Netflix documentary on Cleopatra sparks backlash internationally over casting

Detractors on TikTok and Twitter are decrying the upcoming documentary, set to premiere on May 10, which features actress Adele James in the role of the queen of Egypt. (Netflix)
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Updated 18 April 2023
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Netflix documentary on Cleopatra sparks backlash internationally over casting

DUBAI: A four-part documentary executive produced by US actress Jada Pinkett Smith for Netflix is coming under fire on social media over its portrayal of Cleopatra by a Black actress.

Detractors on TikTok and Twitter are decrying the upcoming documentary, set to premiere on May 10, which features actress Adele James in the role of the queen of Egypt.

In the trailer for the documentary, one commentator says: “My grandmother said, ‘I don’t care what they tell you in school, Cleopatra was black.’” 

Cleopatra VII Philopathor was the ruler of Egypt prior to Roman rule. According to historians, she is a descendant of Ptolemy I Soter, a Macedonian Greek general, who ruled over Egypt when it was part of Alexander the Great’s empire. As noted by historian Sheila L. Ager, director of Hellenistic Studies at the University of Waterloo, Ontario, in a 2005 study, the Ptolemies practiced interbreeding and sibling marriage. Historians also widely agree that Cleopatra spoke Koine Greek as her mother tongue and was the only Ptolemaic leader to learn and regularly use the Egyptian language. 

Cleopatra’s Greek Macedonian background forms the crux of the argument many on social media have been making, with a number of Egyptian, African American and international critics slamming the decision to portray the ruler as of Sub-Saharan origin.  “This is not the Black representation I wanted or needed,” TikTok user Jianna Ewuresi said in a video, adding: “They cast a Black woman to play Queen Cleopatra, the problem is she wasn’t Black.”


@marshmallowmoney this is NOT the black representation i wanted or needed @netflix #cleopatra #cleopatranetflix #jadapinkettsmith #willsmith #blacktok #representationmatters #colorism #blacklivesmatter #blm #blackvoices #blackcharacters #tv #showtok ♬ original sound - Jianna Ewuresi

Other users have slammed the documentary as problematic due to the Macedonians’ role as invaders of Egypt, saying that portraying a Ptolemaic leader as Black is essentially “like if you made a show about India being colonized and King George was depicted as an Indian,” according to TikTok user Aslan Pahari.  

Many on social media offered up other historical figures who could have been played by the actress, including Ahhotep, Hatshepsut and Nefertiti.


@manalmet Again Ahhotep, Hatshepsut &Nefertiti were right there  #egypt #egyptian #jadapinkettsmith #cleopatra #netflix #africanqueens #northafrica #africa #history #ancientegypt #egytiktok #greece #ancientgreece #fyp #greenscreen ♬ original sound - Manal منال

“Everytime something like this happens, we are taking away the opportunity to tell a real Black story from real Black history,” TikTok user Dennis stated.

@dennis.fang My thoughts on the new Cleopatra Netflix documentary. #Cleopatra #AncientEgypt #Netflix #History #BlackHistory ♬ original sound - Dennis

Duane W. Roller, an American archaeologist, author, and professor emeritus of classics, Greek and Latin at the Ohio State University, agreed in a previous post on the subject, published in 2010, saying: “It has been suggested – although generally not by credible scholarly sources – that Cleopatra was racially black African. To be blunt, there is absolutely no evidence for this, yet it is one of those issues that seems to take on a life of its own despite all indication to the contrary.”

However, the team behind the Netflix documentary is moving forward with the series. 

“We don’t often get to see or hear stories about Black queens,” Smith, who is married to Oscar-winner Will Smith, shared in a statement. “And that was really important for me, as well as for my daughter, and just for my community to be able to know those stories because there are tons of them!”

“Cleopatra is a queen who many know about, but not in her truth,” Smith added. “She’s been displayed as overtly sexual, excessive, and corrupt, yet she was a strategist, an intellect, a commanding force of nature, who fought to protect her kingdom… and her heritage is highly debated. This season will dive deeper into her history and re-assesses this fascinating part of her story.”


REVIEW: ‘Ironheart’ — compelling hero let down by shoddy storytelling

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REVIEW: ‘Ironheart’ — compelling hero let down by shoddy storytelling

  • New Marvel series doesn’t play to its greatest strengths

LONDON: For a studio so adept at world-changing bombast, Marvel has enjoyed a surprising amount of success with shows working on a smaller scale, with lower stakes, about characters and the places they actually live: “Ms Marvel” and “Daredevil: Born Again,” for example, have fared better than, say, the globe-trotting mess that was “Secret Invasion.”

So while genius inventor Riri Williams (Dominique Thorne) was introduced during the ocean-spanning events of “Black Panther: Wakanda Forever,” we really get to know her and her Iron Man-esque suit in “Ironheart,” which sees her return home to Chicago. Without the backing of the Wakandans, or the money of someone like Tony Stark, Riri falls in with a slightly more nefarious crowd in order to make money and keep her suit running. Soon enough she’s pulling off jobs for the shady Hood (Anthony Ramos) and his gang, all while dealing with her overprotective mother, trying to find a way to use her inventions for good, and processing the grief of losing her best friend Natalie in a drive-by shooting.

It's quite a bleak story arc for a Marvel hero — Riri makes some questionable choices and some surprisingly selfish ones too. This could have been mined a little more, perhaps, were “Ironheart” not more concerned with racing through the story at breakneck speed. The six-episode run means there’s not much time for character development — a crying shame when there are hints of some fascinating backstories. It also means, sadly, that not much time or money was given to effects. Some of the CGI is shonky in the extreme, while the armor suit Riri has so lovingly crafted is often relegated to little more than a means by which to arrive. Thorne makes for a charismatic lead, and the supporting cast is great (Alden Ehrenreich’s black market tech dealer Joe especially). The plot, however, feels heavy and cumbersome: shoehorned exposition and one-note villains.

The great stuff here is the little stuff. Riri and Natalie’s relationship, a few snatched glimpses of their life in Chicago, Joe’s backstory — all of these deserve more airtime. Without that attention to detail, “Ironheart” feels flimsy. Fun, but ultimately unsatisfying.


Recipes for Success: Alexandre Thabard offers advice and a tasty ‘honey lemon pollen’ recipe 

Updated 38 min 42 sec ago
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Recipes for Success: Alexandre Thabard offers advice and a tasty ‘honey lemon pollen’ recipe 

DUBAI: At just 26 years old, Alexandre Thabard is responsible for the pastry program at one of the most high-profile kitchens in the UAE.  

As executive pastry chef at Emirates Palace Mandarin Oriental in Abu Dhabi, Thabard manages everything from banquets and afternoon tea to the hotel’s cake shop, and has created custom desserts for members of the Abu Dhabi royal family. 

As executive pastry chef at Emirates Palace Mandarin Oriental in Abu Dhabi, Thabard manages everything from banquets to afternoon tea. (Supplied)

Originally from Paris, Thabard trained at Maison Lenôtre, where he also taught pastry courses and honed his technical skills across pastry, chocolate and ice cream. In 2018, he received the “Best Young Pastry Hope” award from Relais Desserts. 

Thabard told Arab News his goal is “to reduce sugar as much as possible and celebrate the natural flavors of each ingredient” when it comes to pastries.  

“To maintain consistency and lower glycemic impact, I often use Nascita date sugar and allulose as alternatives,” he said.  

Here, Thabard talks about learning to slow down in the kitchen, why balance matters more than sweetness, and offers a honey lemon pollen recipe.  

When you started out, what was the most common mistake you made? 

In the early days, I often found myself rushing — eager to be efficient and to see the final result. That sometimes meant I overlooked crucial steps. I’ve learned that great desserts demand patience and precision. Quality takes time. Cooking should be a joyful, sensory experience, not a race.  

What’s your top tip for amateur chefs?  

Keep it simple and let the quality of your ingredients shine. Follow the recipe and, most importantly, taste along the way.  

What one ingredient can instantly improve any dish?  

Lime, or any good source of acidity. A touch of lime zest can instantly lift a dessert, bringing balance, freshness and vibrancy. It can transform something pleasant into something memorable.  

When you go out to eat, do you find yourself critiquing the food?  

I try to enjoy the experience as any guest would, but, naturally, I tend to view things through a professional lens. 

What’s the most common issue that you find in other restaurants? 

Often, I see desserts that are visually stunning but not well-balanced in flavor. They’re either too sweet, lacking contrast, or missing freshness. For me, the priority should be flavor and emotional connection, not just presentation.  

What’s your favorite dish to order?  

I have a deep appreciation for plated desserts, especially those paired with sorbets or ice cream. The interplay of temperatures and textures — warm and cold, smooth and crisp — creates a dynamic and refined end to a meal.  

What’s your go-to pastry when you want to make something quick at home?  

A quick pavlova. I usually have baked meringues on hand, made from leftover egg whites. So, I top them with vanilla cream, fresh seasonal fruits, and a touch of lime zest. It’s a simple yet elegant dessert that delivers texture, flavor and freshness in under 20 minutes.  

What customer request most annoys you? 

When a guest asks to change a dessert entirely before tasting it, or dismisses it based on appearance. While we aim to accommodate, I believe in trusting the chef’s vision. Occasionally, I receive feedback that my desserts aren’t sweet enough, which I actually take as a compliment — it means I’ve succeeded in creating something balanced.  

What’s your favorite pastry to make?  

I particularly enjoy working with chocolate-based desserts. There’s a refined technicality and sensory depth to chocolate that allows for endless creativity — whether you’re exploring bitterness, sweetness, or contrasting temperatures and textures. I’ve had the opportunity to collaborate with (chocolate brand) Valrhona on a bespoke couverture, crafted specifically to reflect the luxury and distinct identity of Emirates Palace. The result is a unique chocolate with complex notes that elevates our plated desserts. I also work extensively with camel milk chocolate, which has become really popular in the region. Its naturally tangy flavor, combined with the use of date sugar as a sweetener, creates a beautifully balanced profile is perfect for guests seeking lighter, more mindful indulgence.  

What’s the most difficult dessert for you to get right?  

The soufflé. It’s technically demanding, time-sensitive and allows no margin for error. When executed well, it’s a true testament to skill and discipline.  

As an executive chef, what are you like? 

I’d say I’m demanding but nurturing. I believe in building strong, collaborative teams and mentoring young talent. A good dessert is often the result of a unified, motivated kitchen. My style is modern and refined, with a strong focus on health-conscious and sustainable practices — no additives, no artificial colors, and a respectful use of sugar. I aim to create pastries that are elegant, balanced, and meaningful — desserts that not only please the palate but tell a story.  

 Chef Alexandre’s honey lemon pollen recipe 

Honey sponge 

Ingredients:  

Butter: 150 g 

Egg yolks: 220 g 

Whole eggs: 90 g 

Honey: 270 g 

Sugar: 170 g 

Almond powder: 30 g 

Sour cream: 170 g 

Cream: 30 g 

Flour: 350 g 

Salt: 2 g 

Baking powder: 10 g 

Method

Whip the egg yolks, whole eggs, sugar, and honey until light and airy. 

Add the sour cream and cream. 

Incorporate the melted butter (at 45°C). 

Fold in the dry ingredients. 

Pour into a frame or mould and bake at 170°C for 18 minutes. Cool and cut to fit your insert mould. 

Honey mousse 

Ingredients:   

Milk: 72 g 

Honey: 14 g 

Egg yolk: 10 g 

Gelatin: 2 g 

Water: 9 g 

Whipped cream: 143 g 

Method: 

Soak the gelatin in cold water. 

Heat the milk. 

Mix the honey and egg yolk, then combine with the milk and cook to 83°C. 

Remove from heat and add the gelatin. 

Cool to 25°C, then fold in the whipped cream. 

Use immediately for assembly. 

Lemon confit: 

Lemon juice: 308 g 

Sugar: 115 g 

Lemon zest: as needed 

Additional lemon juice: 77 g 

Method

Blanch the lemon zest three times to remove bitterness. 

Cook the zest with sugar and lemon juice until translucent and candied. 

Blend into a smooth confit. 

Pollen shortbread: 

Icing sugar: 40 g 

Butter: 35 g 

Egg: 20 g 

Almond powder: 12 g 

Flour: 92 g 

Salt: 1 g 

Pollen: 15 g 

Method: 

Mix all ingredients until combined. 

Roll out to 2 mm thickness. 

Bake at 160°C for 12 minutes. Cool completely. 

Assembly:  

Spread a thin layer of lemon confit on the honey sponge. 

Pipe or pour the honey mousse into a mould. 

Insert the sponge with confit into the mousse. 

Freeze until solid, then unmould. 

Place the entremets on the pollen shortbread. 

Decorate with bee pollen, chocolate garnishes, and edible flower petals. 

 

 


Exhibition on animal rights in Athens spotlights Arab artists

Updated 02 July 2025
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Exhibition on animal rights in Athens spotlights Arab artists

ATHENS: An art exhibition at EMST, the National Museum of Contemporary Art in Athens, ponders a challenging yet crucial question: What are the rights of animals?

The exhibition, “Why Look at Animals? A Case for the Rights of Non-Human Lives,” curated by EMST’s artistic director Katerina Gregos, is among the most ambitious staged by a public institution on animal ethics at a time when wars rage around the world and basic human rights are in crisis.

The show presents more than 200 works by 60 contemporary artists from four continents and runs until Jan. 7, 2026.

Evocatively curated, with works unfolding in the various rooms of the museum in dialogue with the visitor and each other, the various depictions of animals prompt both philosophical and political questions.

The show evokes questions on the nature of humanity, the emotional intelligence of animals and how to confront systems of political domination, such as colonialism and rampant industrialization, that have restricted humans and animals.

From the Arab world, Egyptian artist Nabil Boutros has created “Celebrities,” a moving series of studio portraits of lambs, ewes and rams. Each image depicts not only their aesthetic beauty but seemingly also their emotional state.

Part of Nabil Boutros's 'Celebrities' series. (Supplied)

“I wanted to talk about the human condition through these works,” Boutros told Arab News. “These first portraits of (these animals) show they are different. They have different races, different attitudes and different characters, but we never look at them.”

“What is our relationship with animals? Is it just about food, about slaughtering?” he asked. “We are all part of this world and there is a whole organic structure that connects us that has been forgotten.”

Boutros’ touching portraits, exalting the personality and individuality of each animal, similar to traditional human portraiture, show us a rarely encountered world of animals and their emotional depth.

The show presents more than 200 works by 60 contemporary artists from four continents and runs until Jan. 7, 2026. (Supplied)

“They’re very expressive,” said Boutros, when discussing the moments he photographed them. “We imagine that they don’t have feelings, but that is not true.”

Algerian artist Oussama Tabti’s “Homo-Carduelis” is an installation that covers an entire wall of empty birdcages, each encompassing a speaker playing a birdsong created by human voices to imitate that of birds.

The work strives to show the connection between animals and humans. “The idea for the work came from the goldfinch, an appreciated bird in Algeria,” Tabti told Arab News.

“Born and raised in Algeria, the goldfinch was always in our daily soundscape.

“My work talks about the relation between the bird and the human because people appreciate (the goldfinch) and have it as a pet. They keep the bird in a cage and sometimes even go for a walk with it.”

Tabti finds the relationship at times “awkward and strange.” He thinks that Algerians at times “identify themselves in the birds.”

He added: “The work goes beyond the state of Algeria to reflect on the state of the human condition. Each one of us is in our own cage; it could be work, the environment or even one’s identity.

“I thought the bird in a cage would be a good metaphor for what we are today as human beings. We human beings are able to accomplish a lot but we live in a society that does not let us be completely autonomous.”

“For this installation,” said Tabti, “it was important for me that we can hear the birds, imitated by human beings, so it is like a human in a cage.”


Ghiya Rushidat’s album ‘Chasing Dopamine’ seeks to help listeners with ADHD

Updated 01 July 2025
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Ghiya Rushidat’s album ‘Chasing Dopamine’ seeks to help listeners with ADHD

RIYADH: As the awareness around neurodiversity spreads, composer and pianist Ghiya Rushidat and cognitive scientist and author Dr. Scott Barry Kaufman have co-created a genre-defying musical experience tailored specifically for people with ADHD, or attention deficit hyperactivity disorder.

Symptoms of ADHD include inattention (not being able to keep focus), hyperactivity (excess movement that is not fitting to the setting) and impulsivity (hasty acts that occur in the moment without thought).

The upcoming collaborative album, “Chasing Dopamine,” blends neuroscience, ambient soundscapes and special composition into a powerful auditory journey designed to enhance focus, emotional regulation and mental clarity.

The album cover for the upcoming meditation album. (Supplied)

“What I’m really hoping is that when people listen to this, whether they have ADHD or not, that they not only feel compassion for themselves, but they also are able to achieve their goals, or at least feel better about their day-to-day life,” Saudi Arabia-born, Jordan-raised composer Rushidat told Arab News.

Set to release this summer, the album is anticipated to be the first in a series tackling different neurotypes, including OCD and autism.

The tracks will feature guided spoken word by Dr. Kaufman, layered with original music composed by Rushidat. Each track is tailored for different ADHD states: Hyperfocus, feeling emotional overwhelmed, low dopamine, task initiation, creativity, and grounding.

“It’s more of a storytelling kind of track for each topic, rather than just one basic music track that doesn’t change or do anything. That’s more stimulating to the ADHD brain, and that just doesn’t allow you to get distracted during the meditation, but rather just be focused, because you don’t really know what to expect afterwards,” Rushidat said.

“The album, the seven tracks, take you through that process (of) overcoming brain fog, and then overcoming procrastination, and then how to ground yourself and how to feel good about yourself and not beat yourself up because you’re not getting enough things done.”

After her late ADHD diagnosis, Rushidat found that none of the existing meditation albums were compatible with her brain’s wiring. “I couldn’t sit still for five minutes or focus on my breathing at all,” she said. She decided to create her own affirmations that worked for her, prompting her interest in creating a collaborative album with Dr. Kaufman.

“ADHD comes with challenges as well as gifts. If we can help quiet the ADHD mind just enough to get into a creative flow state; there is no limit to what people with ADHD can achieve,” Kaufman said.

Considering his cutting-edge research in creativity, neurodivergence and positive psychology, and Rushidat’s award-winning background in music composition, the work aims to be a science-informed, musically immersive tool for the ADHD community.

“Of course, you don’t expect people to just heal from this. As cliche as it sounds, but ADHD is a superpower because there are so many advantages to it. Once you figure out and realize that this is what you have, then you just navigate through life with that diagnosis,” Rushidat said.

Kaufman is a professor of psychology at Columbia University and director of the Center for Human Potential.  He has written for The Atlantic, Scientific American, Psychology Today, and Harvard Business Review, and he is the author and editor of 11 books. Rushidat is a Grammy, BAFTA and Emmy voting member and has scored films, games and performed at Carnegie Hall. She works between Los Angeles, Dubai and Riyadh.


Imaan Hammam continues to highlight Arab culture  

Updated 01 July 2025
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Imaan Hammam continues to highlight Arab culture  

DUBAI: Dutch Moroccan Egyptian model Imaan Hammam touched down in Cairo this week for an undisclosed photoshoot and shared highlights from the trip on social media, set to music by the late Egyptian singer Abdel Halim Hafiz.

Posting to her 1.7 million Instagram followers, Hammam offered a visual diary of her stay, capturing a mix of street scenes, style moments and local ambiance. 

The carousel opened with a mirror selfie in an elevator, where she wears a high-waisted printed maxi skirt paired with a black fitted top. In another shot, she appears in a more laid-back look featuring camouflage trousers, a white tank top, a grey hoodie and yellow sneakers.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Imaan Hammam (@imaanhammam)

She also shared a short video that captures her tuk-tuk ride through a narrow alley, followed by snapshots of Cairo’s street life, including a local bookstore and a rooftop view of a mosque at sunset.

Hammam’s Cairo visit reflects a growing interest in reconnecting with her roots, something that also drives her latest passion project, Ayni.

Launched earlier this year, Ayni is an archival platform dedicated to preserving and celebrating Arab artistic expression through Hammam’s perspective. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AYNI by IMAAN (@ayni.vault)

In a video she shared on the Ayni’s Instagram account, she said: “For me, its always been so much deeper than just fashion. It is about staying connected to my roots, telling stories that move me and shining a light on the voices that need to be heard.” 

She said her hope for Ayni is for it to grow beyond a personal vision and become a “real community.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AYNI by IMAAN (@ayni.vault)

Hammam is one of the most in-demand models in the industry. She was scouted in Amsterdam’s Centraal Station before making her catwalk debut in 2013 by walking in Jean Paul Gaultier’s couture show.  

Hammam has appeared on the runway for leading fashion houses such as Burberry, Fendi, Prada, Bottega Veneta, Marc Jacobs, Moschino, Balenciaga and Carolina Herrera, to name a few, and starred in international campaigns for DKNY, Celine, Chanel, Versace, Givenchy, Giorgio Armani, Tiffany & Co. and others.