Royal decree instituting Saudi Flag Day is ‘an act of honor, glory and pride,’ say scholars 

The Saudi flag is an enduring symbol of faith and homeland that celebrates the country’s past glories and present unity. (Reuters)
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Updated 11 March 2023
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Royal decree instituting Saudi Flag Day is ‘an act of honor, glory and pride,’ say scholars 

  • Experts explain the significance, symbolism and history of the Kingdom’s national standard
  • New national holiday embodies values of strength, justice, peace, prosperity and tolerance

MAKKAH: With its deep and distinctive shade of green, emblazoned with a white saber and inscription intoning “There is no god but Allah; Muhammad is his prophet,” Saudi Arabia’s national flag inspires respect and arouses pride wherever it is displayed. 

On March 11, the Kingdom marks a new national holiday — Saudi Flag Day — instituted by royal decree. The occasion embodies the values of the national standard, which has accompanied the country since its foundation in 1727. 

Saudis view their national flag as a symbol of faith and homeland, of the people, unity, brotherhood, solidarity and goodness, together with monotheism, peace and Islam. It holds official and popular meanings evoking love and brotherhood. 




On March 11, the Kingdom marks a new national holiday — Saudi Flag Day — instituted by royal decree. (Reuters)

It also carries symbolic connotations, based on its size and color, along with aesthetic patterns implying unitary dimensions for Saudis in compliance with their land, environment and sanctities.

Speaking to Arab News, historian Dr. Mohammed Al-Zalfa says he was happy to learn of King Salman’s royal decree, naming March 11 of each year as the official date to celebrate the Kingdom’s banner. 

“The Kingdom of Saudi Arabia has adopted this greatly valuable flag, on which the Islamic declaration of faith is inscribed, since its foundation,” said Al-Zalfa. “It is noteworthy that the Arabs of the Arabian Peninsula would have never been united if it wasn’t for this everlasting declaration.

“The issuance of the royal decree, under which this greatly valuable flag is to be celebrated on the same date of each year, is an act of honor, glory and pride for this great country. 

“The declaration inscribed on the Saudi flag has significantly contributed to the accomplishment of everlasting historical achievements, namely the country’s unity that took place 300 years ago. 

“During this long period, the Kingdom has witnessed other remarkable victories, for which national days must be declared.

“As we celebrate Founding Day (Feb. 22) and National Day (Sept. 23), we can surely state that our national unity has been achieved under this declaration during the reign of King Abdulaziz, may his soul rest in peace.”

Likewise commending the royal decree, Dr. Latifa Al-Adwani, head of the Taif History Center, told Arab News: “The national flag is a value extending through the history of the Kingdom. 

“The flag is connected to the foundation of the Saudi state and has been developed in stages since the era of Imam Mohammed bin Saud — may his soul rest in peace — in 1727, until March 11, 1937. 

“On this day, King Abdulaziz issued the royal approval on the resolution of the Shoura Council regarding the size and shape of the flag, as well as on the acceptance of flag exchange with countries and on international recognition in general.

“The Saudi flag, as we know it, is designed in accordance with the flag system issued in 1973. The green flag, standing for peace, development, prosperity, giving and tolerance, features an Arabic transcription, the Islamic creed or ‘shahadah,’ which is the symbol of the country and the basis of its foundation. 




Saudis view their national flag as a symbol of faith and homeland, of the people, unity, brotherhood, solidarity and goodness, together with monotheism, peace and Islam.

“The flag also features a sword standing for strength and justice. As a whole, the Saudi flag is a symbol of the country’s unity, a sign of cohesion, and a title of its glories. It also expresses its loftiness, glory, and worldwide position, as well as the historical depth of the Kingdom.”

Also speaking to Arab News, Dr. Ayid Al-Zahrani, professor of Islamic History at Taif University, said: “The flag is a symbol of the sovereignty of the state, taking under its wings all segments of society, to meet at one point. 

“There is much evidence on the importance of having and preserving a flag, as well as on dedicating sacrifices in its favor. A flag is a symbol of loftiness, without which a state is deemed to fall. 

“The Messenger used the flag in each of his battles, where his companions followed its path every time. For instance, in one of his battles, Jafar Al-Tayyar was holding the flag in one hand until it was severed. He took the flag in his other hand till that arm was cut. He then held the flag with his chest to maintain its strength and preserve sovereignty.

“A country with a flag is a sovereign, independent and united country, as people under one flag are willing to sacrifice their lives in favor of their country. King Salman bin Abdulaziz is well aware of the importance and philosophy of the Saudi flag in building the state. 

Rules for handling the Saudi flag 

1. The Saudi flag is raised in Saudi Arabia on Fridays and holidays, in government buildings and public institutions between sunrise and sunset. 

2. The sariya that carries the national flag should be placed in the center of the building. 

3. The Saudi flag is never lowered to half-mast. 

4. During conferences, the flag should be placed behind the speaker on the right of the podium. 

5. The flag should be constantly raised on commercial, maritime and foreign ships when they are inside Saudi Arabian territorial waters. 

6. The use of the flag for commercial or promotional purposes is prohibited. 

7. The flag should not be drawn on cakes.  

8. The flag should not be raised horizontally.  

9. It is prohibited to raise any flag higher than the Saudi flag.  

10. The Saudi flag should not touch the surface of the earth or water. 

11. The Saudi flag should not be raised when it is in a bad condition.  

12. The flag should not be placed on the floor. 

(Source: Diriyah Gate ‍Development Authority)

“Therefore, March 11 has been selected to celebrate the importance of the flag and its role in building states, as well as enhancing their development and strength. Let the Saudis be proud of their flag, its sovereignty, unity, strength and cohesion, and celebrate that day.”

In an interview with Arab News, journalist Abdul Mohsen Al-Harthy said: “Since the foundation of the Saudi state until this moment, the Saudi flag is worthy of having a national day.

“We could go on forever talking about the early design stages of the flag. The last designer of the Saudi flag, Hafez Wehbe, indicated that the color green was adopted in the background since the time of Prophet Muhammad (peace be upon him), as the Holy Qur’an associates it with Paradise. 

“Green is not only the master of all colors in this context, but also a great element used in psychiatry, as it relieves the soul and the sight, while preventing depression and distress.” 

He also quoted a verse from the Qur’an: “And He is the One Who sends down rain from the sky — causing all kinds of plants to grow — producing green stalks from which We bring forth clustered grain. And from palm trees come clusters of dates hanging within reach.”

He added: “Research scientists in plant physiology have discovered that the green matter in plants is responsible for absorbing light energy and converting it into chemical energy that results in the formation of different kinds of fruit.




“Since the foundation of the Saudi state until this moment, the Saudi flag is worthy of having a national day,” said Abdul Mohsen Al-Harthy, a journalist. 

“If we were to tackle the components of the Saudi flag and their symbolization, we can clearly see that the palm tree is the most significant in this regard, as it is the only tree that has been mentioned in all heavenly books, including the Holy Qur’an, the Torah, and the Bible. 

“The palm tree symbolizes goodness, blessedness, vitality, prosperity, growth, patience and loftiness,” he said, quoting a verse from the Qur’an: “Therein is food and palm trees having sheaths (of dates).” 

Al-Harthy added: “The Kingdom adopted in its flag a national emblem consisting of a palm tree between two intersecting swords inspired by the Arab culture since the era of King Abdulaziz — may his soul rest in peace — until this day.

“The two swords are a symbol of strength, dignity, justice, protection, safety, invincibility and sacrifice. They also represent utmost wisdom and status. It is to be noted that the grip of the sword is directed toward the flagpole as evidence of the Kingdom’s glory.”


Saudi authorities seize drugs, arrest two suspects in Riyadh

Updated 25 December 2024
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Saudi authorities seize drugs, arrest two suspects in Riyadh

  • Authorities sezied 35 kg of hashish and 32,338 controlled medical tablets

RIYADH: Saudi Arabia’s drug control authority seized quantities of narcotics and arrested two suspects for drug promotion in Riyadh on Tuesday.

The General Directorate of Narcotics Control reported the seizure of 35 kg of hashish, 32,338 controlled medical tablets, as well as amphetamine and methamphetamine drugs.

It said that it had arrested two suspects in the case — a Syrian resident and a national — in Riyadh’s region, and referred them to prosecution, the Saudi Press Agency reported.

Saudi security authorities are urging people to report any activities related to drug smuggling or promotion by calling 911 in the Makkah, Riyadh and Eastern Province regions, and 999 in the rest of the Kingdom.

Alternatively, information can be emailed to [email protected]. All reports are treated in confidence.


KSrelief concludes urology surgery project in Yemen

Updated 24 December 2024
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KSrelief concludes urology surgery project in Yemen

  • Project included nine volunteers from different medical specialties
  • KSrelief medical team successfully performed 109 specialized urology surgeries

RIYADH: King Salman Humanitarian Aid and Relief Center has completed a medical project for urology surgeries in Yemen’s Aden governorate.

The project included nine volunteers from different medical specialties and was carried out from Dec. 15-22 in collaboration with the Saudi Program for the Development and Reconstruction of Yemen.

The KSrelief medical team examined 53 cases and successfully performed 109 specialized surgeries, the Saudi Press Agency reported.

KSrelief’s project is one of Saudi Arabia’s medical initiatives to assist the Yemeni people and ease their suffering amid the humanitarian crisis.


Saudi interior minister rewards winners of King Abdulaziz Falconry Festival

Updated 24 December 2024
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Saudi interior minister rewards winners of King Abdulaziz Falconry Festival

  • Prince Abdulaziz awarded the prestigious King’s Sword to falconers Barghash Mohammed Al-Mansouri and Faisal Al-Qahtani
  • He honored the winners of the festival’s elite rounds with King Abdulaziz Cup

RIYADH: Prince Abdulaziz bin Saud bin Naif, Saudi minister of interior and chairman of the Saudi Falcons Club, honored on Tuesday the winners of the 2024 King Abdulaziz Falconry Festival.

Prince Abdulaziz awarded the prestigious King’s Sword to falconers Barghash Mohammed Al-Mansouri and Faisal Al-Qahtani, the Saudi Press Agency reported.

He also honored the winners of the festival’s elite rounds, who received the King Abdulaziz Cup. The champions included Al-Mansouri, Amin Abdullah Al-Mallah, Mohammed Hafez Al-Marri, Fahd Mohammed Al-Mansouri, Mohammed Ibrahim Al-Buainain, and Hamid Mohammed Al-Mansouri, the SPA added.

Additional awards were given to winners in the Mazayen falcon beauty pageant, covering both amateur and professional rounds, the SPA reported.

Prince Abdulaziz also honored the sponsors of the 2024 Saudi Falcons Club events at the end of the ceremony.

King Abdulaziz Falconry Festival was held from Dec. 3-19 at the club’s headquarters in Malham, north of Riyadh.

The event drew 1,032 falconers from nine countries, including 160 international participants, and showcased 3,322 falcons from countries such as Saudi Arabia, Kuwait, the UAE and Italy.

The festival featured 138 rounds in Al-Malwah, highlighting falcon speed and talent, along with Mazayen competitions. It awarded more than SR 36 million ($9.6 million) in prizes, marking a record-breaking year for the festival.


Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

Updated 24 December 2024
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Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

  • We are ‘all one culture, one society and one message,’ says Iraqi official

RIYADH: From heritage to long-standing traditions, the deep connections between Iraq and Saudi Arabia span thousands of years to the pre-Islamic era.

The second Common Ground festival, an initiative by Saudi Arabia’s Ministry of Culture, is an immersion in the bonds of the two nations through art, cuisine and performance.

Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia. (AN photo)

Alataf Ebrahim, the head of the festival department at the Iraqi Ministry of Culture, Tourism and Antiquities, told Arab News: “Baghdad and all the Iraqi governorates are passionate about embracing Saudi culture. While the event is called Common Ground, with pride, we say that we are all one culture, one society and one message.

“This is a big and very important event, and the project is bold for planning and drawing joint cultural events now, and in the future. As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well as in 2025.”

HIGHLIGHT

Common Ground festival features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq. 

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. The renowned hub for intellectual life hosts various bookstores, clothing stores, live painting and oud performances, and panel discussions around various cultural crossovers.  

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. (AN photo)

In the heart of the bookshop district is one of Baghdad’s oldest coffee shops, Shabandar cafe, which opened its doors over a century ago and has since become a landmark in the city. The establishment has born witness to the twists and tragedies of Iraq’s tumultuous history.

“Shabandar cafe is an open corner for poets and intellectuals, and visitors as well, as they read about the latest cultural news through physical newspapers that are always on each table. This area is where the most prominent cultural activities in the capital (take place),” Ebrahim explained.

Visitors can indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage. (AN photo)

Al-Mutanabbi’s poems are also honored through 10, 3-meter-high scrolls. The works are written in a font that has the characteristics of the 4th century in the style of Ibn Al-Bawwab, the famous calligrapher who was born about a year after Al-Mutanabbi’s death.

“We’re presenting a mini cultural week that encompasses many experiences, not just books and literature, but also extends to musical performances; and an absorption between the two cultures and deepening that relationship,” he added.  

As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well in 2025.

Alataf Ebrahim, Iraqi Ministry of Culture, Tourism and Antiquities official

Visitors can also indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage.

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. (AN photo)

The festival’s concert series featured an iconic performance by Iraqi singer Kadim Alsahir on the opening day, and a joint oud performance by Saudi singer and songwriter Abadi Al-Johar and Iraqi artist Naseer Shamma on Dec. 21.

The last show of the series will be on Dec. 25, featuring Aseel Hameem and Nawaf Al-Jabarti.

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. The showcase includes Islamic, Mesopotamian and contemporary art.

At the entrance of the exhibition is a large structure known as the Mudhif, which is a traditional reed house, particularly in the Al-Ahwar region of southern Iraq. It is a type of communal guesthouse or gathering space that plays a central role in the social and hospitality traditions of the region.

A large part of the exhibition highlights Darb Zubaida, one of the historical pilgrimage routes from the city of Kufa to Makkah that not only facilitated the movement of people, goods, and ideas but also played a crucial role in the cultural and religious life of the Islamic world.

“This road became a place for exchanging ideas with our communities in the Kingdom. Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia.

“This is an important aspect of the exhibition, alongside the many artworks that spotlight the traditional, modern, and contemporary art and the traditional tales that are embodied by the contributions of the participating artists.”

The festival also features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq.

The festival, which runs until Dec. 31, is being held at Mega Studio in Riyadh’s Boulevard City.

 


Creative youth collective hosts art auction in Jeddah with jazz, community spirit

Updated 24 December 2024
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Creative youth collective hosts art auction in Jeddah with jazz, community spirit

  • One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision

JEDDAH: Nama, a new collective dedicated to empowering young creatives, hosted its first event in Jeddah this week at the bustling Huna Alhabib.

The two-day Jazz Night and Silent Art Auction was a display of the power of collaboration and a cultural celebration.

Nama’s debut featured more than 30 pieces by artists from Saudi Arabia, Egypt, the UAE, Kuwait, Bahrain, Spain, Canada, and beyond. These works were donated specifically for the auction to bridge artistic communities across borders.

The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region. (AN photo)

Jana Abdulaziz, Nama’s founder and director, told Arab News: “For the longest time, Nama was nothing more than an online group of about a dozen high schoolers that joined solely off the identity statement I wrote. No logo, no solid plans, just an idea.

“I remember a couple months in with next to no progress almost giving up the idea of having an event or Nama becoming anything. I reached out to potential sponsors and hundreds of local and international artists from my personal accounts as a last-ditch effort, expecting nothing ... and to my surprise, people did.”

With the participation of 15-plus local brands and businesses as vendors, the event was much more than an art exhibition. Visitors enjoyed an immersive experience complete with live jazz and blues performances, as well as an artist sketching portraits of guests.

The event seems to have resonated with artists and attendees alike. Yousef Zaini, a local artist and artwork donor, said: “As an artist, my work is intended to invoke emotions, raise questions, and offer perspectives. I borrow heavily from my readings in philosophy.

“I’m honored to work with Nama and showcase my works and share the philosophies they embody. The event organized by Nama was a great mix and I am eager to collaborate with them in the future. Much better is to come.”

French-Tunisian artist E. L. Seed donated one of his lithographs to Nama, describing it as a valuable opportunity. He said that participating in Nama was a chance to support the event and inspire young artists, emphasizing that no event is too big or small when it comes to reaching art enthusiasts, especially in Jeddah.

The idea for Nama came to Abdulaziz in late 2023. Despite initial setbacks, her determination and passion brought the project to life. The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region.

Jwan Abdulhafeez, Nama’s head of media, said: “We wanted our launch event to be more than just an auction, we envisioned a true celebration of art, culture, and fun. The evening featured a carefully curated silent art auction that showcased emerging talent while creating an atmosphere of sophistication with live jazz performances.

“Through the silent art auction, we were able to connect talented artists with art enthusiasts, creating meaningful relationships within our community.”

The auction was a celebration of global perspectives and artistic diversity, featuring works from renowned artists while providing a platform for young creatives to share their stories and build connections in the art world.

One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision. When Nama approached Menayouth for us to help with managing media and activities, their approach to things proved that they have ultimate care for who they work with. They came up to us offering to deal with the event as if it was our own.”