Review: Apple TV+ drama ‘City on Fire’ sags in parts but is gripping overall

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Updated 25 May 2023
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Review: Apple TV+ drama ‘City on Fire’ sags in parts but is gripping overall

CHENNAI: Apple TV+’s latest drama, “City on Fire,” ticks all the right boxes of a gripping thriller. “Gossip Girl” creators Josh Schwartz and Stephanie Savage have dextrously carved eight episodes from Garth Risk Hallberg’s laboriously long novel of the same name.

The production is slick and superbly mounted, and the only big change the creators have gone in for is the timeline.

While the novel is set around the Christmas of 1976 (just before the great blackout in July 1977 and the looting that followed), the television series has been pushed to roughly 18 months after 9/11, and we can feel the eerie jitteriness of the terror attack in New York. 

chwartz and Savage pepper the segments with an attempted murder in New York’s Central Park, detectives furiously figuring out the leads and characters from different sections of the city’s society. 

The victim is young Samantha Yeung (brilliantly conveying her performance arc from a dream girl in the early scenes to something far more complex).

Her home front has been shattered after her mother left and father sank into alcoholism. She is a photographer and spends a lot of her time with underground rock bands and, yes, her camera.

When she is not into these, she holds hands with her former fellow high school student, Charlie (Wyatt Oleff), and gets involved with a married man, Keith (Ashley Zukerman), whose wife, Regan ( Jemima Kirke), begins to get mysterious notes about the infidelity. 

Her brother William (Nico Tortorella rises to the challenge of a miserable part) is the black sheep of the family and an addict.  

“City of Fire,” while being a compelling watch, could have been more prudent about its selections from the book.

There is too much of Samantha-Charlie’s mooning, some of this playtime could have been diverted to the actual Central Park crime. The script is variable and sags in parts. And, yes, the series gets most exciting at the end, which seems to defeat the mission of attempting to reel in viewers.  


Review: Wallace & Gromit make a cracking return in ‘Vengeance Most Fowl’

Updated 09 January 2025
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Review: Wallace & Gromit make a cracking return in ‘Vengeance Most Fowl’

DUBAI: It’s been a little over 16 years since we were last treated to a new “Wallace & Gromit” film from the brilliant stop-motion animation studio Aardman Animations. But now the eccentric UK inventor and his loyal, put-upon dog are back in a feature-length film that will delight fans old and new.

“Vengeance Most Fowl” is a straightforward enough story: Wallace, thinking he’s helping Gromit out, invents a robotic “smart gnome” called Norbot to help the dog with his gardening. Gromit isn’t impressed, but the neighbors are, and soon Wallace has set up a new home improvements business to help alleviate his financial struggles. Meanwhile, the duo’s arch-enemy, the villainous penguin Feather McGraw, whom they caught stealing the famous Blue Diamond from the city museum (back in 1993’s “The Wrong Trousers”), is serving a life sentence behind bars (in a zoo). But when he spots a news report about Wallace’s new invention, he sees a chance to take revenge. His plan starts with hacking Norbot and ruining Wallace’s new business — while making Wallace the prime suspect in a crime spree — and also involves breaking out of captivity.

Plot complexity isn’t — and never has been — the main draw of creator Nick Park’s “Wallace & Gromit” works, though. Their beauty lies in their extraordinary craftsmanship, gentle social commentary (this time, much of that focuses on our obsession with, and reliance on, tech, gadgets and AI), throw-away comic observations, and the sweet portrayal of the relationship between the main protagonists — long-suffering, stoic Gromit and his often-oblivious, exuberant owner. It’s a relationship in which the roles are often reversed; Gromit having to be the ‘adult’ taking care of the day-to-day tasks while Wallace loses himself in his own imagination. And, as ever, Wallace pushes Gromit’s patience to the limits before remembering that his dog is the only one who never loses faith in him.

The stop-motion animation skill displayed with Gromit, especially — given that he must convey everything with, basically, his eyes, ears and brow — is breathtaking, but then so is the whole world of “Wallace & Gromit.” It might all be constructed from clay, but it’s more authentic and engaging than 90 percent of what is put out with actual human actors.

 


Elyanna hypes up Coldplay show in Abu Dhabi

Updated 08 January 2025
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Elyanna hypes up Coldplay show in Abu Dhabi

DUBAI: Palestinian Chilean singer Elyanna is excited to open for British rockers Coldplay as they get ready to take to the stage in Abu Dhabi, on Jan. 9, 11, 12 and 14 at Zayed Sports City Stadium.

“Still can’t believe I’m opening for @coldplay’s Music of The Spheres tour. Abu Dhabi,” she posted on Instagram.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

“Yanna Merch coming your way soon,” she added, crediting artists Nadine Ghannoum and Fairdose.

Elyanna’s formal introduction to Coldplay took place when she was invited to collaborate on their track, “We Pray.”

Elyanna also released her own Arabic-language version of the track on Sept. 20 last year.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

Elyanna is set to perform live with Coldplay again when the band heads to Abu Dhabi for four shows in the UAE capital. The band will perform as part of the “Music of the Spheres World Tour” on Jan. 9, 11, 12 and 14.


Eddie Redmayne, Lashana Lynch talk ‘The Day of the Jackal’

Updated 06 January 2025
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Eddie Redmayne, Lashana Lynch talk ‘The Day of the Jackal’

  • The series, streaming on OSN+, has been renewed for a second season

DUBAI: “The Day of the Jackal” — a 10-episode series written by Ronan Bennett available to stream in the Middle East on OSN+ — is a contemporary reimagining of Frederick Forsyth’s 1971 novel and the famed 1973 film, directed by Fred Zinnemann. 

UK film star Eddie Redmayne plays the titular Jackal, an extremely thorough and detail-oriented British assassin, often taking on intricate disguises and speaking several languages to get the job done.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by OSN+ (@osnplus)

“One of the thrills of this experience for me was that the Jackal kind of is an actor. And particularly in Ronan’s version of him now, he’s quite obsessive, and he loves the process.

“And so, the fact that he’s an artist, and he preps the prosthetics himself and he mimics the languages … The whole experience was a sort of actor’s playground, really. And I loved that element of it,” Redmayne told Arab News.

“What I found intriguing about the part was, normally, when I’m playing a part, I kind of reach out to the character, and there were many moments in this in which I was going, ‘OK, so if this guy’s an actor, and he’s quite a proficient actor, how would I navigate my way through this situation? If I had these formidable assassin skills, if I had to lie horrifically to my wife, if I had to manipulate things.’

“So, what’s odd is, of all the characters I played, much more so I found it was about trying to bring that character to me, rather than reaching out to him, which was helped by the fact that it’s the first character I played in 25 years in which he wears contemporary clothes. I’ve been stuck in tweeds and stiff collars. So, that was fun,” he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by OSN+ (@osnplus)

Starring alongside Redmayne is Lashana Lynch, who plays Bianca, an intelligence officer with firearms expertise and a similarly obsessive approach to her work. 

The thrilling series follows a tense cat-and-mouse chase across Europe, with Bianca hot on the heels of the Jackal, who is leaving a trail of bodies in his wake as he evades authorities.

The show traces an uncanny parallel between the two characters. They both have family lives, they are both exacting and skillful at their jobs, but chaos follows wherever they go, often with deadly consequences.

“For me as an actor, it was exciting to see a man and a woman in those positions. I’m very used to the films that I have come across over the years, seeing two men in those positions, and everyone being very excited that one’s going to oscillate between being good and evil,” Lynch said.

“Having a woman being potentially evil is really exciting because it breaks the parameters in a way that kind of re-educates the industry to continue to stay open minded with female characters, and that’s kind of what I’m all about. And to have a team like this that celebrated that and did it within the genre of espionage is special and very new for the kind of TV that I’m used to watching,” Lynch said.


French Algerian actress Sofia Boutella begins year with ‘SAS Rogue Heroes’

Updated 04 January 2025
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French Algerian actress Sofia Boutella begins year with ‘SAS Rogue Heroes’

DUBAI: French Algerian actress Sofia Boutella started the new year on a high note with the premiere of season two of the BBC series “SAS Rogue Heroes.”

“Happy New … SAS season 2 is out … and Happy New Year,” she wrote on Instagram this week, sharing on-set pictures of herself and her co-stars from the military drama, which chronicles the exploits of the British Army’s special forces unit.

Series two, created by Steven Knight (“Peaky Blinders”), picks up with British troops in the spring of 1943 during World War II.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Boutella (@sofisia7)

Returning for the sequel are actors Jack O’Connell, Connor Swindells, Dominic West and Sofia Boutella, who reprises her role as French intelligence agent Eve Mansour.

Commissioned by the BBC, the show is based on Ben Macintyre’s best-selling book of the same name, with season two having been directed by Stephen Woolfenden.

Boutella most recently starred “The Killer’s Game,” which hit cinemas in September, and Netflix’s “Rebel Moon — Part 2: The Scargiver.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Boutella (@sofisia7)

In the sci-fi adventure — a sequel to last year’s “Rebel Moon — Part One: A Child of Fire” — a peaceful colony on the edge of a galaxy finds itself threatened by the armies of a tyrannical ruling force.

Kora, played by Boutella, has assembled a small band of warriors — outsiders, insurgents, peasants and orphans of war from different worlds.

Boutella drew on her history as an immigrant. She grew up in Algeria during its civil war and later moved to France and found herself navigating the complexities of adapting to a different culture.

“Having left Algeria young, when I go back there I don’t feel like I belong to Algeria. And then, in France, I don’t feel like I belong to France because I didn’t grow up there,” she told Arab News in a previous interview.

Boutella has learned to embrace her rootlessness, though. “I feel like I belong to this planet. I have the freedom to travel wherever I want, without any limitation,” she said. “But sometimes, I miss the proximity and attachment that people have to their country.”

Kora was not Algiers-born Boutella’s first role as a sword-wielding extraterrestrial. The actress, who at the age of 10 fled to Paris with her family during the Algerian civil war, is known for her breakout performance in the Oscar-nominated film, “Star Trek Beyond,” in which she portrayed the fierce alien warrior, Jaylah.


REVIEW: ‘Squid Game’ enters a holding pattern 

Updated 03 January 2025
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REVIEW: ‘Squid Game’ enters a holding pattern 

  • Second season of the hit Netflix show feels tentative, ahead of its upcoming finale 

LONDON: The success of “Squid Game” in 2021 made a second season an inevitability, rather than a mere possibility proffered by a hopeful epilogue scene. But because this smash-hit show came out of South Korea, there was also an optimistic air to its steadily approaching release — could this addictively bleak dystopian thriller sidestep a lot of the Hollywood pitfalls and deliver a second season that was at least the equal of the first? 

Although it’s a sidestep of its own, the answer is… we’re not sure yet. And that’s because, although it’s billed as season two, these seven new episodes were shot back-to-back with season three (coming in 2025 and confirmed to be the last). So what you’re essentially getting here is the setup for the big finale still to come. That perhaps explains why, though the first season dropped viewers into the murderous titular competition pretty quickly, the actual ‘game’ of the second season of “Squid Game” doesn’t start until midway through the third episode. Before that, we’re reintroduced to main protagonist Seong Gi-hun (Lee Jung-Jae, still far and away the best thing about the show). Having won the first season’s brutal series of children’s games (for which the losers’ penalty is death), Gi-hun is spending his reward money trying to bring down the organizers of the competition, teaming up with season one detective Hwang Jun-ho (Wi Ha-joon) in an attempt to topple the shady cartel that is pressganging cash-strapped Koreans into murdering each other for money. When his plan to catch the game’s Front Man fails, he instead joins the latest intake, intent on helping the contestants escape with their lives. 

It’s an odd choice to spend so long building up to the competition — and even dallying on whether it can be proved it even exists — when that’s what viewers are here for. Once the games get going, “Squid Game” is as breathless and shocking as ever, and with a new cast of characters, there are fresh backstories to mine and some pretty pointed social commentary on greed, capitalism and social care (Korean commentators have suggested that the subtitles miss a few of the nuances of the script, which may be why some of the satire seems a little on the nose). Perhaps acknowledging what audiences will remember, there’s also a few decent twists that deserve to remain a surprise.  

But while season two of “Squid Game” is still great television, there’s no small amount of bloat here — and a sense of treading water for the final round still to come.