Year in review: The best games of 2022 

Much of “Elden Ring” will still qualify as a new game deep into 2023. (Supplied)
Short Url
Updated 04 January 2023
Follow

Year in review: The best games of 2022 

  • From a simple, viral guess-the-word challenge to a confounding otherworldly mystery, here are the most absorbing games of the past 12 months 

‘Elden Ring’ 

Given the sheer scale of this open-world role-playing game, it’s quite possible it will feature in similar lists next year. Even after playing for dozens of hours, there are still so many discoveries to be made that for all but the most dedicated of gamers, much of “Elden Ring” will still qualify as a new game deep into 2023. The game looks beautiful, and technically it was both familiar and challenging — meaning that while the combat system was fairly easy to get to grips with, the wide range of skilled enemies and powerful bosses meant you could never relax your guard. This hugely ambitious game is now the benchmark for all future RPGs. 

‘Wordle’ 

At the other end of the development spectrum was 2022’s most written-about game, “Wordle.” (Yes, it launched on the web in 2021, but its popularity really bloomed in December last year when developer Josh Wardle added the emoji-style display of guesses that has become ubiquitous on social networks.) Its beauty lies in its simplicity. Every day there’s a single new five-letter word that players must guess/work out within six attempts. The greatest satisfaction generally comes from getting it right second time, since the first time is pure guesswork. The mechanics of the game are so straightforward that pretty much any English-speaking person, from kids to pensioners, can pick up and play immediately. And it became a daily ritual for millions, sparking a real feeling of community around it. Wardle famously sold the game to the New York Times Company for a reported seven-figure sum.  

‘Stray’ 

One of the many COVID-19-delayed releases of 2022, “Stray” was worth the wait. You play as a lost cat wandering through a run-down cybercity populated by droids. The main tactics, as you might expect from a cat, are stealth and mischief. While the droids aren’t too much trouble, the city is also home to more-dangerous creatures from which you must escape if you’re ever to find your kin. The way the developers managed to capture the lovable but weird feline character of the eponymous lead meant this dystopian sci-fi game was easy to get emotionally involved in.  

‘God of War Ragnarok’ 

The Spartan god-killer Kratos and his troublesome son Atreus continued to explore the world of Norse mythology in this action-adventure, the follow up to 2018’s “God of War.” Set three years after that game, “Ragnarok” covers the titular world-ending event predicted at the end of the previous game. Fans would be familiar with the combat system, but there were some nice upgrades, including far more versatility for Kratos’ shield, and Atreus’ vastly improved magical abilities. With nine realms to discover and explore, “Ragnarok” offered great value for money, while the generally excellent voice acting and characterization made for an immersive experience. 

‘Neon White’ 

Has there ever been a more chaotic (in a good way) game than “Neon White”? A hectic, no-time-to-think single-person shooter/platformer/puzzler/parkour speedrunner that demands 100 percent concentration but does its best to distract you with a cast of incredibly (though amusingly) annoying enemies. Demons are wreaking havoc in hell. You — an assassin named White — must wipe out as many as you can for the chance to live permanently in Heaven. But you’re also playing against other demon slayers (also annoying) chasing the same prize. Along the way you’ll pick up various cards that will grant you improved weaponry, but that you can choose to discard to gain special movement abilities that make traversing the divine environment much easier. “Neon White” will leave you breathless.  

‘Norco’ 

Developers Geography of Robots used the skeleton of a classic point-and-click adventure game to create this beautiful and genuinely moving exploration of rural decay and of someone searching for purpose. It’s set in an ‘alternate version’ of the titular small town in Louisiana, which — in both real life and the game — is home to a huge petroleum refinery. Kay has returned to the town following the death of her mother. “Norco” has some of the best writing of any video game (of this year or any other). The elements of magical realism that drift into the downbeat narrative somehow serve to make the story even more grounded and affecting. It’s easy to get lost in its haunting atmosphere. 

‘Immortality’ 

2022’s most original game was this full-motion video effort from director Sam Barlow. Ostensibly, players are attempting to discover what has happened to the fictional model-turned-actress Marissa Marcel. She was the star of three unreleased movies shot three decades apart, and the player must run through clips from those three films (as well as interviews, TV appearances and behind-the-scenes footage), pausing and clicking on items or people to gain further information. Piecing together the non-chronological plot is tricky enough, but it’s when you get to the story behind the story that “Immortality” becomes a game that will occupy your brain for hours, even when you’re not actually playing it. 


Saudi influencer Yara Alnamlah’s brand heads to Selfridges London 

Updated 6 sec ago
Follow

Saudi influencer Yara Alnamlah’s brand heads to Selfridges London 

  • Moonglaze’s UK launch is ‘just the beginning,’ founder tells Arab News 

DUBAI: Moonglaze, the beauty brand founded by Saudi influencer Yara Alnamlah, is set to make history on Dec. 4 as the first Saudi beauty label to launch at Selfridges London.  

For Alnamlah, this is much more than just a business accomplishment; it’s a cultural moment, she told Arab News.  

“For Moonglaze to be the first Saudi beauty brand at Selfridges is an exciting and proud moment,” she said. “This isn’t just a win for us as a brand; it’s a moment of recognition for the Saudi and Arab beauty community as a whole. It shows that we’re not only consumers of global beauty trends but also creators who bring something unique to the table.” 

Alnamlah emphasized that this launch will open doors for the brand beyond the Middle East.  

“London is a beauty and fashion capital,” she said. “This exposure will undoubtedly help us expand beyond the Middle East, connect with international beauty lovers, and establish Moonglaze as a brand that brings Middle Eastern beauty innovation to the global market.”  

The Selfridges debut will feature Moonglaze’s new blush range, designed to suit a variety of skin tones, Alnamlah said, adding that it represents the next step in Moonglaze’s evolution, complementing the brand’s existing highlighter sticks and multi-use brushes, which have already gained a loyal following.  

The creation of Moonglaze has been a deeply personal one, shaped by Alnamlah’s background as a makeup artist. “Our products are inspired by my belief in healthy, glowing skin as the foundation of any great makeup look,” she said. This belief led her to begin her brand with skincare products before expanding to blushes and highlighters. 

The use of ‘moon’ in the brand name is inspired by the fact that, in Arabic (qamar), it’s used as a description “someone who is perfectly luminous, just like the full moon,” according to Alnamlah.  

“The idea of using makeup to highlight natural beauty rather than mask it is something that I wanted to reflect in every Moonglaze product,” Alnamlah added. “Growing up in Saudi Arabia, I’ve always been inspired by the cultural appreciation of beauty and the importance of glowing, radiant skin.”  

Reflecting on the challenges and lessons of building her brand, Alnamlah shared how staying true to her vision has been key. “I’ve learned that beauty isn’t just about the products, but about how they make people feel,” she said. 

Alnamlah has made a name for herself on the fashion circuit as a blogger, beauty influencer and makeup artist over the last few years. Besides her beauty brand, the architecture student is also an entrepreneur and has a coffee store called So Matcha in Riyadh.  

In 2021, she was featured in French luxury fashion label Jean Paul Gaultier’s campaign as they celebrated Saudi Arabia’s 91st National Day — its first-ever launch dedicated to a Middle Eastern country. 

The Selfridges launch marks a pivotal moment for Moonglaze, but Alnamlah’s ambitions extend far beyond London.  

“The Selfridges launch is just the beginning,” she said. “We are excited to expand into more countries. As we grow, we’ll continue to innovate with new product launches and collections, like our blush range. 

“The ultimate goal is to create a brand that empowers people to embrace their natural beauty,” she said.  


Art under the stars: Noor Riyadh returns to dazzle Kingdom’s capital

Updated 27 November 2024
Follow

Art under the stars: Noor Riyadh returns to dazzle Kingdom’s capital

  • Fleet of drones illuminates Saudi capital for Noor Riyadh
  • 18 Saudi, 43 international talents present light artworks themed ‘Light Years Apart’

RIYADH: The courtyards of the King Abdulaziz Historical Center in central Riyadh came alive on Tuesday evening with the launch of the Noor Riyadh Festival, attended by creatives from around the world.

London-based artist collective United Visual Artists transformed the night sky into a living canvas with a preview of their drone show “Aether.”

Featuring 1,500 drones, the seven-minute performance explored the silent harmony of the stars and planets.

Noor Riyadh Festival, a key initiative of the Riyadh Art, is being held under the theme “Light Years Apart” and will continue until Dec. 14.

This year, the festival will feature artworks by over 60 artists across three hubs: King Abdulaziz Historical Center, Wadi Hanifa, and Jax district.

Architect Khalid Al-Hazani, director of the Riyadh Art Program, said Noor Riyadh is designed to transform the city into an open-air art exhibition.

Festival director Nouf Al-Moneef told Arab News: “What’s great about these three is the connection between art, heritage, culture, nature — and also contemporary creativity in Jax.

“The most important thing in Noor Riyadh is accessibility for people. Noor Riyadh is under the umbrella of Riyadh Art, whose mission is to transform the city into a gallery without walls. Wherever you go and whatever locations or hubs that you go to, you find these spectacular art pieces.”

The festival aims to enhance the quality of life in the Kingdom’s capital and contribute to fostering creativity and presenting art to the community, he added.

It serves as a platform for artistic and cultural exchange in line with Riyadh Art’s objective to nurture local talent and boost the cultural economy of the capital.

In addition to 18 Saudi artists, 43 international artists are representing countries including Australia, France, Germany, Hungary, Italy, Japan, Montenegro, the Netherlands, Poland, Russia, Slovenia, South Korea, Spain, Turkiye, the UK, the UAE, and the US.

Speaking about the theme, Al-Moneef said that “Light Years Apart” is inspired by the connection between the Earth and the sky, praising the curatorial team who came up with the idea.

The festival invites citizens, residents, and visitors to explore the city and to celebrate the deep connection between heritage and creativity.

Mohammed Al-Bahri, an Omani journalist, said what caught his attention the most during the opening ceremony was the stunning harmony between the lights and music, which created a unique and immersive sensory experience for the viewers.

In recent years, the Kingdom has witnessed cultural and artistic development, which has contributed to enhancing its position on the global art scene, he added.

“I expect that interest in artistic creativity will continue to grow in the future, especially with the increasing government support for arts and culture, as well as the growing awareness of the importance of art in people’s lives,” Al-Bahri said.

“Art will thus become an integral part of the social fabric. Moreover, the younger generation is more open and has a deeper appreciation for the arts, signaling a bright future for artistic creativity in the Kingdom,” he said.

Munirah Abdulrazaq, a Bahraini beautician, said: “The Noor Riyadh Festival is a remarkable celebration of light and art, transforming Riyadh into a luminous canvas that bridges the gap between tradition and modernity.

“The fusion of creativity, technology, and heritage enhances the cultural landscape and positions Saudi Arabia as a burgeoning hub for contemporary and public art. By celebrating local and global artists, the festival fosters a deep appreciation for artistic expression and cultural dialogue, highlighting the Kingdom’s dedication to nurturing creativity and inspiring future generations.”


Diriyah Art Futures opens doors with tech-savvy exhibit

Updated 27 November 2024
Follow

Diriyah Art Futures opens doors with tech-savvy exhibit

  • Exhibition features works by more than 30 international and regional artists exploring the history of computer art from the 1960s to the present day
  • Director of Diriyah Art Futures Haytham Nawar: The art hub is transforming Saudi Arabia into a global center of exchange and discourse in these emergent fields

RIYADH: Diriyah Art Futures, a new media arts hub in the region, has opened its doors with its inaugural exhibition, “Art Must Be Artificial: Perspectives of AI in the Visual Arts,” running until Feb. 15.

Curated by Jerome Neutres, former director at the Reunion des Musees Nationaux-Grand Palais in Paris, the exhibition features works by more than 30 international and regional artists exploring the history of computer art from the 1960s to the present day.

Haytham Nawar, director of Diriyah Art Futures, told Arab News that the art hub is “transforming Saudi Arabia into a global center of exchange and discourse in these emergent fields.”

The exhibit includes pieces by Saudi artists Lulwah Al-Homoud, Muhannad Shono and Nasser Al-Shemimry, showcasing Saudi Arabia’s burgeoning contributions to new media and digital art.

International artists include Frieder Nake (Germany), Vera Molnar (Hungary/France) alongside contemporary innovators like Refik Anadol (Turkiye) and Ryoji Ikeda (Japan).

“By placing works from different geographic regions, eras and mediums alongside one another, we aim to introduce the region to the immense power of new media art, while shining a light on its remarkable depth and potential,” said Nawar.

He added that the exhibition brings “a much-needed regional perspective to the conversation, allowing the works to be experienced, understood and perceived in new ways.”

Speaking about new media art explorations in the Saudi context, the hub director added: “Interestingly, with the word ‘algorithm’ originating from the Islamic world, the exhibition invites viewers to reflect on the relevance of these themes to Saudi Arabia, a country with a very young and technologically literate population, currently experiencing a dramatic transformation.”

Alongside its opening, the hub is also launching the Emerging New Media Artists Programme, developed in collaboration with Le Fresnoy — Studio National des Arts Contemporains in France.

The initiative will last one year, equipping emerging artists with advanced equipment, mentorship and funding to create innovative multidisciplinary works.

Nawar says Diriyah Art Futures selected a group of emerging artists from diverse backgrounds, hailing from across the world and representing a broad range of mediums.

“We wanted to work with artists whose work already stands out, but would benefit from a one-year program, under the mentorship of world-class artists.”

In addition, the hub has announced the Mazra’ah Media Art Residency, which will run from February to April next year. This three-month program invites established artists and scholars to engage with its resources to create works reflecting on the relationship between nature, technology and society.

Mona Khazindar, adviser to the Ministry of Culture, said that the hub is creating “a space for diverse perspectives and creative expressions to meet, converse and flourish — breaking down barriers and demonstrating the power of art to connect humanity.”

“DAF embodies Saudi Arabia’s commitment to facilitating cultural exchange and international collaboration, while creating opportunities for shared learning, innovation and mutual understanding,” Khazinder added. “Through our embrace of these principles, we aim to not only celebrate regional heritage, but also contribute to the global conversation about the role of culture in shaping a more connected and creative future.”

Developed by the Saudi Museums Commission in partnership with Diriyah Co., Diriyah Art Futures contributes to the global new media and digital art landscape by integrating regional voices and pioneering practices in art, technology and innovation.

The launch of Diriyah Art Futures aligns with Saudi Vision 2030’s commitment to advancing innovation, driving global collaboration and positioning the country as a leader in the global creative economy.


Saudi Culture Ministry selects 20 research proposals for camel studies grant

Updated 27 November 2024
Follow

Saudi Culture Ministry selects 20 research proposals for camel studies grant

  • Grant targets researchers interested in camel-related studies, with a focus on boosting cultural research output
  • Out of 405 applications from 15 countries, the ministry chose 20 research proposals that met the necessary criteria

RIYADH: Saudi Arabia’s Ministry of Culture has completed the assessment and selection process for the camel studies grant, introduced last June in collaboration with the Ministry of Environment, Water and Agriculture, as well as King Faisal University.

This grant targets researchers interested in camel-related studies, with a focus on boosting cultural research output in areas connected to cultural, social and economic aspects through scientific exploration across diverse specialized fields within the camel sector.

Out of 405 applications from 15 countries, the ministry chose 20 research proposals that met the necessary criteria, the Saudi Press Agency reported on Wednesday.

The selected researchers will receive financial and scientific assistance throughout their work, which will lead to the publication of scientific papers.

The grant is part of activities carried out under the “2024, The Year of the Camel” initiative, which coincides with the UN General Assembly declaring 2024 as the International Year of Camelids.

The grant aims to encourage the study of the camel as a cultural symbol of Saudi Arabia, preserve national cultural heritage, highlight the intangible heritage linked to camels in Saudi Arabia, strengthen national identity, and promote Saudi culture internationally.

The grant covers six key areas: Historical, cultural, social, economic, environmental, and health dimensions. The objective is to examine relevant subjects with modern concepts, theories and methodologies.

The historical dimension includes studies comparing the importance of camels across civilizations, analyzing camel-related traditions, and exploring methods to preserve this heritage.

The cultural dimension focuses on the artistic and literary representation of camels in Arabic and Saudi literature, children’s books and various artistic media, including visual arts, cinema, engravings and sculptures.

The social dimension explores the role of camels in Arab and Islamic societies, including their social impact, traditions linked to ownership, and the influence of camel events on local and global communities.

The economic dimension examines the financial contributions of camels, including the use of camel wool and leather in fashion and furniture, the sustainability of camel products, and the financial impact of camel festivals.

The environmental dimension covers research on sustainable grazing practices, carbon emissions and camels’ role in maintaining ecological balance in arid regions.

The health dimension focuses on the medical applications of camel products, technologies for measuring camel meat quality, and the preservation of camel breeds through genetic mapping.


‘It was the darkest year of my life,’ Melissa Barrera says after Gaza support sparks backlash

Updated 27 November 2024
Follow

‘It was the darkest year of my life,’ Melissa Barrera says after Gaza support sparks backlash

DUBAI: Mexican actress Melissa Barrera opened up about how she felt after facing backlash in Hollywood over her comments on the Israel-Palestine conflict.

Speaking to The Independent, Barrera said “it was the darkest and hardest year of my life, and I had to reevaluate everything. There were times when I felt like my life was over.”

The 34-year-old actress was fired from “Scream VII” after she took to social media to call for a ceasefire and criticised Israel’s response to the Oct. 7 attack by Hamas. As of Nov. 27, 2024, the death toll in Gaza has reached 44,200, according to Gaza’s health ministry.

“Gaza is currently being treated like a concentration camp,” she wrote in an Instagram story in October 2023. “This is genocide and ethnic cleansing.” In another post, she complained about the supposed bias in Western media reporting, saying: “Western media only shows the other side … why they do that, I will let you deduce for yourself. We don’t need more hate. No Islamophobia. No antisemitism.”

Spyglass, the studio behind the latest Scream films, dropped Barrera from the franchise in response.  “We have zero tolerance for antisemitism or the incitement of hate in any form, including false references to genocide, ethnic cleansing, Holocaust distortion or anything that flagrantly crosses the line into hate speech,” the company said in a statement.

Barrera says she then faced almost a year of difficulties in Hollywood.

“It was quiet for like 10 months,” Barrera told The Independent about her acting jobs. “I was still getting offers for small things here and there – I’m not going to lie and say there was nothing – but (the message) was, ‘Oh, she probably doesn’t have work, she’ll say yes to anything.'”

Instead, the actress spent much of 2024 promoting the films she made before the incident, including horror comedy “Abigail” and musical “Your Monster.”

The latter sees Barrera play a soft-spoken actress who finds love again when she meets a terrifying but charming monster that lives in her closet.

The “Your Monster” script came across Barrera’s desk soon after filming “Scream VI” in 2022.

“I kept getting horror scripts, and I wasn’t getting a lot of the really exciting parts I was auditioning for,” she told the newspaper of why she jumped at the role. “I would get (roles) that I wasn’t excited about, and I’ve never been a person that just wants to work for work’s sake. I give so much of myself to acting that if a part of me feels like it’s not worth it, I’m (going to) be miserable.”