Saudi art movement stagnates in Jeddah as Riyadh flourishes

Artwork by Saudi artists fahd Khulaif, left, and nawal al-Suraihi being displayed at the 6-icons exhibition by 55-icon Gallery. (AN photos)
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Updated 08 January 2023
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Saudi art movement stagnates in Jeddah as Riyadh flourishes

  • Big projects like NEOM, AlUla, Qiddiya attracts creatives
  • Major exhibitions and growing demand in the capital city

JEDDAH: Jeddah has long been known for its active art movement that has garnered attention worldwide. The city, however, is witnessing somewhat of a downgrade in its status as the center of creative production in the Kingdom.

Meanwhile, the Saudi capital is witnessing the opposite, helped along by the fact that some Jeddah artists have opted to open up galleries in Riyadh.

Art journalist Khairallah Zarban said the capital’s culture scene is thriving, in contrast to Jeddah and other Saudi cities, with a plethora of exhibitions and growing demand for new work.

Notably, several leading creatives from Jeddah have headed to Riyadh, to meet the demand from hotels, resorts, airports and government projects including NEOM and AlUla. This includes Taha Sabban, Safeya Binzagr, Abdullah Nawawi, Abdullah Hammas, Ahmed Felemban, Ibrahim Bouqis, Na’il Mulla, Mohammed Al-Aajam and Abdullah Idris.

“One of the reasons behind the thriving art movement in Riyadh is the mega projects, such as Qiddiya and Diriyah. Moreover, artists can make their way to AlUla, NEOM, as well as a number of heritage and tourist sites,” Zarban said.

HIGHLIGHTS

• Six prominent artists from Jeddah are displaying their artwork at the 6-Icons exhibition organized by 55-Icon Gallery.

• Big projects like NEOM, AlUla and Qiddiya are helping create a thriving art scene in Riyadh.

• Jeddah is witnessing a decline in the fine art movement due to low demand for paintings.

Abdulrahman Maghrabi, a prominent Saudi artist, told Arab News that Riyadh’s big companies, government agencies, and individuals are now keen to acquire high-quality artworks by accomplished artists.

About two years ago, Maghrabi — who has curated many art and cultural events and participated in several local and international exhibitions, including in Jeddah, Riyadh, Cairo, Algeria, Tunisia, and the UK — held his seventh exhibition at the Ahlam Studio Gallery in the capital. He said that the exhibition was a success, and he was lucky to find people who were interested in his work.

“Jeddah has recently witnessed a decline in its fine art movement, and that is due to the low demand for paintings. It seems that there is no more interest in artworks in Jeddah, compared to Riyadh.” Maghrabi noted that most of Jeddah’s art pioneers, such as Abdullah Hammas, have started gallery businesses in the capital city.

Despite having the right to display their artwork wherever it would be most rewarding, Jeddah’s artists have not forgotten the city that first embraced and nurtured their talents.

Six prominent artists are displaying their work at the 15-day “6-Icons” exhibition, which kicked off in Jeddah last Sunday. The event is being organized by the 55-Icon Gallery.  

“We called the event ‘6 Icons’ since six top artists from Jeddah are participating with some 24 abstract paintings in the 55-Icon Gallery. The artists are Fahd Khulaif, Mohammed Al-Rabat, Abdulrahman Maghrabi, and Nawal Al-Suraihi,” said Matluba Qurban, an organizer, who added that among the works displayed are paintings by the well-known Jeddah-based Somali artist Abdulaziz Ashour and the famous Egyptian artist Moataz Kamal.

Qurban added that the exhibition is open every day from 10 a.m. to 1 p.m. and from 5 p.m. to 10 p.m., and could be extended for a third week.

Maghrabi told Arab News that, through this exhibition, they want to breathe new life into the city’s slowing art movement. He added that the Ministry of Culture has spared no effort to support the art movement in the Kingdom.

“The Ministry of Culture is supportive. However, we hope it would provide more, especially when it comes to classifying the artists. We are hopeful the Culture Ministry would announce the classification of local artists, based on their qualifications, experience, and artistic contributions. Art is at sixes and sevens,” Maghrabi said.

He added that new artists have shown up, causing big names to stay away. “We would appreciate it if the Culture Ministry could organize galleries for these big names. It is a problem when the young generation is supported at the expense of the old generation.

“There are leading, middle and modern generations of artists. The ministry should take this into consideration, especially if we know that many leading names have left the scene for such reasons,” he said.

Maghrabi explained that some artists have been discouraged for various reasons, most notably financial because few people are acquiring their work. “These factors can frustrate any artist,” he added.

It should be noted that the Saudi Ministry of Culture, in coordination with its tourism counterpart, has directed hotels and resorts to acquire the paintings of Saudi artists.

Zarban commented: “This move by the ministry is another great show of support (for) Saudi artists, and would surely help the local artwork sale and acquisition movement to further flourish.”

 

 


Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

Updated 06 January 2025
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Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

  • Anyone who violates the rule will be punished with a fine of SR20,000 ($5,327), interior ministry says

RIYADH: Saudi Arabia’s Interior Ministry confirmed that the provisions of the “Use of Security Surveillance Cameras” law prohibit the transfer or publication of security surveillance camera recordings.

Security surveillance camera recordings can only be transferred or published with the approval of the ministry or the Presidency of State Security, based on a judicial order, or at the request of an investigating authority.

The ministry explained that anyone who violates this rule will be punished with a fine of SR20,000 ($5,327).

This includes anyone who transfers or publishes recordings in violation of the law or damages or vandalizes security surveillance camera systems or recordings.


Saudi artist breaks from signature style with ‘W’ard’ exhibition

Updated 06 January 2025
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Saudi artist breaks from signature style with ‘W’ard’ exhibition

  • Dammam collection running until Jan. 10 features sculpture, video and imagery

DHAHRAN: Visitors are immersing themselves in a vibrant celebration of art as Hussain Alismail unveils his compelling solo exhibition, “W’ard,” at the SASCA Art Gallery in Dammam, Saudi Arabia.

Launched on Dec. 30 last year and running until Jan. 10, the exhibition is a captivating journey through the artist’s evolving vision.

‘Wa’rd’ series by Hussain Alismail showcases a rich blend of experimentation with different materials, colors and artistic techniques. (Supplied)

In the “W’ard” series, Alismail breaks free from his signature style, which often features bold continuous-line drawings in striking shades of black and red.

Instead, the collection showcases a rich blend of experimentation with different materials, colors and artistic techniques.

HIGHLIGHTS

• Primarily focused on drawing and painting, Hussain Alismail’s artworks delve into the intricate complexities of Saudi social dynamics.

• His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Visitors can expect to encounter an array of fascinating works, from collages that fuse imagery, mixed media pieces with texture, three-dimensional sculptures, to dynamic video installations that spark imagination.

Hussain Alismail creates a new piece while visitors watch at his W’ard exhibition in Dammam. (Supplied)

At the heart of Alismail’s work lies the symbol of the rose, a timeless emblem of unity that surpasses differences, inviting connection among visitors.

He said: “For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.”

This cultural reference runs throughout the exhibition, highlighting the themes in Alismail’s artwork.

For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.

Hussain Alismail, Saudi artist

Through his collection, Alismail creates an artistic experience that celebrates unity in the diversity of humanity.

“I see my artwork as a reflection of who I am, but once it’s out in the world, it belongs to everyone to interpret and connect with however they choose,” he told Arab News.

Alismail is not only a gifted artist, but also a committed scholar, having recently relocated to Melbourne, Australia, to pursue a master’s degree in design innovation and technology at RMIT.

His time in academia, which he describes as research-focused, has significantly influenced his art. “I’ve found these skills super useful for my art in this exhibition and they’ll definitely play a bigger role in my upcoming projects.”

Alismail holds a bachelor’s degree in fine arts in drawing and painting from OCAD University in Toronto, Canada, as well as a bachelor’s degree in creative arts in visual effects and entertainment design from Flinders University in Adelaide, Australia.

His academic background enriches his creative practice, fueling his artistic exploration.

Primarily focused on drawing and painting, Alismail delves into the intricate complexities of Saudi social dynamics.

His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Beyond canvas and paper, Alismail’s artistic skills include photography, videography and digital graphics, allowing him to create stories that invite exploration.

“Medium serves as a platform for discovery. I constantly challenge myself to go deeper into techniques and artistic presentations,” he said.

For the exhibition, Alismail embraced a variety of innovative mediums. “I played around with 3D design, 3D printing, AI generative imagery and various other hands-on mediums,” he said.

Additionally, he aims to create a vibrant experience, expressing his desire that viewers feel “joyful and leave with a smile on their face.”

Inspired by cultural stories around him, Alismail combines personal and community tales in his art, enhancing the diverse narratives he shares.

With an eye toward revitalizing cultural connections, his work fosters an enriched understanding of our shared human experiences.

“What my audience has seen from me before is different from what I’m creating now, and I know it’ll have even more depth down the line.”

 


Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

Updated 06 January 2025
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Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

  • The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works

RIYADH: Two major electrical substations were launched at the Diriyah megaproject in Riyadh on Monday.

The substations will be operated by the Saudi Electricity Company and will speed up the development of projects in the historical area of Diriyah as well as nearby Wadi Safar.

“Today is very special to us,” Jerry Inzerillo, group CEO of Diriyah Company, told Arab News, before underlining the importance of developing infrastructure to be able to complete projects in time for Riyadh Expo 2030.

Jerry Inzerillo, Group CEO of Diriyah Company, and the CEO of Saudi Electricity Company, Khalid Alghamdi during the launch of the two substations. (Supplied)

Inzerillo further elaborated on how the project requires sustainable development because it will be serving a large number of people.

The housing project “will cater to 100,000 people who will live, work, recreate, and pray with us every day,” the CEO said. “So, you need all-new, smart-city technology that the Kingdom is leading on.”

The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works.

HIGHLIGHT

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

The second substation, developed by the Saudi Electricity Company through Maetel contracting company, will be one of the main power sources for Wadi Safar.

This will result in a combination of the area’s natural beauty with modern infrastructure, including hospitality assets and sports facilities such as the Royal Diriyah Equestrian and Polo Club, and Wadi Safar golf course.

Also at the event, the acting CEO of SEC, Khalid Al-Ghamdi, expressed his excitement for this significant event and milestone.

“The completion of the bulk substation and the primary substation marks a new era for Diriyah, one that combines advanced infrastructure with our shared vision of creating a sustainable, world-class city,” Al-Ghamdi said.

“We are honored to work with Diriyah Company to bring power solutions that are both reliable and in harmony with Diriyah’s architectural heritage,” he added.

Diriyah is one of Saudi Arabia’s main megaprojects, supported by the Public Investment Fund. The project will eventually have homes for 100,000 people and is aiming to host millions of visits per year by 2030.

The Diriyah project alone contributes $18.6 billion directly to Saudi Arabia’s GDP and will create 178,000 job opportunities, according to the Diriyah Company.

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

While the city is a major part of Saudi Arabia’s Vision 2030, it also has historical importance because Diryiah is the birthplace of the Kingdom of Saudi Arabia.

 


Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

Updated 06 January 2025
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Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

  • 60 agency trucks deliver food, shelter materials and medical supplies to meet needs of the Syrian people
  • Six planes carrying aid from the Kingdom arrive at Damascus International Airport

RIYADH: Sixty trucks carrying relief supplies from Saudi Arabia crossed the Nasib Border Crossing into Syria on Monday, as part of a humanitarian effort organized by Saudi aid agency KSrelief.

The trucks contained essential supplies including food, shelter materials and medical supplies, the Saudi Press Agency reported.

Also on Monday, six planes planes carrying aid from the Kingdom arrived at Damascus International Airport.

Jordanian authorities said 600 trucks filled with aid have entered Syria through the Jordanian-Syrian Free Zone since the collapse of President Bashar Assad’s regime on Dec. 8. The director general of the zone, Irfan Khasawneh, told the Jordan News Agency that the flow of goods has remained consistent since then.

The shipments are addressing the needs of the Syrian people for essential items such as food supplies, energy equipment and spare parts for machinery, he added.

Trade is flowing smoothly, with transactions completed promptly and without delays, Khasawneh said, and staff at the zone are ready to handle larger volumes of trucks and goods in the days ahead.


Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

Updated 06 January 2025
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Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

  • Riyadh-based organization says the collaboration has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts
  • Platform thanks Etidal, says partnership has been instrumental in efforts to identify and remove harmful content

RIYADH: The Global Center for Combating Extremist Ideology, also known as Etidal, said on Monday that more than 31 million items of extremist content were removed from messaging service Telegram during the final quarter of 2024.

This brought the total number of such items removed from the platform since the start of their partnership in 2021 to more than 160 million, it added.

Etidal, which is based in Riyadh, said international cooperation is important in efforts to address extremist ideologies and counter the global threat posed by terrorist organizations, and that the collaboration with Telegram has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts.

The platform said it has intensified its efforts to combat extremism since 2022 and expressed its appreciation for the partnership with Etidal, saying it has proved to be instrumental in efforts to identify and remove harmful content.

“There is no place for incitement to violence or terrorist propaganda on Telegram,” it added.

Etidal said it uses advanced technologies to help monitor and analyze extremist content, and detect the deceptive propaganda and tactics used by terrorist organizations in an attempt to evade content removal. It added that its efforts form part of Saudi Arabia’s broader strategy to help safeguard societies through an integrated approach, including targeted media campaigns to raise awareness of the dangers of extremism.

In addition to its partnership with Telegram, Etidal has established strategic collaborations with other international organizations. In 2021, for example, it signed a memorandum of understanding with the UN Counter-Terrorism Center.