NEOM stages first international exhibition at the Venice Architectural Biennale  

NEOM’s ‘Zero Gravity Urbanism: Principles for a New Livability’ exhibition at the Venice Architecture Biennale. (Supplied)
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Updated 30 May 2023
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NEOM stages first international exhibition at the Venice Architectural Biennale  

  • ‘Gravity Urbanism – Principles for a New Livability,’ celebrates the design of The Line, NEOM’s linear city

VENICE: The futuristic avant-garde designs of The Line, Saudi Arabia’s trailblazing linear city, are on view for the first time outside of the Kingdom during the 18th edition of the Venice Architecture Biennale.  

The Line is part of NEOM, a smart city being constructed in the Kingdom’s Tabuk region of the country — a city that, in many ways, fits perfectly with the theme of this year’s biennale, “The Laboratory of the Future,” and with its focus on architecture from historically under-represented parts of the world.   




As soon as visitors step inside the building, they will come face to face with the exhibition’s focal point: a large-scale 9x13 meter relief plan of NEOM set in in the central courtyard, highlighting The Line’s futuristic design, its non-disruptive interaction with its natural environmentm and its passage through coastal, mountain and desert landscapes. (Supplied)

The designs are on show in the exhibition “Zero Gravity Urbanism: Principles for a New Livability,” which is being staged in a former church, the Abbazia di San Gregorio, one of Venice’s oldest buildings, and injects high-tech futurism into the Renaissance and Gothic architecture of its location. It also provides a glimpse of the riveting architecture of The Line, the world’s first linear city.  

As soon as visitors step inside the building, they will come face to face with the exhibition’s focal point: a large-scale 9x13 meter relief plan of NEOM set in in the central courtyard, highlighting The Line’s futuristic design, its non-disruptive interaction with its natural environmentm and its passage through coastal, mountain and desert landscapes. 

The exhibition uses high-tech maquettes, simulations and installations to explain Zero Gravity Urbanism, which the show’s organizers define as “a linear and three-dimensional concept that provides an innovative alternative to our current urban model.”  

The design is intended to address key global challenges, not just in terms of climate change but also the growing demand for urban land, and rising social and economic inequalities. People from all classes, cultures and walks of life will reportedly be able to find a home in The Line, which also aims to provide a model for developing cities with a radical approach to conservation and standards of living.  

The exhibition runs until Sept. 24. It brings together 20 of the world’s leading architects, designers and “future thinkers” and marks the launch of the Zero Gravity Urbanism concept. Sir Peter Cook, Massimiliano Fuksas, Jean Nouvel and Ben van Berkel were among the world-renowned architects who joined CEO Nadhmi Al-Nasr and other representatives from NEOM leadership at the exhibition’s opening ceremony, attended by more than 100 other architects from around the world.  

“Venice is the debut of Zero Gravity Urbanism to the world,” Tarek Qaddumi, executive director of urban planning at NEOM, told Arab News. “What better place to do it in than Venice? It also reflects the idea of the laboratory of the future. We are bringing forward an idea, rather than just the design. The design becomes the manifestation of that idea for a solution to the current challenges of the world. 

“We can only imagine that the rest of the world has their own take on things, but we believe that Zero Gravity Urbanism offers solutions across sectors,” he added. “The exhibition represents an important first step onto the global stage for Zero Gravity Urbanism, as the world’s wider architecture community now has the opportunity to see the depth of thinking and work that has gone into this incredible project from so many prominent thinkers and architects.” 

Ultimately, the exhibition is not just about the aesthetics and technological prowess of The Line’s cutting-edge architecture, but also presents a vision of solutions for pressing urban and global problems. 

 Antoni Vives, NEOM’s chief urban planning officer, said in a press release: “Brought to life in Venice through the design proposals and intellectual contribution of the world’s leading architects and urban thinkers, Zero Gravity Urbanism represents a proposal of how humanity can better respond to the urban challenges we face globally.” 


Embracing solo dining, one meal at a time 

Updated 8 min 29 sec ago
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Embracing solo dining, one meal at a time 

  • Saudi Arabia’s younger generation are subtly changing eating trends, moving from a full family table to a single seat 

RIYADH: In Saudi Arabia, dining out has long been a social ritual, an experience shared with family and friends over lavish meals, full of conversation and camaraderie. 

However, a subtle yet noticeable shift is taking place as more Saudis, especially the younger generation, are choosing to dine alone, seeking moments of solitude amid the hustle and bustle of everyday life.

Once considered a rare sight, solo diners are now becoming more common in cafes, restaurants and eateries across the Kingdom. For some, it is a matter of convenience, while for others it is a form of self-care, a way to recharge and reconnect with themselves. 

This emerging trend challenges traditional Saudi dining culture, creating new opportunities for restaurants and altering societal perceptions.

For Zain Al-Mansour, solo dining is more than just an alternative to dining with others, it is an experience that he actively cherishes. “I much prefer it over dining with someone,” he says. “I seek it out and make a day out of it for myself. It’s relaxing, and it charges my energy.” 

Solo dining has become Al-Mansour’s way to unwind, offering him a chance to indulge in his favorite foods without the distraction of company.

He acknowledges that not everyone feels comfortable dining alone, particularly in a culture where social gatherings are so deeply ingrained. 

“Plenty of people would not go out unless it’s with someone else,” Al-Mansour said. “I think everyone should at least try solo dining once and truly treat themselves. Bring a book if you’re worried about boredom, and don’t think twice about what people might think. What matters is that you’re happy.”

Al-Mansour sees solo dining as a form of empowerment, encouraging others to overcome social anxieties and embrace the experience. “It pushes you to talk, at least to the workers, which helps improve social skills.”

In Saudi culture, dining has traditionally been a collective activity, with meals often serving as the focal point of family and social gatherings. 

For Bashayer Al-Bloushi, dining alone offered a refreshing change from this norm. “What inspired me to start dining alone was my desire to explore a new experience that offers me space to reflect and relax away from the hustle of daily life,” she said.

Dining alone allows her to savor the ambiance and immerse herself in the restaurant environment without the usual pressure of conversation. 

This experience of dining independently has become a cherished form of personal time for Al-Bloushi, allowing her to enjoy moments of solitude. She sees it as an act of self-care and independence, a rare opportunity to connect with oneself.

Al-Bloushi also believes that Saudi restaurants could do more to support this trend. “They could designate cozy, quiet spaces for individual diners and offer meals suitable for one person,” she said. By creating a welcoming and informal atmosphere, restaurants could encourage more people to dine solo without feeling out of place.

For Mira Fahad, solo dining started as a necessity due to her flexible remote job schedule. “As a morning person, I always wanted to go out during the day but couldn’t find anyone available in the mornings,” she said. Over time, solo dining became a cherished ritual. “It’s one of those ‘I need to do it at least once a month’ things, whether in the mornings or nights.”

She finds the experience peaceful and liberating. “You can choose the time and place to your liking, people-watch, read a book, plan your week, or just savor your meal in peace.” However, she admits that solo dining can lose its charm if overdone, emphasizing the importance of balance.

For some solo diners, cultural perceptions remain a challenge. Linah Al-Ahmadi has been dining alone since 2016 and considers it a normal part of her lifestyle. “I didn’t start this habit recently; I’ve been solo dining since I was a teenager,” she said. While she embraces the experience, she is aware of the societal views that make solo dining an unusual choice in Saudi Arabia. “We are a collective society, and we tend to do things within a circle. As a society, we have this notion that it’s abnormal to do things alone.”

Al-Ahmadi describes dining alone in a culture that values group activities as being “the stranger in the middle of the diner.” Despite this, she remains committed to her choice, valuing the independence and freedom it provides. For her, solo dining is not about isolation but rather about enjoying personal time without depending on others to accompany her.

The growing interest in solo dining presents an opportunity for Saudi restaurants to adapt and cater to individual diners. Al-Ahmadi points out that making reservations for one can be difficult, as many restaurants and apps only accept bookings for groups. 

Additionally, solo diners are often directed to bar seating or shared tables, which may not suit everyone’s preference for privacy.

“I struggle a lot with reservations,” Al-Ahmadi said. “Sometimes, I go out alone with the intention of not socializing, but being at a bar feels too intimate.” She advocates for solo diners to be given the choice of regular tables, creating a more inclusive environment for those who want to enjoy a meal without the company of others.

Mira Fahad offers additional suggestions, including creating solo dining tables in corners or quieter spots and offering digital menus for easy ordering. “Maybe provide small, single-portion meals and digital entertainment options for solo diners,” she said, adding that these touches could make the solo dining experience even more enjoyable.

As more Saudis explore the joys of solo dining, the trend reflects a broader shift in societal norms and individual lifestyles. Young people are carving out spaces for self-reflection and independence, challenging traditional perceptions about social activities. The popularity of solo dining represents a growing acceptance of self-care and personal freedom in Saudi Arabia, where dining alone is no longer seen as a solitary act but rather as a celebration of individuality.

Solo dining is more than just a meal, it is an experience that allows you to connect with yourself in a way that is both empowering and refreshing.
 


Book Review: ‘The Bird Tattoo’ by Dunya Mikhail

Updated 3 min 9 sec ago
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Book Review: ‘The Bird Tattoo’ by Dunya Mikhail

Reading Dunya Mikhail’s “The Bird Tattoo,” published in 2020, is embarking on a journey through the intricate layers of identity, loss and hope.

From the very first pages, readers will be drawn into the world of the unnamed protagonist, a journalist returning to her war-torn homeland of Iraq.

Mikhail’s writing envelops you, making you feel the weight of memories and the pulse of a country struggling to heal. One of the most striking aspects of the novel is its unflinching exploration of the painful subject of the sale of Yazidi women as slaves by Daesh.

Mikhail addresses this trauma with a delicate touch, balancing the harsh realities of this atrocity with an exploration of the astonishing world of Yazidi customs and legends.

This duality adds depth to the narrative, allowing readers to appreciate the richness of Yazidi culture even in the face of such unspeakable suffering. Mikhail tells these stories without exaggeration or sentimentality, which makes the emotional weight all the more impactful.

Many readers will find themselves reflecting on their own experiences with home and belonging. The tattoo of the bird, a symbol of freedom and escape, will resonate deeply with them.

It beautifully encapsulates the protagonist’s yearning for liberation from the constraints of her past and the chaos surrounding her.

Mikhail’s prose is both lyrical and haunting, painting vivid images of Baghdad that linger in the mind. Readers will hear the sounds of the city and feel the warmth of the sun, yet the underlying tension of conflict is always present.

This duality will strike a chord with them, as it mirrors the complexities of life — how beauty and pain often coexist.

The flashbacks woven throughout the story are particularly poignant. They allow readers to witness the protagonist’s childhood and the impact of war on her family relationships. They will feel her loss and her struggle to reconcile her past with her present.

One of the most powerful aspects of “The Bird Tattoo” is its exploration of resilience. Despite the heavy themes of loss and trauma, Mikhail instills a sense of hope throughout the narrative.

Readers will find themselves rooting for the characters, marveling at their strength and determination to find their place in a world that often feels unforgiving. This theme will inspire them.

The novel is not just a story about war; it is a profound meditation on identity, love, and the quest for freedom.

The fact that Mikhail, an Iraqi-American, went on to become the English translator of her own work, which is now available in several languages, speaks to her commitment to sharing these stories with the world.

This book left me with a deeper understanding of the complexities of human experience and the enduring spirit of those who face unimaginable challenges.

It has certainly stayed with me, encouraging me to think more deeply about my own journey and the stories that shape who we are.


Qassim governor receives British ambassador to Riyadh

Updated 16 min 36 sec ago
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Qassim governor receives British ambassador to Riyadh

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BURAIDAH: Qassim Gov. Prince Faisal bin Mishaal received the British Ambassador to the Kingdom, Neil Crompton, on Thursday during a visit to the region.
They held cordial talks in their meeting.

Putin says Ukraine must remain neutral for there to be peace

Updated 14 min 55 sec ago
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Putin says Ukraine must remain neutral for there to be peace

  • “If there is no neutrality, it is difficult to imagine the existence of any good-neighborly relations between Russia and Ukraine,” Putin said
  • Putin said Russia had recognized Ukraine’s post-Soviet borders based on the understanding that it would be neutral

SOCHI, Russia: President Vladimir Putin said on Thursday that Ukraine should remain neutral for there to be a chance for peace, adding that the borders of Ukraine should be in accordance with the wishes of the people living in Russian-claimed territory.
“If there is no neutrality, it is difficult to imagine the existence of any good-neighborly relations between Russia and Ukraine,” Putin said.
Putin said Russia had recognized Ukraine’s post-Soviet borders based on the understanding that it would be neutral. The US-led NATO military alliance has repeatedly said that Ukraine would one day join.
If Ukraine was not neutral, it would be “constantly used as a tool in the wrong hands and to the detriment of the interests of the Russian Federation,” Putin said.
Russia controls about a fifth of Ukraine after more than two and a half years of war. Putin on
June 14
set out his terms for an end to the conflict: Ukraine would have to drop its NATO ambitions and withdraw all of its troops from all of the territory of the regions claimed by Russia.
Ukraine rejects those conditions as tantamount to surrender and President Volodymyr Zelensky has presented a “victory plan” for which he has requested additional Western support.
“We are determined to create conditions for a long-term settlement so that Ukraine is an independent, sovereign state, and not an instrument in the hands of third countries, and not used in their interests,” Putin said.
Asked about the future borders of Ukraine, Putin said: “The borders of Ukraine should be in accordance with the sovereign decisions of people who live in certain territories and which we call our historical territories.”
Ukraine says that it will not rest until every last Russian soldier is ejected from its territory though even US generals say that such an aim would take massive resources that Ukraine currently does not have.


Athar Festival hosts 4 academies to train next generation of creative talent in Saudi

Updated 27 min 46 sec ago
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Athar Festival hosts 4 academies to train next generation of creative talent in Saudi

  • 2 academies designed for students, 2 for industry professionals
  • Focus on creativity, marketing

DUBAI: The second edition of the Athar Saudi Festival of Creativity opened on Tuesday at the Crowne Plaza RDC in Riyadh.

Hosted by the UAE-based Motivate Media Group and communications consultancy TRACCS, the event featured 100 regional and international speakers and several training initiatives.

One such initiative was the Young Talent Academies, which boasted four academies aiming to foster talent in the creative and marketing fields in Saudi Arabia.

The four academies were the Student Creative Academy, in partnership with regional advertising group Middle East Communications Network; the Student Marketers Academy, in partnership with Arabic entertainment firm UTURN; and the NextGen Creative Academy and NextGen Marketing Academy, in partnership with the Saudi Tourism Authority.

The first two were tailored for students, while the latter two were for young professionals already working in the industry.

The Young Talent Academies were a key component of the festival and are dedicated to “nurturing the next generation of creatives that will shape the future of Saudi Arabia,” said Ian Fairservice, chairman of Athar Festival and managing partner of Motivate Media Group.

He told Arab News: “The remarkable interest received is a clear indication of ambitions being aligned, and the lineup of immersive workshops and mentorship and networking opportunities at the festival promised to equip participants with invaluable insights and transformative career lessons.”

The Student Creative Academy, in partnership with MCN, brought together experts from across its agencies, which included FP7 McCann, MullenLowe MENA, UM, Initiative MENAT, MRM, Jack Morton, and Weber Shandwick.

Designed to “equip the next generation of creatives with skills and insights, while also instilling the fun of being a creative,” the academy provided participants “with a curated program of talks, mentorships, and creative brief challenges judged by industry leaders, culminating in an awards ceremony,” Ricarda Ruecker, chief talent officer of MCN in the Middle East, North Africa and Turkiye, told Arab News.

UTURN’s Student Marketers Academy’s participants consisted of 60 percent female and 40 percent male students representing universities including Imam Mohammad Ibn Saud Islamic University, Princess Nourah Bint Abdulrahman University, University of Business and Technology, King Saud University, and King Fahd University of Petroleum and Minerals.

Led by Salwa Bankhar, Webedia Saudi Arabia’s business director, the academy featured eight speakers with expertise in content creation, marketing skills, storytelling, networking strategies and self-promotion.

Both MCN and UTURN are committed to developing local talent in the Kingdom and the academies were part of these efforts.

The Athar Saudi Festival of Creativity plays “an active role in shaping up the creative and marketing industry in Saudi Arabia” and provides “much-needed visibility and exposure to local Saudi talent,” said George Maktabi, CEO of UTURN’s parent company Webedia Group.

“Students take a sponge-like attitude to learning, but also give back candid observations and raw perceptions that puts everyone on a different learning curve,” he told Arab News.

The company is “established around young local talent, and by structure it acts as a hub for Saudi talent,” he added.

For MCN, the academy is of “strategic importance” to the company and a “natural extension” of the initiatives it has in place to foster talent development, Ruecker said.

Earlier this year MCN launched a six-month graduate program in Saudi Arabia to attract and train young local talent. It will launch a second edition in February 2025.

Although MCN and UTURN did not directly offer jobs or internships to participants, both companies said they have various initiatives in place for talent development.

Maktabi said: “UTURN is continuously headhunting talent and young marketers.

“Recruitment is of course competitive-based, and it is important to maintain an open call for talents to ensure open and equal access to all talents.”

The Student Marketers Academy is aimed at guiding students and empowering them “to pursue new opportunities more proactively, and UTURN is always approachable,” Maktabi added.

Ruecker said that MCN already had internship programs across the region and was “committed to inspiring students at the Student Creative Academy to pursue rewarding paths with us, whether through our graduate program or full-time roles across MCN’s agencies.”

The festival took place on Nov. 5-6 with the academies featuring from Nov. 3-6.