Why the marble flooring of Saudi Arabia’s Two Holy Mosques remains cool even in summer

The marble floor of the Grand Mosque in Makkah serves a practical purpose, helping regulate temperatures. (AFP file)
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Updated 14 April 2023
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Why the marble flooring of Saudi Arabia’s Two Holy Mosques remains cool even in summer

  • Stone from particular island in Greece scientifically proven to have natural, self-cooling properties
  • The Saudi leadership has imported Thassos marble for use in the Two Holy Mosques since 1978

MAKKAH: For centuries, the Two Holy Mosques at Makkah and Madinah have welcomed pilgrims from across the world. To the pleasant surprise of visitors, the glistening white marble floor that surrounds the Kaaba in Makkah remains cool beneath their feet, even during the hottest days.

While some have claimed that hidden cold-water pipes under the floor are responsible for its coolness, the real reason lies in the mosque’s unique choice of building material.

Marble from Thassos, an eastern Greek island near Kavala in the Aegean Sea, has one of the rarest characteristics ever found in the stone. Due to its pure white appearance and high reflection of light, Thassos marble — sometimes called “snow white” marble — has one of the lowest heat absorbances of any marble.




Marble quarry on Thasos island, northern Greece. (Dr Peter Tzeferis via Wikimedia Commons)

The stone has been quarried from the island since ancient times, and is still used all over Greece today. It has formed the walls, floors, and statues of some of history’s greatest sites, including the ancient Macedonian tomb at Amphipolis (the largest ever discovered in Greece) and Hagia Sophia in Istanbul.

The stone’s unique properties see its frequent use in luxury villas and interior decoration, though it does not come cheap. Individual tiles can range between $250 and $400 per square meter, according to Indian marble supplier RMS Marble.




Marble mined at a quarry in Thassos, Greece, is one of its most impressive features of the floor of the Grand Mosque in Makkah. (Shutterstock)

For decades, Saudi Arabia has imported the unique dolomitic marble for exclusive use at the Two Holy Mosques to provide relief and avoid unsafe surface temperatures, as mosque visitors are required to enter barefoot.

Undersecretary-general for technical, operational, and maintenance affairs at the General Presidency for the Affairs of the Two Holy Mosques, Eng. Fares Al-Saedi, told Arab News that Thassos marble is characterized by its extreme coldness, despite intense heat that may reach 50-55 C in the summer months.




Pilgrims use umbrellas to protect themselves from the extreme hear during summer, but on the marble floor they need no protection. (AFP file)

Al-Saedi added that the Kingdom’s leadership decided to import the self-cooling stone for the construction of wide yards and open spaces where millions of pilgrims pass annually.

Al-Saedi explained that the General Presidency supervises marble maintenance work across the area by treating, restoring, and then polishing the marble or replacing old and unusable tiles.

“Maintenance is carried out 24/7 by over 40 engineers and technicians … each marble slab is five centimeters thick, and what makes it stand out is its ability to absorb moisture through its delicate pores during the night and release that moisture during the day, making it cooler under high temperatures,” he said.

According to a study published in the international journal Construction and Building Materials in 2021, the thermophysical features of the stone both reflect and dissipate solar insolation heat.




Crates of high quality marbles from Thassos ready for shipping. (Courtesy of Thassosmarbles)

The study found that Thassos marble has an uncommonly high level of high solar reflectance and a high rate of thermal conductivity relative to limestone, another stone commonly used in Islamic architecture.

Collectively, these properties have proven to be capable of sustaining cool surface temperatures even during hot summer periods, and provide an overall reduction in night-time convective shedding of thermal energy into the overlying atmosphere.

At the same time, the marble adds to the mosques’ artistic ambiance, which provides an exceptionally memorable experience.

Another study carried out by a joint Saudi-Egyptian team and published in the Arabian Journal of Geosciences in 2018 referred to the marble as “heat-dissipating smart marble,” attributing its high whiteness purity to the stone’s dolomite-rich crystal formation.




White marble blocks ready for slicing. (Courtesy of Thassosmarbles)

Writer and heritage researcher Abdullah Al-Batati told Arab News that the unroofed and paved stone floor of the mataf (the place where pilgrims circumambulate the Kaaba) was slightly curved and filled with pebbles and stones smaller than the size of a bean before the pavement.

“Omar Ibn Al-Khattab was the first to stone the Mosque’s floor after the expansion of the mataf in 119 AH (737-738 AD); during the reign of Al-Walid bin Abdul-Malik, the mataf was covered in marble. In 145 AH (762-763 AD), the old floor was covered in marble in the era of Abu Jaafar Al-Mansour, and was tiled with marble in the era of Abbasid Caliphate in 284 AH (896-897 AD),” said Al-Batati.

“In 1003 AH (1594-1595 AD), flint stones were replaced with alabaster stones, while white bright marble covered the mataf’s floor in 1006 AH (1597-1598 AD) during the reign of Sultan Mohammad Khan. In 1344 AH (1925-1926 AD).”

He noted that during the reign of King Saud, the old marble tiles were removed from the old mataf, and the new mataf was leveled and paved. The two were separated by a dividing line of black marble which was brought in from several quarries across Saudi Arabia.




The undated view of the Holy Kaaba at the Makkah Grand Mosque crowded with pilgrims. (AN file)

Dr. Salma Hawsawi, professor of ancient history at King Saud University, told Arab News that King Abdulaziz carried out expansions at the Grand Mosque and the Prophet’s Mosque, which lasted until King Khalid’s reign in the 1970s and 1980s. The latter issued an order to expand the Grand Mosque in its current form and tile its floor with heat-resistant marble imported from Greece in 1978.

King Khalid ordered the tiling of Makkah’s Holy Mosque using heat-resistant white marble to level the site and remove pebble stones so that the mataf could comfortably accommodate the increasing number of worshippers and pilgrims.

“The second expansion of the Grand Mosque occurred between 1985 and 1986 during King Fahd’s reign, who also ordered the tiling of the courtyard around the Kaaba and the squares surrounding the Grand Mosque using cold white marble in a circular and lined manner, making it suitable for prayers,” Hawsawi told Arab News.

In continuation of past expansion projects, King Salman continued developing the services of the two Holy Mosques, as he ordered the completion of the third expansion, in addition to developing many projects, according to Hawsawi.

Hawsawi stated that the marble is imported from Thassos in the form of large blocks of stone, which are then processed and manufactured in the Kingdom’s factories by the Binladen Group, a leading contracting company supervising the construction and development of Makkah’s mosques.

“Engineers and technicians carry out regular inspection visits and maintenance works with high proficiency, and marble tiles that are no longer in good condition and have lost their coolness characteristics are replaced with new ones. The type of marble is natural, and neither the Kingdom nor Greece inserts any additives, nor does it have any impurities.

“This type of marble is rare and expensive; a single marble piece is five centimeters thick, 120 centimeters long and 60 centimeters wide. It absorbs moisture and cold at night through its pores to preserve them during the day. Thus, the surfaces of the Grand Mosque remain moderately cool all year long and for everyone to enjoy,” Hawsawi said.

 


Soprano Saira Peter on creating Sufi opera, blending cultures in first visit to Saudi Arabia

Saira Peter performed at the Arab News headquarters in Riyadh alongside her husband and fellow musician Stephen Smith. (AN Photo
Updated 1 min 14 sec ago
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Soprano Saira Peter on creating Sufi opera, blending cultures in first visit to Saudi Arabia

  • Innovative performer praises Kingdom’s music scene
  • Saudis have ‘great rhythm and tempo,’ singer says

RIYADH: British-Pakistani soprano Saira Peter has captivated on the world stage, made history by becoming the world’s first Sufi opera singer, and even received praise from King Charles III for her recording of the British national anthem.

After hearing about Saudi Arabia’s changes in recent years, Peter decided to explore the country’s arts and culture scene herself. In Riyadh, she spoke to Arab News about her musical journey, her upcoming Sufi opera project, and her impressions of Saudi Arabia.

“It’s so wonderful to see how your country is growing and (how) you are embracing the advanced technology,” she said.

When I discovered that I could sing, I decided for myself that I would use music to serve people, to spread the message of peace and reconciliation around the world.

Saira Peter, British-Pakistani soprano

“You’re having so many events around you. And it’s quite enormous and very interesting to see the musical events as well. I met some people and I told them that I’m an opera singer…

“The way I saw Saudi people, their reaction towards music, it’s unbelievable. You have such a great rhythm and tempo inside you.”

The London-based singer, who is the director of NJ Arts London where she also gives lessons, has starred on many stages across the globe, often performing with her husband, musician Stephen Smith, and has an extensive discography that features music in 17 languages.

In 2019 she received an award for Best Music Performance at Islamabad Art Fest, Pakistan’s largest international arts event.

But her acclaimed career was no surprise: Music was part of her life from childhood and she grew up listening to classical music in her household.

Peter admired the likes of Benjamin Britten, Mozart, Beethoven, and Arabic and Eastern singers like Umm Kulthum, but doing her first master’s in physical chemistry really helped her understand the intricacies of music.

Peter said: “In Greek history they used to put music into science and into arts as well. All the notes are composed of different frequencies and each and every note has specific frequencies, which is actually science, which is physics.

“Music is everywhere in the world, even if you hear the sea breeze or when the wind blows. Everything is music.”

But only after receiving her second master’s in history from Queen Mary University of London, and delving deeper into Islamic and Western histories, did she decide to pursue a professional career in music.

She said: “I think music is very important; it’s a language. You can express your emotions, you can express your thoughts, in a very mild way. And you can communicate to the whole world.

“My passion and my vision when I sing, I think, is how I can serve my audience and how I can deliver the message of peace and reconciliation to my audience.”

Reflecting her aim to bring people together, the soprano’s genre of Sufi opera aims to bridge the gap between Eastern and Western classical music.

Peter said: “Fusion means that when you blend two cultures, two musical genres together, when they come together, they should celebrate each other. They should, also, enhance the beauty of what they already contain.”

She is currently working with her team in London to develop the first full-scale opera of this kind, titled “Marvi’s Tears.” Inspired by the ancient Indus Valley Civilization in what is now Pakistan, Afghanistan and India, the story follows a teenage girl, Marvi, and her brave journey in bringing justice to her village.

The opera recently underwent a workshop at Oxford University with renowned British composer Paul Knight, who is also Peter’s vocal coach, and director Johnny Danziger. It is set to be staged in 2025.

Peter said: “The opera is a very unique kind of opera, because it’s a blend of two worlds which are, you know, Western classical and Eastern classical. So if you sing Western classical, there are certain things you are not allowed to do when you sing. For example, you are not allowed to sing in portamento, which is a sliding note.

“Arab singers are wonderful in sliding notes and they have quarter tones and all these vibratos, which are beautiful.”

Considering her ethnic background, Peter’s vantage point is her ability to utilize her voice on both ends of the spectrum — and everywhere in between. This discovery was made by her coach, Knight.

Peter said: “He said ‘You have a very unique kind of vocal force that you can sing both Western classical and Eastern classical without changing the quality of the sound.’

“Because I’m from the East, I have that kind of DNA, that kind of sound.”

During her stay in Riyadh Peter performed a few arias to a small group of Saudis in a home setting, where she was met with claps and cheers. She said: “I never had this kind of experience and response from any audience. Of course I love all my audiences, but here it was very different, and I was so moved.

“It was overwhelming because they were in tears and they were appreciating me with all their heart.”

As Saudi Arabia orchestrates a notable cultural shift, opera is slowly gaining ground and blending with its rich musical heritage, marking a new chapter in its artistic evolution, most recently demonstrated by the staging of the first Saudi opera “Zarqa Al-Yamama” back in April.

While the soprano believes there is no shortcut to hard work and training, she offers a piece of advice to aspiring artists and professionals.

She said: “You need to know what your vision is, and your goal for life. If you have a message, then it becomes whatever you do, whether you want to become a singer or scientist or dramatic artist, you first need to search within yourself.

“When I discovered that I could sing, I decided for myself that I would use music to serve people, to spread the message of peace and reconciliation around the world.”

 


Rock art in Harrat is testament to ancient life, cultural exchange

Updated 1 min 27 sec ago
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Rock art in Harrat is testament to ancient life, cultural exchange

  • Archaeological surveys conducted by the Heritage Commission have revealed a wealth of rock art and inscriptions dating back to various periods, including Thamudic, Nabataean, Lihyanite, and Islamic

RIYADH: The Harrat region, south of Tabuk, is a treasure trove of ancient history, boasting a remarkable collection of rock art that provides a fascinating glimpse into past civilizations, according to the Saudi Press Agency report.

The rugged volcanic landscape served as a canvas for ancient inhabitants, who expressed their beliefs, experiences, and social interactions through intricate engravings and paintings.

Ancient carvings near Tabuk depict scenes of hunting and daily life, offering a rare glimpse into the lives of the region’s early inhabitants. (SPA)

Depictions of hunting scenes, made using simple tools, offer a window into the daily lives of the early inhabitants of these areas, the SPA report noted.

Rock art also provides a record of the fauna that once lived in the region, including oryx, gazelles, and even tigers.

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Dual-script inscriptions from the 5th century, discovered in Alqan village, highlight the evolution of language and the enduring artistic spirit of the Tabuk area.

Moreover, numerous engravings feature symbolic and abstract motifs, likely carrying religious or cultural significance and reflecting the tribal identities of the area’s ancient societies.

Ancient carvings near Tabuk depict scenes of hunting and daily life, offering a rare glimpse into the lives of the region’s early inhabitants. (SPA)

These rock art sites underscore the historical significance of the Tabuk region as a crossroads for trade and cultural exchange.

Located at the intersection of ancient trade routes, Tabuk served as a vital link between the Arabian Peninsula and neighboring civilizations, including those of ancient Egypt, the Levant, Mesopotamia, the Mediterranean, and Asia.

Archaeological surveys conducted by the Heritage Commission have revealed a wealth of rock art and inscriptions dating back to various periods, including Thamudic, Nabataean, Lihyanite, and Islamic.

A recent discovery in the village of Alqan — “dual-line” inscriptions dating back to the fifth century — has provided valuable new insights.

These inscriptions, featuring both Thamudic and early Arabic scripts, offer compelling evidence of the continuity of writing traditions in the region and the ongoing evolution of language.

 


Interior minister receives Kazakhstan ambassador to Saudi Arabia

Updated 28 sec ago
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Interior minister receives Kazakhstan ambassador to Saudi Arabia

  • They discussed cooperation between the Kingdom and the Arab League, as well as various developments in the Arab world

RIYADH: Saudi Minister of Interior Prince Abdulaziz bin Saud bin Naif received Ambassador of Kazakhstan to the Kingdom Madiyar Menilbekov in Riyadh on Sunday.

During the meeting, they discussed topics of common interest, the Saudi Press Agency reported.

Meanwhile, Secretary-General of the Arab League Ahmed Aboul Gheit met Abdulaziz bin Abdullah Al-Matar, the permanent representative of the Kingdom to the Arab League, in Cairo on Sunday.

During the meeting, they discussed cooperation between the Kingdom and the Arab League, as well as various developments in the Arab world.

 


Saudi Arabia strongly condemns Israeli settlers for storming courtyards of Al-Aqsa Mosque

View from the Mount of the Olives shows the old city walls of Jerusalem, the Dome of the Rock mosque in the Aqsa complex.
Updated 29 December 2024
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Saudi Arabia strongly condemns Israeli settlers for storming courtyards of Al-Aqsa Mosque

  • Kingdom’s Foreign Ministry also renewed its denunciation of continued Israeli violations of international law and repeated attacks on the sanctity of Al-Aqsa Mosque

RIYADH: Saudi Arabia strongly condemned on Sunday Israeli settlers for storming the courtyards of Al-Aqsa Mosque under the protection of Israel’s security forces.

The Kingdom’s Foreign Ministry also renewed its denunciation of continued Israeli violations of international law and repeated attacks on the sanctity of Al-Aqsa Mosque.

The Kingdom affirmed its categorical rejection of anything that affects the historical and legal status of Jerusalem and its holy sites.

It also called on the international community to hold Israeli authorities accountable for their serious and ongoing violations against Islamic holy sites and innocent civilians in Palestine.

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Syrian conjoined twins arrive in Saudi Arabia for medical assessment

Updated 29 December 2024
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Syrian conjoined twins arrive in Saudi Arabia for medical assessment

RIYADH: Syrian conjoined twins Celine and Eleen Abdulmoneim Alshibli, along with their family, arrived in Riyadh on Sunday, the Saudi Press Agency reported.

The twins and their parents were invited to the Kingdom upon directives of King Salman and Crown Prince Mohammed bin Salman, SPA added.

The twins travelled from Lebanon aboard a medical evacuation aircraft provided by the Saudi Ministry of Defense.

They are scheduled to undergo a comprehensive series of medical evaluations at the King Abdullah Specialist Children’s Hospital in Riyadh, and these assessments will determine the feasibility of performing a separation surgery.

Dr. Abdullah Al-Rabeeah, the supervisor-general of the Saudi aid agency KSrelief and head of the surgical and multidisciplinary team, thanked the Kingdom’s leadership for the humanitarian initiative.

“This act underscores Saudi Arabia’s dedication to humanitarian values and its globally recognized medical expertise,” Al-Rabeeah said. He also highlighted the Kingdom’s ongoing efforts in providing medical, humanitarian and relief support worldwide.

The Saudi Conjoined Twins Program, established in 1990, has under the management of Al-Rabeeah separated dozens of conjoined twins from countries around the world.

The family of the twins thanked the Saudi leadership, government and citizens for the warm hospitality and support extended to them since their arrival. They also expressed their trust in the capabilities of the Saudi surgical team, renowned for their expertise in handling similarly complex medical cases.