Balad Beast ready to take center stage at Jeddah’s Old Town

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CEO of MDLBEAST Ramadan Alharatani outlines the program for Balad Beast. (Supplied)
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CEO of MDLBEAST Ramadan Alharatani outlines the program for Balad Beast. (Supplied)
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Balad Beast will take place in Al-Balad, Jeddah, on Dec. 9 and 10. (Supplied)
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Balad Beast will take place in Al-Balad, Jeddah, on Dec. 9 and 10. (Supplied)
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Balad Beast will take place in Al-Balad, Jeddah, on Dec. 9 and 10. (Supplied)
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Updated 08 December 2022
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Balad Beast ready to take center stage at Jeddah’s Old Town

  • Balad Beast is a boutique music festival organized for a reduced capacity of between 12,000-15,000 people daily, Dec. 9 and 10, in Al-Balad, Jeddah
  • MDLBEAST is expanding into multiple events and diversifying its portfolio under MDLBEAST Records to feature more artists representing different genres

JEDDAH: Ahead of the arrival of musical event Balad Beast, Ramadan Alharatani, CEO of MDLBEAST, received local and regional media for an exclusive press preview, including a tour of Jeddah Old Town’s famous districts on Wednesday.

The pre-event promotion was organized in collaboration with the Saudi Ministry of Culture.

MDLBEAST is taking place over two days on Dec. 9 and 10 with more than 70 local, regional and international artists performing in the neighborhood alongside the UNESCO World Heritage Site’s epic surroundings.

Alharatani explained the inspiration behind Balad Beast and detailed how the site will be preserved during the event. Speaking to Arab News, he said: “After months of behind-the-scenes preparations, we are delighted that the time has finally come for Jeddah’s Old Town to take center stage and host the first-ever Balad Beast.

“Since a historical area like Al-Balad requires extra caution, various extensive sound testing across the past two weeks has been performed to measure the effect of the sound vibrations and waves on the area’s buildings and ensure the volume is at a safe limit.”

Alharatani added that the Balad Beast is a boutique festival organized for a reduced capacity with about 12,000-15,000 people in attendance each day.

“We aim to provide the full experience to the music lovers in Jeddah similar to what other festivals of multi-stages and multi-genres have along with an ability to move from one place to another, enabling visitors to enjoy the music at every corner,” he said.

“The crowd in Jeddah has always been demanding for MDLBEAST. Although we have been here before by executing the Formula One concerts in March and November, this is the first time we are bringing the MDLBEAST through Balad Beast in historic Jeddah,” he added.

The event will bring renowned headliners, emerging talent and cutting-edge features together in a historic, culturally significant site fusing the past with the present and thrusting the spotlight on both Jeddah’s history and vast potential to become a thriving local and regional hub for music.

During the conference, Alharatani said that extra steps had been taken to prevent harassment of any kind at the event. “We work to promote fun and consensual music experiences. Therefore, we have launched an anti-harassment campaign called ‘Respect & Reset’ aimed at education, prevention and support resources,” he said.

Alharatani warned that anyone who violates the policy will be immediately removed from the festival site without a refund and will be referred to the authorities for legal recourse, adding that offenders will be banned from all future events.

MDLBEAST is expanding into multiple events and diversifying its portfolio under MDLBEAST Records to feature more artists representing different genres. It is also expanding into venues to provide creative spaces and cultural hubs for aspiring artists to gather, create and be part of the community.

Balad Beast announced that US rapper Busta Rhymes is making his way to Saudi Arabia for the festival, while era-defining DJ Carl Cox will also be part of the action-packed bill. Italian duo Tale of Us will also take part, along with Lupe Fiasco, Salvatore Ganacci, as well as local artists including Dorar, Dana Hourani, Biirdperson and many others.

Tickets for Balad Beast are available now across two tiers: General Admission, which offers access to all five stages of the event, and VIB, which will give ticket holders the privilege of accessing historic building lounges, entrances from a separate VIB gate and complimentary gourmet food.


Limitless Orchestra marks world premiere at Dubai Opera with show honoring Johann Strauss, Hans Zimmer

Updated 11 January 2025
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Limitless Orchestra marks world premiere at Dubai Opera with show honoring Johann Strauss, Hans Zimmer

DUBAI: Dubai Opera played host to a world premiere this week that reimagines orchestral music for a new generation of music lovers.

“Global Waltzing — from Johann Strauss to Hans Zimmer,” presented by The Limitless Orchestra, took place at the intimate venue at the heart of Dubai on Jan. 10 and 11.

The brainchild of Russian-German violinist and composer Aleksey Igudesman, the orchestra enjoys the distinguished patronage of legendary film composer Hans Zimmer, who also made a special guest appearance on stage on both nights.

The orchestra enjoys the distinguished patronage of legendary film composer Hans Zimmer, who also made a special guest appearance on stage on both nights. (Supplied)

Under Igudesman’s innovative “fail forward” approach, “The Limitless Orchestra” breathes new life into the traditional boundaries of symphonic artistry, blending timeless musical techniques with contemporary creativity to deliver an experience that is as daring as it is transformative.

“The world definitely does not need another orchestra, for sure, but I think the world needs this orchestra and other orchestras like it,” Igudesman said ahead of the show.

“The orchestra essentially has not changed, or an orchestra has not changed its format more or less for 150 years. It has become an institution, a very vital cultural institution. But everything that stays the same becomes stagnant and becomes a museum, and then dies eventually, and we do not want an orchestra to die. So, for me, I think launching the ‘Limitless’ orchestra with the help of my great friends is something that I just had to do, because I did not want to have the things that I love so much die, and I wanted to show a possible new way of doing things.”

The show sees the orchestra revitalize the timeless works of Johann Strauss. (Supplied)

The show sees the orchestra revitalize the timeless works of Johann Strauss, skillfully blending the cherished compositions of the Austrian king of the waltz with the epic film music of Hollywood legend Zimmer.

Zimmer, displaying his trademark humility, said: “I don’t think there are limitations to classical music. I would hate to go about ruining Bach or Mozart. That’s their music and we can have new music.

“I’m just a peasant of music. I write film music. But the weird thing is that every day I get to go out and hire an orchestra. I get to go out and play in arenas for 20,000 people. So, something is working with what I’m doing. I’m adding instruments to the orchestra, I’m adding playfulness.”

“Global Waltzing — from Johann Strauss to Hans Zimmer” took place at the intimate venue at the heart of Dubai on Jan. 10 and 11. (Supplied)

The program will showcase a dazzling fusion of classical and cinematic music through an innovative selection of compositions, including the opening piece, “Emperor Waltz, Sultan Style,” by Igudesman and Tristan Schulze, inspired by Johann Strauss.

Other pieces include “Sherlock Holmes Fantasy,” “From Time to Time — Inception Waltz,” and “The Banker’s Waltz.”

Igudesman, celebrated for his electrifying performances and whimsical approach to classical music, will perform original works and innovative compositions, accompanied by the mesmerizing voice of soprano Ekaterina Shelehova.


Saudi-backed film to screen at International Film Festival Rotterdam

Updated 11 January 2025
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Saudi-backed film to screen at International Film Festival Rotterdam

DUBAI: The International Film Festival Rotterdam this week revealed its line-up for the 2025 edition, featuring the Red Sea Film Foundation-supported “Dead Dog” by Lebanese director Sarah Francis.

The film follows Walid and Aida, a husband and wife reunited after his long absence abroad. As they confront the emotional distance between them, secrets come to light, including Aida’s silence about their beloved dog Punto. Set against a backdrop of shifting dynamics and unspoken truths, “Dead Dog” explores themes of estrangement, trust, and the complexities of marriage.

The festival is set to take place from Jan. 30 to Feb. 9.


Netflix unveils season 2 trailer for ‘Mo’

Updated 11 January 2025
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Netflix unveils season 2 trailer for ‘Mo’

DUBAI: Netflix this week released the trailer for the highly anticipated second season of Palestinian-American comedian Mohammed Amer’s award-winning series “Mo,” announcing its debut on Jan. 30.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Netflix MENA (@netflixmena)

The new trailer showcases the show’s signature humor and heartfelt moments as Mo Najjar, played by Amer, continues to navigate life as a Palestinian refugee in the US.

In season 2, he finds himself stuck on the other side of the border, desperately trying to make it back to Houston in time for his family’s important asylum hearing. With no passport and few options, he faces a series of unexpected challenges, including a new rival who jeopardizes his relationship with Maria and his signature falafel taco recipe.

 


Film Review: ‘Confess, Fletch’

Updated 10 January 2025
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Film Review: ‘Confess, Fletch’

  • In this story, Fletch, a former investigative journalist and current freelancer, is hired by a billionaire Italian count to investigate the whereabouts of his valuable art collection, which suddenly goes missing

Jon Hamm, renowned for his role in “Mad Men, steps into the elegant shoes of Irwin Maurice “Fletch” Fletcher in “Confess, Fletch,” a 2022 film that modernizes the classic 1980s character — which is based on a novel from the 1970s — originally portrayed twice by the beloved Chevy Chase.

In this story, Fletch, a former investigative journalist and current freelancer, is hired by a billionaire Italian count to investigate the whereabouts of his valuable art collection, which suddenly goes missing.

In true Italian fashion, Fletch falls in love with his boss’ daughter, Angela, while in Rome, and things get even more complicated when her father, the count who hired Fletch, goes missing.

The plot thickens further when Fletch finds the dead body of a mysterious woman at the luxury townhouse he is renting in Boston — a place Angela found for him. Fletch becomes the prime suspect in that murder investigation while simultaneously trying to recover the stolen paintings and salvage his now-strained relationship with the secretive and passionate Angela.

Jon Hamm as Irwin Maurice “Fletch” Fletcher.

The film offers several laugh-out-loud moments, particularly thanks to Fletch’s dry wit and the quirky characters he encounters. Some of the dialogue is cringey and goofy but presented in such an endearing way that you don’t even mind it.

Directed by Greg Mottola, this version of “Fletch” dials down the slapstick humor of the Chase versions in favor of dry wit and sharp dialogue. Hamm brings a suave, albeit slightly arrogant energy to the role, skillfully balancing irreverence with understated charisma.

Respected actress Marcia Gay Harden plays the count’s wife, Angela’s stepmother. Sadly, her stellar performance is overshadowed by her misstep in terrible accent work, which distracts from an otherwise competent portrayal of a key character in the film. Despite this, the other supporting performances in general remain strong, including the sergeant inspector — who often has his baby on his hip — and the junior detective who is trying, and sometimes failing, to prove herself.

Fletch also encounters a strange neighbor, a woman with an eccentric dog, whose odd behavior and mysterious presence add another layer of intrigue to the film. Meanwhile, Fletch’s rental house — where the dead body was found — showcases its own oddities, with the owner sneaking into the property unannounced and beating up Fletch — further fueling Fletch’s suspicion, and ours, about the situation.

Ultimately, “Confess, Fletch” offers a fresh and charming take on a beloved character. While its tone and pacing are more relaxed than its predecessors, it offers an enjoyable viewing experience for those who appreciate subtle humor and character-driven comedy.
 


Review: Wallace & Gromit make a cracking return in ‘Vengeance Most Fowl’

Updated 09 January 2025
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Review: Wallace & Gromit make a cracking return in ‘Vengeance Most Fowl’

DUBAI: It’s been a little over 16 years since we were last treated to a new “Wallace & Gromit” film from the brilliant stop-motion animation studio Aardman Animations. But now the eccentric UK inventor and his loyal, put-upon dog are back in a feature-length film that will delight fans old and new.

“Vengeance Most Fowl” is a straightforward enough story: Wallace, thinking he’s helping Gromit out, invents a robotic “smart gnome” called Norbot to help the dog with his gardening. Gromit isn’t impressed, but the neighbors are, and soon Wallace has set up a new home improvements business to help alleviate his financial struggles. Meanwhile, the duo’s arch-enemy, the villainous penguin Feather McGraw, whom they caught stealing the famous Blue Diamond from the city museum (back in 1993’s “The Wrong Trousers”), is serving a life sentence behind bars (in a zoo). But when he spots a news report about Wallace’s new invention, he sees a chance to take revenge. His plan starts with hacking Norbot and ruining Wallace’s new business — while making Wallace the prime suspect in a crime spree — and also involves breaking out of captivity.

Plot complexity isn’t — and never has been — the main draw of creator Nick Park’s “Wallace & Gromit” works, though. Their beauty lies in their extraordinary craftsmanship, gentle social commentary (this time, much of that focuses on our obsession with, and reliance on, tech, gadgets and AI), throw-away comic observations, and the sweet portrayal of the relationship between the main protagonists — long-suffering, stoic Gromit and his often-oblivious, exuberant owner. It’s a relationship in which the roles are often reversed; Gromit having to be the ‘adult’ taking care of the day-to-day tasks while Wallace loses himself in his own imagination. And, as ever, Wallace pushes Gromit’s patience to the limits before remembering that his dog is the only one who never loses faith in him.

The stop-motion animation skill displayed with Gromit, especially — given that he must convey everything with, basically, his eyes, ears and brow — is breathtaking, but then so is the whole world of “Wallace & Gromit.” It might all be constructed from clay, but it’s more authentic and engaging than 90 percent of what is put out with actual human actors.