Saudi film ‘Me & Aydarous’ goes global

The biggest challenge, however, was casting, with the team auditioning many actresses before deciding on Ida Alkusay, who Balghonaim described as “extremely skilled and fearless.” (Supplied)
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Updated 21 March 2023
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Saudi film ‘Me & Aydarous’ goes global

  • Sara Balghonaim’s short film starts international festival tour next month

DUBAI: Saudi film “Me & Aydarous” is set to kickstart its international festival tour at the Aspen Film Festival’s Shortsfest next month.

Written and directed by Sara Balghonaim, the film is set in the early 2000s in Saudi Arabia’s capital Riyadh. It tells the story of a young woman who sneaks off for a date only to butt heads with her chaperoning chauffeur.

Balghonaim, a Saudi filmmaker who is based between Riyadh and New York, is currently in her thesis year at New York University’s graduate Film & Television MFA program in directing and writing.

Her writing workshops inspired the concept for the movie with Balghonaim penning the script in the second year of the program.

Students from different backgrounds shared their experiences of growing up during the early 2000s in different cultures during a workshop.

“Looking at my own past, I found that most of my memories from this time period featured my chauffeur in Riyadh,” Balghonaim told Arab News. “This is what inspired me to write this story: Me and every girl who grew up during this period have similar memories of their live-in chauffeurs knowing everything about their personal lives.”

Although the events of the film are not based on her personal life, “the dynamic between the protagonist and her driver, is my experience and the experience of most Saudi women,” she said.

Live-in chauffeurs were a common feature in Riyadh households, who knew everything about the young women they drove around from their taste in music to their relationship with their parents, Balghonaim said.




Sara Balghonaim, writer and director of Saudi film “Me & Aydarous.” (Supplied)

“And, if you are a girl in Saudi Arabia in the early 2000s, he (the chauffeur) knows a whole lot about your romantic life . . . or lack thereof.”

As she grew up, she saw young couples become more creative in navigating the strict rules in order to date with many meeting in cars more frequently.

“For women, that meant their chauffeurs were chaperoning these dates,” she said.

The making of the film was almost as challenging as dating in the Kingdom — from funding to casting. Production began two years ago when there was no year-round state funding for Saudi short films, Balghonaim said.

“So, despite the lack of funding from organizations, we managed to pool together money for this project, along with the support of our family and friends who loaned us their cars, and houses, and contributed their time to helping us where they could.”

The filming itself was a challenge too since the entire film takes place inside a cramped van.

“A challenge my director of photography Khalid Alsudairy and I faced was figuring out how to fit the camera and cast in this closed space whilst creating a dynamic visual language,” she said.

The biggest challenge, however, was casting, with the team auditioning many actresses before deciding on Ida Alkusay, who Balghonaim described as “extremely skilled and fearless.”

“Many of them were afraid of participating in a story that is still considered taboo,” said Balghonaim, who had to personally reassure their fathers that there would be no physical intimacy in any of the scenes between the protagonist and her boyfriend.

Since then, Saudi Arabia has come a long way both in terms of investment in the local film industry as well as changes in culture and society.




“Me & Aydarous,” which won the Wasserman Award last year, is produced by Raed Alsemari and Salman Almusaad. (Supplied)

“The film speaks to a time that is different to where we are now — the GenZ in Saudi are growing up in a time with massive cultural changes, with more freedom to exercise normal day-to-day life,” she said.

With this film, Balghonaim wants to share the experiences of many Saudi women of her generation with a global audience. “I want people to question, to reminisce, and to laugh at the creative lengths we go to when it comes to getting what we want; to exercising our basic need for intimacy and connection,” she said.

“Me & Aydarous” marks Balghonaim’s debut as a director. She has worked with Haifa Al-Mansour as an assistant director on “The Perfect Candidate,” starred in “Dunya’s Day,” winner of the Special Jury Award at the Sundance Film Festival, and recently produced “Sweet Refuge,” which won the Directors Guild of America Student Award.

Balghonaim is currently working on a feature-length film.

“The stories I’m writing center on women breaking the status quo, and touch on societal behavior and limitations,” she said.

“Me & Aydarous,” which won the Wasserman Award last year, is produced by Raed Alsemari and Salman Almusaad, and associate produced by Khalid Alsudairy, starring Ida Alkusay and Ballah Mohammad Alfadhel.

CineWaves Films owns the film distribution rights in the Arab world and Africa.


Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Updated 17 November 2024
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Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Netflix said on Saturday that 60 million households worldwide had tuned in for the highly anticipated boxing match between Jake Paul and Mike Tyson, and the event peaked at 65 million streams, according to a statement.
The bout between the 27-year-old social media influencer-turned-prize fighter Paul and the 58-year-old former heavyweight champion Tyson, which Paul won, was streamed live on Netflix.
Nearly 50 million households tuned in for the co-main event between Ireland’s lightweight champion Katie Taylor and Puerto Rico’s featherweight champion Amanda Serrano, according to Netflix.
“The bout is likely to be the most watched professional women’s sporting event in US history,” Netflix said in its statement.
There were some hiccups during the live-stream of the match, with over 90,000 users reporting problems on Netflix at its peak, according to outage tracking website Downdetector.
However, the streaming platform was back up on Saturday after the outage that lasted roughly 6 hours in the United States.


Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Updated 16 November 2024
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Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

  • ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
  • Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason

DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

Updated 16 November 2024
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What is Bluesky, the fast-growing social platform welcoming fleeing X users?

  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
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Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
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Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.