Art Residency Al-Balad showcases concludes 2022 edition with Jeddah art exhibition 

The Art Residency Program Al-Balad concluded its 2022 edition with an art exhibition organized by the Ministry of Culture in Tamer House, Al Sharafiyah district, on Jan 25, in Jeddah. (Supplied)
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Updated 28 January 2023
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Art Residency Al-Balad showcases concludes 2022 edition with Jeddah art exhibition 

JEDDAH: The Art Residency Program Al-Balad concluded its 2022 edition with an art exhibition organized by the Ministry of Culture in Jeddah’s Tamer House, Al-Sharafiyah district, on Jan. 25.

The show, which runs until Feb. 4 features the works of more than 30 artists who took part in the four residency cycles held in Al-Balad from March to October 2022.

Launched in the same period as the Islamic Arts Biennale, the exhibition aims to promote Jeddah as a top destination in the art world and encourage cultural conversations on tradition, innovation, harmony and conflict, as well as urban and natural environments.

A distinguished group of Saudi, Arab and international artists presented their works and interacted with the public to discuss their visions for the transitional state of Jeddah.




The show features the works of more than 30 participants who took part in the four residency cycles held in Al Balad from March to October 2022. (Supplied)

Mohamed Ali Ghomriani, managing director of Hafez Projects, said: “The Art Residency Al-Balad was a unique experience for all of us. Hafez Projects as the operator of the program was very fortunate to be able to witness this wonderfully creative and inspiring journey. It facilitated residents, artists, curators and writers to share and exchange what goes on within the walls of the Jeddah historical district with the wider public and vice-versa.

“Now we can only celebrate the success of this important process and engage by showcasing the art projects produced thanks to the art residencies through a final exhibition,” he added.

Speaking to Arab News, Andrea Alkalay from Argentina, a visual artist in photography, said: “It is lovely to revisit my friends’ works by seeing them in an exhibition and also to discover the work of other residents. This exhibition definitely consists of a highly rich and diverse range of works, all inspired by the same location but in very different ways.”

Alkaly is exhibiting her project, “The Rock Cycle,” with three pieces from her work representing the cycles of change, the idea of demolishing to transform. The remains of Al-Balad houses served as her inspiration, and she used materials, collages, gold leaves and other techniques in her work.




Andrea Alkalay from Argentina, is exhibiting her project, “The Rock Cycle,” with three pieces from her work representing the cycles of change, the idea of demolishing to transform. (Supplied) 

She said: “The Art Residency Program Al-Balad and the Ministry of Culture allowed me to discover the Kingdom in an absolutely inspiring atmosphere. The ability to freely develop my creativity and materialize it at no cost enabled me to expand my imagination without boundaries. I was able to start a new project, which I am excited to investigate and develop further. Being offered this incredible opportunity with a studio place for six weeks in such a unique location has been a dream.

“This kind of community building is fundamental to my own enhancement within the arts. There are many artists I was introduced to who have shifted ideas on how I think about art-making, and what I make,” she added.

Some of the pieces created during the residency were shown in Argentina and also during Miami Basel week. For Alkaly, the residency was an integral and rich learning experience.

Nahla Khogeer, a wooden sculpture visual artist from Jeddah, said: “I discovered Al-Balad from a different perspective as if I had never been there. I learned new things from the community and the residents. I’m thankful to the Ministry of Culture and Hafez Projects for this opportunity to showcase my talent.”

Taking part in the exhibition with her artwork “Roads to Memory,” Khogeer documents the four historical neighborhoods of Al-Balad using wooden screens (Al-Mangour) that feature architecture from the district. The original mangour pieces embody the pathways of these areas.




"Roads to Memory" by Nahla khogeer documents the four historical neighborhoods of Al-Balad using wooden screens. (Supplied)

Donia Al-Shetairy, a multidisciplinary visual artist from Yemen, said: “During the residency, I was given important educational opportunities. Most importantly, space and support were provided to focus on my art practice and to develop a new project.”

Her work, “Speech of the Stone,” reimagines the city of Al-Balad through sound to focus on the importance of reviving and preserving the auditory memories of the city. “This exhibition offered me a chance to present my work in a bigger space and attract a larger audience, unlike the open studio. The previous period (between the end of my residency and the final show) was a continuation of my research on recordings and oral heritage, which enriched the discussion with the audience,” Al-Shetairy added.

The exhibition will feature a poetry reading session by author Bakr Al-Jaber, a clay sculpting workshop with artist Maan Alabbadi and an outdoor projection by artist Ahmed Al-Sindi.

As part of the Ministry of Culture’s Advancing Cultural Entrepreneurship initiative and Saudi Vision 2030’s Quality of Life Program, and operated by Hafez Projects, the second edition of the Art Residency Program Al-Balad 2022 edition offered opportunities to several emerging artists, curators, writers (critics and art historians), and those in the middle of their careers in the field of visual arts, from the Kingdom and around the world.

The free exhibition is open to visitors until Feb. 4.


Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

Updated 07 January 2025
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Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

  • Anyone who violates the rule will be punished with a fine of SR20,000 ($5,327), interior ministry says

RIYADH: Saudi Arabia’s Interior Ministry confirmed that the provisions of the “Use of Security Surveillance Cameras” law prohibit the transfer or publication of security surveillance camera recordings.

Security surveillance camera recordings can only be transferred or published with the approval of the ministry or the Presidency of State Security, based on a judicial order, or at the request of an investigating authority.

The ministry explained that anyone who violates this rule will be punished with a fine of SR20,000 ($5,327).

This includes anyone who transfers or publishes recordings in violation of the law or damages or vandalizes security surveillance camera systems or recordings.


Saudi artist breaks from signature style with ‘W’ard’ exhibition

Updated 06 January 2025
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Saudi artist breaks from signature style with ‘W’ard’ exhibition

  • Dammam collection running until Jan. 10 features sculpture, video and imagery

DHAHRAN: Visitors are immersing themselves in a vibrant celebration of art as Hussain Alismail unveils his compelling solo exhibition, “W’ard,” at the SASCA Art Gallery in Dammam, Saudi Arabia.

Launched on Dec. 30 last year and running until Jan. 10, the exhibition is a captivating journey through the artist’s evolving vision.

‘Wa’rd’ series by Hussain Alismail showcases a rich blend of experimentation with different materials, colors and artistic techniques. (Supplied)

In the “W’ard” series, Alismail breaks free from his signature style, which often features bold continuous-line drawings in striking shades of black and red.

Instead, the collection showcases a rich blend of experimentation with different materials, colors and artistic techniques.

HIGHLIGHTS

• Primarily focused on drawing and painting, Hussain Alismail’s artworks delve into the intricate complexities of Saudi social dynamics.

• His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Visitors can expect to encounter an array of fascinating works, from collages that fuse imagery, mixed media pieces with texture, three-dimensional sculptures, to dynamic video installations that spark imagination.

Hussain Alismail creates a new piece while visitors watch at his W’ard exhibition in Dammam. (Supplied)

At the heart of Alismail’s work lies the symbol of the rose, a timeless emblem of unity that surpasses differences, inviting connection among visitors.

He said: “For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.”

This cultural reference runs throughout the exhibition, highlighting the themes in Alismail’s artwork.

For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.

Hussain Alismail, Saudi artist

Through his collection, Alismail creates an artistic experience that celebrates unity in the diversity of humanity.

“I see my artwork as a reflection of who I am, but once it’s out in the world, it belongs to everyone to interpret and connect with however they choose,” he told Arab News.

Alismail is not only a gifted artist, but also a committed scholar, having recently relocated to Melbourne, Australia, to pursue a master’s degree in design innovation and technology at RMIT.

His time in academia, which he describes as research-focused, has significantly influenced his art. “I’ve found these skills super useful for my art in this exhibition and they’ll definitely play a bigger role in my upcoming projects.”

Alismail holds a bachelor’s degree in fine arts in drawing and painting from OCAD University in Toronto, Canada, as well as a bachelor’s degree in creative arts in visual effects and entertainment design from Flinders University in Adelaide, Australia.

His academic background enriches his creative practice, fueling his artistic exploration.

Primarily focused on drawing and painting, Alismail delves into the intricate complexities of Saudi social dynamics.

His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Beyond canvas and paper, Alismail’s artistic skills include photography, videography and digital graphics, allowing him to create stories that invite exploration.

“Medium serves as a platform for discovery. I constantly challenge myself to go deeper into techniques and artistic presentations,” he said.

For the exhibition, Alismail embraced a variety of innovative mediums. “I played around with 3D design, 3D printing, AI generative imagery and various other hands-on mediums,” he said.

Additionally, he aims to create a vibrant experience, expressing his desire that viewers feel “joyful and leave with a smile on their face.”

Inspired by cultural stories around him, Alismail combines personal and community tales in his art, enhancing the diverse narratives he shares.

With an eye toward revitalizing cultural connections, his work fosters an enriched understanding of our shared human experiences.

“What my audience has seen from me before is different from what I’m creating now, and I know it’ll have even more depth down the line.”

 


Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

Updated 06 January 2025
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Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

  • The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works

RIYADH: Two major electrical substations were launched at the Diriyah megaproject in Riyadh on Monday.

The substations will be operated by the Saudi Electricity Company and will speed up the development of projects in the historical area of Diriyah as well as nearby Wadi Safar.

“Today is very special to us,” Jerry Inzerillo, group CEO of Diriyah Company, told Arab News, before underlining the importance of developing infrastructure to be able to complete projects in time for Riyadh Expo 2030.

Jerry Inzerillo, Group CEO of Diriyah Company, and the CEO of Saudi Electricity Company, Khalid Alghamdi during the launch of the two substations. (Supplied)

Inzerillo further elaborated on how the project requires sustainable development because it will be serving a large number of people.

The housing project “will cater to 100,000 people who will live, work, recreate, and pray with us every day,” the CEO said. “So, you need all-new, smart-city technology that the Kingdom is leading on.”

The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works.

HIGHLIGHT

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

The second substation, developed by the Saudi Electricity Company through Maetel contracting company, will be one of the main power sources for Wadi Safar.

This will result in a combination of the area’s natural beauty with modern infrastructure, including hospitality assets and sports facilities such as the Royal Diriyah Equestrian and Polo Club, and Wadi Safar golf course.

Also at the event, the acting CEO of SEC, Khalid Al-Ghamdi, expressed his excitement for this significant event and milestone.

“The completion of the bulk substation and the primary substation marks a new era for Diriyah, one that combines advanced infrastructure with our shared vision of creating a sustainable, world-class city,” Al-Ghamdi said.

“We are honored to work with Diriyah Company to bring power solutions that are both reliable and in harmony with Diriyah’s architectural heritage,” he added.

Diriyah is one of Saudi Arabia’s main megaprojects, supported by the Public Investment Fund. The project will eventually have homes for 100,000 people and is aiming to host millions of visits per year by 2030.

The Diriyah project alone contributes $18.6 billion directly to Saudi Arabia’s GDP and will create 178,000 job opportunities, according to the Diriyah Company.

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

While the city is a major part of Saudi Arabia’s Vision 2030, it also has historical importance because Diryiah is the birthplace of the Kingdom of Saudi Arabia.

 


Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

Updated 06 January 2025
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Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

  • 60 agency trucks deliver food, shelter materials and medical supplies to meet needs of the Syrian people
  • Six planes carrying aid from the Kingdom arrive at Damascus International Airport

RIYADH: Sixty trucks carrying relief supplies from Saudi Arabia crossed the Nasib Border Crossing into Syria on Monday, as part of a humanitarian effort organized by Saudi aid agency KSrelief.

The trucks contained essential supplies including food, shelter materials and medical supplies, the Saudi Press Agency reported.

Also on Monday, six planes planes carrying aid from the Kingdom arrived at Damascus International Airport.

Jordanian authorities said 600 trucks filled with aid have entered Syria through the Jordanian-Syrian Free Zone since the collapse of President Bashar Assad’s regime on Dec. 8. The director general of the zone, Irfan Khasawneh, told the Jordan News Agency that the flow of goods has remained consistent since then.

The shipments are addressing the needs of the Syrian people for essential items such as food supplies, energy equipment and spare parts for machinery, he added.

Trade is flowing smoothly, with transactions completed promptly and without delays, Khasawneh said, and staff at the zone are ready to handle larger volumes of trucks and goods in the days ahead.


Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

Updated 06 January 2025
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Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

  • Riyadh-based organization says the collaboration has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts
  • Platform thanks Etidal, says partnership has been instrumental in efforts to identify and remove harmful content

RIYADH: The Global Center for Combating Extremist Ideology, also known as Etidal, said on Monday that more than 31 million items of extremist content were removed from messaging service Telegram during the final quarter of 2024.

This brought the total number of such items removed from the platform since the start of their partnership in 2021 to more than 160 million, it added.

Etidal, which is based in Riyadh, said international cooperation is important in efforts to address extremist ideologies and counter the global threat posed by terrorist organizations, and that the collaboration with Telegram has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts.

The platform said it has intensified its efforts to combat extremism since 2022 and expressed its appreciation for the partnership with Etidal, saying it has proved to be instrumental in efforts to identify and remove harmful content.

“There is no place for incitement to violence or terrorist propaganda on Telegram,” it added.

Etidal said it uses advanced technologies to help monitor and analyze extremist content, and detect the deceptive propaganda and tactics used by terrorist organizations in an attempt to evade content removal. It added that its efforts form part of Saudi Arabia’s broader strategy to help safeguard societies through an integrated approach, including targeted media campaigns to raise awareness of the dangers of extremism.

In addition to its partnership with Telegram, Etidal has established strategic collaborations with other international organizations. In 2021, for example, it signed a memorandum of understanding with the UN Counter-Terrorism Center.