KABUL: Taliban forces fired shots into the air on Thursday to disperse a women’s rally supporting protests in Iran over the death of a woman in the custody of morality police.
Deadly protests have erupted in neighboring Iran for the past two weeks, following the death of 22-year-old Mahsa Amini while detained by the Islamic republic’s morality police.
Chanting the same “Women, life, freedom” mantra used in Iran, about 25 Afghan women protested in front of Kabul’s Iranian embassy before being dispersed by Taliban forces firing in the air, an AFP correspondent reported.
Women protesters carried banners that read: “Iran has risen, now it’s our turn!” and “From Kabul to Iran, say no to dictatorship!“
Taliban forces swiftly snatched the banners and tore them in front of the protesters.
Defiant Afghan women’s rights activists have staged sporadic protests in Kabul and some other cities since the Taliban stormed back to power last August.
The protests, banned by the Taliban, contravene a slew of harsh restrictions imposed by the hard-line extremists on Afghan women.
The Taliban have forcefully dispersed women’s rallies in the past, warned journalists against covering them and detained activists helming organization efforts.
An organizer of Thursday’s protest, speaking anonymously, told AFP it was staged “to show our support and solidarity with the people of Iran and the women victims of the Taliban in Afghanistan.”
Since returning to power, the Taliban have banned secondary school education for girls and barred women from many government jobs.
Women have also been ordered to fully cover themselves in public, preferably with the all-encompassing burqa.
So far the Taliban have dismissed international calls to remove the curbs on women, especially the ban on secondary school education.
On Tuesday, a United Nations report denounced the “severe restrictions” and called for them to be reversed.
The international community has insisted that lifting controls on women’s rights is a key condition for recognizing the Taliban government, which no country has so far done.
Taliban fire into air to disperse women’s rally backing Iran protests
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Taliban fire into air to disperse women’s rally backing Iran protests
Makkah royal commission showcases city’s cultural, tourist offerings at World Travel Market
- Saudi minister of tourism speaks of Kingdom’s investment in sector
LONDON: The Royal Commission for Makkah City and Holy Sites this week showcased key projects that highlight the Saudi city’s rich cultural and historical significance, as part of the Saudi delegation at the World Travel Market 2024 in London.
Major initiatives featured by the RCMC included the Hira Cultural District, the Revelation Exhibition, the Kiswa Factory of the Holy Kaaba, and the Institute of Manuscripts and Revival of Islamic Heritage.
The RCMC pavilion also provided insights into major infrastructure developments, such as Makkah’s public transportation system.
This system, with 12 bus routes covering all neighborhoods, is designed to ensure seamless, reliable travel and improve the quality of life for both residents and visiting pilgrims.
This year’s World Travel Market event, which finished on Thursday, also saw Ahmed Al-Khateeb, the Saudi minister of tourism and chairman of the Saudi Tourism Authority, launch the Kingdom’s participation with the Saudi Land Pavilion.
The pavilion included the Visit Saudi exhibition, organized by the Saudi Tourism Authority for the fourth consecutive year and supported by more than 70 partners in the sector, including destinations, hotels, airlines and travel companies.
Al-Khateeb said: “Saudi Arabia, the fastest-growing tourist destination globally, seeks to solidify its leadership in world tourism, aligning with the Saudi Vision 2030 goals by highlighting unique destinations, new projects, and significant investment opportunities.”
He added: “Saudi Arabia is the largest global investor in the tourism sector.”
UK’s Met Police refers itself to watchdog over Al-Fayed probes
- Two women have complained about the police's handling of investigations into alleged sexual abuse by the late Harrods owner Mohamed Al-Fayed
LONDON: The UK’s Metropolitan Police on Friday referred itself to the police watchdog following complaints from two women over its handling of investigations into alleged sexual abuse by late Harrods owner Mohamed Al-Fayed.
The complaints, referred to the Independent Office for Police Conduct (IOPC), involve investigations from 2008 and 2013.
They revolve around the quality of the police response and, in the case of the 2013 probe, how details came to be disclosed publicly.
“In recent weeks, two victims-survivors have come forward with concerns about how their allegations were handled when first reported, and it is only appropriate that the IOPC assess these complaints,” said Stephen Clayman, from the Met’s Specialist Crime team.
“Although we cannot change the past, we are resolute in our goal to offer every individual who contacts us the highest standard of service and support,” he added.
More than 400 women and witnesses have come forward in the past six weeks alleging sexual misconduct by Fayed, who died in August last year aged 94.
The allegations follow the airing of a BBC documentary in September that detailed multiple claims of rape and sexual assault by the former owner of the upmarket London department store.
The Justice for Harrods Survivors group said it had received 421 inquiries, mainly related to the store but also regarding Fulham football club, the Ritz Hotel in Paris and other Fayed entities.
The Met said Friday that it was “actively reviewing 21 allegations reported to the Metropolitan Police prior to Mohamed Al-Fayed’s passing... to determine if any additional investigative steps are available or there are things we could have done better.”
Meet Reman Assere, Saudi Arabia’s youngest Arabic calligraphy instructor
- She became the youngest certified instructor at the age of just 11
- Assere now tutors students of all ages
MAKKAH: After qualifying at just 11 years old, Reman Assere officially became Saudi Arabia’s youngest calligraphy instructor.
Her journey started in fifth grade, sparked by a school activity. She began with basic exercises but, with continuous practice and self-learning through platforms such as YouTube, she steadily refined her skills.
Her ambitions and her love of the art drove her to undertake professional training in Kufic calligraphy, believed to be the earliest example of a universal style of Arabic calligraphy. Once qualified, she was registered on the Ministry of Culture’s official platform, Al-Khattat.
What truly set her apart and caught people’s attention was her relentless dedication to learning. Even during vacations, she practiced tirelessly, seeking out special events and connecting with other calligraphers.
FASTFACT
Reman Assere’s ambitions and her love of the art drove her to undertake professional training in Kufic calligraphy.
Now aged 15, Assere told Arab News that her professional training was carried out under the guidance Shurooq Al-Harbi. She also highlighted the pivotal role played in her development by Prof. Siraj Al-Omari, whose ongoing support and encouragement were instrumental.
Today, Assere has become proficient in both in writing and teaching Kufic calligraphy and is expanding her expertise to include the Diwani style.
However, her journey has been far from easy. A lack of calligraphy institutes in her native region of Abha posed considerable challenges and meant she had to rely on online courses or travel to other cities.
It was worth it, however. Her numerous awards include first place in the 2023 Cultural Skills Competition and the Ministry of Education’s National Olympiad for Arabic Calligraphy. She has also demonstrated her talents at prominent events, such as the Layalina Festival in Wadi Al-Dawasir and the Abha Shopping and Entertainment Festival.
Assere has also led courses at the Holy Mosque Library in Makkah and organized calligraphy workshops in schools.
Today, she is recognized as one of the most influential trainers in Arabic calligraphy, teaching across all age groups. She takes pride in seeing her students compete in calligraphy competitions, a testament to the success of her approach and teaching methods.
Even in an age of rapid technological advancements, Assere is confident that calligraphy’s unique beauty will endure. She believes the future is bright for students and trainees, as the art of calligraphy continues to inspire and cultivate creativity.
She explained how the beauty of Arabic calligraphy is in the balance and harmony of its letters, with fluid lines that interlace. For Assere, Arabic calligraphy not only captures the essence and grace of the Arabic language, but it also allows the writer to convey thoughts and emotions.
Arabic calligraphy is celebrated for its variety of styles, including Kufic, Naskh, Thuluth, Diwani, and Ruq’ah, each with a unique character and distinct lettering technique. Rooted in precise geometric principles, Arabic calligraphy achieves a harmonious visual balance, allowing for flexibility in letter formation, overlapping designs, and intricate decorative motifs.
Assere said: “The beauty of Arabic calligraphy extends beyond writing; it is a visual art that enhances both artworks and decorations. Over time, it has become a cultural symbol that embodies Arab and Islamic identity.”
Paul Waring shoots 61 in Abu Dhabi to set 36-hole record on European tour with 19-under par
ABU DHABI: Paul Waring hit the shot of his life to complete a career-low 11-under 61 in the second round of the Abu Dhabi Championship on Friday and establish a five-stroke lead heading into the weekend of the European tour’s first playoff event.
The No. 229-ranked Englishman hit a draw with a 3-wood from about 260 yards to inside 4 feet at No. 18 and tapped in the birdie putt to move to 19-under par for the tournament.
The European tour confirmed to The Associated Press that it is the lowest 36-hole score to par in the tour’s history.
Waring, who opened with a 64 on Thursday, made nine birdies and an eagle in a bogey-free round at Yas Links and set a course record.
“I’ve got a nice lead at the moment but even before I tee off tomorrow, someone might have caught me,” said the 39-year-old Waring, whose sole win came at the Nordea Masters in 2018. “While I’m in the lead at the moment, and if we are rational about this, everyone is still going to fire a lot of
birdies in there.
“So if I’m going to be involved on Sunday afternoon, I’ve still got to keep going the way I am and I know that.”
First-round leader Tommy Fleetwood of England (68), Johannes Veerman of the United States (67) and Danish players Niklas Norgaard (65) and Thorbjorn Olesen (67) were tied for second place on 14 under.
Rory McIlroy hit his tee shot into a greenside bunker at the par-3 17th and made a triple bogey on the way to a second successive 67, leaving him nine strokes off the lead.
McIlroy, who can clinch a sixth Race to Dubai title with a win this week, was 7 under after 13 holes of his second round and feels he’ll need to produce something similar to reel in Waring and his closest chasers.
“I need the golf course to firm up a little bit and toughen up a little bit to have a chance,” McIlroy said. “There’s so many gettable holes out there.”
Zheng advances to WTA Finals championship match with semifinal win over Krejcikova
- Zheng, 22, awaits top-seeded Aryna Sabalenka or third-seeded Coco Gauff in the final on Saturday
RIYADH: Olympic gold medalist Zheng Qinwen became the first tournament debutante to reach the championship match at the WTA Finals since 2021 with a 6-3, 7-5 victory over Barbora Krejcikova in Riyadh on Friday.
The seventh-seeded Zheng needed one hour and 40 minutes to overcome the Wimbledon champion in their semifinal encounter, firing nine aces along the way.
Zheng led 6-3, 3-0 before the eighth-seeded Krejcikova launched a comeback attempt but the Chinese star regained control of the match to make it two wins from two clashes with the Czech.
Zheng, 22, awaits top-seeded Aryna Sabalenka or third-seeded Coco Gauff in the final on Saturday, as she bids to become the first player to win the WTA Finals on her maiden appearance since Ashleigh Barty in 2019.
“It feels so special because this is my first WTA Finals and right now I’m in the final, which is unbelievable. She’s a really good player, today we gave a good match,” said Zheng.
“It was tricky because at 3-0 I think I dropped my performance; suddenly my performance went down, and she played more free and I was suddenly 3-4 down. I gave so much control to myself to not panic too much. It shows I was mentally strong in that moment.”
Zheng was near untouchable on serve in the 40-minute opening set, dropping just one point behind her first delivery en route to a 6-3 lead.
The Olympic champion broke twice for a 3-0 advantage in the second set and looked on her way to a comfortable victory.
But Krejcikova had other ideas and she halted Zheng’s momentum by attacking her second serve to grab the next four games and inch ahead for the first time in the contest.
It became a tug of war but it was Zheng who found an opening, breaking in game 12 to put herself in the position to serve for the match.
The fight wasn’t over yet as Zheng had to save a break point and saw a first match point slip away before she wrapped up the win on her second chance when a Krejcikova forehand sailed wide.
Since the event’s inauguration in 1972, Zheng is only the second Asian player to reach the decider at the WTA Finals after Li Na pulled off that feat in 2013.
