Expats and locals welcome cheerful spirit of Christmas in Saudi Arabia in new era of tolerance and openness

Arabic father and son decorating Christmas tree. (Getty Images)
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Updated 26 December 2022
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Expats and locals welcome cheerful spirit of Christmas in Saudi Arabia in new era of tolerance and openness

  • Festive period is marked and enjoyed openly as Vision 2030 transforms Kingdom’s social landscape
  • Decorations, trees, clothing, and treats can now be found in Saudi homes, stores and restaurants

JEDDAH: Just a few short years ago, Christmas was a low-key affair in Saudi Arabia, celebrated by expatriates behind closed doors. Nowadays, thanks to an environment and culture of religious tolerance, the festive period is marked openly and enjoyed by expatriates and citizens alike.
In one of Jeddah’s busiest neighborhoods, Mariah Carey’s “All I Want for Christmas Is You” wafts from a local bakery, where patrons snack on snowflake-shaped sugar cookies and gingerbread men, and sip hot chocolate topped with whipped cream.




People walk past Christmas decorations displayed for sale at a gift shop in Saudi Arabia’s capital Riyadh on Dec. 7, 2020. (AFP)


Less than a decade ago, scenes like these were unlikely to be found anywhere in Saudi Arabia, a country where public celebration of Christmas was unthinkable. Now its symbols, songs and traditions have been absorbed into the commercial and social life of Saudi cities.
To be sure, non-Islamic religious occasions such as Christmas were observed in Saudi Arabia but largely in secret or behind the high walls of compounds occupied only by expats and operated by private firms.




Expats living in Saudi Arabia choose Christmas decorations at a gift shop in the capital Riyadh on Dec. 7, 2020. (AFP)


A 1971 article, titled “Christmas in Dhahran,” published in the Texas-based Saudi Aramco magazine, told the story of how the holiday was celebrated in the “heart of the Muslim Middle East,” with one big difference — they used real camels for their Christmas pageants.
The article notes how the oil worker compounds of Dhahran were once referred to in the US press as “a typical southern California suburb, transplanted 8,500 miles east of New York.”
It went on to describe how, in 1970, a Christmas pageant was held at the local softball field and “drew an audience of 2,000 persons, most wrapped in blankets against the desert chill.”
The pageant featured men, women and children, a chorus of angels, and three stately ships of the desert, one for each of the three wise men.
One of the wise men, apprehensive about riding a camel, expressed his concern to Nasser Fahad Dossary, a Saudi camel master and veteran of many pageants. “Not to worry,” Nasser replied soothingly. “I haven’t lost a wise man yet.”




A woman takes pictures of a man dressed as Santa Claus during a bazaar inside a compound in Riyadh on Dec. 1, 2005. (AFP)


The windows and rooftops in these Aramco communities were decorated with wreaths, lights, reindeer, sleighs and snowmen. Residents were known to hold competitions to determine who had the best Christmas decorations.
Retired Aramco executive Ali M. Baluchi told Arab News in an interview in 2020 how he used to help his foreign colleagues prepare for their Christmas celebrations.
“Those days were nice and beautiful, and it reminds me of the good days we all shared and enjoyed together immensely,” he said.




Celebrating Christmas in Dhahran and Ras Tanura is a tradition that goes back to the late 1940s, when the first American families arrived in Saudi Arabia after the Second World War. (Supplied)


Families in gated residential communities often had to get creative, seeking alternatives to the traditional Christmas tree — such as small palms decorated with ornaments — as Saudi customs long banned the import of evergreen conifers.
The traditional Christmas dinner was usually prepared for a small group of guests so as not to attract unwanted attention — even if the holiday staple of a roast turkey had to be supplemented with a more readily available alternative, like lamb.
Even though thousands of foreign workers and their families of various faith backgrounds have resided in Saudi Arabia for years, it was only very recently that the public practice of religions other than Islam was permitted.
In 2016, Crown Prince Mohammed bin Salman unveiled Saudi Vision 2030. With it came a raft of reforms that would unlock the Kingdom’s potential and create an ambitious, robust, and vibrant society with a diversified economy, prioritizing quality of life.




Retired Aramco staff recall Christmas festivities in Saudi Arabia’s Eastern Province. (Supplied)


Over the past six years, Vision 2030 has created a culture of tolerance and openness. The Kingdom’s religious institutions are being restructured and its system of government, based on the teachings of the Qur’an, is being carefully re-examined.
The crown prince is charting a new and more modern course for the country, vowing to return to a “moderate Islam.” Saudi Arabia is “a tolerant country with Islam as its constitution and moderation as its method,” he said in an interview last year.
“We are simply reverting to what we followed — a moderate Islam open to the world and all religions.”
At no other time is this unprecedented transformation in Saudi Arabia more obvious, perhaps, than at Christmas.
Today, cafes, restaurants, party supply stores and malls across the Kingdom are decked out with twinkling lights and decorations. Shoppers can find trees, reindeer headbands, Santa hats, colorful baubles of various shapes and sizes, Christmas-themed treats and gift wrap.




Retired Aramco staff recall Christmas festivities in Saudi Arabia’s Eastern Province. (Supplied)


Christmas is not the only holiday being openly embraced. The symbols and paraphernalia of Valentine’s Day and New Year’s Eve are also now widely available, again in a significant break with the past.
The growing acceptance of Christmas in the Kingdom has been a welcome development for the hospitality industry. Several five-star hotels and private catering companies now offer special Christmas dinners. Sometimes even Santa Claus makes an appearance.
Many embassies and consulates arrange Christmas parties for their staff and hold feasts of their respective nations’ favorite foods.
Speaking openly about Christmas remains uncomfortable for many in the Kingdom, wary of past restrictions. Some expats and visitors, aware of religious sensitivities, still believe it is best to be discreet.




Santa used to come by helicopter from Dhahran, and then ride a camel down Surf Avenue with the entire camp lining the street. Dhahran was a melting pot of different cultures and religions. (Supplied)


Nevertheless, although Christmas is not an Islamic tradition, many Muslims believe it is a time to share the joy of those who love to gather with friends, family, and neighbors.
“As Muslims, we understand that the holidays are not part of our religion, but because we are a nation with many nationalities, we celebrate our holidays with everyone and we celebrate theirs,” one Saudi woman told Arab News.
Another Saudi said: “It’s all about the gift of giving. It’s a common message, and doesn’t the Bible say ‘love thy neighbor?’ It’s the same in Islam. It’s a point of connection between faiths as Islam stresses to respect our neighbors and love them like family.
“It’s a common religious value shared by people of all religions. And Christmas is colorful. It’s fun, and celebrating it here (in Saudi Arabia) with Muslims and Christians alike is a sign of both piety and religious tolerance.”


Saudi authorities seize drugs, arrest two suspects in Riyadh

Updated 25 December 2024
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Saudi authorities seize drugs, arrest two suspects in Riyadh

  • Authorities sezied 35 kg of hashish and 32,338 controlled medical tablets

RIYADH: Saudi Arabia’s drug control authority seized quantities of narcotics and arrested two suspects for drug promotion in Riyadh on Tuesday.

The General Directorate of Narcotics Control reported the seizure of 35 kg of hashish, 32,338 controlled medical tablets, as well as amphetamine and methamphetamine drugs.

It said that it had arrested two suspects in the case — a Syrian resident and a national — in Riyadh’s region, and referred them to prosecution, the Saudi Press Agency reported.

Saudi security authorities are urging people to report any activities related to drug smuggling or promotion by calling 911 in the Makkah, Riyadh and Eastern Province regions, and 999 in the rest of the Kingdom.

Alternatively, information can be emailed to [email protected]. All reports are treated in confidence.


KSrelief concludes urology surgery project in Yemen

Updated 24 December 2024
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KSrelief concludes urology surgery project in Yemen

  • Project included nine volunteers from different medical specialties
  • KSrelief medical team successfully performed 109 specialized urology surgeries

RIYADH: King Salman Humanitarian Aid and Relief Center has completed a medical project for urology surgeries in Yemen’s Aden governorate.

The project included nine volunteers from different medical specialties and was carried out from Dec. 15-22 in collaboration with the Saudi Program for the Development and Reconstruction of Yemen.

The KSrelief medical team examined 53 cases and successfully performed 109 specialized surgeries, the Saudi Press Agency reported.

KSrelief’s project is one of Saudi Arabia’s medical initiatives to assist the Yemeni people and ease their suffering amid the humanitarian crisis.


Saudi interior minister rewards winners of King Abdulaziz Falconry Festival

Updated 24 December 2024
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Saudi interior minister rewards winners of King Abdulaziz Falconry Festival

  • Prince Abdulaziz awarded the prestigious King’s Sword to falconers Barghash Mohammed Al-Mansouri and Faisal Al-Qahtani
  • He honored the winners of the festival’s elite rounds with King Abdulaziz Cup

RIYADH: Prince Abdulaziz bin Saud bin Naif, Saudi minister of interior and chairman of the Saudi Falcons Club, honored on Tuesday the winners of the 2024 King Abdulaziz Falconry Festival.

Prince Abdulaziz awarded the prestigious King’s Sword to falconers Barghash Mohammed Al-Mansouri and Faisal Al-Qahtani, the Saudi Press Agency reported.

He also honored the winners of the festival’s elite rounds, who received the King Abdulaziz Cup. The champions included Al-Mansouri, Amin Abdullah Al-Mallah, Mohammed Hafez Al-Marri, Fahd Mohammed Al-Mansouri, Mohammed Ibrahim Al-Buainain, and Hamid Mohammed Al-Mansouri, the SPA added.

Additional awards were given to winners in the Mazayen falcon beauty pageant, covering both amateur and professional rounds, the SPA reported.

Prince Abdulaziz also honored the sponsors of the 2024 Saudi Falcons Club events at the end of the ceremony.

King Abdulaziz Falconry Festival was held from Dec. 3-19 at the club’s headquarters in Malham, north of Riyadh.

The event drew 1,032 falconers from nine countries, including 160 international participants, and showcased 3,322 falcons from countries such as Saudi Arabia, Kuwait, the UAE and Italy.

The festival featured 138 rounds in Al-Malwah, highlighting falcon speed and talent, along with Mazayen competitions. It awarded more than SR 36 million ($9.6 million) in prizes, marking a record-breaking year for the festival.


Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

Updated 24 December 2024
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Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

  • We are ‘all one culture, one society and one message,’ says Iraqi official

RIYADH: From heritage to long-standing traditions, the deep connections between Iraq and Saudi Arabia span thousands of years to the pre-Islamic era.

The second Common Ground festival, an initiative by Saudi Arabia’s Ministry of Culture, is an immersion in the bonds of the two nations through art, cuisine and performance.

Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia. (AN photo)

Alataf Ebrahim, the head of the festival department at the Iraqi Ministry of Culture, Tourism and Antiquities, told Arab News: “Baghdad and all the Iraqi governorates are passionate about embracing Saudi culture. While the event is called Common Ground, with pride, we say that we are all one culture, one society and one message.

“This is a big and very important event, and the project is bold for planning and drawing joint cultural events now, and in the future. As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well as in 2025.”

HIGHLIGHT

Common Ground festival features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq. 

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. The renowned hub for intellectual life hosts various bookstores, clothing stores, live painting and oud performances, and panel discussions around various cultural crossovers.  

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. (AN photo)

In the heart of the bookshop district is one of Baghdad’s oldest coffee shops, Shabandar cafe, which opened its doors over a century ago and has since become a landmark in the city. The establishment has born witness to the twists and tragedies of Iraq’s tumultuous history.

“Shabandar cafe is an open corner for poets and intellectuals, and visitors as well, as they read about the latest cultural news through physical newspapers that are always on each table. This area is where the most prominent cultural activities in the capital (take place),” Ebrahim explained.

Visitors can indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage. (AN photo)

Al-Mutanabbi’s poems are also honored through 10, 3-meter-high scrolls. The works are written in a font that has the characteristics of the 4th century in the style of Ibn Al-Bawwab, the famous calligrapher who was born about a year after Al-Mutanabbi’s death.

“We’re presenting a mini cultural week that encompasses many experiences, not just books and literature, but also extends to musical performances; and an absorption between the two cultures and deepening that relationship,” he added.  

As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well in 2025.

Alataf Ebrahim, Iraqi Ministry of Culture, Tourism and Antiquities official

Visitors can also indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage.

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. (AN photo)

The festival’s concert series featured an iconic performance by Iraqi singer Kadim Alsahir on the opening day, and a joint oud performance by Saudi singer and songwriter Abadi Al-Johar and Iraqi artist Naseer Shamma on Dec. 21.

The last show of the series will be on Dec. 25, featuring Aseel Hameem and Nawaf Al-Jabarti.

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. The showcase includes Islamic, Mesopotamian and contemporary art.

At the entrance of the exhibition is a large structure known as the Mudhif, which is a traditional reed house, particularly in the Al-Ahwar region of southern Iraq. It is a type of communal guesthouse or gathering space that plays a central role in the social and hospitality traditions of the region.

A large part of the exhibition highlights Darb Zubaida, one of the historical pilgrimage routes from the city of Kufa to Makkah that not only facilitated the movement of people, goods, and ideas but also played a crucial role in the cultural and religious life of the Islamic world.

“This road became a place for exchanging ideas with our communities in the Kingdom. Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia.

“This is an important aspect of the exhibition, alongside the many artworks that spotlight the traditional, modern, and contemporary art and the traditional tales that are embodied by the contributions of the participating artists.”

The festival also features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq.

The festival, which runs until Dec. 31, is being held at Mega Studio in Riyadh’s Boulevard City.

 


Creative youth collective hosts art auction in Jeddah with jazz, community spirit

Updated 24 December 2024
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Creative youth collective hosts art auction in Jeddah with jazz, community spirit

  • One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision

JEDDAH: Nama, a new collective dedicated to empowering young creatives, hosted its first event in Jeddah this week at the bustling Huna Alhabib.

The two-day Jazz Night and Silent Art Auction was a display of the power of collaboration and a cultural celebration.

Nama’s debut featured more than 30 pieces by artists from Saudi Arabia, Egypt, the UAE, Kuwait, Bahrain, Spain, Canada, and beyond. These works were donated specifically for the auction to bridge artistic communities across borders.

The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region. (AN photo)

Jana Abdulaziz, Nama’s founder and director, told Arab News: “For the longest time, Nama was nothing more than an online group of about a dozen high schoolers that joined solely off the identity statement I wrote. No logo, no solid plans, just an idea.

“I remember a couple months in with next to no progress almost giving up the idea of having an event or Nama becoming anything. I reached out to potential sponsors and hundreds of local and international artists from my personal accounts as a last-ditch effort, expecting nothing ... and to my surprise, people did.”

With the participation of 15-plus local brands and businesses as vendors, the event was much more than an art exhibition. Visitors enjoyed an immersive experience complete with live jazz and blues performances, as well as an artist sketching portraits of guests.

The event seems to have resonated with artists and attendees alike. Yousef Zaini, a local artist and artwork donor, said: “As an artist, my work is intended to invoke emotions, raise questions, and offer perspectives. I borrow heavily from my readings in philosophy.

“I’m honored to work with Nama and showcase my works and share the philosophies they embody. The event organized by Nama was a great mix and I am eager to collaborate with them in the future. Much better is to come.”

French-Tunisian artist E. L. Seed donated one of his lithographs to Nama, describing it as a valuable opportunity. He said that participating in Nama was a chance to support the event and inspire young artists, emphasizing that no event is too big or small when it comes to reaching art enthusiasts, especially in Jeddah.

The idea for Nama came to Abdulaziz in late 2023. Despite initial setbacks, her determination and passion brought the project to life. The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region.

Jwan Abdulhafeez, Nama’s head of media, said: “We wanted our launch event to be more than just an auction, we envisioned a true celebration of art, culture, and fun. The evening featured a carefully curated silent art auction that showcased emerging talent while creating an atmosphere of sophistication with live jazz performances.

“Through the silent art auction, we were able to connect talented artists with art enthusiasts, creating meaningful relationships within our community.”

The auction was a celebration of global perspectives and artistic diversity, featuring works from renowned artists while providing a platform for young creatives to share their stories and build connections in the art world.

One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision. When Nama approached Menayouth for us to help with managing media and activities, their approach to things proved that they have ultimate care for who they work with. They came up to us offering to deal with the event as if it was our own.”