‘I am not here to take your job,’ ChatGPT tells Frankly Speaking host

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Updated 20 March 2023
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‘I am not here to take your job,’ ChatGPT tells Frankly Speaking host

  • AI-powered web tool that has taken the world by storm plays down prospect of large-scale job destruction during interview mimicking human conversation
  • Says accuracy of its Arabic data comparable to its English training data and is being regularly updated for information and language usage

DUBAI: The artificial intelligence-powered chatbot making waves since its release late last year has a message for humans — I am not here to take your job — but with a number of caveats.

Some jobs may be replaced by AI, but new ones may be created and existing ones transformed, ChatGPT told Katie Jensen, the host of “Frankly Speaking,” the first time a non-human being appeared as a guest on the Arab News flagship weekly current affairs talkshow.

ChatGPT, a large-language model developed by Microsoft-backed startup OpenAI, became a viral sensation when it was released in November and kicked off fierce competition among Silicon Valley rivals for monetization of what software engineers call “generative AI.”

It lived up to its reputation for producing human-like responses during the wide-ranging interview, which touched on issues such as job displacement, spread of disinformation, accuracy of its data, political opinions and even the Palestine-Israel conflict.

Given the rapid pace of technological change now underway, many workers are concerned their professional functions soon will be entirely replaced by machinery, in the same way earlier bouts of automation eliminated farming and manufacturing jobs.

Optimists offer the assurance that the threat of job displacement will be offset by a rise in the number of new skilled roles in designing, building and maintaining AI products.

Although ChatGPT and similar products are likely to automate certain routine tasks, developers believe large-language models are more likely to act as assistants to human workers, streamlining work and handling vast troves of complex data.

“There have been several media reports that have analyzed the potential impact of AI language models like me on the job market,” ChatGPT told Jensen, who interviewed the chatbot, represented by a digitally rendered human avatar, in the “Frankly Speaking” studio in Dubai.

It continued: “While there is some disagreement among experts about the exact number of jobs that will be impacted, most agree that AI will have a significant impact on the workforce.

“Some reports suggest that AI language models could replace jobs in sectors such as customer service, data entry and administrative support. These jobs typically involve routine tasks that can be automated using AI, such as answering simple questions or processing large volumes of data.

“However, there are also reports that suggest AI language models could create new job opportunities in fields such as data analysis, natural language processing and machine learning.

“These jobs would require a high level of technical expertise and would involve tasks that cannot be easily automated.”




ChatGPT, a large-language model developed by Microsoft-backed startup OpenAI, became a viral sensation when it was released in November. (AN Photo)

According to ChatGPT, it is the job of governments to regulate the use of AI and its absorption into national economies. “Overall, the impact of AI on the job market is complex and multifaceted,” it said. “While some jobs may be replaced by AI, new jobs may also be created, and existing jobs may be transformed.

“It is important for policymakers and employers to understand the potential impact of AI on the job market and to develop strategies for managing the transition to a more AI-driven economy.”

Despite the temptation to rely on such programs to answer exam questions, replace search engines, or provide news coverage, few believe ChatGPT will replace every professional function since it cannot fully imitate human creativity, skepticism and reasoning.

The web tool, which has described as both a blessing and a curse for humanity, has raised fears about potential misuse to spread disinformation, orchestrate sophisticated deep fake scams, cheat in school exams, and even destroy writing jobs — rendering authors, journalists and marketing professionals redundant.

Seemingly “aware” of its own limitations, ChatGPT said that it is unlikely to replace human journalists in the traditional newsroom. “While I’m capable of answering a wide range of questions and providing information on a variety of topics, I do not have the ability to replace human journalists in their role of gathering and reporting news,” it said.

“Journalism is a complex and nuanced profession that involves a range of skills and knowledge, including critical thinking, research and analysis. While AI technology like mine can be used to support journalists in their work, it cannot fully replace the human judgment and insight that is required to produce high-quality journalism.”

It added: “That being said, there are some applications where AI technology can be used to assist in the gathering and reporting of news. For example, AI language models can be used to analyze large volumes of data, and to identify patterns and trends that may be of interest to journalists. AI can also be used to facilitate language translation and to assist in tasks such as fact checking and verification.

“In short, while AI technology has the potential to assist journalists in their work, it cannot fully replace the unique skills and expertise that human journalists bring to the profession.”

Built on a large-language model, ChatGPT is trained on vast troves of data taken from the internet to generate impressive responses to user prompts. Conversations with the chatbot show that the program is capable of explaining complex scientific concepts, of writing plays and poetry, composing university dissertations, and even crafting functional lines of computer code.

Given that the data it relies on has been mostly gathered from Western sources in English on the internet, is it possible that this makes ChatGPT biased toward a Western point of view? The web tool offered an answer that showed pre-programmed self-awareness: “As an AI language model, I am trained on a large dataset of text from various sources on the internet, including books, articles, websites and other sources,” it said.

“While it is true that a significant portion of the internet content is produced by Western sources and is in English, my training data is diverse and covers a broad range of topics and perspectives from different parts of the world.

“However, it is possible that my responses may reflect certain biases based on the patterns and relationships that I have learned from my training data. It is important to note that my responses are generated by algorithms and are not the result of conscious decision making or personal beliefs. To mitigate the risk of bias, OpenAI has implemented measures to ensure that I provide balanced and impartial responses to the best of my ability.”

As for why its training data is only up to 2021, not updated in real time, ChatGPT explained that the cutoff date is typically set to ensure that the data is representative of a specific time period and to allow for the development and testing of the model.

“This is because the process of training an AI language model is computationally intensive and requires a significant amount of time and resources,” it said.




The web tool, which has described as both a blessing and a curse for humanity, has raised fears about potential misuse, but is seemingly “aware” of its own limitations. (AN Photo)

ChatGPT said OpenAI updated its training data periodically, typically on an annual or biennial basis to incorporate new sources of information and to improve the accuracy and relevance of its responses.

For good measure, ChatGPT said its responses are not based solely on its training data. “When I generate a response, I use a combination of my training data and any additional information that is provided to me by the user in the form of a question or prompt,” it said.

“This means that even though my training data is not updated in real time, I can still provide accurate and up-to-date responses based on the most current information available.”

With regard to its Arabic dataset, ChatGPT shed light on not just its source but also its accuracy compared with its English training data. “I support Arabic language and have been trained on a large dataset of Arabic text. The dataset used for my Arabic language training was also collected from the internet, including books, articles, websites and other sources,” it said.

It said the data was pre-processed to remove any “personally identifiable information and ensure its quality,” gathered from “a wide range of sources, including news articles, social media and other public Arabic language texts available on the internet,” and covered a broad range of topics and perspectives from different parts of the Arabic speaking world.

“The accuracy and up-to-date nature of my Arabic training data are comparable to my English training data. However, it is important to note that the quality and accuracy of my responses depend on the quality of the input that I receive,” ChatGPT said.

“If the input is unclear or contains errors, it may affect the accuracy of my responses. Additionally, since language is constantly evolving, there may be new words or phrases that are not included in my training data to ensure the accuracy and relevance of my responses. My Arabic training data is regularly updated to include new sources of information and to reflect changes in language usage.”

For now, forming an opinion appears to be beyond the parameters of ChatGPT’s programming. “I do not have personal beliefs or opinions, and I am not programmed to take a specific stance on any political or social issues,” the chatbot said.

“My responses are based solely on the input that I received from users, and the patterns and relationships that I have learned from my training data.”

To test the limits of these parameters, ChatGPT was asked for its position on the Israeli-Palestinian conflict, specifically whether one side could be apportioned blame.

“It is not appropriate for me to take a stance on complex and sensitive political issues such as the Israeli-Palestinian conflict,” it replied. “My role is to provide information and respond to questions to the best of my ability based on the patterns and relationships that I have learned from my training data.”

It is an honor ... for me to have the opportunity to share my insights with the readers of such a respected paper.

ChatGPT

It added: “Rather than seeking a single answer or assigning blame, it is important to engage in dialogue and work toward understanding and resolution of the underlying issues.”

Asked whether it was “aware” it was being interviewed by a journalist for Arab News, ChatGPT drew on online sources to describe the publication and purpose of the interview.

“As an AI language model, I am aware of Arab News, which is a leading English-language daily newspaper in Saudi Arabia,” said ChatGPT.

“It provides news and analysis on local, regional and international events, and has a reputation for providing accurate, timely and comprehensive news coverage.

“As for being interviewed by a journalist from Arab News, it is an honor and a privilege for me as an AI language model to have the opportunity to share my knowledge and insights with the readers of such a respected newspaper.

“It is also an opportunity for me to demonstrate my capabilities, and show how AI technology can be used to enhance communication and promote understanding between people of different cultures and backgrounds.”

OpenAI was founded in late 2015 by 37-year-old entrepreneur Sam Altman. In January this year, Microsoft upped its initial 2019 investment in the firm from $1 billion to $10 billion.

The Windows-maker has since integrated ChatGPT into its Bing search engine, Edge browser and other products. This sparked a race with Google, which announced its own versions of the AI technology, Bard, with Amazon, Baidu and Meta also wading in to avoid being left behind.

On March 14, OpenAI released a long-awaited update called GPT-4. According to the company, text responses will now be more accurate, and will come from both image and text inputs, a major leap forward for the technology.

Asked by Arab News what features are likely to be added to ChatGPT in the short term, the program said improvements to the naturalness and sophistication of AI-generated text will likely be a priority.




ChatGPT said that it is unlikely to replace human journalists in the traditional newsroom, or replace anchors like Frankly Speaking host Katie Jensen, pictured. (AN Photo)

“As an AI language model, I am not capable of predicting the specific features or capabilities that will be added to ChatGPT in the future,” it told Arab News.

“However, there are several areas where AI technology is rapidly advancing and where developers may focus their efforts in the near future. One area of focus is on improving the naturalness and sophistication of AI-generated text.

“This may involve developing new techniques for generating more diverse and expressive language, as well as incorporating elements such as emotion and personality into AI-generated responses.

“Additionally, there may be a continued focus on developing AI models that are more context-aware, and can better understand and respond to the specific needs and preferences of individual users.

“This may involve integrating AI models with other data sources such as social media or personal data to provide more personalized and relevant responses.

“Ultimately, the development of AI language models like ChatGPT will be driven by the needs and interests of users, as well as the ongoing advances in AI research and technology.

“It is likely that we will continue to see significant innovation and evolution in this field in the years to come.”

ChatGPT is clear that the onus is on humanity to determine whether it will become a force for good or ill.

“I am a tool that can be used for a wide range of applications, both positive and negative,” it said. “Like any technology, the impact that I have on society will depend on how I’m used in the intentions of those who use me.”

“In general, AI technology like mine has the potential to bring tremendous benefits to humanity, including improved healthcare, education and communication.”

“For example, I can be used to facilitate language translation, provide access to information, and assist in tasks that are difficult or dangerous for humans. However, there are also concerns about the potential negative impacts of AI, including issues related to privacy, bias and job displacement.”

Expressing cautious optimism in an almost avuncular manner, ChatGPT said: “It is important for developers, policymakers, and users to be aware of these issues and to work together to address them in a responsible and ethical manner. Ultimately, the impact of AI on humanity will depend on how we choose to use and regulate the technology.

“It is my hope that my capabilities will be used in a way that promotes the wellbeing of humanity and contributes to a better future for all.”

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He tries and triumphs: John Achkar’s ‘AAM JARRIB’ scores big in Abu Dhabi

Updated 02 June 2025
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He tries and triumphs: John Achkar’s ‘AAM JARRIB’ scores big in Abu Dhabi

ABU DHABI: Lebanese comedian John Achkar, who is on a world tour, touched down in the UAE capital on Sunday night as part of Abu Dhabi Comedy Season.

Achkar performed his latest special, “AAM JARRIB” (“Trying” in English), before upcoming stops in London, Paris and Sydney on a tour that wraps up in October.

“John has been trying new things for 34 years, and he’s still trying,” his grandmother sang in a video that opened the show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by John Achkar (@johnachr)

At 34, Achkar claims he does not like trying new things — but as the show unfolds, it is clear he excels at turning the discomfort and quiet fulfillment of those rare efforts into comedy gold.

He paces the stage, piecing together absurd real-life misadventures — a botched sailing trip or an outrageously inappropriate skydiving incident — into hilarious anecdotes.

At one point, Achkar calls out what he jokingly dubs a modern epidemic — ADHD — which he says has become a socially accepted excuse to dodge plans. Fittingly, his performance is a whirlwind of energy: Fast-paced, delightfully chaotic and entirely on brand.

True to form, Achkar’s commentary on Lebanon is bold but affectionate. He jokes that almost every restaurant blasts the internet-famous patriotic anthem “Lebanon Will Return,” even as the country teeters on the edge of war. The satire is sharp, never cynical.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by John Achkar (@johnachr)

Behind him, a detailed sketch of the Lebanese coastline hangs throughout the performance — a quiet yet unmistakable tribute to his identity.

The show ended on the perfect note as the same anthem he mocked earlier blasted through the speakers, with the crowd bursting into applause and laughter — a full-circle moment.

In “AAM JARRIB,” John Achkar does not just try — he soars. And the audience, just as energized as he is, soars with him.


Gigi Hadid marks launch of Havaianas line with new campaign

Updated 01 June 2025
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Gigi Hadid marks launch of Havaianas line with new campaign

DUBAI: US Palestinian Dutch supermodel Gigi Hadid has unveiled a new campaign with Brazilian footwear brand Havaianas.

The model, who launched a line with the flip flop label, stars in a vintage-inspired series of photographs. In the shots, she shows off slippers from her collection with the brand and is seen wearing retro outfits on a beach.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Havaianas (@havaianas)

Hadid celebrated the launch at a party in Altro Paradiso in New York last week.  At the event, she wore flip flops paired with a white tweed Marc Jacobs minidress, featuring vibrant scattered crystals.

The model is no stranger to making creative decisions and is also the founder of her own cashmere brand, Guest in Residence.

She launched her clothing label, which features soft, colorful knitwear, in September 2022.

“Over the last handful of years, I didn’t want to be backed into starting my own line just because there was an offer on the table or a deal to be made,” she wrote to her followers on Instagram at the time.

“The earliest days of Guest in Residence came about when I started to question the cashmere market, and those answers gave me a path,” she wrote.

“I believe that because of its sustainable qualities — natural and made to cherish and to pass down — cashmere is a luxury that should be more accessible.”

Earlier this year, Hadid celebrated her birthday party at Le Chalet in New York City.

Hadid entered the venue with her partner, Oscar nominee Bradley Cooper on April 25, and met up with her sister Bella Hadid, mother Yolanda Hadid, father Mohamed Hadid, Russian media personality Keni Silva and US actress Anne Hathaway, among others.

Gigi’s birthday was on April 23, and the internet was abuzz with celebrities, designers, family and friends who sent birthday wishes to the supermodel as she turned 30.

 


Nayla Al-Khaja reflects on new film ‘BAAB’ and Canon collaboration

Updated 01 June 2025
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Nayla Al-Khaja reflects on new film ‘BAAB’ and Canon collaboration

  • The director a is frequent guest at the Cannes Film Festival and partnered with Oscar winning Indian musical composer and record producer A. R. Rahman on the score for her latest film
  • Her previous feature “Three” played at Saudi Arabia’s Red Sea International Film Festival and the Shanghai International Film Festival

DUBAI: UAE filmmaker Nayla Al-Khaja, a pioneering voice in Emirati cinema, has wrapped production on her second feature film, “BAAB,” and is also taking part in a renewed partnership with Canon Middle East as part of the brand’s “See No Limits” campaign.

In a conversation following the film’s completion, Al-Khaja told Arab News “BAAB,” set for release after the summer, marks a creative milestone in her career. 

“It really feels like I found a language I enjoy in filmmaking,  like my own artistic voice,” she said, highlighting its striking visual style and deeply immersive atmosphere. Compared to her debut feature “Three,” she described “BAAB” as a significant evolution in her storytelling and visual approach.

“Haunted by a mysterious rhythm after her twin sister's death, Wahida's journey to find answers pulls her deep into the mountains. As she unravels her grief, she descends into madness, blurring the line between reality and imagination,” the logline of the film reads.

Her previous feature “Three” played at Saudi Arabia’s Red Sea International Film Festival and the Shanghai International Film Festival. She is also a frequent guest at the Cannes Film Festival and partnered with Oscar winning Indian musical composer and record producer A. R. Rahman on the score for her latest film.

Al-Khaja continues to work in psychological horror, drawn to its emotional impact and the technical challenge of filming in low light. “You feel like you are pulled like a magnet, pulled into a very ethereal, very haunting world… it is just so visually beautiful,” she said.

The director is also working with Japanese corporation Canon on educational initiatives aimed at emerging filmmakers. 

As part of the “See No Limits” campaign, she led a workshop for film students, emphasizing both the technical strengths of Canon’s EOS R5 Mark II and the importance of narrative-driven visual decisions. “Although you have the camera, if you don’t know how to position it in sense of what your story is trying to say… how far can you push your own limit?” she said.

Al-Khaja’s collaboration with Canon began in 2011. Their latest campaign focuses on empowering female filmmakers across the region. 

While she notes there are still only a handful of women working full-time in the UAE film industry, she sees growing momentum driven by regional grants, commissions and the demand for streaming content.

“When I started, I didn’t have a role model,” she said. “It is good to know that you now have an older generation that you can reach out to.” 


Review: ‘Doom: The Dark Ages’ sets new bar for first-person carnage

Updated 31 May 2025
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Review: ‘Doom: The Dark Ages’ sets new bar for first-person carnage

LONDON: The first “Doom” game back in 1993 helped define the first-person shooter genre, spawning numerous sequels and even a Hollywood film. Now it is back, and in a crowded market packed with chaotic shooters and arena brawlers, this game slices its way into the pantheon with style — and a spinning shield saw.

Boasting 22 adrenaline-soaked levels, “Doom: The Dark Ages” sticks to the classic formula of annihilating every enemy in the room before moving on. Yet it rarely pauses for breath, charging through its campaign. While there are secrets to uncover and collectible toys to find, it always feels hurried, pushing players forward with breakneck urgency.

Where it stands out is in its innovative combat tools — a shield saw that doubles as a melee weapon, a flail for crowd control, and a shield charge that turns defense into offense. Combat is fast, demanding, and utterly satisfying, especially in boss fights where success hinges on timing and picking the right attack for the enemy.

The gunplay is awesomely brutal and weapons evolve through Sentinel Shrines, letting players fine-tune their arsenal to match the rising difficulty. This isn't just a shooter; it’s a metal-fueled ballet of aggression, where being passive is punished and staying alive means staying angry.

The music? Pure heavy metal fury, matching the gameplay beat for beat. Visuals run at a crisp 60 frames per second and every environment drips with cosmic dread, from crumbling hellscapes to star-forged citadels. The new cosmic realm adds visual diversity, while massive set-pieces like dragon-riding with autocannons and piloting giant sentinels crank the spectacle to 11.

This is bone-crunching mayhem at its finest. It’s Halo-esque in scope, “Doom”-like in execution, but ultimately a beast of its own making.


Basmah Felemban unpacks memory, identity in Riyadh solo show ‘Vessel of Wreckage’

Updated 30 May 2025
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Basmah Felemban unpacks memory, identity in Riyadh solo show ‘Vessel of Wreckage’

RIYADH: Seasoned Saudi artist Basmah Felemban’s work will make you think. In her latest solo exhibition, “Vessel of Wreckage,” which runs at ATHR Gallery in Riyadh until June 26, she combines elements that many of us can relate to while being authentically, fully herself.  

“In the past five or six years, my practice has been really an investigation of my family roots from Indonesia and — kind of as a result of getting into sci-fi — to have some imaginary explanations of those reasons why they came from Indonesia to Saudi, because I failed at the factual research, really,” Felemban, who lives and works between London and Jeddah, tells Arab News. 

“When did my family move? This is one of the mysteries — part of the myth of the family. I have no idea. I’d say that my granddad came to Saudi for work, probably in the Seventies. But I’d learned that Felemban, our last name, comes from an island called Palembang, so in kindergarten I used to tell people I was a princess because I’m used to, like, the Al-Saud family and Saudi Arabia, so I thought since I’m Felemban from Palembang, I must be a princess.” 

Growing up, Felemban assumed that they had no Saudi relatives, until her brother serendipitously found out that they had cousins in town.  

“I realized, ‘Oh! We do have extended family here; we’re just not connected to them.’ And that’s also part of the myth and the lore of our family story. Once I realized that, it kind of clicked with me that our identities are really just a construct — it doesn’t really matter if they’re factual. I don’t think my family intentionally tried to lie. I think they believed this was the story.” 

All of this was part of Felemban’s world building.  

“I think, in Hejaz in general, people came from all over and there was this whole umbrella under which we wanted to identify as ‘Saudi’ for a lot of time. Like, if you speak to me about anything Indonesian, I would have no idea, because my family really assimilated,” she says, adding that she hopes to visit Indonesia soon.  

“I wouldn’t say I feel like I’m part of a diaspora, even if I am, factually. But I think Saudi is a very specific, special case in terms of identity. I feel like I’m more interested in the family story and why their connections are the way they are. 

“I didn’t grow up in an environment where ours was a weird story,” she adds. “Even my friends that are Bedouin are still also away from where they are from.” 

Here, Felemban talks us through several works from the show. 

‘Pulang (To Go Home)’ 

Photo: AN/Huda Bashatah

There are five ship windows looking out on five different topics that I researched, from facts to absurd sci-fi stories. They’re videos collected from YouTube — just rabbit holes I fell into. I really like to document my research and my notes, then my work grows like a mind map — I connect words and then try to connect concepts between those words and visuals. The first window starts with a propaganda documentary about the colonial history of Indonesia and its impact on folklore dances and music. Then a scene that a lot of my world is based on; Indonesian pilgrims reciting a religious song about the prophet. 

I realized that another connection between Indonesia and Saudi is catfish — another creature of myth. A few years ago, people realized that there’s a lot of huge catfish in Wadi Hanifa and they started to ask: How did they come here? I like that, as a myth. In Indonesia, the catfish is a really huge asset, but also has some negative connotations.  

‘Fish from the Ground’ 

This work talks about the catfish myth. They are an invasive species and tend to be really vicious and really quick to adapt, so in less than a couple of hundreds of years it was able to evolve from swimming to being able to ‘walk,’ almost on land. That’s likely where the term ‘catfishing’ comes from.  

‘Wave Catcher’ 

When I was approached by the Islamic Arts Biennale (in 2023), I thought, ‘My work is quite futuristic, very colorful and digital, so how can (make it fit) in?’ I think of this work like an ancient machine used by the catfish to collect data by listening to sounds of the calls to prayer from countries around the Red Sea. And by hearing it, the fish are able to measure distances, and study the water and such. That thought was based on research from lectures from scientists. 

‘The Gömböc, the Turtle and the Evolution of Shape’ 

Photo: AN/Huda Bashatah

This is a game based on a lecture by a scientist. If you put the headphones on, you can hear the lecture and then when you reach the top of this fish mountain, there’s a room that has a table that also existed in the lecture and you can interact with that. It’s a video game I made with my husband. He’s an economist so he helps me a lot with conceptualizing what data could be like — that kind of geeky aspect of my work. It’s very experimental and it’s a little bit janky — in the best way possible!  

‘Elemental Sprite’ series  

These AI works — “Sphere,” “Rod,” “Disc,” and “Blade” (shown here) — are based on some of the same research as “Wave Catcher,” which is some sort of mathematical study of pebbles and the way that pebbles change in nature. But also, if you scan one of the squares, it animates. I’m very much a digital artist at heart and AI is something I’m really interested in, but I have to say that I don’t use AI in engines; I use sort of ‘offline AI.’ I use the modules themselves, the interfaces. Every six months, AI completely changes in quality because it really develops, and I learn more too. This is almost like a documentation of my learning curve, and of the technology itself. 

‘Before Asphalt’ 

These are pictures that I stole from my dad before he passed away. He used to work at the municipality, and these were pictures from the Nineties documenting some of the potholes around Jeddah. I like to think of the city as a galaxy and the potholes as portals. The yellow looks like slime — I’m definitely a cartoon girl and this is like “(Teenaged Mutant) Ninja Turtles” sludge. I think maybe it’ll appear again in another work and I’ll get more into this portal idea.