Tunisian managing director Nadia Dhouib pays tribute to Paco Rabanne

Paco Rabanne (L) and Nadia Dhouib (R). (AFP)
Short Url
Updated 04 February 2023
Follow

Tunisian managing director Nadia Dhouib pays tribute to Paco Rabanne

  • The eponymous label he exited more than two decades ago hailed him as "among the most seminal fashion figures of the 20th century"
  • Tunisian managing director of Paco Rabanne, Nadia Dhouib, paid tribute to the ‘legendary’ fashion designer

PARIS: Tunisian managing director Nadia Dhouib this week paid tribute to the Spanish-born designer Paco Rabanne, who died at the age of 88 on Friday.

Dhouib, who was named managing director of Paco Rabanne in March last year, shared a black and white picture of the fashion designer, best known for his metallic ensembles and space-age designs of the 1960s, on her Instagram stories, and wrote: “Legend.”

The eponymous label he exited more than two decades ago hailed him as “among the most seminal fashion figures of the 20th century.”

Rabanne dressed some of the most prominent stars of the 1960s, including French singer Francoise Hardy, whose outfits from the designer included a minidress made from gold plates and a metal link jumpsuit, as well as Jane Birkin and Serge Gainsbourg, who were pictured in matching silver outfits.

Among his most famous looks were the fitted, skin-baring ensembles worn by Jane Fonda in Roger Vadim’s cult science fiction film “Barbarella.”

The death of Francisco Rabaneda y Cuervo, Paco Rabanne’s birth name, was confirmed by a spokesperson for Spanish group Puig, which now controls the fashion house.

“A major personality in fashion, his was a daring, revolutionary and provocative vision, conveyed through a unique aesthetic,” said Marc Puig, chairman and CEO of Puig.

“Paco Rabanne made transgression magnetic. Who else could induce fashionable Parisian women (to) clamor for dresses made of plastic and metal? Who but Paco Rabanne could imagine a fragrance called Calandre — the word means ‘automobile grill,’ you know — and turn it into an icon of modern femininity?" the group's statement said.

Born in a village in the Spanish Basque region in 1934, his mother was a head seamstress at Balenciaga. He died in Portsall in Brittany.

Rabanne grew up in France, where the family moved after Spanish troops shot dead his father, who had been a Republican commander during the civil war.

He studied architecture at the Ecole des Beaux Arts in Paris. He started his career sketching handbags for a supplier to prestigious fashion houses including Givenchy and Chanel, as well as shoes for Charles Jourdan.

He then branched into fashion, designing garments and jewelry with unconventional materials such as metal and plastic.

INTERNATIONAL EXPANSION

His first collection, which he described as “unwearable dresses made of contemporary materials” were pieces made of strips of plastic linked with metal rings, worn by barefoot models at a presentation at the upscale Paris hotel George V.

The Paris cabaret Crazy Horse Saloon was his next venue, where models paraded his skimpy dresses and bathing suits while wearing hardhats.

While his innovation and futuristic designs won plaudits, his fascination with the supernatural prompted public derision at times. He was known for recounting past reincarnations, and in 1999, he predicted the space station Mir would crash into France, coinciding with a solar eclipse.

Surrealist Salvador Dali famously approved of his compatriot, calling him “Spain’s second genius.”

The designer teamed up with Spain’s Puig family in the late 1960s, launching perfumes that served as a springboard for the company’s international expansion.

“Paco Rabanne made transgression magnetic. Who else could induce fashionable Parisian women (to) clamour for dresses made of plastic and metal,” said Jose Manuel Albesa, president of Puig’s beauty and fashion division.

The label has seen a resurgence in popularity in recent years, under the creative direction of Julien Dossena, who has updated the house’s signature chainmail designs.

“We are grateful to Monsieur Rabanne for establishing our avant-garde heritage and defining a future of limitless possibilities,” the fashion house said in a statement.

The designer’s work with metallic plastic gave a “sharp edge” to women’s clothes, an effect that was “so much more than a New Look,” fashion historian Suzy Menkes said on Instagram Friday.

“It was rather a revolutionary attitude for women who wanted both to protect and assert themselves.”

(With Reuters and AP)


Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’

Updated 24 December 2024
Follow

Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’

DUBAI: Chilean Palestinian singer Elyanna concluded her “Woledto” (“I Am Born”) tour with a heartfelt message on Instagram, just weeks after winning Best Arab Indie Artist and Best New Artist at the inaugural Billboard Arabia Music Awards in Riyadh in December.

Elyanna launched her “Woledto” album in April and kicked off the tour in October, performing across North America and Europe. She graced stages in 30 cities, including Barcelona, Paris, London, Brussels, Berlin, Stockholm, Montreal, Toronto, Washington, Houston, and more.

“Feeling emotional and grateful of what this album and the tour has given me and given my fans,” she wrote. “It was a gathering of community to spread light and preach across each city and theater.”

She also hinted at upcoming projects, stating: “The sunrise and the rebirth of the ‘Woledto’ project is just (the) start for the next chapter of 2025. Arabic is the music of the soul and the sun. Grateful for all the talented people that believed in this project and helped with the vision to come to life this tour (sic).”

Elyanna’s debut album featured nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

She recently lit up New York’s Times Square when she was featured on a Spotify Arabia billboard, highlighting the streaming platform’s “Equal Arabia” playlist.

Elyanna is set to perform live with British hitmakers Coldplay when the band heads to Abu Dhabi for four shows in the UAE capital in January 2025.


Festive season’s guide to dining in Saudi Arabia

Updated 24 December 2024
Follow

Festive season’s guide to dining in Saudi Arabia

  • Roasts, sweets and music on the menu for brunch, lunch and dinner in Riyadh, Jeddah and AlUla

DUBAI: Celebrate with friends and family this festive season as hotels and bakeries in Saudi Arabia host special dining events and offerings on Christmas Day.

Riyadh’s Fairmont Ramla has four packages for its festive dinner, including the “Just the Roast” offering, which features a roast turkey with traditional stuffing for SR899 ($239).

Other turkey offerings with sides include the silver package with pomegranate or orange glaze for SR1,299; the gold package with the same glaze for SR1,499; and the diamond package for SR1,599.

Fairmont Hotel Riyadh has a festive brunch from 12:30 p.m. to 5 p.m. at 365 Restaurant, offering a buffet complemented by live entertainment for SR320. The hotel is also offering a “Turkey to Go” takeaway package that serves six to eight for SR1,200 until Dec. 31.

Four Seasons Hotel Riyadh’s Obaya Lounge is offering a festive set menu on Christmas Day from 12 p.m. until 3:30 p.m. for SR380 per person.

Also, the hotel’s Cafe Boulud by Chef Daniel Boulud has a festive menu combining traditional French ingredients with a modern twist from 12:30 p.m. until 4 p.m. on Dec. 25 for SR600 per person.

Also in Riyadh, the Mandarin Oriental Al-Faisaliah is offering a festive lunch at La Brasserie from 12:30 p.m. to  4:30 p.m. on Dec. 25 for SR245 per person.

Over in AlUla and Sass — the desert outpost of the fine-dining celebrity hotspot from Monaco — launched a new menu on Dec. 24. Diners can also enjoy a festive-themed saxophone performance on Dec. 25 and 26.

To end things on a sweet note, Rosewood Jeddah’s Soleil Cafe is offering festive treats for the season, including assorted cookies, German stollen, a traditional yule log and a Raffaello ball.


Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program

Updated 23 December 2024
Follow

Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program

  • Hub picks 12 artists for inaugural scheme 

DUBAI: Saudi creative hub Diriyah Art Futures has handpicked 12 artists for its inaugural Emerging New Media Artists Program this winter, with Welsh talent William Brooks making the cut.

Set to run for one year, the newly launched program offers access to professional equipment and facilities, a production budget, learning experiences with international guest professors specializing in new media art, and mentorships.

Brooks spoke to Arab News about his artistic process and what he hopes to gain from the opportunity.

Cellular Impressions, 2020, Digital Image Series. (Supplied)

“The prospect of working in a place that is culturally and geographically far removed from my homeland offers a unique experience,” he explained.

“I anticipate that the historical significance of Diriyah, combined with the vibrant contemporary discourse on art, technology, and culture in the region, will inform new directions in my work and deepen my engagement with the concepts I explore.”

To work with a global cohort of artists, researchers and mentors is something Brooks is particularly looking forward to, and he added: “I believe a crucial aspect of being an artist is being inquisitive. This opportunity affords me the means to draw from a diverse and far-reaching wealth of knowledge.”

When it comes to his work, the multi-disciplinary artist has most recently been experimenting with the medium of installation in a bid to merge historical processes with new technologies. His most recent work, for example, “(conflates) the use of traditional etching processes on metal with digital imaging of the often overlooked but pervasive presence of digital communication.”

Macro Impressions, 2023, Photographic Series. (Supplied)

Brooks’ interest in digital signals and their vital role in daily modern life aims to explore and highlight how “these connections shape our interactions and identities in ways we often overlook.”

He added: “By making these digital elements visible, I aim to spark reflection on the implications of living in a world increasingly mediated by technology.”

Despite the seemingly futuristic nature of his work, the artist is keen to look back at history to inform his process.

He said: “When approaching a project, I start by immersing myself in archival materials, historical documents, or artifacts, aiming to uncover the ways in which older technologies or media forms were once used, understood, and experienced.

“This historical research is an attempt to see how these past media forms can recontextualize and critique present-day technological advancements.”

Brooks recognizes that it is no mean feat to translate such abstract concepts into physical artworks and pointed to his 2022 work “Radio Tapestry” as a piece he is particularly proud of.

He said: “This work involved translating data from wireless networks and digital devices into a visual and sonic installation of etched plates, allowing the audience to experience the otherwise invisible electromagnetic signals that we rely upon and surround us every day.

“The challenge lay in not only making the technology function smoothly, but also in creating an installation that communicated the conceptual depth of the work — highlighting how these intangible signals shape our environment.”


‘Mufasa’ filmmaker and cast dish on ‘Lion King’ prequel

Updated 23 December 2024
Follow

‘Mufasa’ filmmaker and cast dish on ‘Lion King’ prequel

DUBAI: US filmmaker Barry Jenkins, known for his unique storytelling approach in films like the Oscar-winning “Moonlight” and “If Beale Street Could Talk,” was never in the business of making CGI-heavy blockbusters. But when Disney calls, you answer.

“Mufasa: The Lion King,” a prequel to the 2019 photorealistic telling of the 1994 classic, sees Jenkins take the directorial baton from Jon Favreau — and he says a vital piece of advice from the latter helped him see the project through. 

“Mufasa: The Lion King” is a prequel to the 2019 photorealistic telling of the 1994 classic. (Supplied)

“His advice was very simple and concrete. He said, ‘Just forget about the tech. Forget about the tech and just find whatever way you can to tell the story in your voice.’ It was really crucial,” Jenkins told Arab News.

“We still, of course, had to learn the technology, and sort of master it. But we realized very quickly we weren’t beholden to the way the technology was being presented to us, and that we could sort of mold it and meld it to fit our storytelling principles.”

Exploring the unlikely rise of the beloved king of the Pride Lands, “Mufasa” enlists Rafiki (John Kani) to relay the legend of Mufasa (Aaron Pierre) to young lion cub Kiara (Blue Ivy Carter), daughter of Simba (Donald Glover) and Nala (Beyonce), with Timon (Billy Eichner) and Pumbaa (Seth Rogen) lending their signature schtick.

Bringing the laughs in “Mufasa” are Eichner and Rogen, returning to play Timon and Pumbaa, respectively. (Supplied)

Told in flashbacks, the story introduces Mufasa as an orphaned cub who meets a sympathetic lion named Taka (Kelvin Harrison Jr.) — the heir to a royal bloodline. Their chance meeting sets in motion an expansive journey for the adoptive brothers, with their bonds tested as they work together to evade a deadly foe.

The concept of found family is integral to “Mufasa,” and while there are no surprises as to Taka’s eventual identity, Jenkins says telling his story was as important as telling Mufasa’s.

“When I first read the script, I was surprised and moved by the depth of this backstory. But then I was like, why am I surprised? Because when you watch the 1994 film, Jeremy Irons is bringing so much heartache, so much woundedness, so much bitterness to this performance. And this story is really about the energy of that woundedness, of that heartbreak. And so, I shouldn't have been surprised,” said Jenkins.

The star-studded cast — including Mads Mikkelsen, Billy Eichner and Seth Rogen — bring fresh perspectives to the beloved “Lion King” universe. (Supplied)

“But once I read the script, I did realize that the success of the film, the emotional success of it, was going to depend on the quality of that bond and the way we detail it. So it was really important to us,” he added.

Charged with making the film’s music Lin-Manuel Miranda, creator of the pop culture phenomenon “Hamilton.” Jenkins says he couldn’t have found a more perfect collaborator. 

“I just always have admired how earnest Lin is in his work. If you look at interviews of him speaking about anything he’s done, you can tell he’s so earnest and passionate about what he does. And you know, you can’t make the ‘Lion King’ in a cynical way. You have to be just earnest about it. And I thought when it came to this idea of making a musical, I’ve never done that, so let me work with someone who has and who’s done it very well,” said Jenkins.

The star-studded cast — including Mads Mikkelsen, Billy Eichner and Seth Rogen — bring fresh perspectives to the beloved “Lion King” universe.

When asked what made him say yes to the project, Mikkelsen — who plays the villainous albino lion Kiros — said that apart from the fact that he simply “loved lions,” he could see the parallels between Mufasa and his character.

“There’s not a big difference between Mufasa and Kiros. In the sense of their upbringing, except that Mufasa loses his parents in the beginning. They don’t throw him out. And that’s the opposite story with Kiros. He was abandoned. He’s an albino lion, and in the animal kingdom, it’s a no-go. So, his heart is darker than Mufasa. There’s no hope in his heart. That’s just survival. And so, he finds his own pride, and he wants a piece of the cake. He wants the entire cake,” Mikkelsen said.

Bringing the laughs in “Mufasa” are Eichner and Rogen, returning to play Timon and Pumbaa, respectively.

For Eichner, the film brings him strangely full circle.

“I saw the original in 1994 with my parents in the movie theater. I remember that. And then, strangely enough, several years later, when it went to Broadway in the very acclaimed Broadway production, I was right out of college and one of my first jobs was being a bartender at the ‘Lion King’ on Broadway. And I didn’t get to see the show. They wouldn’t let you watch the show, but they would pipe the audio from the show into the lobby so that we could hear it and know when intermission was coming. So, I’ve heard a lot of ‘Lion King’ in my life,” he said.

Rogen enjoyed collaborating closely with Eichner as they recorded their parts together, allowing them to work more organically.

“We get to record together, which is really rare in these types of movies. I think a lot of the dynamic that we have in the movies wouldn’t be possible if we were recording it two different times were, like, really interactive with one another and building off of what the other person’s saying in the moment. And it’s very fast as well. And yeah, it’s just really cool to get afforded the opportunity to carve out a little section of these giant, expensive franchise movies with our little brand of improvizational comedy. It’s cool that they let us do that,” Rogen said.

When asked if they could recall any of their improvised bits in the movie, Rogen said: “There’s some meta jokes that break the fourth wall. Billy makes some references to the Broadway show. We have a lot of jokes on how we wish we had more songs and more screen time. I mean, all that stuff that was just really making us laugh as we were doing it. And no part of me thought it would make it into the movie, honestly, but a lot of it made it into the movie.”

Eichner added: “I also like when Timon and Puma become a little bitter and resentful at Rafiki because he’s inserting himself into the story, but not giving us a part in it. At the premiere, actually, which is the first time I saw it with an audience, I had forgot about that. And that was kind of surprising that we’re allowed to do that in the movie, but it almost feels like that part is more for the adults in the crowd.”

 


Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

Updated 22 December 2024
Follow

Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

DUBAI: Singer and actress Sofia Carson continued her love affair with powerhouse Lebanese designers at two shows in New York this week, after showing off looks by Elie Saab and Zuhair Murad at promotional events on numerous occasions this year.

Carson performed at New York’s Madison Square Garden alongside legendary Italian tenor Andrea Bocelli this weekend in a scarlet gown from Elie Saab’s Autum/ Winter Couture 2022 line. One day later, she hit the stage for part two of the event in a black, off-the-shoulder taffeta dress from Zuhair Murad’s ready-to-wear pre-Fall 2024 collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

“As I stepped off stage, my mom, my dream maker, held my hand and asked me what I felt. . . I said ‘I feel elated,’” Carson captioned a carousel of behind-the-scenes shots on Instagram, in which she is wearing Murad’s creation.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

In October, the singer and “Purple Hearts” actress was spotted in New York in a caped Elie Saab couture look from the maison’s Spring/Summer 2024 collection, while earlier that month she hit the red carpet in Rome in another gown by the designer.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

Carson showed off a sea green gown from Elie Saab’s Fall/Winter 2023 couture collection at the “Andrea Bocelli 30 - The Celebration” premiere in Rome.

The A-symmetrical neckline and sweeping ballgown skirt brought a dose of glamor to the red carpet, with Carson opting for a sleek up-do and diamond-and-emerald earrings.

“Honored to have been by your side as we premiered your film,” the actress posted on Instagram alongside a photo in which she is seen posing with Bocelli.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

The film chronicles Bocelli's three-day July concert event in Italy honoring his 30th anniversary in the music industry.

Rewind to May and Carson was seen in the French Riviera as she walked the Cannes Film Festival red carpet in yet another look by Saab. The star opted for an olive-toned ensemble from the designer’s Spring/ Summer 2024 couture collection.

Carson is something of a fan of Lebanon’s couturiers — in 2022 the actress attended the Global Citizen Festival in New York a coordinating look from Zuhair Murad’s Resort 2023 collection, while in late 2023, the actress cut an elegant figure in a Zuhair Murad gown at the second annual Cam for a Cause event in memory of her former co-star Cameron Boyce.