Spotify’s new report delves into how UAE’s Gen Zs are driving culture

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Updated 30 September 2022
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Spotify’s new report delves into how UAE’s Gen Zs are driving culture

  • Annual Culture Next report reveals the behaviors, attitudes and mindsets of GenZs in the UAE

DUBAI: Spotify has released the UAE edition of its annual global culture and trends report, Culture Next.

In the fourth edition of the report, the second to feature the UAE, Spotify delves deeper into the behaviors, attitudes and mindsets of their largest audience segment, Generation Z (aged 15 to 25), and how they differ from Generation Y, known as millennials (26 to 40).

In 2021, Gen Zs globally streamed music more often than they used any other media (including videos, games, and TV), and shared more Spotify playlists and engaged in more group listening sessions than any other generation, according to the report.

In the first quarter of 2022 alone, 18 to 24-year-olds have played more than 578 billion minutes of music on Spotify — more than any other segment, and roughly 16 billion more minutes than millennials, or 25 to 34-year-olds, around the world.

“Audio has always been part of our lives,” Mark Abou Jaoude, Spotify’s head of music in the Middle East and North Africa, told Arab News.

“Streaming is being seen more and more as a key driver for discovery and the formation of a global community that identifies with one another through audio. It’s a way of self-expression and it's screenless,” he added.

Video, as a format, has grown in popularity in recent times, spurred by short-form video such as that on TikTok and Instagram’s Reels.

Jaoude, however, stresses the importance of audio, particularly for Gen Zs. “A video with no audio is hard to comprehend, for example, but a pure audio piece is not. Audio enriches storytelling,” he said.

The report highlights key differences between Gen Zs and millennials, with the former having gone from an “emerging” generation to the “center stage of culture.”

Firstly, while both generations are stressed, Gen Zs are more so. “Millennials were raised in a boom, Zs in a bust,” said Jaoude. They have experienced significant downturns associated with the crash of 2008 and later COVID-19, which they experienced mostly as adults, he explained.

In this environment, they are turning to audio as a safe space. Fifty-nine percent of 18 to 24-year-olds in the UAE said they turn to podcasts to get answers to hard or personal questions before talking to their families about it, and 66 percent said they listen to podcasts to inform the conversations they have with their friends.

Moreover, according to 68 percent of Gen Zs in the UAE, audio helps them understand themselves better, and 80 percent said it allows them to explore different sides of their personality.

All of this means that for Gen Zs, audio has always been a part of their lives, and they use it for everything from creativity and self-expression, to discovering aspects of their own personality.

The second factor setting Gen Zs apart is that they are “the most racially and culturally diverse generation and therefore they demand this diversity be reflected through their lifestyle, the brands they engage with, social media and the audio they consume,” according to Jaoude.

Self-expression and creativity are core to this generation and so, “they lean into music, artists, podcasts, and playlists to shape the stories they tell about themselves,” he added.

FASTFACTS

66 percent listen to podcasts to inform the conversations they have with their friends.

82 percent said they had learned something about themselves by looking back on their listening habits.

74 percent believe that their listening habits tell a story about who they are.

78 percent listen to music from movies or shows because they like to feel like they are a character in the story.

71 percent like listening to and watching media from earlier decades because it reminds them of when things were simpler.

75 percent like it when brands bring back old aesthetic styles.

72 percent love it when brands produce retro products or content.

For instance, 82 percent in the UAE said they had learned something about themselves by looking back on their listening habits, and 74 percent believe that their listening habits tell a story about who they are.

It might appear that they are self-involved, but according to the report, they are driving the “main-character energy” trend, in which people use social media or digital audio to make themselves feel like the center of attention. This is evident in the popularity of playlists like “My Life is a Movie” and ones containing “POV” in the title.

Seventy-eight percent of Gen Zs in the UAE listen to music from movies or shows because “they like to feel like they are a character in the story,” according to Jaoude, and 79 percent of all Spotify playlists globally with “POV” in the title were created by Gen Zs.

Jaoude said: “They are experts in structuring and communicating their individual stories through playlists. They create their own playlists on Spotify and even use collaborative playlist features to ask their friends and community to exchange songs.”

While millennials are known for being nostalgic, Gen Zs go even further down memory lane, he added. They are “reinventing nostalgia” by filtering pop culture “through a contemporary perspective to access and inspire something new and unique to them,” he said.

Millennials are nostalgic for the times they have lived through; Gen Zs, on the other hand, are nostalgic for eras that offer some form of reprieve from current times, which they find stressful and anxiety-inducing.

“Among Zs, the past is all fuel for the future — and that is true for more than music,” Jaoude said.

It is why 71 percent of Gen Zs in UAE said they like listening to and watching media from earlier decades — because it reminds them of when things were simpler, and 75 percent like it when brands bring back old aesthetic styles, while 72 percent love it when brands produce retro products or content.

“You will see that movement in today’s fashion and the sound of music; there’s a lot of borrowing from previous eras and artists add their personal flair or vision to that sound,” said Jaoude.

Gen Zs’ unique problems, and habits, provide an untapped opportunity for marketers. As Jaoude said: “They are seeking new opportunities to share themselves through audio — and looking to brands to help make it happen.”

Forty-nine percent in the UAE said they like being able to select the ad they listen to on a digital audio streaming service, and more than a third said they like it when they can interact with ads.

For example, Spotify worked with Adidas on the “Nite Jogger” campaign where they created a custom digital experience that gleaned the “sonic traits” of listeners’ nighttime streaming activity to create a custom playlist unique to each individual. The campaign racked up 32.4 million impressions and over 9 million unique visitors.

“While brands of the past may have prioritized keeping an iron grip over their messaging, there’s a huge opportunity to connect with the next generation by handing the reins over to them and allowing them to customize their experience — especially in the space of audio,” said Jaoude.
 


West Bank booksellers say arrests reflect intensifying Israeli crackdown on Palestinian culture

Updated 15 February 2025
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West Bank booksellers say arrests reflect intensifying Israeli crackdown on Palestinian culture

  • Mahmoud Muna and his nephew Ahmed were arrested on Sunday after Israeli police raided the family-owned bookshops on accusation of selling books that supported terrorism
  • “Case is not isolated event, but part of series of attack against Palestinian cultural institutions,” Mahmoud said

LONDON: Two booksellers from the West Bank, recently arrested by Israeli police, say their detention is part of an escalating effort by Israeli authorities to suppress Palestinian culture.

In an interview with The Guardian, Mahmoud Muna and his nephew Ahmed, whose family has owned the Educational Bookshop in East Jerusalem for more than 40 years, described the raid on their store as part of a broader campaign to stifle Palestinian identity and free expression.

“We should not look at this as an isolated event,” Mahmoud said. “There have been a series of attacks on cultural institutions in Jerusalem and beyond. I think there is an awareness in the Israeli establishment that cultural institutions are playing a role in galvanising and protecting Palestinian cultural identity.”

The raid occurred last Sunday when plainclothes officers entered two branches of the bookshop on Salah Eddin Street — one specializing in Arabic books, the other in English and foreign-language publications. Mahmoud and Ahmed were arrested and detained for two days.

Israeli police accused the men of “selling books containing incitement and support for terrorism,” claiming officers found materials with “nationalist Palestinian themes,” including a children’s coloring book that contained the Israeli-contested sentence “From the river to the sea.”

The two men said that police confiscated about 300 books for examination, but all were eventually returned except for eight, including the coloring book, which they said had been sent for review and was not on sale.

After appearing in Jerusalem Magistrates Court on Monday, the charges against them were downgraded to a public order offense, but they were ordered to spend another 24 hours in detention, followed by five days of house arrest.

Their arrest sparked international condemnation, with journalists and diplomats closely following the case. In Israel, the incident also drew criticism, with journalist Noa Simone calling the raid a “fascist act” that “evokes frightening historical associations with which every Jew is very familiar.”

Recalling their time in detention, the booksellers described the conditions as “simply unfit for a human to live in.” They said they were held in overcrowded, windowless cells without heating, forced to sleep on mats on a concrete floor in near-freezing temperatures — treatment they likened to psychological torture.

While their experience was harsh, they acknowledged that their situation could have been far worse without international attention and support.

“If we were not working in a bookstore with an international outreach with good international connections, what would have happened?” Mahmoud asked. “Probably the case would have been manipulated against us.”

He also warned of the broader implications of their arrest. “The question is how far are they going to go? If they’re attacking Palestinian bookstores now, they will be attacking Israeli bookstores next.”


Bristling at ‘Gulf of Mexico’ name change on maps, Mexico threatens to sue Google

Updated 14 February 2025
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Bristling at ‘Gulf of Mexico’ name change on maps, Mexico threatens to sue Google

  • After assuming office as US president, Donald Trump declared that he was changing the name Gulf of Mexico to Gulf of America
  • Mexican President Claudia Sheinbaum said the name Gulf of Mexico dates back to 1607 and is recognized by the United Nations
  • Google has said that it maintains a “long-standing practice of applying name changes when they have been updated in official government sources”

MEXICO CITY: Mexican President Claudia Sheinbaum said Thursday that her government wouldn’t rule out filing a civil lawsuit against Google if it maintains its stance of calling the stretch of sea between northeastern Mexico and the southeastern United States the “Gulf of America.”
The area, long named the Gulf of Mexico across the the world, has gained a geopolitical spotlight after President Donald Trump declared he would change the Gulf’s name.
Sheinbaum, in her morning news conference, said the president’s decree is restricted to the “continental shelf of the United States” because Mexico still controls much of the Gulf. “We have sovereignty over our continental shelf,” she said.
Sheinbaum said that despite the fact that her government sent a letter to Google saying that the company was “wrong” and that “the entire Gulf of Mexico cannot be called the Gulf of America,” the company has insisted on maintaining the nomenclature.
It was not immediately clear where such a suit would be filed.
Google reported last month on its X account, formerly Twitter, that it maintains a “long-standing practice of applying name changes when they have been updated in official government sources.”
As of Thursday, how the Gulf appeared on Google Maps was dependent on the user’s location and other data. If the user is in the United States, the body of water appeared as Gulf of America. If the user was physically in Mexico, it would appear as the Gulf of Mexico. In many other countries across the world it appears as “Gulf of Mexico (Gulf of America).”
Sheinbaum has repeatedly defended the name Gulf of Mexico, saying its use dates to 1607 and is recognized by the United Nations.
She has also mentioned that, according to the constitution of Apatzingán, the antecedent to Mexico’s first constitution, the North American territory was previously identified as “Mexican America”. Sheinbaum has used the example to poke fun at Trump and underscore the international implications of changing the Gulf’s name.
In that sense, Sheinbaum said on Thursday that the Mexican government would ask Google to make “Mexican America” pop up on the map when searched.
This is not the first time Mexicans and Americans have disagreed on the names of key geographic areas, such as the border river between Texas and the Mexican states of Chihuahua, Coahuila, Nuevo León and Tamaulipas. Mexico calls it Rio Bravo and for the United States it is the Rio Grande.
This week, the White House barred Associated Press reporters from several events, including some in the Oval Office, saying it was because of the news agency’s policy on the name. AP is using “Gulf of Mexico” but also acknowledging Trump’s renaming of it as well, to ensure that names of geographical features are recognizable around the world.

 


124 journalists killed, most by Israel, in deadliest year for reporters

Updated 13 February 2025
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124 journalists killed, most by Israel, in deadliest year for reporters

  • The uptick in killings marks a 22 percent increase over 2023
  • Journalists murdered across 18 different countries, including Palestine's Gaza, Sudan and Pakistan

NEW YORK: Last year was the deadliest for journalists in recent history, with at least 124 reporters killed — and Israel responsible for nearly 70 percent of that total, the Committee to Protect Journalists reported Wednesday.
The uptick in killings, which marks a 22 percent increase over 2023, reflects “surging levels of international conflict, political unrest and criminality worldwide,” the CPJ said.
It was the deadliest year for reporters and media workers since CPJ began keeping records more than three decades ago, with journalists murdered across 18 different countries, it said.
A total of 85 journalists died in the Israeli-Hamas war, “all at the hands of the Israeli military,” the CPJ said, adding that 82 of them were Palestinians.
Sudan and Pakistan recorded the second highest number of journalists and media workers killed, with six each.
In Mexico, which has a reputation as one of the most dangerous countries for reporters, five were killed, with CPJ reporting it had found “persistent flaws” in Mexico’s mechanisms for protecting journalists.
And in Haiti, where two reporters were murdered, widespread violence and political instability have sown so much chaos that “gangs now openly claim responsibility for journalist killings,” the report said.
Other deaths took place in countries such as Myanmar, Mozambique, India and Iraq.
“Today is the most dangerous time to be a journalist in CPJ’s history,” said the group’s CEO Jodie Ginsberg.
“The war in Gaza is unprecedented in its impact on journalists and demonstrates a major deterioration in global norms on protecting journalists,” she said.
CPJ, which has kept records on journalist killings since 1992, said that 24 of the reporters were deliberately killed because of their work in 2024.
Freelancers, the report said, were among the most vulnerable because of their lack of resources, and accounted for 43 of the killings in 2024.
The year 2025 is not looking more promising, with six journalists already killed in the first weeks of the year, CPJ said.


Roblox CEO announces Arabic version at World Governments Summit

Updated 12 February 2025
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Roblox CEO announces Arabic version at World Governments Summit

DUBAI: Roblox CEO David Baszucki announced an Arabic version of the hit game platform during the World Governments Summit on Wednesday.

Baszucki said that the new feature enabled Arabic-speaking creators to reach audiences instantly all over the world.

Through the move, everything on the platform will be available in Arabic.

“Today, we launched worldwide in Arabic, everything on Roblox: Roblox Studio, the Roblox app, automatic translation. Anyone who’s building a Roblox experience in Arabic, it will automatically translate into languages around the world,” he said.

Roblox, an online game platform and game creation system, has more than 88.9 million daily active users.

Many brands use the platform to promote their products, from cosmetics to high-end luxury goods.

“Brands are using our platforms to build 3D experiences to help promote their brands — everything from e.l.f. Beauty to Lamborghini,” he added.

“We have been growing consistently for 18 years now, over 20 percent year on year.”

In the past, the gaming platform faced criticism over safety concerns regarding children on the platform. In 2018, it was banned for several years in the UAE for exposing children to swearing, violence and sexually explicit content.

Baszucki said that child safety is a major concern for the company and that Roblox is utilizing AI technology to ensure a safe gaming experience for users.

“AI is getting so good and evolving so quickly. We have over 200 AI systems on Roblox. We are clear that we are looking at everything on the platform for safety and stability. We are so into the notion of online safety — it’s a top priority,” he said.


Traditional and digital media should not be at ‘war,’ says social media star Anas Bukhash

Updated 12 February 2025
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Traditional and digital media should not be at ‘war,’ says social media star Anas Bukhash

DUBAI: Traditional and digital media should not be at war, social media star, podcast host and entrepreneur Anas Bukhash has told the World Governments Summit in Dubai.

During a session called “How to build a social media empire in Dubai” he explained: “I think it (traditional and digital media) should be a marriage and a good marriage, not a miserable marriage. If you have a good marriage … and they talk to each other nicely, it’s the most powerful combination rather than having either-or.”

He added he established his social media success by being consistent.

“I think a lot of things have to align, considering your consistency, your effort, your skill. All of it has to come together for you to be successful. And we've been doing it for ... we haven’t missed a Tuesday I think in like five years or six,” he said.

With more than 2 million subscribers, Bukhash’s show, AB Talks, is one of the most popular channels in the Arab world.

“When I presented my concept to some social media platforms, when I wanted to start back in 2014, everybody told me not to do it. Every platform told me nobody would watch it. It’s too long. Because at the time no Arabic interviews were long form,” he explained.

Bukhash said he valued longevity over virality in all his projects.

“Every startup I’ve done, I just do it well and I do it consistently and then suddenly it blows up. And I think people respect that more than somebody who just got viral because of one interview or one clip,” he added.

After studying mechanical engineering, Bukhash decided he wanted to branch out into other areas. He says he enjoys wearing many different hats rather than being stuck on one path.

“I’ve always looked at things and thought, how can I make it better or solve a problem for people? It’s funny how a mechanical engineer has an interview show, a hair salon, a cafe, a social media agency. But that’s the beauty of us as people. I always say, how can you sell something if you don’t believe it? You have to believe it,” he said.

“God made you so multi-dimensional. You just made yourself one dimension, but you were never born in one dimension. I love the fact that I can be one example of someone who can do a few things although I study something irrelevant.”

Bukhash said social media could be a powerful tool to help with storytelling and show people what was happening around the world — especially in recent times.

“In the US, young people have seen the tragedy and the conflict in Gaza in a way they were never able to see several years ago … You don’t have to be from a certain country to see what happens in Gaza, what happens in Lebanon, what happens in so many countries. You just have to be human to know that something is off,” he said.