Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

The inaugural Islamic Arts Biennale is being staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)
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Updated 26 January 2023
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Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

  • Artworks by 60 established and emerging artists from Saudi Arabia and around the world have been displayed at the event
  • The idea of Islam is the unifying element at the biennale that continues to connects cultures and people throughout the world

JEDDAH: Saudi Arabia witnessed a historic moment with the opening of the inaugural Islamic Arts Biennale, which presented historic and contemporary works of Islamic art from around the world.

On the evening of Jan. 22, the Western Hajj Terminal at King Abdulaziz International Airport in Jeddah was filled with crowds of people waiting in eager anticipation. This was not the usual throng of pilgrims that use the terminal each year to travel to Makkah for the annual Hajj pilgrimage, but one awaiting the beginning of another voyage — a metaphorical one into the realm of Islamic art through the first-ever Islamic Arts Biennale hosted by the Kingdom. 

The crowd gathered under the impressive canopies of the Hajj Terminal, designed by Skidmore, Owings & Merrill, which won the 1983 Aga Khan Award for Architecture.

The biennial event, which includes many newly-commissioned and never-before-seen works of art, marked a historic moment not just for Saudi Arabia and the Diriyah Biennale Foundation that staged the event, but for the legacy of Islamic art, which has witnessed hardly any large-scale international exhibitions since the 1976 World of Islam Festival in London.

Jeddah’s inaugural Islamic Arts Biennale celebrates the legacy of Islamic art in a place close to Makkah, the fountainhead and cradle of Islam, while forging a dialogue between the past, present and future through contemporary artworks by 60 established and emerging artists from Saudi Arabia and around the world, and with over 60 new commissions and 280 historical artifacts. 




A woman walks by a display at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The effect is illuminating, mystical and enlightening in that this biennial, like its theme “Awwal Bait” which means “First House” in Arabic, celebrates the beauty and heritage of Islamic art in the birthplace of Islam.

“The Islamic Biennale, staged in this location at the Western Hajj Terminal, has meaning and anticipation for the future,” Saad Alrashid, a leading Saudi scholar, archaeologist and one of the curators of the event, told Arab News.

“Jeddah is the gate of the Haramain and has a deep history. There is an accumulation of strata of civilization in Saudi Arabia and throughout the ages this area was the crossroads of civilization between East and West and up to the North. Staging the Islamic Biennale here presents to the world the idea of connection between all Muslims and everybody that comes and goes from Saudi Arabia geographically, historically and politically.”

In the same vein, the theme “Awwal Bait” explores how the Holy Kaaba in Makkah and the Prophet’s Mosque in Madinah aim to inspire Muslims both culturally and metaphysically to explore their sense of belonging and ponder the definition of home.

“At its core, the Biennale is about giving contemporary objects a home by giving them a lineage and giving historic objects a home by giving them a future,” Sumayya Vally, artistic director of the Biennale, told Arab News. 




Artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

“Seeing the Biennale come to life through the voices and perspectives of our artists has been profound,” she added. “Each of them has boldly and sensitively taken on the opportunity of this platform to contribute to an emerging discourse on Islamic arts that we hope will continue.”

Staging the Islamic Arts Biennale was the result of a global effort. More than 18 local and international institutions, including the General Presidency for the Affairs of the Two Holy Mosques, alongside artifacts loaned by other prestigious international institutions with an interest in Islamic Arts, such as Benaki Museum in Athens, the History of Science Museum at the University of Oxford, the Louvre in Paris and the Victoria and Albert Museum in London.

The Biennale was curated by a multi-disciplinary group of specialists, including Omniya Abdel Barr, an Egyptian architect and Barakat Trust Fellow at the V&A, and Julian Raby, director emeritus of the National Museum of Asian Art at the Smithsonian Institution in Washington, DC.

“It was challenging to find objects that have survived that were made in Makkah and Madinah,” said Abdel Barr to Arab News. “We searched within collections to see how we could create a conversation between historic objects while also keeping in mind the contemporary context and this was the most interesting part.”

Regionally, the Diriyah Biennale Foundation has secured loans for the exhibition from institutions such as the King Abdulaziz Library, the National Museum, King Faisal Center for Research and Islamic Studies and King Saud University — all in Riyadh — and Makkah’s Museum of Antiquities and Heritage, the General Presidency for the Affairs of the Two Holy Mosques and Umm Al-Qura University. From the wider region, works have been loaned from the Al-Sabah Collection and Dar Al-Athar Al-Islamiyyah in Kuwait, the Museum of Islamic Art, Cairo, and the Museum of Islamic Art, Doha, among others. 




Man taking a picture of the artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The viewing experience is mystical, like a pilgrimage in itself. It begins in darkness with American Lebanese artist Joseph Namy’s commission “Cosmic Breath” presenting recorded calls to prayer from countries around the world played together, working as if in unison with the installation across the room by Saudi artist Nora Alissa, titled “Epiphamania: The First Light,” which depicts various black and white shots of pilgrims around the Kaaba shot impressively from beneath her abaya. Nearby is an Islamic astrolabe that is positioned towards Makkah. The trio of works mark the first example in the carefully curated show, demonstrating the dialogue generated from historic and contemporary Islamic works of art.

The structure of the Biennale is divided into four galleries and two pavilions that house artworks regarding daily Islamic rituals and Hajj. These sections intend to evoke both personal and collective emotions about the spiritual life of Muslims around the world. 

Large-scale, newly-commissioned works are found outside around the terminal’s expansive and evocative canopies, amid rays of sunlight and views of Jeddah that periodically include airplanes taking off high into the sky. The works outside communicate with nature and the Aga Khan award-winning architecture of the terminal itself.

Outside are also the pavilions of Makkah and Madinah, which present material from the Two Holy Mosques, Masjid Al-Haram and from the Hujra Al-Sharifa in Madinah. The focus here is on the initial journey that the Prophet Mohammad and his followers took from Makkah to Madinah to escape persecution. The objects on display, once again a mixture of historic and contemporary, shed light on the sense of universal belonging that ensues from the Muslim pilgrimage and journey home afterward.

Surrounding the pavilions are works by artists including Dima Srouji, Shahpour Pouyan, Moath Alofi, Reem Al-Faisal, Alia Farid, and Leen Ajlan. 




Display of Islamic art at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

Of note is Bricklab’s architectural installation “Air Pilgrims Accommodation 1958” inspired by Jeddah’s historic Hajj housing, which Vally describes as a site that “gathered people from all over the world to stay in one place — a place for cultural production and trade.”

“The idea emanating from the works outside is for them to generate invitations for gathering, for discussion and exchange,” Vally told Arab News.

This is reflected in Tanzanian artist Lubna Chowdhary’s “The Endless Iftar” which is a 40-meter-long table inspired by rituals of eating and gathering from around the world during Ramadan.

Also positioned outside is “My Place is the Placeless” by Iranian London-based artist Shahpour Pouyan, presenting three large-scale differently colored architectural domes that represent the three major traces in the artist’s DNA after he took a test that revealed his origins go beyond his native Iran to include Scandinavia, Central and South Asia, and the Middle East.

“It’s about human interconnectedness in an effort to break down ethnic labels and identities,” Pouyan explained to Arab News. 

Like the other works on show, Pouyan’s work reflects not just on Islamic culture but on its universality, its ability to connect beyond the Middle East and offer a unifying force that goes beyond religion, nationality and culture.

As Alrashid states: “Islam is a communication of knowledge and culture.”

He added: “Since the 2030 Vision we sense that we are more welcoming just like the Makkans in the past welcomed visitors during Hajj.

“We are showing the whole world how they can enjoy Islamic art,” he said. “The Biennale is not just an exhibition or something from the past — it continues through culture, through integration with the multiculturalism of Muslims.”

Perhaps the most powerful theme of the exhibition is the idea of Islam and its art across the ages as a physical and metaphorical unifying element that continues to connect diverse cultures and people throughout the world. It is also a way, as Vally stressed to Arab News, “to define what it means to be Muslim from our own perspective, through our own art and culture to the rest of the world and to show how Islam has the power to unite us all, even non-Muslims, through its history, traditions and spiritual practices.”

 

 


Riyadh Design Law Treaty signed at intellectual property conference in Saudi Arabia

Updated 20 min 52 sec ago
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Riyadh Design Law Treaty signed at intellectual property conference in Saudi Arabia

  • Document aims to enhance designers’ rights, unify design registration procedures 

RIYADH: Member states of the World Intellectual Property Organization officially adopted the Riyadh Design Law Treaty on Friday, the Saudi Press Agency reported.

The treaty, which aims to enhance designers’ rights and unify design registration procedures, was finalized at the Diplomatic Conference to Conclude and Adopt a Design Law Treaty at the King Abdulaziz International Conference Center in Riyadh, which finished on Friday.

By establishing a robust legal framework, the Riyadh treaty is set to bolster innovation and creativity across multiple industries worldwide, the SPA added.

Abdulaziz Al-Suwailem, the CEO of the Saudi Authority for Intellectual Property, spoke of the significance of the treaty’s adoption.

He said: “The name Riyadh treaty reflects Saudi Arabia’s pivotal role as a bridge between cultures and a hub for supporting global initiatives.

“Adopting this treaty is a historic achievement highlighting Saudi Arabia’s cooperation and contribution to the international intellectual property framework. It opens new avenues for collaboration among member states.

“This treaty will lay the foundation for vital legal frameworks that benefit designers and bolster innovation and creativity worldwide.”

The event, which was hosted by the SAIP, gathered high-level representatives and decision-makers from the WIPO’s 193 member states.


Environment minister opens international dates exhibition in Riyadh

Updated 41 min 22 sec ago
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Environment minister opens international dates exhibition in Riyadh

  • About 100 local, international bodies participating

RIYADH: Saudi Arabia’s environment minister has opened an exhibition in Riyadh which showcases a range of date products and their history.

Abdulrahman Al-Fadli, the Saudi minister of environment, water and agriculture, officially opened the International Dates Conference and Exhibition 2024, organized by the National Center for Palms and Dates. It runs until Nov. 28 with about 100 local and international entities participating.

It is a “global platform to showcase Saudi dates, drive innovation in their processing industries, and enhance their global export potential,” according to organizers.

The exhibition aims to enhance the competitiveness of Saudi products, contributing to the development of the palm and dates sector as a key pillar in driving economic growth.

Visitors can taste date varieties from the different regions of the Kingdom, including Al-Ahsa, Al-Qassim, AlUla, and Al-Jouf.

The exhibition also includes a variety of entertainment activities such as folklore shows, regional poetry, and cooking competitions.

On the sidelines of the opening ceremony, a carbonated sugar-sweetened date drink was launched by Al-Madinah Heritage Company, a subsidiary of the Public Investment Fund.

The exhibition also features a museum which takes visitors on a journey through time to explore the history of palm trees and dates over 1,000 years.

The museum showcases manuscripts and agricultural tools that highlight the significance of dates in daily life and literary culture.

It also houses archaeological collections showing the different uses of palm trees through the ages, including as tools.

In addition, there is a live cooking area that brings together local and international chefs to present a range of date-based dishes.

Al-Fadli, along with several officials and foreign delegations, toured the exhibition’s pavilions and explored a range of date-based products, such as juices, baked goods, and date chocolate.


Italian and Saudi flavors blend in embassy dinner and cooking competition

Risotto competition at the "Italy meets KSA" dinner at the Ritz Carlton Hotel. (AN photo)
Updated 22 November 2024
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Italian and Saudi flavors blend in embassy dinner and cooking competition

  • Highlighting similarities between Italian and Saudi cultures that can be sensed in their cuisines, Chiari said: “Both Italy and Saudi Arabia place great importance on hospitality, family, and the tradition of sharing meals

RIYADH: A group of 15 Saudi and Italian chefs created a seven-course dinner titled “Italy meets KSA,” combining both cuisines at Ritz Carlton’s Azzuro Restaurant.

Daniele Chiari, Italian chef and head of Dinner Incredible, the hosts of the event, told Arab News: “Tonight’s event in Riyadh is inspired by the shared love for storytelling and culture through cuisine. As a chef, I see food as a universal language that connects people, and Saudi Arabia’s culinary traditions are incredibly rich and diverse, just like Italy’s.”

Mozzarella demonstration at the "Italy meets KSA" dinner at the Ritz Carlton Hotel. (AN photo)

The event featured a culinary risotto competition between top Saudi chefs, which was won by Omar AlKhaldi, who received a scholarship fund from ALMA, the School of Italian Culinary Arts.

The event also had a display of fresh mozzarella cheese for tasting, made in the Kingdom by Sana cheese company, which specializes in Italian cheeses.

Risotto competition at the "Italy meets KSA" dinner at the Ritz Carlton Hotel. (AN photo)

“This evening, we aim to create a bridge between these two cultures, highlighting how local Saudi ingredients and techniques can harmonize beautifully with Italian culinary artistry,” Chiari said.

The evening concluded with a seven-course tasting dinner highlighting Italian and Saudi flavors. The menu included a pumpkin tart, cream of beans soup with shredded camel meat, a Red Sea grouper served with truffle, and a Saudi-coffee twist on the famous tiramisu.

Red Sea grouper at the "Italy meets KSA" dinner at the Ritz Carlton Hotel. (AN photo)

Highlighting similarities between Italian and Saudi cultures that can be sensed in their cuisines, Chiari said: “Both Italy and Saudi Arabia place great importance on hospitality, family, and the tradition of sharing meals. In terms of food, there’s a deep respect for natural, high-quality ingredients in both cuisines. Just as Italians value simplicity and the authentic taste of their produce, Saudis take pride in the purity and flavor of their spices, grains, and meats.”

Chiari spoke about the ability of food to cross international borders and connect communities.

Rosewater-glazed lamb at the "Italy meets KSA" dinner at the Ritz Carlton Hotel. (AN photo)

“Food is one of the most powerful ways to build connections and foster understanding between cultures. It transcends language, politics, and borders, allowing people to experience something deeply personal yet universally relatable. By crossing international borders through food, we’re not just sharing recipes — we’re sharing history, values, and creativity.”

The competition was organized by the Italian Embassy in Riyadh, the Italian Trade Agency, and ALMA, the School of Italian Culinary Arts, in collaboration with Sitaf and the Royal Protocol.

 

 


Jeddah chamber concludes Global Entrepreneurship Week forum

Updated 10 sec ago
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Jeddah chamber concludes Global Entrepreneurship Week forum

  • Participants were given the opportunity to establish partnerships and agree contracts with local and international companies

JEDDAH: The Jeddah Chamber of Commerce and Industry on Friday concluded the Global Entrepreneurship Week forum.

The two-day event held at the chamber’s headquarters featured the participation of strategic partners such as King Abdullah University of Science and Technology, the Prince Mohammed bin Salman College of Business and Entrepreneurship, Monshaat, the Social Development Bank, the Entrepreneurship National Committee, and other private entities.

The forum emerged from the chamber’s keenness to participate in supporting and motivating more individuals to enter the world of entrepreneurship and to spread the innovation culture among local community members.

Participants established their pavilions where they displayed the latest technologies and sustainable solutions reflecting the development of the entrepreneurial sector, one of the most prominent development pillars in the Kingdom.

At the end of the forum, participants were given the opportunity to establish partnerships and agree contracts with local and international companies, the aim being to promote economic growth throughout the Kingdom in line with Saudi Vision 2030.

 

 


Saudi Artisanal Co. showcases artisanry at Banan 2024 exhibition

Updated 50 min 47 sec ago
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Saudi Artisanal Co. showcases artisanry at Banan 2024 exhibition

  • The Saudi Artisanal Co. will display diverse collections of handicrafts reflecting national heritage

RIYADH: The Saudi Artisanal Co. is showcasing a variety of handicrafts that reflect authentic Saudi heritage in an effort to support artisans during the Saudi International Handicrafts Week Exhibition, or Banan, taking place in Riyadh from Nov. 23 to 29.

The exhibition, organized by the Heritage Commission and in its second edition, brings together more than 500 local and international artisans from over 20 countries.

It offers a distinctive cultural experience through interactive events that promote handicrafts and cultural heritage, focusing on supporting artisans locally and internationally.

The Saudi Artisanal Co. will display diverse collections of handicrafts reflecting national heritage with the aim of fostering innovation and expanding the reach of Saudi artisanry in line with Saudi Arabia’s Vision 2030 goals.