In step with global music trends, Coachella ropes in Korean, Pakistani, Indian artistes

Pakistani Singer Ali Sethi performs during the first weekend of the Coachella Valley Music and Arts Festival in Indio, California, on April 16, 2023. (AFP)
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Updated 17 April 2023
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In step with global music trends, Coachella ropes in Korean, Pakistani, Indian artistes

  • The 2023 edition of the festival has more than half of artistes hailing from outside the US
  • India's Diljit Dosanjh and Pakistan's Ali Sethi drew large crowds to their high-energy sets

Indio, United States: The original 1999 Coachella lineup was decidedly oriented towards rock acts and full of white men, but today, the premier music festival's lineup is more diverse and international than ever. 

The 2023 edition of the massive desert festival is a showcase of global talent, with more than half of the performing artists hailing from outside the United States, including artists from Puerto Rico, South Korea, Belgium and Pakistan. 

The centering of genre-spanning music performed in a variety of languages highlights the US industry's evolving response to global tastes, as streaming and social media offer obvious metrics on what's popular, and profitable. 

Bad Bunny, the Puerto Rican reggaeton master and world's biggest star, headlined the weekend's opening night with an adrenaline-pumping performance that paid homage to Caribbean music's influential lineage and had his fans screaming with delight. 

On Saturday night, the K-pop megastars BLACKPINK put on one of the weekend's buzziest shows -- and made history as the first Asian act to headline the festival -- with tens of thousands of revelers descending on the main stage for a bombastic set of pop bangers preceded by a mesmerizing, drone-powered light show and punctuated by pyrotechnics. 

For CedarBough Saeji, a professor of Korean and East Asian studies who specializes in K-pop, the festival lineup emphasizing the hottest acts from across the globe is long overdue. 

And when it comes to K-pop, "we've reached a point where the ongoing public demand for K-pop... is clear, even to people who may be watching the financial bottom line much more than they're watching trends," she said. 

"America's a very large music market, there's a lot of people there," Saeji continued. "It's a very, very important tastemaker -- but world cultural flows have shifted." 

"You don't have to be American to be the top group in the world." 

Major artists, including Spain's Rosalia, Iceland's Bjork and Nigeria's Burna Boy received top billings on the festival's main stage, while India's Diljit Dosanjh and Pakistan's Ali Sethi drew large crowds to their high-energy sets. 

"When I saw those brown faces in their best, sort of like, South Asian regalia with a twist, it gave me so much courage," Sethi told AFP following his set. 

For "those of us who are coming from other places, coming from other traditions, who are speaking languages -- musical languages, visual languages, and literally languages that haven't been heard here before -- that Coachella welcomes us and has us here, it's a new trip." 

Sethi was already wildly popular prior to his Coachella performance: his song "Pasoori" was Google's most searched song in 2022 and boasts more than half a billion views on YouTube. 

According to scholar Saeji, the internet has played a vital role in "leveling the playing field." 

"The internet is the reason why worldwide audiences have so much more awareness now of artists coming out of countries that aren't traditional hegemons," she said. 

"I predict that no matter how much the US music industry may try to continue to try to gatekeep, eventually, we're going to see a situation where we have charting music coming from multiple languages all the time." 

"And that's beautiful." 

Also on feature were France's Christine and the Queens, Argentina's Los Fabulosos Cadillacs and Belgium's Angele. 

And Palestinian-Chilean Elyanna broke ground as the first artist to perform a full set in Arabic at the festival. 

Turkish electronic artist Omer Mesci, who performs under the name Minus the Light, was born and raised in Turkey and told AFP after his set that it's particularly "inspiring" as a DJ to encounter an international slate of performers. 

"Music is music," he said. "That's what makes it beautiful. It's so colorful in terms of the music, in terms of the people." 

Rosalia -- the Spanish superstar who made her name as a flamenco revisionist before soaring to the top of pop with her blockbuster third album, "Motomami" -- was among the weekend's most hotly anticipated acts, with fans clamoring for her as she blasted through a set of her daring, kaleidoscopic songs blending styles. 

"Buenas noches, Coachella!" she shouted as cheers cascaded through the crowd. "You fill my heart with your presence. I come from Barcelona, that's why this stage is so special. It's because of you that I'm here." 


Haql Summer Festival boosts tourism, economy

Updated 14 July 2025
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Haql Summer Festival boosts tourism, economy

  • Festival offers a wide range of attractions, including an amusement park with electric and inflatable rides
  • Visitors can also enjoy restaurants, shopping, and essential services, ensuring a well-rounded experience

JEDDAH: With schools on summer holiday, children and parents are embracing a season of relaxation, exploration, and entertainment.

From coastal getaways to mountain retreats, families across Saudi Arabia are making the most of summer with fun, adventure, and unforgettable memories.

The Haql Summer Festival, being held at Prince Fahd bin Sultan Park, runs until mid-September. It offers a wide range of attractions, including an amusement park with electric and inflatable rides, a family seating area, and an open-air theater featuring traditional performances, competitions, and daily prizes.

Visitors can also enjoy restaurants, shopping, and essential services, ensuring a well-rounded experience, the Saudi Press Agency reported.

The festival aims to boost tourism in Haql, stimulate the local economy, increase commercial activity, and create job opportunities, positioning the region as a unique and attractive destination.

Haql, located in northwest Saudi Arabia in the Tabuk region and overlooking the Gulf of Aqaba, boasts clear views of several neighboring countries’ coastlines.

The festival is part of the Saudi Summer program, which runs until September and showcases the Kingdom’s diverse tourism offerings — from mountains and beaches to international events and exclusive deals, catering to all travelers.


Miniature model helps bring Saudi history to life

Updated 14 July 2025
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Miniature model helps bring Saudi history to life

  • Featuring miniature representations of Saudi cities from the past, these creations transport visitors through time
  • Artist and craft trainer Abdullah Al-Khazam, a native of Hail, presented a clay model of the ancient commercial area of Hail city at the event

RIYADH: The Beit Hail Festival, which runs until July 29, is showcasing unique works which reflect the region’s rich historic archaeological legacy, the Saudi Press Agency has reported.

Featuring miniature representations of Saudi cities from the past, these creations transport visitors through time, highlighting the details of daily life and the beauty of historic architecture.

Artist and craft trainer Abdullah Al-Khazam, a native of Hail, has presented a clay model of the ancient commercial area of Hail city at the event.

The model has attracted the attention of thousands of visitors and illustrates the techniques used to craft such works, enriching the festival’s depiction of the Kingdom’s heritage.

Al-Khazam based the model on historic sources, using precise measurements and conducting field visits. He also consulted historians, researchers, and elderly residents for accuracy.

The model features key landmarks, including Barzan Palace, a mosque, the commercial square, and various government offices, the SPA added.

Built with traditional materials such as clay and palm trunks, the model uses classic construction techniques and incorporates period ornaments and engravings, effectively recreating the city center of the past.


The UK’s longest-running Arab arts festival returns 

Updated 14 July 2025
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The UK’s longest-running Arab arts festival returns 

DHAHRAN: The Liverpool Arab Arts Festival, or LAAF, the UK’s longest-running annual celebration of Arab arts and culture, returns this month with a theme that feels both timely and timeless: “Nostalgia.”

Now two decades in, the festival has grown from grassroots beginnings into an internationally recognized celebration.

Running through to July 20, this year’s program explores how memory, heritage and longing shape artistic expression across the Arab world and its diasporas. 

The dynamic, bilingual line-up spans film, music, literature, performance, food and family activities — all underscored by deeper reflections on identity, loss and cultural continuity.

Arab News spoke with Taher Qassim, originally from Yemen, who founded LAAF in 1998 as a community-led effort to foster cultural pride and preserve Arab identity in Liverpool.

“The theme of ‘nostalgia’ is a reflection of both how far we’ve come and where we began,” Qassim said. “Twenty-three years ago, we set out on a path that was uncertain but filled with excitement and purpose. We knew we wanted to create something that represented the Yemeni and Arab presence in Liverpool, but we didn’t yet know how to express it.”

What began as a handful of cultural activations has since evolved into a platform for Arab artists. “From those humble beginnings … the festival began to blossom,” he said. “Today, we proudly offer a platform to artists from across the Arab world, Europe, the US, and beyond — something we could only have dreamed of.”

Two events stand out for him: ‘Arabs Are Not Funny’ and ‘The Book of Sanaa.’ The former, he says, “directly challenges the long-held stereotype that Arabs lack a sense of humor. It’s refreshing, bold and liberating — exactly what the festival stands for.”

The latter brings together literature, poetry, food, and a model of Yemen’s historic capital.

“The richness of this event would’ve felt like a fantasy to us two decades ago. Now, it’s a reality — something we’ve made possible through years of dedication and community.”

Qassim, who was awarded an MBE (Member of the Order of the British Empire) in 2008 for services to community cohesion, handed over the festival’s leadership to his daughter, Afrah, who now steers LAAF with the same vision and care.

Today, LAAF is no longer seen solely as a festival for the Arab community. “That perception has shifted dramatically,” Qassim said. “People from all backgrounds and ages attend and engage. The festival has become a space for dialogue, curiosity and connection.” As he put it, “Conversations happen naturally — before, during and after events.”

One event he hopes visitors will not miss is the now-iconic “Family Day” at the Palm House in Sefton Park. “It’s become the signature event of the Liverpool Arab Arts Festival — our legacy day,” he said. “Families travel from across the UK, Europe, and even further afield to be part of it. The atmosphere is joyful, welcoming, and truly inclusive … a vibrant, heartwarming celebration of Arab culture at its best.”

Some events require tickets, but “Family Day” — an afternoon of music, crafts, performances and community — is the grand finale and free to all.


May Calamawy promotes Palestinian film’s North American run

Updated 13 July 2025
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May Calamawy promotes Palestinian film’s North American run

DUBAI: Egyptian Palestinian actress May Calamawy took to social media on Saturday to promote Palestinian film “To A Land Unknown.”

Distributed by Watermelon Pictures, the film is directed by Mahdi Fleifel and stars Angeliki Papoulia, Mahmoud Bakri, Manal Awad and Aram Sabbah.

Watermelon Pictures was co-founded by Alana Hadid. (File/Getty Images)

May Calamawy took to Instagram Stories to share news that “To A Land Unknown” is on a 40-screen cinema run in North America this month, including showings in New York, Houston and Vancouver.

“Reda and Chatila are two Palestinian cousins hustling their way through the underbelly of Athens pursuing their dream of making it to Germany. But as their hardship grows, so too does their desperation. When Chatila hatches a reckless all-or-nothing plan, it strains their bond and pushes the limits of what they will do for freedom,” the film’s logline reads.

The film was awarded the Silver Yusr Award December’s Red Sea Film Festival in Saudi Arabia.

Watermelon Pictures was co-founded by Alana Hadid, the sister of supermodels Gigi and Bella Hadid. Hadid — along with brothers Badie Ali and Hamza Ali — co-founded Watermelon Pictures, a production company with a mission to create compelling, impactful stories that resonate with global audiences.

“I was honored to be asked to be the creative director of Watermelon Pictures. I think it’s not only a passion project for Hamza and Badie, but it is an opportunity for Palestinians to have a place to go to tell their stories … I get emotional about it. I think it’s just one of the most beautiful things that people have a place where they can put their stories. And we know that we have a safe place for that,” Hadid previously told Arab News.

For her part, Calamawy is known for her roles in US Netflix series “Ramy” and “Moon Knight” (2022), where she plays dual characters Layla El-Faouly  and the Scarlet Scarab.

She made headlines in late 2024 when almost all her scenes were cut from Ridley Scott’s “Gladiator II,” with fans taking to social media to complain.

Her casting in the film was first announced in May 2023.

At the time, Deadline reported that Scott had cast Calamawy after a lengthy search, writing: “While many of the leading roles were straight offers, Scott wanted to do a similar search he did for the (Paul) Mescal part for the role that Calamawy ultimately landed.”

However, fans noticed that in the final cut, which hit cinemas in November, Calamawy is only seen in passing and she has no dialogue.


Christie’s London to feature retrospective on Syrian artist Marwan

Updated 14 July 2025
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Christie’s London to feature retrospective on Syrian artist Marwan

DUBAI: Christie’s is poised to host a non-selling exhibition of work by late Syrian artist Marwan Kassab-Bachi, titled “Marwan: A Soul in Exile.”

Taking place from July 16- August 22, the show was curated by Ridha Moumni, chairman of Christie’s Middle East & Africa.

This retrospective exhibition will display more than 150 works on loan from museums, institutions and private collections in Europe and the Middle East. The exhibition traces the artist’s career, from his artistic beginnings in Syria to his prolific output in Germany, his adopted homeland, where he spent six decades of his life.

“I wanted to highlight the essential threads running through his career: from his iconic ‘Face Landscapes’ to the celebrated ‘Heads,’ his journey from Damascus to Germany, and the pivotal moments that shaped his legacy — including his major 1976 retrospective at Charlottenburg Schloss, which established his place in the German art scene,” Moumni told Arab News.

“Equally important is his enduring connection to Syria and the Arab world,” he added.

With paintings, works on paper, and editions from 1953 until 2014, this exhibition offers audiences in London the chance to explore the artist’s multi-disciplinary approach.  

“Over the past two years, our aim has been to introduce artists and artistic scenes to London that people here don’t often get to see. One of our deepest commitments is to highlight the richness of artists from the Arab world or of Arab heritage. Marwan embodies this mission beautifully: a towering figure from the Syrian diaspora, who built an extraordinary career in Germany, and had a big impact on modern portraiture,” Moumni said of Christie’s decision to spotlight the artist this summer.

In 1957, Marwan moved to Berlin and attended the Hochschule fur Bildende Kunste, graduating in 1963. The artist, who is referred to by his first name, joined a group of German expressionist painters that included Georg Baselitz and Eugen Schonebeck, but he retained his Syrian identity and engaged with social and political issues of the Middle East through his work. 

“For those who already know his work, I hope they uncover new depths — its poetic power, its meditations on exile, identity, and belonging. Above all, I hope visitors feel a true connection to Marwan’s work,” Moumni said.