First Saudi film shot in NEOM to debut at Red Sea International Film Festival

“Within Sand” is the first Saudi film shot in NEOM. (Supplied)
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Updated 06 December 2022
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First Saudi film shot in NEOM to debut at Red Sea International Film Festival

RIYADH: “Within Sand,” the first Saudi film shot in NEOM, will premier at the 2022 Red Sea International Film Festival on Dec. 6.

The film’s director, Mohammed Al-Atawi, spoke to Arab News about the process and challenges of making the film. 

“Within Sand” follows Snam, a 23-year-old tobacco-merchant who breaks away from his trading convoy to reach his village quickly as his wife is about to give birth to their first child.

During his travels, Snam is ambushed by thieves who steal his tools and leave him for dead. In a quest to survive, Snam travels with a wolf trailing him while he struggles on his journey to keep his sanity as memories and the difficulties of loneliness torment him.

“In the film, I wanted to capture a genuine and organic relationship between a man and a wolf. I also focused on presenting the desert of north Saudi in a way that champions its mysterious beauty, not only the harsh nature of a desert,” said Al-Atawi. 




Behind the scenes on the set of ‘Within Sands.’ (Supplied)

The director shed some light on the inspiration behind the film’s name.

“Without spoiling a critical element in the story that inspired the name, the whole narrative takes place in the desert, and we witness Snam’s journey with the wolf, so the environment where the story takes place is significant to the story, and I wanted that to be reflected in the title,” Al-Atawi said.

Discussing the inspiration behind the film, Al-Atawi said: “The story of ‘the wolf companion’ is almost like a folkloric tale in Saudi culture, but it doesn’t have a lot of details about it. Hence, I took creative liberty and tried to approach it with complete creative control but also remain faithful to the original material.”

“During the development phase in The Red Sea Lodge, I had many meetings with director Mohammed Atteia, who was incredibly insightful in film craft and contributed a lot to how I approached some scenes,” the director said.




Behind the scenes on the set of ‘Within Sands.’ (Supplied)

The Red Sea Lodge is a program Al-Atawi was part of that aims to empower cinematic talents by equipping them with the knowledge and resources to launch a successful career in cinema.

The director began working on the film in 2019 with his producer Reem Al-Atawi. 

“COVID-19 postponed the shoot over three times, and at some point, due to weather issues, the shoot was delayed further. But our belief in the story is persistent, and we focused on making this film,” he said.

He highlighted that the writing process was continuous, with the final draft of the script being completed two and a half years from when he initially began writing.

“Writing a script can be time-consuming and creatively challenging, but it’s an organic process, where even during the shoot, I was writing new scenes as I felt more aware of the narrative and the film’s pacing,” he said.

The director added that the support he received from the Saudi Film Commission allowed him to bring the project to life.




A scene from ‘Within Sands.’ (Supplied)

The film was shot in the deserts of NEOM. “NEOM’s media sector chose it to be the first Saudi film to be shot in NEOM, and their support was vital in making the film in one of the best locations,” the director said.

Al-Atawi highlighted what it means to him to see his film featured in the Red Sea International Film Festival.

“First and foremost, it means we made a film that was appreciated by an international festival like the Red Sea, which is a significant accomplishment.

“It also means much more to me that the film’s first screening will be in Saudi Arabia, which is both an honor and a pressure to satisfy the Saudi audience’s expectations, which is not an easy task.”

To those interested in pursuing a career in the industry, Al-Atawi said that “having a career in film can be overwhelming at first, but it’s vital to have a passion for the craft. As challenging as it is, it’s incredibly satisfying to be able to create and share with an audience around the world.” 


Review: ‘I Am Georgina,’ Season 3 — reality TV, Saudi style

Updated 18 September 2024
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Review: ‘I Am Georgina,’ Season 3 — reality TV, Saudi style

DUBAI: Netflix’s “Soy Georgina” (“I Am Georgina”) is back, and this time it explores Argentine model Georgina Rodriguez’s life after her move to Saudi Arabia with partner Cristiano Ronaldo in 2023.

The reality show dominated the Netflix Top 10 in 46 countries after the release of season two. One episode was set entirely in Dubai and showed the Burj Khalifa lit up for Rodriguez’s 28th birthday.

The model-meets-Middle Eastern-luxury formula seems to be one the producers were keen to continue, with fans taken on a whirlwind tour of the Kingdom in season three as Rodriguez and her family explore life in the country.

However, the high-end hotels and stunning seascapes are interspersed with moments of real introspection and fragility, which takes this program from stereotypical reality TV territory to something altogether more inviting and — dare I say it? — heartwarming.

We follow Rodriguez as she embarks on a number of firsts. These include the opening of her first beach house, Villa Perla, to starring in an international campaign for a famous clothing brand and making her debut at Paris Fashion Week by walking for Swiss fashion label Vetements.

One of the most touching aspects of the show is Rodriguez’s relationship with her children — the couple have five, the eldest of whom was born to another mother. The opening scenes of the season show Rodriguez’s worrying about, and praising, her kids and it offers a new side to the woman we are more used to seeing on fashion billboards.

Similarly, the — albeit sparse — scenes of a football legend pottering around with his young family offers insight into Ronaldo as a father, for which the series is all the better.

There are, thankfully, no engineered high-drama interactions and although it does sometimes feel like a carefully staged advertorial, there are candid caught-on-camera moments where the star seems tense and nervous at public events.

She is also not one to shy away from talking about her humble roots and being honest about the sometimes taxing reality of her life in the spotlight and what it takes to be a poster girl for all things glamor.


From London to Milan, Nora Attal dominates fashion week  

Updated 18 September 2024
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From London to Milan, Nora Attal dominates fashion week  

DUBAI: British Moroccan model Nora Attal made a mark at London Fashion Week, walking in high-profile shows such as Burberry, Simone Rocha and Nensi Dojaka — all within a span of just two days.

At the Burberry show, she showcased a casual ensemble featuring light beige knee-length shorts paired with a striped, collared button-down shirt that was slightly tucked in at the front. Over this, she sported a muted olive green blazer with rolled-up sleeves. Her outfit was complemented by a large, quilted shoulder bag and matching beige and cream-colored loafers, the latter of which were adorned with small studs.

Attal showcased a casual ensemble featuring light beige knee-length shorts paired with a striped, collared button-down shirt. (Getty Images)

British designer Daniel Lee has been steering Burberry’s creative direction for the past two years with innovative flair. For women, he reimagined the classic trench coat into various forms including a cropped jacket, a halter cape or a parka with shoulders covered in silk organza faux feather trims, layered over delicate dresses or skirts, blending elegance with a sportier, even military style.

For men, the influence of sportswear fashion was even stronger, with lightweight materials and functional cuts, giving rise to outfits of flowing pants and tartan zip-up jackets, paired with sneakers or loafers.

The model stepped out on the Nensi Dojaka runway in a form-fitting, short black dress. (Getty Images)

The collection also gave a nod to the resurgence of y2k fashion, with low-rise trousers, cargos and capris that end below the knee.

The show was attended by Arab figures including Saudi producer Moahmmed Al-Turki, Australia-born model Shanina Shaik — who is of Saudi, Pakistani and Lithuanian descent — and Dubai-based influencer Ola Farahat. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by SIMONE ROCHA (@simonerocha_)

For the Simone Rocha show, Attal donned an ensemble that featured a long-sleeved, sheer top with a fitted bodice. Beneath this, a satiny black dress was visible, designed with a cinched waist. The dress extended into a flowing skirt that daringly split high on the thigh. 

Meanwhile, the model stepped out on the Nensi Dojaka runway in a form-fitting, short black dress. The design included an asymmetrical neckline, with one shoulder adorned with delicate, ruffled white fabric. 

After wrapping up her appearances at London Fashion Week, the model headed to Milan to partake in its fashion week that started on Tuesday. She kicked off her runway engagements by walking for Alberta Ferretti, wearing a black strapless, figure-hugging mini dress embellished with beadwork and lace detailing.


Riyadh International Book Fair promises celebration of literature

Updated 18 September 2024
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Riyadh International Book Fair promises celebration of literature

  • Fair will host writers, thinkers, and intellectuals from Saudi Arabia and beyond, making it a pivotal literary platform in the region
  • Mohammed Hasan Alwan: The fair offers visitors a unique intellectual and cultural experience, incorporating the latest technologies and digital solutions

JEDDAH: Saudi Arabia’s Literature, Publishing and Translation Commission is gearing up for the 2024 Riyadh International Book Fair, which is set to take place from Sept. 26 to Oct. 5 at King Saud University in Riyadh.

With about 2,000 local, Arab and international publishing houses and agencies from more than 30 countries adorning 800 booths, this year’s fair promises to be a celebration of literature, knowledge, and creativity.

The fair will host writers, thinkers, and intellectuals from Saudi Arabia and beyond, making it a pivotal literary platform in the region.

Qatar will be the guest of honor at the fair. The rich cultural and intellectual legacy of the country will be on display through a dedicated pavilion featuring rare manuscripts and publications from Qatar’s Ministry of Culture.

Leading literary and artistic luminaries, alongside key organizations from Qatar’s cultural landscape, will feature at the event.

Mohammed Hasan Alwan, the CEO of the commission, said that the fair illustrated the unwavering support for cultural endeavors in Saudi Arabia.

Alwan said: “The fair offers visitors a unique intellectual and cultural experience, incorporating the latest technologies and digital solutions. Attendees can discover thousands of new releases across various fields and enjoy a wide range of activities and events within the diverse cultural program, featuring prominent cultural figures from Saudi Arabia and beyond.

“This makes the 2024 edition a truly inspiring cultural journey, building on the successes of previous editions.”

This year’s fair boasts a dedicated business zone, with participation from literary agencies managing authors’ works and contracts, and with printing presses offering services to publishers. Additionally, there will be government and financial institution booths related to the publishing business sector.

The zone will host special sessions and workshops on topics such as entrepreneurship, licensing and copyright.

The fair will also feature a children’s area brimming with literary, cultural, and entertainment activities aimed at igniting the spark of curiosity in the young generation.

By championing local authors, providing a platform for self-published works, and offering a diverse range of cultural activities, the fair reflects the Kingdom’s efforts to nurture creativity and promote literary innovation.

The fair’s diverse cultural and intellectual activities are to be hosted in partnership with the Cultural Channel.

The program includes dialogue sessions, workshops, poetry evenings, and concerts and artistic performances designed to enrich the cultural sector, foster knowledge and promote reading as a way of life, while contributing to the sustainability of the cultural and intellectual renaissance underway in Saudi society.


Dubai gallery to host Andy Warhol exhibition ‘The Glam Factory’

Updated 18 September 2024
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Dubai gallery to host Andy Warhol exhibition ‘The Glam Factory’

DUBAI: Artworks by late pop art icon Andy Warhol will be displayed in the UAE as part of “The Glam Factory” exhibition at the Foundry gallery in Dubai.

Curated by Nada Ghandour, “The Glam Factory” highlights Warhol, a prominent American artist in the 1960s known for his pop art style. “Campbell’s Soup Cans,” “Marilyn Monroe” and “Banana” are among his most famous pieces.

In an interview with Arab News, Heritage Curator Nada Ghandour described the exhibition as a “new reading of Andy Warhol’s work through the lens of our digital era and here in Dubai.”

Warhol moved to New York City in 1949 to pursue his American Dream and become rich and famous, said Ghandour.

“People today come to Dubai to also live out this dream. The American dream is more about opportunity and prosperity, and we know that many people today are moving to Dubai because it is a destination for stability and growth,” she explained.

Inspired by Warhol’s workshop “The Silver Factory,” Ghandour named the exhibition “The Glam Factory,” paying homage to his artistic process.

To draw a portrait, she explained, Warhol would take about 150 photos. He would then choose small parts from each photo and mix them together.

“He was capable of doing the job of a plastic surgeon; this was the glamorous and beautiful aspect of it,” she said.

Ghandour described Warhol as an artistic and technological visionary.

“Warhol was ahead of his time and was describing the artificial intelligence that we know now,” she said.

If he were alive now, she added, “he would speak to AI to create something in collaboration with a computer.”

The collection features over 100 of Warhol’s original pieces including screen prints, photos and magazine illustrations.

Located at the Foundry art space in Downtown Dubai, “The Glam Factory” exhibition is set to run from Sept. 20 to Oct. 31 of this year.


Mona Zaki-starring ‘Flight 404’ chosen as Egypt’s Oscars submission

Updated 17 September 2024
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Mona Zaki-starring ‘Flight 404’ chosen as Egypt’s Oscars submission

DUBAI: Egyptian actress Mona Zaki and the Egyptian Film Syndicate announced this week that the film “Flight 404” will be Egypt’s official submission for the Best International Feature Film category at the 2025 Academy Awards.

This means that the film will be considered for the shortlist. If the movie gets shortlisted, it could then get nominated for an Academy Award.

The movie tells the story of Ghada, who, just days before her Hajj pilgrimage, is confronted with an emergency that requires a large sum of money. Forced to seek help, she must turn to individuals from a troubled past she had promised to leave behind.

Besides Zaki, the film, directed by filmmaker Hani Khalifa and scripted by Mohamed Ragaa, stars actors Mohamed Farag, Mohamed Mamdouh, Shereen Reda, Khaled El-Sawy, Mohamed Alaa, Hassan Al-Adl, Sama Ibrahim, Shadi Alfons, Rana Raies, Gihan El-Shamashergy and Arfa Abdel Rassoul.

The Oscar’s 97th edition is set to take place on March 3, 2025, at the Dolby Theatre in Los Angeles. 

Key dates for the 2025 submissions and voting were announced earlier this year. The deadline for general entries and Best Picture submissions is Thursday, Nov. 14. Preliminary voting for shortlists in ten categories will occur between Dec. 9-13, with the results to be revealed on Dec. 17. The nominations voting period will run from Jan. 8-12, and the official nominations will be announced on Friday, Jan. 17—a shift from the usual earlier-in-the-week schedule.

Last year, Egypt selected Mohamed Farag-starring “Voy Voy Voy!” as its entry for the Oscars’ Best International Feature Film award, while Yemen selected director Amr Gamal’s “The Burdened” and Tunisia competed with Kaouther Ben Hania’s “Four Daughters.” Morocco selected Asmae El-Moudir’s documentary “The Mother of All Lies.” 

Jordan submitted Amjad Al-Rasheed’s movie “Inshallah a Boy” and Palestine submitted Lina Soualem’s documentary “Bye Bye Tiberias.” 

None of the films won at the 2024 Oscars, though “Four Daughters” was nominated for Best Documentary Feature, a category ultimately won by “20 Days in Mariupol.” This marked a historic moment for director Kaouther Ben Hania, as she became the first Arab woman to receive a second Oscar nomination.