Pakistani films that caught global spotlight in 2022

This combination of pictures created on December 21, 2022 of four Pakistani movie stills shows (clockwise from top left) scenes from the short film Sandstorm released in September 2021, feature film Kamli released in June 2022, The Legend of Maula Jatt released in October 2022, and Joyland released in November 2022. (AN Photo)
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Updated 21 December 2022
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Pakistani films that caught global spotlight in 2022

  • The year 2022 has been ecstatic in terms of Pakistani cinema making waves worldwide
  • ‘Joyland,’ ‘The Legend of Maula Jatt,’ ‘Kamli’ became face of local cinema around the globe

KARACHI: The year 2022 was groundbreaking for Pakistani cinema in terms of its representation and recognition abroad.

From Saba Qamar-starrer ‘Kamli’ to ‘Joyland,’ the critically acclaimed Pakistani Oscar entry, to the reboot of ‘Maula Jatt,’ Arab News Pakistan brings you a list of Pakistani films that received international recognition in 2022 for their powerful storylines, brilliant skills of actors and the themes they were centered around.

Kamli




This screengrab, taken on December 14, 2022, from the trailer of the Pakistani movie "Kamli" features actors Sania Saeed (right) and Saba Qamar (left). (Photo courtesy: Khoosat Films)

Sarmad Sultan Khoosat’s film Kamli, which released in cinemas across Pakistan on June 3, is set for its European premiere next month at the 2023 International Film Festival Rotterdam’s (IFFR) the Limelight Programme. Prior to this, the film was screened at the Indus Valley International Film Festival (IVIFF) 2022 in Chandigarh, India.

Saba Qamar, who plays the lead role in Kamli, won the IVIFF 2022 Best Actress trophy for her performance. Kamli revolves around a woman’s struggle between loyalty to long-missing husband and her carnal desires. Besides Qamar, the critically and commercially acclaimed Pakistani movie starred Sania Saeed, Nimra Bucha and debutant Hamza Khawaja.

The film received immense appreciation after its release in Pakistan and had a full-house throughout its run in cinemas across the country.

Speaking of Pakistani cinema getting recognition abroad, Qamar told Arab News in an earlier interview: “Our dramas are popular beyond borders but films like The Legend of Maula Jatt, Kamli and Joyland represent the best of Pakistani cinema abroad.”

Joyland




This image released by Khoosat Films shows a scene from the film "Joyland." (Photo courtesy: Khoosat Films via AP)

Joyland, Pakistan’s official entry for the upcoming Academy Awards, made the most headlines this year. The movie first got critical acclaim in May after it won the Cannes “Queer Palm” prize for the best feminist-themed movie as well as the Jury Prize in the “Un Certain Regard” competition, a segment focusing on young, innovative cinema talent.

Joyland left Cannes audiences slack-jawed and admiring, and got a nearly 10-minute-long standing ovation from the opening night’s crowd.

The movie released across Pakistan, except the Punjab province, on November 18, after much speculation at home. While makers continue to fight for its release in the most populous Pakistani province, the film is headed to Sundance Film Festival 2023 that will take place from January 19 till January 29.

Besides, Joyland also screened at the Indian Film Festival of Melbourne, where it won the ‘Best Film’ from the subcontinent for 2022. Among other international festivals, the movie had its North American premiere at the Toronto International Film Festival earlier this year.

The Legend of Maula Jatt




This handout picture shows the movie poster of Pakistan's Punjabi film "The Legend of Maula Jatt" released in October 2022. (Photo courtesy: Online)

Bilal Lashari’s long-awaited cinematic outing, The Legend of Maula Jatt broke all previous box office records for any Pakistani movie, not just at home but across the globe. Besides Pakistan, the film released in the Middle East, the United States, Canada, Europe, Australia and New Zealand.

A reboot of the 1979 cult classic, Maula Jatt, the Punjabi action film starred Fawad Khan, Mahira Khan and Hamza Ali Abbasi in key roles. Touted as the most expensive film in Pakistan’s history, the film crossed the budget of almost 50 crores ($2.2 million), including marketing and advertising, according to the film’s distributor Nadeem Mandviwalla.

The film’s plot revolves around Maula Jatt, a fierce prizefighter with a tortured past who seeks vengeance against his arch nemesis, Noori Natt, considered the most feared warrior in Punjab.

According to official numbers, the film crossed the figure of 200 crores ($8.8 million) worldwide, while it crossed 95 crores ($4.2 million) in Pakistan as of December 19.

Sandstorm




This still from the Pakistani short film Sandstorm, released in September 2021, shows the protagonist Zara sitting in an empty classroom. (Photo courtesy: YouTube/Seemab Gul)

Pakistan director Seemab Gul’s short film, Sandstorm won big at Oscar-qualifying festivals, HollyShorts and the Flickers Rhode Island International Film Festival (RIIFF) 2022. Sandstorm emerged as one of the top three winners at HollyShorts 2022, while it won the Best Live Action title at RIIFF 2022.

The short film had its world premiere at the 78th edition of the Venice Film Festival in September 2021. Since then, it has made it to nearly 50 festivals worldwide, including the prestigious Sundance Film Festival and Ischia Film Festival (IFF) in 2022, where it bagged three trophies.

Written and directed by London-based filmmaker Gul, Sandstorm revolves around a schoolgirl in Pakistan’s southern port city of Karachi, who shares a dance video with a boy she meets online. The story takes a sinister turn, when the boy blackmails her with the video.

“It is wonderful to represent Pakistan and most importantly, a female story from the female perspective, which is actually rare in the mainstream industry,” Gul told Arab News in an interview in August.

The filmmaker is now eyeing the Oscars’ shortlist, for which only 10 films will be selected by the end of January. Out of these 10, only five are nominated for the award.


Jennifer Lopez turns heads at F1 Saudi Arabian Grand Prix 

Updated 20 April 2025
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Jennifer Lopez turns heads at F1 Saudi Arabian Grand Prix 

JEDDAH: US superstar Jennifer Lopez turned heads at the F1 Saudi Arabian Grand Prix in Jeddah ahead of her after-race performance.

The “Kiss of the Spider Woman” actress and singer made an appearance at the final practice on Saturday in a pink catsuit with a zipper down the front.

She performed on stage on Saturday night with a string of her most famous hits as part of an after-race concert lineup including Usher, Major Lazer, Peggy Gou and PartyNextDoor, alongside Arab stars such as Marwan Pablo, Tul8te, Hisham Abbas, Mostafa Amar and Hamid El-Shaeri.

Jennifer Lopez performed in Jeddah on Saturday night. (Supplied)

Widely regarded as one of the world’s most influential entertainers, Lopez has made her mark across music, film and television. She remains the only female artist to simultaneously top both the US box office and music charts, with over $3 billion in global box office earnings, more than 80 million records sold and billions of streams and views across her music catalogue.


Japan’s Koji Yamamura brings expertise to Saudi Film Festival masterclass

Updated 20 April 2025
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Japan’s Koji Yamamura brings expertise to Saudi Film Festival masterclass

DHAHRAN: Animation lovers attending the 11th Saudi Film Festival this week were treated to a masterclass by Oscar-nominated Japanese director Koji Yamamura.

Yamamura gave a masterclass titled “Giving Shape to Invisible Light” on Saturday.

While the Saudi Film Festival typically focuses on local and regional cinema, it also offers audiences a chance to engage with global voices. This year, Japan holds a special place in the lineup, with the festival running until April 23.

Masterclass attendees watched as Yamamura explained his process and shared several of his shorts, which he dissected, offering guidance and insight into his creative approach.

Yamamura, regarded as one of Japan’s most successful animation filmmakers, began creating films at just 13 years old. After six painstaking years and thousands of drawings, his 10-minute 2002 film “Mt. Head” earned him an Oscar nomination in the Best Short Film category.

The story follows a man who eats cherry pits to avoid waste, only to have a cherry tree sprout from his head. What begins as a nuisance quickly escalates into chaos as strangers flock to picnic and swim atop his head.

Narrated in the traditional rakugo style — with a single voice and sparse instrumentation — the work blends classical storytelling with modern themes. Beneath the dark humor lies a critique of isolationism, environmental degradation, and the illusion of control. The more the man tries to resist change, the more disorder he invites, leading to a haunting end.

Yamamura explained that many of his works were inspired by traditional tales that are over 150 years-old—stories where the beginning and end are already known — so the creative challenge lies in how he fills the space.

His work moves fluidly between absurdity and clarity, often occupying a Kafkaesque space that encourages the viewer to dive in until the narrative fully takes hold.

After the masterclass, he sat down to answer questions by moderator Naoures Rouissi of the Arab Film Festival Zurich, and the audience was invited to take part in a Q&A portion.

Abdulrahman Al-Qarzaee, a fluent Japanese speaker who is Saudi, translated.

“I’m very interested in Arabic culture. It is my first time in Saudi Arabia — I would like to sketch it. I think the landscape is very different from Japan,” Yamamura told Arab News after the session.

When Arab News asked if he might create a new work inspired by his visit to the Kingdom, he didn’t hesitate.

“Probably, yeah. This is a very special and different experience for me,” he concluded with a smile.


Saudi comedy film ‘Ambulance’ to get sequel

Updated 19 April 2025
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Saudi comedy film ‘Ambulance’ to get sequel

DUBAI: A sequel is already in the works for “Esaaf” (“Ambulance”), the new comedy starring Saudi actor and stand-up comedian Ibrahim Al-Hajjaj and directed by British filmmaker Colin Teague.

The film premiered on Tuesday, making history as the first Arabic-language movie to be released by Imax. 

The plot revolves around two Saudi paramedics who discover a briefcase containing holding SR2 million (around $533,300) and find themselves caught up in a dangerous kidnapping scheme.

The movie is written by Alberto Lopez and produced by Al-Hajjaj’s House of Comedy, Saudi producer Talal Anazi’s Black Light Operations and former MBC Studios chief Peter Smith in tandem with Saudi Media Company. 

The film marks Al-Hajjaj’s first major release since “Sattar,” the 2023 wrestling film which grossed over $30 million, primarily from Saudi audiences.


Princess Rajwa, Prince Hussein visit historic site in Jordan

Updated 19 April 2025
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Princess Rajwa, Prince Hussein visit historic site in Jordan

DUBAI: Princess Rajwa Al-Hussein of Jordan opted for a relaxed look this week when she visited the archaeological site of Umm Qais with her husband, Crown Prince Hussein bin Abdullah.

Rajwa, who is of Saudi origin, wore beige Atelier canvas straight-leg cargo pants by Jacquemus, paired with a black fitted top and matching Prada re-edition 2005 nylon bag. She completed her look with Gentle Monster’s Musee 01 sunglasses.

The crown prince also kept it casual in a plain white T-shirt, olive green cargo shorts and sunglasses.

Bin Abdullah took to Instagram to share a heartwarming photo with his wife taken during their visit.

“There is nothing like spring in the north of Jordan,” read the caption.

The couple also made headlines this week as their eight-month-old daughter, Princess Iman bint Al-Hussein, marked a significant milestone when she accompanied them to the Kingdom of Bahrain on her first official overseas visit.

The young princess was received by Bahrain’s King Hamad bin Isa Al-Khalifa at Al-Sakhir Palace. (Instagram)

The young princess was received by Bahrain’s King Hamad bin Isa Al-Khalifa at Al-Sakhir Palace.

Princess Rajwa opted for a white-and-blue ensemble from London-based fashion label Erdem for the occasion. This included a floral midi pencil skirt and a draped short-sleeved top. She completed the look with white lace slingback pumps from Manolo Blahnik and a Jacquemus shoulder bag.

Last month, Crown Prince Hussein took to Instagram to mark Mother’s Day with a heartfelt tribute to his mother, Queen Rania, and Princess Rajwa.

In the first of two images, Queen Rania is holding her granddaughter, Princess Iman, as the crown prince watches on.

In the second image, Princess Rajwa, dressed in a plain white t-shirt, is seen holding her daughter.

“To my beloved mother and my loving wife, your presence fills our lives with joy, and your love is the true meaning of giving. Happy Mother’s Day,” he wrote.

The royal couple welcomed Iman in August last year.

They are also active in their humanitarian efforts. During Ramadan, they visited the Children’s Museum Jordan to attend an iftar event with orphans.

They spent time with the children, playing games, sharing a meal and engaging in conversation. The couple also posed for photos with the young attendees.


At Art Dubai, Pakistani artists find the space missing at home

Updated 19 April 2025
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At Art Dubai, Pakistani artists find the space missing at home

  • The Middle East’s leading art fair draws galleries and collectors from around the world
  • Pakistani artists say global interest is rising in their work, bringing international recognition

KARACHI: Pakistani artists have been receiving increasing international recognition, but many still grapple with limited opportunities and visibility at home, a participant at a major Gulf art fair said this week.
Her comments coincided with Art Dubai 2025, the Middle East’s leading contemporary art fair, where 10 Pakistani artists are exhibiting their work this year.
The event, running since 2007, draws galleries and collectors from across the globe and has become a vital platform for people with creative abilities in places like Pakistan.
“It’s wonderful that we as artists who have been invisible because of the greater struggles of [our] country are visible through this platform in the Gulf,” said Faiza Butt, a London-based Pakistani artist currently attending the fair, told Arab News over the phone.

Artist Faiza Butt poses against the backdrop of her artwork ‘The Male Figure’ during the Art Dubai 2025 preview at Madinat Jumeirah in Dubai on April 17, 2025. (Photo courtesy: Handout/Grosvenor Gallery)

“It’s really a matter of pride that despite all the odds, Pakistani artists continue to appear, and work and make themselves visible, especially female artists.”
Butt maintained Pakistani artists are shaped by the country’s complex realities, adding that is what gives their work its depth.
“Our social and political struggles really feed the artists’ imagination,” she said. “Art doesn’t come from a happy place. So one of the reasons our artists are so strong is because our country has gone through a great deal of strife.”
She also credited the country’s mature art education institutions, such as the National College of Arts in Lahore and the Indus Valley School of Arts in Karachi, for nurturing generations of artists despite systemic challenges.

Artwork ‘The Male Figure’ by Pakistani artists Anwar Saeed and Faiza Butt on display by Grosvenor Gallery during the Art Dubai 2025 at Madinat Jumeirah in Dubai. (Photo courtesy: Handout/Grosvenor Gallery)

Karachi-based visual artist Sana Arjumand, who is also exhibiting at the fair, echoed similar views.
“There is now more and more interest coming into Pakistani art because we are really making very good art,” she said.
“Because of so many different experiences here [in Pakistan], we have that informed kind of making of art. It’s more vibrant and alive. It stands out as well — that is why more and more interest is coming here.”
Arjumand, who studied painting at NCA, said her early work focused on self-reflection but has since evolved to include themes of Sufism, mysticism and human interconnectedness with nature.
Her new work, presented at the fair, explores the idea that human behavior mirrors elements in the natural world.
“It’s for everyone,” she said. “It has a storyline that anybody can relate to.”
A total of ten Pakistani artists, including one posthumously, are featured in the fair’s Contemporary Art section. Among them is the late Sadequain, whose pioneering calligraphy and figurative works helped define Pakistan’s post-Partition art movement and continue to influence generations of artists.

Sana Arjumand’s painting ‘The Perfect Mirror’ on display by Aicon Gallery at Booth E5 as they set up for the Art Dubai 2025 preview at Madinat Jumeirah in Dubai on April 16, 2025. (Photo courtesy: Handout/Sana Arjumand Studio)

Also exhibiting are Rasheed Araeen, a Karachi-born conceptualist known internationally for his contributions to British minimalist and postcolonial art, and Imran Qureshi, whose fusion of classical Mughal miniature techniques with contemporary themes has earned him acclaim worldwide.
Other featured names include Anwar Saeed, celebrated for his explorations of identity and sexuality, and Shezad Dawood, a London-based multidisciplinary artist with Pakistani and Indian heritage.
Butt is being represented by Grosvenor Gallery in London, which is exhibiting her work alongside that of Anwar Saeed under a shared curatorial concept focused on representations of the male form.
“The female figure is represented enough in the arts,” said Butt. “Anwar and I both discuss the male form but with our own unique politics based on our unique ethnography. But we are both Pakistanis, and there are overlaps in our concerns.”
She will also deliver a talk on behalf of Saeed, reflecting on his practice and political engagement through art.
Despite global attention, Butt stressed that Pakistan lacks the institutional and financial infrastructure to support a thriving art scene.
“Art is a very priced project, and Pakistan cannot afford having art fairs or a very established art market,” she said. “Pakistani artists get absorbed by galleries from other countries.”
She described Art Dubai as a great opportunity for artists in her country.
“Dubai is a very stable financial hub of the Gulf region,” she continued. “It has welcomed a great deal of migration from India and Pakistan. You get a diverse audience. It’s a beautiful coming together, in a positive way, of ideas, culture and exchange of thought.”