Behind-the-scenes on National Geographic’s new documentary on Saudi Arabia’s AlUla

The “Lost Treasures of Arabia: Ancient City of Dadan” is set to premiere on March 13. (Supplied)
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Updated 12 March 2023
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Behind-the-scenes on National Geographic’s new documentary on Saudi Arabia’s AlUla

DUBAI: Ivan Bouso has been a television executive producer for National Geographic for nearly two decades and yet he is still in awe of the subject matter of his latest documentary — a 44-minute project on Saudi Arabia’s AlUla titled “Lost Treasures of Arabia: Ancient City of Dadan” set to premiere on March 13.

The documentary explores the UNESCO World Heritage Site and vast archaeological area that has been having its moment for the past five years due to its sweeping mountainous landscapes, Nabatean tombs, and an ancient history that is little-known.

“It is a place of marvel,” said Bouso of the documentary that is directed by Dirk Verheye and Inti Calfat and will be broadcast in Arabic and English. The latter is narrated by Oscar-nominated actress and director, Maggie Gyllenhaal. 

“It’s a story that no one was expecting,” said Bouso. “No one was expecting to find this amazing, more than 2,000-year-old city of Dadan in the middle of the sands of Saudi Arabia.” According to Bouso, Dadan has been mentioned in three different bibles and was considered an important business station, where expensive goods were traded on the incense route connecting the Arabian Peninsula to the Mediterranean. 

“I would say it was like London or New York in the Eighties, and maybe Dubai, that were the center of the world. A lot of people were going there to trade, spend some time, and then they continue their business,” said Bouso. The narrative of the documentary focuses on two kingdoms that arose in Dadan in two different eras — the Dadanite and the Lihyanite. Both eras were rich with human life, agriculture and innovation, especially sustaining water sources. 

The documentary also takes the viewer on a journey of archaeologists making revealing discoveries of artifacts and technologies coming out of Dadan. “It’s like a private investigator movie,” said Bouso. “We go there with the archaeologists and they start digging and finding clues. They start guessing and looking for answers to those clues: Who were the people living here? How were they living here? Who destroyed them? Why did they disappear? What were the technologies they were using? In the middle of the desert, they created an amazing city. How did they do it?“ 

The production team was granted access to the site through the Royal Commission for AlUla, which was founded in 2017. The research-driven film features Hollywood-quality re-enactment scenes and sit-in interviews with experts and archaeologists. Bouso said that making documentaries always comes with a set of challenges, as they deal with plan-altering reality. “That’s the beauty of my work. I don’t go to an office everyday,” he said with a laugh. “I got out on the field and things happen.” 

However, shooting in a desert is particular, due to its setting and climate. “It always takes a lot of time going from point A to point B. You have the dust, which is the enemy of every camera. It gets everywhere, so we need to be very careful and use special equipment,” he said. “Believe it or not, in the middle of the desert we had a huge storm and we had to stop working for one day — not only us, but also the archaeological teams. They needed to cover everything that they have uncovered, because the rain was so strong.”

His adventurous profession has taken him around the world to more than 120 countries, and, in some ways, the job still feels fresh. “That’s the beauty of my job,” he told Arab News. “I tell stories in many different places and countries.”

A man who wears many hats, Bouso likens his job to being like Spider-Man. “It’s a great responsibility,” he said. “What I do is I work with the script writer, the director and the producer. I take part in all the different parts of a production to make it look, feel and smell like a National Geographic production.”  

“Lost Treasures of Arabia: Ancient City of Dadan” will be presented in National Geographic’s style of top-of-the-line photography, fact-checked scripts, along with a good mix of being informative and entertaining.

Bouso hopes it will promote knowledge and pique viewers’ interest.

“The National Geographic Society was founded in 1888,” he said. “What we’ve been trying to do from the very beginning is telling stories for many years. In this case, we are producing premium documentaries that are covering timely, provocative and globally relevant stories. What we’re trying to do is inspire people to care about the world.” 


Saudi Arabia’s Princess Nourah Al-Faisal ‘breathes new life’ into Asprey collection

Updated 15 September 2024
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Saudi Arabia’s Princess Nourah Al-Faisal ‘breathes new life’ into Asprey collection

RIYADH: British luxury company Asprey is continuing its collaboration with Saudi Princess Nourah Al-Faisal, the founder of Nuun Jewels, with a reimagined version of Asprey’s Feather Jewelry Collection.

The new collection, designed by Princess Nourah, comes after she collaborated with the label on a capsule collection of bags in July 2023.

Coloured titanium is complemented by sparkling gemstones ranging from the most delicate hues to rich, saturated tones. (Supplied)

“When I approached this collection, I saw an opportunity to breathe new life into Asprey’s iconic feather designs. I wanted to honor that legacy while infusing it with the playfulness and innovation that’s become synonymous with the brand,” she told Arab News of the new launch.

The original Feather collection draws inspiration from royal heraldry, featuring designs that echo the feathers adorning the Prince of Wales’s heraldic badge, where three white ostrich feathers emerge from a gold coronet.

Now, Princess Noura has put her own spin on the collection with her unique aesthetic visible in the choice of materials.

The collection consists of 13 pieces that can be made to order in different colours and metal combinations. (Supplied)

Coloured titanium is complemented by sparkling gemstones ranging from the most delicate hues to rich, saturated tones, characteristic of Nuun Jewels’ style. From pale pink sapphires and morganite to pastel yellow diamonds, the interplay of colors is something Princess Nourah is known for.

“By experimenting with unexpected colors and materials, I’ve tried to create pieces that feel both fresh and timeless. There’s a subtle nod to Art Deco in there, which I’ve balanced with the contemporary aesthetic of my own brand, Nuun Jewels,” she said.

The Asprey x Nuun Feather Collection is a feather in the cap of Asprey, with its chairman telling Arab News he is keen to ensure the luxury goods house remains synonymous with “innovation” despite its more than 200-year history.

“This collection not only showcases (Princess Nourah’s) visionary creativity but also exemplifies Asprey’s relentless pursuit of excellence and beauty through innovation and tradition,” John Rigas, chairman of Asprey, said.

The collection consists of 13 pieces that can be made to order in different colours and metal combinations, with a statement necklace to be revealed in 2025.

 


Danielle Deadwyler shows off Elie Saab look at ‘The Piano Lesson’ screening in New York

Updated 15 September 2024
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Danielle Deadwyler shows off Elie Saab look at ‘The Piano Lesson’ screening in New York

DUBAI: US actress Danielle Deadwyler showed off a bubblegum pink cocktail dress by Lebanese designer Elie Saab at a screening of “The Piano Lesson” in New York.

The outfit hailed from Saab’s Spring/Summer 2024 ready-to-wear collection and featured a belted waist with a slightly flowing skirt.

Danielle Deadwyler showed off a dress by Lebanese designer Elie Saab in New York. (AFP)

Deadwyler stars in “The Piano Lesson,” an American drama directed by Malcolm Washington, who co-wrote the screenplay with Virgil Williams. Set to hit US theaters on Nov. 8, it will stream worldwide on Netflix on Nov. 22 and stars Samuel L. Jackson, John David Washington, Ray Fisher, Michael Potts, Erykah Badu, Skylar Aleece Smith, and Corey Hawkins.

The film is based on August Wilson’s 1987 Pulitzer Prize–winning play of the same name.

It is set in 1936 Pittsburgh during the aftermath of the Great Depression and follows the lives of the Charles family as they decide what to do with an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor.

The director spoke to Deadline about the upcoming release, saying: “’The Piano Lesson’ is a story that centers on a brother and sister’s disagreement on what to do with a family heirloom, but underneath the surface is a story about ancestry, legacy, and how the decisions that our ancestors made affect the lives we lived today.

“When I first read the script, I was in a place in my life where I was digitizing a bunch of family photos, and I was looking at the faces of my ancestors, thinking about the lives that they lived and the connection to my own. So when I actually read the text itself, it really spoke to me in a way that forced me to engage with the material in a meaningful way,” he added.

The film also played at the Toronto International Film Festival in September, with Deadwyler hitting the red carpet in a Dior Resort 2025 metallic embroidered dress that riffed on the current Joan of Arc-inspired trend with its armor-style aesthetic. 


French actress Camille Razat steps out in Amina Muaddi heels at ‘Emily in Paris’ photocall

Updated 14 September 2024
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French actress Camille Razat steps out in Amina Muaddi heels at ‘Emily in Paris’ photocall

DUBAI: French actress and model Camille Razat this week attended the “Emily in Paris” season four photocall in Paris, stepping out in a pair of heels by Romanian-Jordanian designer, Amina Muaddi.

The star chose the footwear designer’s “Charlotte Sling” heels that featured a black patent finish. These shoes are designed with a squared oblique toe and include a slingback strap secured with a silver buckle. The structure is supported by a block heel.

Completing her ensemble, Razat, who portrays Camille, one of Emily’s friends in the series, wore a tailored black suit from the French luxury fashion house Celine. The outfit was complemented by a crisp white shirt and a black tie.

The star chose the footwear designer’s “Charlotte Sling” heels that featured a black patent finish. (Getty Images)

The photocall featured the series’ lead, Lily Collins, who plays Emily. Accompanied by her husband, Charlie McDowell, Collins promoted the hit series in a sheer-net Christian Dior dress adorned with a long fringe, complemented by a black blazer and heels. Charlie matched her ensemble with a black suit.

Co-stars, Ashley Park and Philippine Leroy-Beaulieu, attended the event, along with series creator Darren Star, director and executive producer, Andrew Fleming, and costume designer, Marylin Fitoussi.

Leroy-Beaulieu wore a full-length, white sequined Saint Laurent gown featuring a high neckline and a halter-style top with a backless detail. The ensemble was complemented by long, black satin gloves.

(L-R) Philippine Leroy-Beaulieu, Lily Collins, Darren Star, Ashley Park and Camille Razat attend the "Emily In Paris" Netflix photocall. (Getty Images)

Meanwhile, Park wore a velvet dress from Alessandra Rich featuring a contrasting white satin collar and a row of decorative gold buttons down the front. The dress had a fitted silhouette that ended just below the knee. She accessorized her look with a Judith Leiber bag and pointed black heels with golden accents.

Since launching her eponymous footwear line in August 2018, Muaddi has attracted a loyal following of celebrities including Dua Lipa, Gigi Hadid, Kylie Jenner and Hailey Bieber. Her brand, known for its distinctive footwear, bags and jewelry, has quickly become a favorite among the fashion elite.

Following the launch, Muaddi has seen a series of successful events, notably her collaboration with Rihanna’s Fenty collection. This partnership proved to be immensely successful, earning the Collaborator of the Year award at the 34th FN Achievement Awards in 2020.

A year after this accolade, Muaddi’s influence and success were further recognized when she was named one of Women’s Wear Daily and Footwear News’ 50 Most Powerful Women.


REVIEW: Colin Farrell is resplendent as Batman villain in ‘The Penguin,’ HBO’s new slow-burn crime epic

Updated 14 September 2024
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REVIEW: Colin Farrell is resplendent as Batman villain in ‘The Penguin,’ HBO’s new slow-burn crime epic

  • The spin-off of Matt Reeves’ ‘Batman’ — a lush and fully realized mob drama — drops weekly on OSN from Sept. 20

DUBAI: Audiences will be forgiven for rolling their eyes at yet-another supervillain origin story. But thanks to Colin Farrell’s “The Penguin,” for the first time in a very long time, you won’t walk away from your TV feeling mildly dissatisfied or pining for the long-gone golden age of superhero storytelling.

HBO’s eight-episode limited series — written and created by Lauren LeFranc (“Agents of S.H.I.E.L.D.” and “Chuck”) — tells the story of the rise of Oswald “the Penguin” Cobb, or just “Oz,” from underworld criminal to mob kingpin; and does so in a richly realized manner that will earn comparisons to TV epics such as “The Sopranos.”

The show begins a week after the events of Matt Reeves’ “The Batman” (2022), where the citizens of Gotham are recovering from the deadly floods released by the Riddler, destroying entire neighborhoods and killing thousands. Oz (Farrell, who again disappears into the role thanks to game-changing prosthetics and acting instincts honed over decades) plans to exploit the chaos of the floods and the power vacuum left behind by the recent death of mob boss Carmine Falcone (Mark Strong).

Helping him in his endeavour is young Victor (Rhenzy Feliz), a wannabe criminal who lost everything to the flood. Oz and Victor’s pseudo father-son dynamic forms the beating heart of a tragic story of corruption, greed and violence; and accurately depicts how monsters are not born but created by a society that is sick at its core.

Additionally stirring the pot is Cristin Milioti’s Sofia Falcone, Carmine Falcone’s daughter who is released from Arkham Asylum after a 10-year stint and is looking to take control of her father’s empire.

“The Penguin” sings when Farrell is on screen. The Irish actor gives the role his all, and watching him go from impulsive and rage-filled violence to quiet vulnerability to easy charm and then wounded puppy is a treat to behold.

And it is not always an easy watch, either. An episode dedicated to Sofia’s backstory that examines her life before, during and immediately after her stint in Arkham Asylum makes for a riveting but incredibly grizzly and difficult sit. Milioti handles Sofia’s justified anger and need for control and power with mesmerizing charm and deliciously dark humor.

With “The Penguin,” LeFranc has created something truly transformative, and no amount of superhero fatigue should keep you from watching it.


Music Matters: Who to see at Azimuth  

Updated 13 September 2024
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Music Matters: Who to see at Azimuth  

DUBAI: Here are the major acts performing at this year’s festival, which runs Sept. 19-21 in AlUla. 

James Blake 

(Getty Images)

The UK singer-songwriter, multi-instrumentalist, Grammy winner, and in-demand DJ and producer has managed the rare feat of maintaining both critical and commercial success for the majority of his career since first coming to prominence in his homeland with his eponymous 2011 debut album. That’s a feat which is even more impressive when you consider his penchant for stylistic experimentation, inspired by his love of electronic music. But whatever’s going on musically, his soulful soprano and smart, honest lyrics are a constant — his popularity as a collaborator among hip-hop’s A-listers tells you plenty about the latter. 

Top tracks: “I Need A Forest Fire,” “Coming Back,” “Say What You Will,” “Where’s The Catch?” 

The Blaze 

(Getty Images)

Paris-based ambient electronic music duo consisting of cousins Jonathan and Guilluame Alric. They’re not the most prolific of acts — releasing just eight singles and two albums in seven years — but the high-quality of their output, not just in terms of songs, but visually too (their music videos have led to headlines like Fader’s “Somebody Give The Blaze an Oscar Already”), suggests that’s a wise strategy. Their music is a slow-burn delight that combines elements of pop, house, and dub to create something all their own. “Blaze” is French slang for “name,” but, Guillaume told Fader, “the principal meaning is warm and strong things — love, and hope.” 

Top tracks: “Territory,” “Heaven,” “She,” “Places” 

Ben Bohmer 

(Getty Images)

Critically acclaimed German DJ-producer whose live shows generally see him embellish his tracks with live synthesizers and effects. He’s known for his progressive house sound, which also incorporates indie electronica elements. The Azimuth audience may well get to hear some as-yet-unreleased material too, as his new album, “Bloom,” drops Sept. 27. 

Top tracks: “Breathing,” “Begin Again,” “Home” 

Jamie Jones 

(AFP)

The Los Angeles-based Welsh DJ-producer is a busy man. Not content with putting out a regular stream of his own music and being a good enough DJ to top Resident Advisor’s rankings in 2011, he’s also a member of the band Hot Natured, head of a record label, host of a radio show, and founder of online store House of Hot, which sells clothing, records, and artwork. In an interview with Wales Online, Jones credited his mother for giving him the emotional support to pursue his dreams of a career in music. He recalled that she told him she didn’t care what he did as long as he was happy, “and I think to hear that from your parent at an early age allows you the freedom to not care about some of the other pressures that life throws at you.”  

Top tracks: “Lose My Mind,” “Fine Fine Baby,” “Summertime,” “La Musa” 

Seth Troxler 

(Getty Images)

The American DJ-producer famed for his mammoth live sets topped the Resident Advisor Top 100 DJs poll the year after Jamie Jones, in 2012. Like Jones, he’s a keen entrepreneur — founder of several labels and also owner of a barbeque restaurant in London, Smokey Tails. He’s known primarily on house and techno music, with a solid grounding in the Detroit (he’s a Michigan native) and Chicago sounds. But that’s not the sum of his music by any means. As he told Forbes in an interview last year, “The best genre is no genre. I try really not to be definable.”  

Top tracks: “(still) WON’T4GETU,” “Hate,” “Dead Room; Trust; Dexter” 

Ghostly Kisses 

(Getty Images)

French-Canadian singer-songwriter Margaux Sauve heads up this musical project, which is also a collaboration with producer Louis-Etienne Santais, her real-life partner. Sauve’s singular vocals and gift for melodic melancholy have brought Ghostly Kisses international acclaim, although their most-recent album “Darkroom” saw a shift in atmosphere. Sauve told Montreal Rocks shortly before its release, “So far our music has been felt, mainly, for our introvert fans, but we wanted them also to feel it in their body and be able to move with the music. That was kind of a goal. I think this album is a bit more affirmative and maybe a bit more confident.” In that same interview, Sauve also mentioned that Ghostly Kisses’ fans are “mainly from” overseas, citing Saudi Arabia as one of the countries where her music is most popular. 

Top tracks: “Empty Note,” “Golden Eyes,” “There’s No More Space”