Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

The inaugural Islamic Arts Biennale is being staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)
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Updated 26 January 2023
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Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

  • Artworks by 60 established and emerging artists from Saudi Arabia and around the world have been displayed at the event
  • The idea of Islam is the unifying element at the biennale that continues to connects cultures and people throughout the world

JEDDAH: Saudi Arabia witnessed a historic moment with the opening of the inaugural Islamic Arts Biennale, which presented historic and contemporary works of Islamic art from around the world.

On the evening of Jan. 22, the Western Hajj Terminal at King Abdulaziz International Airport in Jeddah was filled with crowds of people waiting in eager anticipation. This was not the usual throng of pilgrims that use the terminal each year to travel to Makkah for the annual Hajj pilgrimage, but one awaiting the beginning of another voyage — a metaphorical one into the realm of Islamic art through the first-ever Islamic Arts Biennale hosted by the Kingdom. 

The crowd gathered under the impressive canopies of the Hajj Terminal, designed by Skidmore, Owings & Merrill, which won the 1983 Aga Khan Award for Architecture.

The biennial event, which includes many newly-commissioned and never-before-seen works of art, marked a historic moment not just for Saudi Arabia and the Diriyah Biennale Foundation that staged the event, but for the legacy of Islamic art, which has witnessed hardly any large-scale international exhibitions since the 1976 World of Islam Festival in London.

Jeddah’s inaugural Islamic Arts Biennale celebrates the legacy of Islamic art in a place close to Makkah, the fountainhead and cradle of Islam, while forging a dialogue between the past, present and future through contemporary artworks by 60 established and emerging artists from Saudi Arabia and around the world, and with over 60 new commissions and 280 historical artifacts. 




A woman walks by a display at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The effect is illuminating, mystical and enlightening in that this biennial, like its theme “Awwal Bait” which means “First House” in Arabic, celebrates the beauty and heritage of Islamic art in the birthplace of Islam.

“The Islamic Biennale, staged in this location at the Western Hajj Terminal, has meaning and anticipation for the future,” Saad Alrashid, a leading Saudi scholar, archaeologist and one of the curators of the event, told Arab News.

“Jeddah is the gate of the Haramain and has a deep history. There is an accumulation of strata of civilization in Saudi Arabia and throughout the ages this area was the crossroads of civilization between East and West and up to the North. Staging the Islamic Biennale here presents to the world the idea of connection between all Muslims and everybody that comes and goes from Saudi Arabia geographically, historically and politically.”

In the same vein, the theme “Awwal Bait” explores how the Holy Kaaba in Makkah and the Prophet’s Mosque in Madinah aim to inspire Muslims both culturally and metaphysically to explore their sense of belonging and ponder the definition of home.

“At its core, the Biennale is about giving contemporary objects a home by giving them a lineage and giving historic objects a home by giving them a future,” Sumayya Vally, artistic director of the Biennale, told Arab News. 




Artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

“Seeing the Biennale come to life through the voices and perspectives of our artists has been profound,” she added. “Each of them has boldly and sensitively taken on the opportunity of this platform to contribute to an emerging discourse on Islamic arts that we hope will continue.”

Staging the Islamic Arts Biennale was the result of a global effort. More than 18 local and international institutions, including the General Presidency for the Affairs of the Two Holy Mosques, alongside artifacts loaned by other prestigious international institutions with an interest in Islamic Arts, such as Benaki Museum in Athens, the History of Science Museum at the University of Oxford, the Louvre in Paris and the Victoria and Albert Museum in London.

The Biennale was curated by a multi-disciplinary group of specialists, including Omniya Abdel Barr, an Egyptian architect and Barakat Trust Fellow at the V&A, and Julian Raby, director emeritus of the National Museum of Asian Art at the Smithsonian Institution in Washington, DC.

“It was challenging to find objects that have survived that were made in Makkah and Madinah,” said Abdel Barr to Arab News. “We searched within collections to see how we could create a conversation between historic objects while also keeping in mind the contemporary context and this was the most interesting part.”

Regionally, the Diriyah Biennale Foundation has secured loans for the exhibition from institutions such as the King Abdulaziz Library, the National Museum, King Faisal Center for Research and Islamic Studies and King Saud University — all in Riyadh — and Makkah’s Museum of Antiquities and Heritage, the General Presidency for the Affairs of the Two Holy Mosques and Umm Al-Qura University. From the wider region, works have been loaned from the Al-Sabah Collection and Dar Al-Athar Al-Islamiyyah in Kuwait, the Museum of Islamic Art, Cairo, and the Museum of Islamic Art, Doha, among others. 




Man taking a picture of the artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The viewing experience is mystical, like a pilgrimage in itself. It begins in darkness with American Lebanese artist Joseph Namy’s commission “Cosmic Breath” presenting recorded calls to prayer from countries around the world played together, working as if in unison with the installation across the room by Saudi artist Nora Alissa, titled “Epiphamania: The First Light,” which depicts various black and white shots of pilgrims around the Kaaba shot impressively from beneath her abaya. Nearby is an Islamic astrolabe that is positioned towards Makkah. The trio of works mark the first example in the carefully curated show, demonstrating the dialogue generated from historic and contemporary Islamic works of art.

The structure of the Biennale is divided into four galleries and two pavilions that house artworks regarding daily Islamic rituals and Hajj. These sections intend to evoke both personal and collective emotions about the spiritual life of Muslims around the world. 

Large-scale, newly-commissioned works are found outside around the terminal’s expansive and evocative canopies, amid rays of sunlight and views of Jeddah that periodically include airplanes taking off high into the sky. The works outside communicate with nature and the Aga Khan award-winning architecture of the terminal itself.

Outside are also the pavilions of Makkah and Madinah, which present material from the Two Holy Mosques, Masjid Al-Haram and from the Hujra Al-Sharifa in Madinah. The focus here is on the initial journey that the Prophet Mohammad and his followers took from Makkah to Madinah to escape persecution. The objects on display, once again a mixture of historic and contemporary, shed light on the sense of universal belonging that ensues from the Muslim pilgrimage and journey home afterward.

Surrounding the pavilions are works by artists including Dima Srouji, Shahpour Pouyan, Moath Alofi, Reem Al-Faisal, Alia Farid, and Leen Ajlan. 




Display of Islamic art at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

Of note is Bricklab’s architectural installation “Air Pilgrims Accommodation 1958” inspired by Jeddah’s historic Hajj housing, which Vally describes as a site that “gathered people from all over the world to stay in one place — a place for cultural production and trade.”

“The idea emanating from the works outside is for them to generate invitations for gathering, for discussion and exchange,” Vally told Arab News.

This is reflected in Tanzanian artist Lubna Chowdhary’s “The Endless Iftar” which is a 40-meter-long table inspired by rituals of eating and gathering from around the world during Ramadan.

Also positioned outside is “My Place is the Placeless” by Iranian London-based artist Shahpour Pouyan, presenting three large-scale differently colored architectural domes that represent the three major traces in the artist’s DNA after he took a test that revealed his origins go beyond his native Iran to include Scandinavia, Central and South Asia, and the Middle East.

“It’s about human interconnectedness in an effort to break down ethnic labels and identities,” Pouyan explained to Arab News. 

Like the other works on show, Pouyan’s work reflects not just on Islamic culture but on its universality, its ability to connect beyond the Middle East and offer a unifying force that goes beyond religion, nationality and culture.

As Alrashid states: “Islam is a communication of knowledge and culture.”

He added: “Since the 2030 Vision we sense that we are more welcoming just like the Makkans in the past welcomed visitors during Hajj.

“We are showing the whole world how they can enjoy Islamic art,” he said. “The Biennale is not just an exhibition or something from the past — it continues through culture, through integration with the multiculturalism of Muslims.”

Perhaps the most powerful theme of the exhibition is the idea of Islam and its art across the ages as a physical and metaphorical unifying element that continues to connect diverse cultures and people throughout the world. It is also a way, as Vally stressed to Arab News, “to define what it means to be Muslim from our own perspective, through our own art and culture to the rest of the world and to show how Islam has the power to unite us all, even non-Muslims, through its history, traditions and spiritual practices.”

 

 


Sudanese cultural festival begins at Suwaidi Park

Updated 08 November 2024
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Sudanese cultural festival begins at Suwaidi Park

RIYADH: A cultural festival at Suwaidi Park is inviting visitors to explore the rich heritage and traditions of Sudan.

Part of Riyadh Season, the event takes place until Nov. 17 and features Sudanese music, dancing, food and crafts.

Content creator Hamoud Waleed said cultural festivals played a key role in building connections and understanding.

“Events like this are very important because sometimes you can’t go to see their tradition and culture. But when these cultures come to us here … it lets us know more and more about other people, how they live, what their interests are, and how we can engage with them,” he said.

“When we talk about Sudanese culture, it’s beautiful and comes from a very old history and nice heritage, and when it comes to us, it lets us know more about it, and this is exactly what we are seeing here in Suwaidi Park.”

Sudanese nationals make up 6.1 percent of the Kingdom’s population, according to the Saudi Census, so such exhibitions are important in promoting mutual respect and harmony between communities.

Sudanese singer Youssef Khairy highlighted the diversity of his culture, explaining how sharing traditions strengthened bonds between different people.

“Music unites us all, regardless of colors, shapes, languages, religions, or ways of thinking,” he said. “I am here to represent Nubian music, Nubian heritage and the Nubian civilization.”

Live music and dance performances during the festival are bringing Sudanese heritage to life and offering audiences an authentic cultural experience.

Visitor Olaa Abdulnaaem said these, along with the lively atmosphere, and engaging children’s activities, were standout features for her.

Hiam Othman, a Sudanese attire designer, said the festival had significantly promoted her business. “Our products have been well-received, and they reflect our Sudanese culture,” she said.

Riyadh Season 2024 has already drawn 4 million visitors from around the world, according to Turki Alalshikh, chairman of Saudi Arabia’s General Entertainment Authority. He believes the surge in attendance reflects a growing appetite for cultural exploration and new experiences.

The festival is part of the Global Harmony initiative by the Ministry of Media and the General Entertainment Authority, which is aligned with the goals of the Quality of Life Program. The scheme celebrates the Kingdom’s multicultural landscape by highlighting the lives, contributions and cultural integration of its residents.

In the coming weeks, Global Harmony will celebrate a variety of cultures. After the Sudanese festival there will be a Jordanian, Lebanese and Syrian event from Nov. 17-19, Bangladeshi from Nov. 20-23, and Egyptian from Nov. 24-30. 

Launched on Oct. 17, the initiative began with music and dance honoring the culture of Indian expatriates.


KSrelief delivers winter aid and dates to Yemen’s vulnerable

These packages form part of the emergency shelter project in Yemen. (SPA)
Updated 08 November 2024
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KSrelief delivers winter aid and dates to Yemen’s vulnerable

RIYADH: The Kingdom’s aid agency KSrelief has delivered dates and winter shelter to vulnerable people in Yemen, the Saudi Press Agency reported late Thursday.

KSrelief’s volunteers distributed 100 winter bags in Thamud district, Hadhramaut governorate, for 600 individuals from 100 vulnerable families.

These packages form part of the emergency shelter project in Yemen. (SPA)

The aid is a part of the agency’s emergency shelter project in the country.

Meanwhile, 2,459 cartons of dates were delivered in Al-Wadi district, Marib governorate, for the benefit of 14,754 people.


KSrelief continues international relief efforts in Chad, Pakistan

Updated 08 November 2024
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KSrelief continues international relief efforts in Chad, Pakistan

RIYADH: Saudi aid agency KSrelief has delivered aid to people most in need in Chad and Pakistan, reported the Saudi Press Agency.

Some 201 food parcels, benefiting 1,206 people, were distributed in the village of Sharkaya, in Hajar Lamis province, as part of the 2024 Food Security Support Project in the Republic of Chad.

Aid has also been given to 10,500 vulnerable people in flood-affected areas of Pakistan as part of the fourth phase of KSrelief’s initiative to provide shelter materials and winter bags to the country.


Saudi agency KSrelief delivers food, hygiene kits in Syria

The aid is a part of KSrelief’s projects to support earthquake-affected people in northern Syria. (SPA)
Updated 08 November 2024
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Saudi agency KSrelief delivers food, hygiene kits in Syria

  • The aid is a part of KSrelief’s projects to support earthquake-affected people in northern Syria

RIYADH: The Kingdom’s aid agency KSrelief has distributed food and hygiene kits to thousands of vulnerable people across Syria, the Saudi Press Agency reported late Thursday.

The agency’s volunteers delivered 750 food parcels and 750 hygiene kits in Al-Hasakah, Syria, benefiting 4,500 people.

The aid is a part of KSrelief’s projects to support earthquake-affected people in northern Syria. (SPA)

Meanwhile 745 Syrian families, comprising 2,652 people, in Al-Dana, Idlib governorate, received food and hygiene kits.

The aid is a part of KSrelief’s projects to support earthquake-affected people in northern Syria.


How Google aims to bridge the AI skills gap in Saudi Arabia and the wider region

Updated 08 November 2024
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How Google aims to bridge the AI skills gap in Saudi Arabia and the wider region

  • Backed by local partners, Google will boost AI upskilling for women, youth, migrants, and rural communities
  • The AI Opportunity Initiative aims to equip half a million people across the MENA region with AI skills

DUBAI: As artificial intelligence rapidly reshapes industries, job roles and skill requirements, the Middle East and North Africa region is actively embracing advanced technologies and collaborating with tech giants to bridge the skills gap in an evolving labor market.

One such collaboration is with Google’s newly launched AI Opportunity Initiative, which offers training and education opportunities to make AI technologies more accessible and inclusive across the region.

By collaborating with local organizations, the AI Opportunity Initiative seeks to “train half a million people in the next two years,” Anthony Nakache, managing director of Google MENA, told an audience at the recent AI Connect MENA event at Dubai’s Etihad Museum.

To achieve this, Google “will give a grant of $15 million to fund local organizations,” Nakache said.

Najeeb Jarrar, regional director of marketing at Google MENA, told Arab News: “We are very excited about this AI Opportunity Initiative, especially since we are seeing the Saudi community is fully embracing AI both on the consumer side and on the developer and resource side.

“This is an initiative that we have launched globally and we now are bringing to the region. One of the aims of this initiative is how we are leveling the playing field for AI and AI education and skilling across the entire region,” he added, noting that students will learn to use AI more productively, including skills such as prompt engineering.

To bridge the digital divide in the labor market, Google’s AI Opportunity Initiative aims to upskill underserved workers in AI by offering tailored training materials in Arabic, in partnership with the non-profit Manarat, online course provider Coursera, and other organizations.

Google’s largest AI project in the region, the AI Opportunity Initiative will focus on four key areas: AI skills development, research, products, and infrastructure.

DID YOUKNOW?

• The new AI Opportunity Initiative is Google’s largest AI project in the region.

• It aims to equip 500,000 people in the MENA region with AI skills within two years.

• Google is granting $15 million to local organizations between 2024 and 2027.

• The Saudi government is reportedly creating a $40 billion fund to invest in AI.

“We also worked with local NGOs and local players in the market to ensure that we are also reaching out to different partners,” Jarrar said.

Google.org, Google’s philanthropic arm, has announced plans to contribute $15 million between this year and the end of 2027, providing funding to organizations across the region to ensure accessibility to AI opportunities.

The AI Opportunity Initiative also aims to equip 500,000 people in the MENA region with AI skills in the first two years. This includes students, academics, developers, entrepreneurs and underrepresented groups.

Speaking about the issue of accessibility, Jarrar said: “We wanted to ensure first that this local initiative does not feel like an initiative that is hard to get for the average user.”

Google’s largest AI project in the region, the AI Opportunity Initiative will focus on AI skills development, research, products, and infrastructure. (Supplied)

He pointed out that both language and local partners, such as Injaz and Raspberry Pi Foundation, play a major role in improving accessibility.

“The content is all in Arabic, we have local examples that we are actually able to showcase,” he said. “We are partnering with local partners that know the market and the community very well and are able to reach more people that are beyond what we can initially reach to.”

The AI Opportunity Initiative enables Google to expand the Maharat min Google program, which targets high school and university students, by introducing a new AI curriculum in Arabic.

As part of its mission to support underserved communities, Google.org is funding Village Capital, a non-profit that supports entrepreneurs tackling environmental, social and economic challenges.

Village Capital will equip business support organizations to offer AI upskilling opportunities to underserved workers. 

The program targets women, youth, migrants and rural communities across Saudi Arabia, the UAE, Qatar, Jordan, Palestine, Egypt, Tunisia, Morocco, Lebanon, Bahrain and Iraq. 

The Raspberry Pi Foundation will use grant funding from Google.org to train teachers in AI literacy, equipping students aged 11-14 in the region with AI safety skills to better understand and navigate the challenges of AI technologies.

Opinion

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Speaking at the Google AI Connect Event, Ruth Porat, president and chief investment officer for Alphabet and Google, said: “AI is estimated to contribute $320 billion in economic growth for the Middle East by 2030.

“Google is working to ensure that people and communities throughout the region have the skills needed to capture the upside of this emerging technology.” 

She added: “Our local non-profit and university partners will help bring this program to people and communities throughout the region, ensuring that everyone can benefit from the opportunities that AI can deliver.”

 Ruth Porat, president and chief investment officer for Alphabet and Google, speaking at the Google AI Connect event. (Photo courtesy of Google)

Since 2005, Google has invested more than $400 million in academic research globally.

The tech giant also announced during its Dubai event the launch of new Arabic AI products, including Gemini Live in Arabic, Gemini for Teens, Imagen3, and Gems on Gemini in Arabic. 

“For the previous year, we have worked hard with partners, with experts globally and from the region, to understand what are the constraints that we need to implement to make this product safer for teens, teens aged 13 to 18,” Jarrar said.

“We worked tirelessly to make sure we have the right guardrails to ensure that we had the right controls and the proper Q and A and testing, and today we are happy to say that Gemini for Teens is available for users and teens here in the region.”

These efforts are expected to support Saudi Arabia’s ambition to become an AI leader, ensuring its population stays aligned with the latest developments in the labor market.

A September report by the Saudi Authority for Data and Artificial Intelligence showed that 75 percent of the Saudi population is familiar with the concept of AI, and 64 percent are aware of its applications.