Showman Zia Mohyeddin, icon of Pakistan’s art and culture landscape, dies at 91

In this file photo taken on March 14, 2015, Pakistani writer and director Zia Mohyeddin speaks during a recitation session at the Jashn-e-Rekhta literature festival at India International Center, New Delhi. (Photo courtesy: Facebook/Jashn-e-Rekhta)
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Updated 13 February 2023
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Showman Zia Mohyeddin, icon of Pakistan’s art and culture landscape, dies at 91

  • Mohyeddin played the ill-fated Arab guide Tafas in 1962 blockbuster “Lawrence of Arabia”
  • In Pakistan, Mohyeddin gained nationwide popularity through The Zia Mohyeddin Show in 1960s

KARACHI: Zia Mohyeddin, a veteran British-Pakistani actor who made his Hollywood debut in the 1962 epic, “Lawrence of Arabia,” died on Monday at a hospital in Karachi.

Mohyeddin, 91, had been ill and was admitted to the intensive care unit of a private hospital in Pakistan’s commercial capital before he passed away on Monday morning.

Pakistanis across the country mourned his passing, with Prime Minister Shehbaz Sharif describing his art as “one of a kind.”

“Zia Sahib’s personality was full of wonderful qualities. He mesmerized people for more than half a century with his unparalleled skills in theatre, broadcasting and oratory and the magic of his voice. Hundreds of students under his tutelage will keep his legacy alive,” Sharif said on Twitter.

The Ministry of Information and Broadcasting said he was “a true icon of Pakistan’s art and culture,” adding that his contributions to the country and the arts would never be forgotten.

Born in the eastern Pakistani city of Faisalabad, Mohyeddin spent his early years in Lahore and was trained at London’s Royal Academy of Dramatic Art from 1953 to 1956. He began his career in theater, making his debut at London’s West End in 1960 through the role of Dr. Aziz in “A Passage to India.”

In the 1962 blockbuster “Lawrence of Arabia,” he played the ill-fated Arab guide named Tafas. Directed by David Lean, the British epic historical drama is widely regarded as one of the greatest films ever made and won seven Oscars at the 1963 Academy Awards.

He was also seen in Behold the Pale Horse in 1964 by director Fred Zinnemann, and in Immaculate Conception in 1992, directed by amil Dehlavi. He also authored three books, A Carrot is a Carrot, Theatrics and The God of My Idolatry Memories, and Reflections.

Mohyeddin returned to Pakistan in the late 1960s and gained national popularity through a television talk show, “The Zia Mohyeddin Show,” which ran from 1969 until 1973.

“Mr. Zia’s life will be celebrated by many. He lived a long, happy, and healthy life. He kept working ‘till his last days and has left so much meaning behind to be cherished and take inspiration from. Mr. Zia will keep living as an immortal voice,” Pakistani screenwriter Bee Gul told Arab News.

Mohyeddin was also widely known for his poetry and prose recitations as well as acting and theatre direction, and one of his last works was directing the first Urdu adaptation of Shakespeare’s “Romeo and Juliet,” which was performed last year at the National Academy of Performing Arts, an organization Mohyeddin helped set up in 2005.

Uzma Sabeen, who assisted Mohyeddin during the recent production and knew him for over 15 years, said she was proud to have worked with him.

“I was fortunate to have worked with him. We learnt a new thing from him every day,” she told Arab News. “He was a gentleman who respected everyone, particularly women. He was a very genuine artist and a genuine human being. We never saw him speaking ill. He was a very honest person.”

Mohyeddin was awarded the Hilal-e-Imtiaz, the second-highest civilian honor in Pakistan, for his contributions to the arts, in 2012.

“The world of arts bids farewell to a maestro - Zia Mohyeddin - broadcasting legend, poetic virtuoso, actor, and theatre director,” Pakistani actor Adnan Siddiqui said on Twitter. 

“As we celebrate his life and legacy, and mourn his loss, we are reminded of the immense impact he has had on our cultural landscape.”

The Rekhta Foundation, an archive of Urdu poetry and literature, said the news of Mohyeddin’s death came as a “huge shock leaving a void that cannot be filled.”

 


Review: The secret ingredient is love in Netflix’s heartwarming film ‘Nonnas’

Updated 23 May 2025
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Review: The secret ingredient is love in Netflix’s heartwarming film ‘Nonnas’

  • Whether through a shared meal or unexpected romance, “Nonnas” reveals that love can always be found, no matter your age

Netflix’s latest heartwarming film, “Nonnas” serves up more than just mouthwatering Americanized Italian food — it delivers a heartfelt story rooted in real life, proving that passion and purpose have no expiration date. It has steadily hovered in the top 10 Netflix film list in Saudi Arabia since its debut earlier this month.

Inspired by the true story of local Italian New Yorker Joe Scaravela’s Staten Island restaurant, Enoteca Maria/Nonnas of the World, which it self-describes as: “Convivial trattoria featuring real international grandmothers cooking on a rotating schedule,” the film highlights a special concept: Grandmothers, or “nonnas” (the Italian word for grandmother), from diverse backgrounds cook authentic, home-style meals for customers.

Vince Vaughn whips up a storm as Scaravela, the visionary who transforms deep personal loss into a vibrant tribute to family heritage: Handwritten scribbled recipes and all.

Alongside him, legendary actresses Susan Sarandon, Lorraine Bracco, Talia Shire and Brenda Vaccaro bring the nonnas to life with warmth, humor and undeniable charm. Their performances challenge stereotypes about aging women, showing that these culinary matriarchs are far from “past their prime.” Instead, they are vibrant, innovative, creative and full of surprises — proving that life’s best chapters can unfold well beyond what society expects.

The film is a delightful reminder to believe in yourself, and also about the power of community. It celebrates the resilience and strength found in embracing one’s roots, sharing stories and opening hearts while breaking bread. Whether through a shared meal or unexpected romance, “Nonnas” reveals that love can always be found, no matter your age.

While some moments tread the line of predictable and are a bit too sentimental, the film’s earnest spirit and genuine affection for its characters shine through. A bit cheesy? Absolutely. But who doesn’t love a bit — or a lot — of cheese sprinkled in, especially when it’s served with a side of a home-cooked meal (for the soul)?


U2’s Bono calls for Israel to be ‘released’ from Netanyahu

Updated 23 May 2025
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U2’s Bono calls for Israel to be ‘released’ from Netanyahu

  • Singer tells country to shun ‘far-right fundamentalists that twist your sacred texts’
  • Calls for protection of aid workers: ‘They’re the best of us’

LONDON: U2 singer Bono has called for Israel to be “released from (Prime Minister) Benjamin Netanyahu and far-right fundamentalists.” 

The Irish musician made the statement at the Ivor Novello Awards, and called on Hamas to release all remaining hostages still being held in Gaza.

At the ceremony in London on Thursday, the singer said: “Peace creates possibilities in the most intractable situations. Lord knows there’s a few of them out there right now. 

“Hamas: Release the hostages. Stop the war. Israel: Be released from Benjamin Netanyahu and far-right fundamentalists that twist your sacred texts. All of you protect our aid workers, they’re the best of us.”

U2, who were at the ceremony to be honored with an Academy Fellowship, then performed their song “Bloody Sunday,” which references the massacre of peaceful protesters by British troops in Londonderry, Northern Ireland, in 1972.

It is the first time that Bono, who received the Peace Summit Award at the 2008 Nobel Peace Laureates Summit, has spoken publicly about Netanyahu since the outbreak of the Gaza war in October 2023.

His words coincided with criticism of the prime minister by a number of Western leaders over Israel’s approach to the war, with international bodies warning that Gaza faces famine following an 11-week blockade on aid entering the Palestinian enclave.


Kneecap say Glastonbury slot at risk after terrorism charge

Updated 23 May 2025
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Kneecap say Glastonbury slot at risk after terrorism charge

  • Group member scheduled to appear in court on June 18

DUBAI: The Irish rap group Kneecap said this week that efforts are ongoing to block their appearance at Glastonbury this summer, following a surprise show held just one day after one of their members was charged with a terrorism-related offence.

During their performance at London’s 100 Club on Thursday night, the trio said they were being made a “scapegoat” because they “spoke about the genocide (in Gaza)” at Coachella in April.

Group member Liam Og O Hannaidh was charged on Wednesday with a terrorism offence for allegedly displaying a flag in support of Hezbollah at a gig in London in November 2024. The rapper performs under the stage name Mo Chara and he is scheduled to appear at Westminster Magistrates’ Court in London on June 18.

The police force’s counter-terrorism command was made aware on April 22 of an online video from the event and then carried out an investigation. After that, the Crown Prosecution Service authorized the charge. 

The group posted on social media and said in a statement: “We deny this ‘offence’ and will vehemently defend ourselves. This is political policing. This is a carnival of distraction.”

They added: “14,000 babies are about to die of starvation in Gaza, with food sent by the world sitting on the other side of a wall, and once again the British establishment is focused on us.

“This is a carnival of distraction. We are not the story, genocide is.”

Hours after the charge was filed, Kneecap announced a last-minute gig that reportedly sold out in 90 seconds, with 2,000 people on the waiting list. 

Chara took to the stage at 9 p.m. with tape over his mouth in a symbolic protest. He suggested the timing of the charge was deliberate, saying it came just ahead of their scheduled Glastonbury appearance.

He said: “There’s a reason why what’s happened to me happened before Glastonbury. There’s a reason they’re trying to … stop me speaking at Glastonbury in front of the UK.”


Fashion trailblazers honored at Riyadh awards

Updated 23 May 2025
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Fashion trailblazers honored at Riyadh awards

  • Saudi Fashion Awards spotlight innovators and local talent
  • Women’s Wear Daily collaborates to honor Saudi creatives

RIYADH: Women’s Wear Daily, in collaboration with the Saudi Fashion Commission, honored several creatives at an awards ceremony in Riyadh on Thursday.

(AN: Huda Bashatah)

Alessandro Sartori, artistic director of Zegna, was named International Designer of the Year, while Matteo Tamburini, creative director of Tod’s, received the International Brand of the Year award.

Patrick Ta, founder of Patrick Ta Beauty, was named International Beauty Innovator of the Year, and Glow Recipe was awarded International Beauty Brand of the Year.

(AN: Huda Bashatah)

Additional awards presented by the Saudi Fashion Commission celebrated the achievements of several Saudi Arabia brands and individuals.

Rawan Kattoa was named Fashion Stylist of the Year, Rayyan Nawawi received the Fashion Photographer of the Year award, and KML was recognized as Menswear Brand of the Year.

(AN: Huda Bashatah)

In addition, Abadia was named Womenswear Brand of the Year,  Charmaleena as Jewelry Brand of the Year, and the Elite Model Honorary Award for Model of the Year went to Talida Tamer.

The judging panel included industry leaders Law Roach, Amanda Smith, Burak Cakmak, Xavier Romatet, Mohammed Aldabbageh, and Mai Badr.

(AN: Huda Bashatah)

In her acceptance speech, Kattoa said: “This award means so much to me. It represents a journey that started as a freelancer ... I want to thank my husband for his support, my parents for their inspiration, and all the creatives who made this possible.”

Ahmad Hassan, co-founder of KML, said: “This is such an award for the first time ... It means the world to us. Being recognized in our home country makes this achievement even more special.”

(AN: Huda Bashatah)

“We were born and raised here, and to have our work celebrated in Riyadh is a dream come true. This award inspires us to push boundaries and innovate in our designs,” he added.

Reflecting on the evolving fashion scene, Hassan said: “Events like this showcase the incredible talent we have in Saudi Arabia. It encourages us to keep creating and to elevate our craft.”

“We are committed to telling our story through fashion and contributing to this vibrant industry,” he added.


Review: ‘Lilo and Stitch’ returns with heart, hula and a whole lot of charm

Updated 23 May 2025
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Review: ‘Lilo and Stitch’ returns with heart, hula and a whole lot of charm

  • Homage to 2002 classic while vibrantly fresh
  • Maia Kealoha, 8, playing Lilo steals the show

DUBAI: The new “Lilo & Stitch” reboot honors the 2002 classic while giving it a vibrant look and feel for a new generation.

With stunning animation, amazing casting, and a deep sense of nostalgia, the film strikes an emotional chord from the opening frame.

With the original film being one of the most beloved Disney classics, there was a lot of pressure riding on this remake, especially considering the inconsistency in the latest Disney productions.

 

 

Visually, the animation is outstandingly expressive.

The Hawaiian landscapes practically glow and the redesigns of Stitch and his alien companions retain their mischievous charm, even with the updated disguises for Jumba Pleakley.

Although many were not happy with these changes, I personally loved the scene of them learning how to walk as humans.

The emotional core of the film, however, remains unchanged: the powerful bond between sisters Lilo and Nani.

Their dynamic is portrayed with warmth and honesty, balancing cheeky sibling rivalry moments with sincere, tender ones.

The comedic timing is spot-on throughout the movie but is not overdone to the point where it becomes cringey.

Casting is another major win.

The new ensemble delivers energy and heart, with the debuting young actress, Maia Kealoha, 8, playing Lilo stealing the show. She captures Lilo’s quirky spirit, fiery independence and emotional depth perfectly.

While longtime fans may note a few subtle updates to the characters and plot, the film stays true to its core message of family, belonging, and unconditional love.

The film really tugs at the heart strings and may even leave one teary-eyed at some points.

Reintroducing the beloved story to a new generation, “Lilo and Stitch” is a must-watch this summer.