying that it was the highest number of media arrests in Israel and the Palestinian territories since CPJ began tracking jailed journalists in 1992.


TikTok partners with Esports World Cup ahead of Riyadh tournament

Updated 02 July 2024
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TikTok partners with Esports World Cup ahead of Riyadh tournament

  • Short-form video platform will be entertainment partner
  • Unprecedented $60m prize pool for July 3-Aug. 25 event

LONDON: TikTok is set to become the official entertainment partner of the inaugural Esports World Cup taking place in Riyadh from July 3 to Aug. 25.

The ByteDance-owned short-form video platform and the Esports World Cup Foundation inked a partnership agreement on Monday.

Mohammed Alnimer, sales director of the EWCF, said the partnership was poised “to redefine esports content and entertainment among a broader audience.”

“TikTok is an excellent way to authentically engage with esports communities worldwide, and enable more fans to follow and support the Esports World Cup athletes and clubs.”

As part of the partnership, TikTok will launch an Esports World Cup Hub in the app, with content from the official broadcasters, teams and players.

The EWCF will also produce “exclusive content tailored for TikTok,” and encourage collaborations with popular creators.

In addition, the partners will produce a weekly show featuring reports and news from the contest.

“Promoting a shared appreciation for e-sports, connecting fans and players across different cultures and regions is at the top of TikTok priorities,” said Mohamed Harb, head of partnerships, TikTok MENA, in a statement.

Harb said TikTok aims to “shape the future of gaming content and fan engagement.”

The Esports World Cup is poised to be the largest event of its kind.

The tournament organizers have already announced a large roster of partners, including firms in the sportswear and beverage sectors.

Alongside gaming activations, community tournaments and pop culture celebrations, the event will have an unprecedented prize pool of $60 million.


MBC’s Shahid platform announces premiere of ‘Grendizer U’

Updated 02 July 2024
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MBC’s Shahid platform announces premiere of ‘Grendizer U’

  • Anime series set to be released July 24 on world’s largest Arabic streaming service

RIYADH: MBC’s Shahid, the world’s leading Arabic streaming platform, announced on Tuesday that the remake of the original “Grendizer” anime series is set to premiere worldwide this July 2024.

Launched in partnership with Manga Productions, a subsidiary of the Mohammed Bin Salman Foundation, Misk, the new series brings back the beloved characters Duke Fleed and Kouji Kabuto.

Manga Productions has unveiled a third promotional video for “Grendizer U” as well as a new key visual for the new anime series.

Dr. Essam Bukhary, CEO of Manga Productions, commented: “We are pleased to announce the continuation of our partnership with Shahid, confirming that this partnership is an extension of our previous successful collaborations.

“It is worth mentioning that there have been several previous partnerships between Manga Productions and Shahid in showcasing prominent works such as ‘The Journey’ movie, and the ‘Future’s Folktales’ and ‘Captain Tsubasa’ series. It is noteworthy that ‘The Journey’ has made it to the top five anime films on the Shahid platform.”

Tareq Al-Ibrahim, director of content at Shahid, and director of MBC1 and MBC Drama, said: “Our strategic partnership with Manga Productions brings significant value to our audiences, appealing to a wide range of viewer categories and age groups.

“What sets Manga Productions apart in its industry is its commitment to high production and artistic standards, fused with creative content that delivers valuable social messaging and storytelling.”

He added: “This type of content and its messages align with the region’s culture values and resonate with audiences throughout the region, providing Arab families with a sophisticated, enjoyable, and entertaining viewing experience.”

In 2022, a strategic partnership was announced between Dynamic Planning and Manga Productions to license “UFO Robo Grendizer” — more commonly known as “Grendizer” — and use it in products and characters for cities and entertainment events worldwide, except Japan.

The new series is based on Go Nagai’s “UFO Robo Grendizer”. The general director for “Grendizer U” is Mitsuo Fukuda, with series composition and script by Ichiro Okouchi, with Tatsuhito Higuchi also writing the script.

Character design is handled by Yoshiyuki Sadamoto, while Mari Araki is responsible for sub-character design. Mechanical design is crafted by Wataru Inata, AF_KURO, and Junichi Akutsu (Astrays), with design works by Pinakes, Tomoyuki Aoki, Zenseava, and Masato Yoshinaga.

The main animators include Hiroyuki Taiga, Takashi Hashimoto, Masahiro Yamane, and Toru Yoshida. Art direction is managed by Hiroshi Kato and Hirofumi Sakagami (Totonyan), while Tomoe Yoshimura handles color design and Atsushi Usuta (Nexus) manages cinematography.

Yukio Nagasaki serves as sound director, with sound effects by Toshiya Wada and Maki Takuma (Swara Pro). The music is composed by Kohei Tanaka, and music production is handled by Pony Canyon. Animation production is done by Gaina.


‘Google is broken’: How an algorithm tweak cost livelihoods

Updated 02 July 2024
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‘Google is broken’: How an algorithm tweak cost livelihoods

  • Google’s massive upgrade in March and April caused catastrophic drops in traffic

PARIS: Google made major changes to its search algorithm and spam filters earlier this year to get rid of low-quality content — but the effects have proved devastating to some smaller websites.
Online businesses have been left considering layoffs and even site closures after Google’s massive upgrade in March and April caused catastrophic drops in traffic.
Gisele Navarro is one of the unlucky ones whose website got caught up in Google’s dragnet.
The 37-year-old Argentine runs the HouseFresh website with her husband, and they had been building a healthy niche in product reviews for air purifiers since 2020.
There were no ads, no product placements and no soft-pedalling — if a product was bad, the site’s reviewers would say so.
They earned commissions from clickthroughs to Amazon.
But Google’s update changed all of that.
“We found that we went from ranking number one — because we were one of the only people who had actually done a review — to not even showing up,” she told AFP.
HouseFresh used to get around 4,000 referrals from Google search a day, but this has since collapsed to around 200.
The dropoff in business has been so bad that Navarro said she had been advised to shutter the site and start over with a new domain name.
Underpinning the frustration for Navarro and many other sites is the lack of clarity over how Google ranks results.
The US firm is notoriously secretive about its algorithms — so much so that an entire industry known as “search engine optimization” has grown up trying to game the algorithm to get more clicks.
The latest update sent SEO experts into a tailspin, desperately trying to unpack why some sites were boosted and others getting downranked.
Google told AFP in an email that its update was designed specifically to give users “fewer results that feel made for search engines.”
“The only changes we launch are ones that our experiments have shown will meaningfully improve results for people. And we do believe that these updates have been helpful,” Google said.
Yet Navarro showed in a widely shared blog post in May that people searching for product reviews were increasingly being fed ads and content that appeared to be AI-generated or SEO-maximized.
Other material boosted by Google’s update included user-generated content from websites like Reddit and Quora.
Google defended this approach saying “people often want to learn from others’ experiences,” adding: “We conduct rigorous testing to ensure results are helpful and high quality.”
But staff at one European news website said their articles were now being routinely outranked by largely irrelevant content from Reddit.
The site publisher, who asked for anonymity because of the sensitive nature of the topic, said referrals from Google had plummeted by between 20 to 30 percent since the update — and cutbacks would be inevitable.
“In an already tough market this is a serious problem for independent publishers like us,” they said.
All the businesses AFP talked to said they were now urgently seeking ways to avoid relying on Google search — whether by writing newsletters, making podcasts or finding other ways to attract audiences.
The boss of a fintech news outlet, who spoke to AFP anonymously fearing adverse effects on their business, said their competitors all employed SEO firms “to buy traffic.”
“We don’t do that but it’s getting harder to hold that position as those sites didn’t fall anywhere near as much as ours after this Google update,” they said.
Navarro, who has had to reduce her staff drastically, has pivoted to video reviews and newsletters to try to reconnect with her audience.
And despite her experience with Google, she remains an optimist about the web.
She has been heartened by the many messages of support, and an uptick in referrals from alternative search engines like DuckDuckGo.
“The entire knowledge of humankind is on the web — and that’s worth something,” she said.
“I don’t want to give up on it just because Google is broken.”