Saudi Arabia ‘poised for major global media role,’ says Telfaz11 CEO Alaa Fadan

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As the streaming environment becomes more cluttered, audiences are looking for local, quality content making it ever more important for the Middle east to foster local talent, says the CEO. (Supplied)
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Saudi studio Telfaz11 and the Kingdom’s media production hub NEOM signed a deal this month to cooperate on at least nine TV and film productions over the next three years. (Supplied)
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Updated 10 June 2023
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Saudi Arabia ‘poised for major global media role,’ says Telfaz11 CEO Alaa Fadan

  • Studio’s partnership with NEOM to see 9 nine TV and film productions in next 3 years

DUBAI: Saudi studio Telfaz11 and the Kingdom’s media production hub NEOM signed a deal this month to cooperate on at least nine TV and film productions over the next three years.

“We are thrilled to embark on this partnership with NEOM and to be part of their mission to create a new world-class media hub in Saudi Arabia,” Telfaz11’s CEO Alaa Fadan told Arab News recently.

The partnership “reemphasizes Telfaz11’s core vision and DNA of investing in the creative culture” and provides the company with “new opportunities for growth and innovation,” he added.

Two feature films and one TV series are already in development, and a few other projects have been identified as well, he said.

Telfaz11 has “a rich slate of projects mapped out for the next three years” and will work with NEOM to select which projects would be rolled out as part of the deal, Fadan said.

HIGHLIGHTS

Last year, the Saudi Film Commission announced the Daw funding program dedicated to supporting local productions and talent.

This year Saudi Arabia’s Cultural Development Fund launched a $234-million Film Sector Financing Program as well as a $100-million film sector fund to foster the growth of domestic media.

The Kingdom has made remarkable strides in recent years, driven by visionary initiatives focusing on developing the media and entertainment sectors, says the CEO.

In 2021, Saudi Arabia drew $238 million in box-office revenue compared to only $112 million in 2019, according to research firm Omdia.

Beyond production, the company would also be setting up an office in NEOM by the end of the year, which is “part of a strategic move that will facilitate our vision for expansion in the Kingdom,” he said.

Telfaz11’s physical presence in NEOM will allow it to “increase collaboration with other industry partners, enhance knowledge sharing, and access state-of-the-art facilities,” he added.




Telfaz11’s CEO Alaa Fadan

Lastly, the two entities will work on “multi-disciplinary talent development programs” as part of the partnership, “creating a vibrant talent pool across the value chain and strong career opportunities for graduates,” Fadan said.

They will work with national and international experts to devise programs across different areas of film production including scriptwriting, on-set production training and more.

As the streaming environment becomes more cluttered, audiences are looking for local, quality content making it ever more important for the Middle East, and Saudi Arabia in particular, to foster local talent, he said.

“We are at the epicenter of a massive investment in streaming, driving MENA’s explosive entertainment growth and we see this driving an increase in investment in local content,” said Fadan.

“As the demand for quality content rises, it reinforces the importance of our work and motivates us to continually raise the bar in terms of creativity and production value,” he added.

Telfaz11 has witnessed the streaming boom firsthand. It was among the first local companies to sign a deal with Netflix. In 2020, the streaming giant inked a pact to produce eight films by Telfaz11 after a successful partnership on the studio’s short-film collection “Six Windows in the Desert.”

For Fadan, the partnership with Netflix “presents a significant milestone in promoting local storytelling and elevating the visibility of Saudi and Middle Eastern content worldwide.”

It is, however, not restricting itself to only Netflix and taking a “versatile approach to content creation and distribution” that includes partnering with various platforms, to cater to a wider set of audiences with a diverse content mix, he explained.

YouTube and other social media platforms are important to the company, which has nearly 3.5 million subscribers on the video-sharing channel as well as a partnership with MBC’s streaming platform Shahid for digital content.

“Our collaborations with these platforms exemplify our commitment to reaching audiences through various channels,” Fadan said.

Since its inception in 2011, he added, Telfaz11 has been on “a mission to cultivate the voice of Saudi and empower local creative talent in the region.”

The studio has been working to “unlock the potential of Saudi Arabia’s creative economy, and generate new opportunities for actors, filmmakers, screenwriters, and content creators,” he added.

The Kingdom’s creative economy is poised for success with major investments in the media, film and entertainment industries.

“This development has sparked a surge in the demand for quality content, creating opportunities for production companies like ours, Telfaz11, to contribute to the burgeoning film industry in the Kingdom,” Fadan said.

More than 30 productions have been shot in NEOM alone over the past 18 months, including “Desert Warrior,” “Dunki” and “Rise of the Witches.”

Last year, the Saudi Film Commission announced the Daw funding program dedicated to supporting local productions and talent. And this year Saudi Arabia’s Cultural Development Fund launched a $234-million Film Sector Financing Program as well as a $100-million film sector fund to foster the growth of domestic media.

These are just a few of the initiatives announced by the Kingdom, and as a result, “Saudi Arabia is poised to play a significant role in the global media landscape, both in content creation and production,” Fadan said.

“The country has made remarkable strides in recent years, driven by visionary initiatives focusing on developing the media and entertainment sectors,” he added.

In 2021, Saudi drew $238 million in box-office revenue compared to only $112 million in 2019, according to research firm Omdia.

Moreover, box-office revenues in the Kingdom are forecast to surpass $1 billion by 2020 making it one of the world’s top-20 cinema markets, according to another report.

“The combination of diverse storytelling, technological advancements, and increased international collaborations positions Saudi Arabia as an emerging force within the global media landscape,” said Fadan.


Microsoft faces wide-ranging US antitrust probe

Updated 28 November 2024
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Microsoft faces wide-ranging US antitrust probe

  • Competitors complain Microsoft locks customers into its cloud service
  • FTC earlier set the stage for probe into Microsoft’s role in AI market

The US Federal Trade Commission has opened a broad antitrust investigation into Microsoft, including of its software licensing and cloud computing businesses, a source familiar with the matter said on Wednesday.
The probe was approved by FTC Chair Lina Khan ahead of her likely departure in January. The election of Donald Trump as US president, and the expectation he will appoint a fellow Republican with a softer approach toward business, leaves the outcome of the investigation up in the air.
The FTC is examining allegations the software giant is potentially abusing its market power in productivity software by imposing punitive licensing terms to prevent customers from moving their data from its Azure cloud service to other competitive platforms, sources confirmed earlier this month.
The FTC is also looking at practices related to cybersecurity and artificial intelligence products, the source said on Wednesday.
Microsoft declined to comment on Wednesday.
Competitors have criticized Microsoft’s practices they say keep customers locked into its cloud offering, Azure. The FTC fielded such complaints last year as it examined the cloud computing market.
NetChoice, a lobbying group that represents online companies including Amazon and Google, which compete with Microsoft in cloud computing, criticized Microsoft’s licensing policies, and its integration of AI tools into its Office and Outlook.
“Given that Microsoft is the world’s largest software company, dominating in productivity and operating systems software, the scale and consequences of its licensing decisions are extraordinary,” the group said.
Google in September complained to the European Commission about Microsoft’s practices, saying it made customers pay a 400 percent mark-up to keep running Windows Server on rival cloud computing operators, and gave them later and more limited security updates.
The FTC has demanded a broad range of detailed information from Microsoft, Bloomberg reported earlier on Wednesday.
The agency had already claimed jurisdiction over probes into Microsoft and OpenAI over competition in artificial intelligence, and started looking into Microsoft’s $650 million deal with AI startup Inflection AI.
Microsoft has been somewhat of an exception to US antitrust regulators’ recent campaign against allegedly anticompetitive practices at Big Tech companies.
Facebook owner Meta Platforms, Apple, and Amazon.com Inc. have all been accused by the US of unlawfully maintaining monopolies.
Alphabet’s Google is facing two lawsuits, including one where a judge found it unlawfully thwarted competition among online search engines.
Microsoft CEO Satya Nadella testified at Google’s trial, saying the search giant was using exclusive deals with publishers to lock up content used to train artificial intelligence.
It is unclear whether Trump will ease up on Big Tech, whose first administration launched several Big Tech probes. JD Vance, the incoming vice president, has expressed concern about the power the companies wield over public discourse.
Still, Microsoft has benefited from Trump policies in the past.
In 2019, the Pentagon awarded it a $10 billion cloud computing contract that Amazon had widely been expected to win. Amazon later alleged that Trump exerted improper pressure on military officials to steer the contract away from its Amazon Web Services unit.


Union chiefs urge BBC staff to wear Palestinian flag colors or keffiyeh during ‘day of action’

Updated 27 November 2024
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Union chiefs urge BBC staff to wear Palestinian flag colors or keffiyeh during ‘day of action’

  • Protest on Thursday is a gesture of solidarity in support of demands for a permanent ceasefire in Gaza and the release of all hostages, organizers say
  • Some workers voice concerns that the action violates the broadcaster’s strict guidelines on impartiality and risks upsetting colleagues

LONDON: Britain’s Trades Union Congress has urged BBC staff and workers in other sectors to participate in a “workplace day of action” on Thursday by wearing the colors of the Palestinian flag or a keffiyeh.

Organizers said their call for action is intended as a gesture of solidarity and to support demands for a permanent ceasefire and end to the violence in Gaza, and the release of all hostages.

The TUC, an umbrella organization that represents 5.5 million members of 48 trade unions, suggested that employees “wear something red, green, black, or a Palestinian keffiyeh to visibly show solidarity” in their workplaces.

The National Union of Journalists informed its members of the protest last week and condemned the actions of the Israeli government, which it said have resulted in the deaths of at least 135 Palestinian journalists since the Oct. 7 attacks by Hamas last year.

“The NUJ is urging branches and chapels to show support on the day and amplify the union’s calls,” it said.

However, The Times newspaper reported on Wednesday that the campaign has drawn criticism, particularly from Jewish staff at the BBC who raised concerns that it violates the broadcaster’s strict guidelines on impartiality and risks upsetting colleagues.

A spokesperson for the TUC emphasized the need for sensitivity while participating in the protest.

“The day of action is focused on the TUC’s call for an immediate and permanent ceasefire and the release of all hostages and political prisoners,” the organization said.

“We are advising trade union members to undertake the action respectfully and to discuss with colleagues what action is best suited to their workplace.”


Lebanon state media says Israeli fire wounds 2 journalists in south

Updated 27 November 2024
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Lebanon state media says Israeli fire wounds 2 journalists in south

  • Video journalist Abdelkader Bay, two other visual journalists was reporting in Khiam when shots

BEIRUT: Two journalists were injured by Israeli fire on Wednesday, state media said, while reporting from a border town where Israeli troops and Hezbollah fought fierce battles before a ceasefire took effect.
The truce came into force on Wednesday morning after more than two months of full-scale war, which itself followed nearly a year of cross-border exchanges of fire initiated by Hezbollah in support of ally Hamas over the Gaza war.
Both Israel and Lebanon’s army have warned people against returning to southern areas heavily hit by war, with Israeli troops still present in some border towns and villages.
“Israeli enemy forces in the town of Khiam opened fire on a group of journalists while they were covering the return of the residents and the Israeli withdrawal from the town, wounding two,” the National News Agency said.
Video journalist Abdelkader Bay told AFP he was reporting in Khiam with two other visual journalists when shots were fired and he was injured along with his colleague.
“We saw people checking on their homes and, at the same time, we were hearing the sounds of tanks withdrawing,” Bay said, adding the other wounded journalist was hospitalized.
“While we were filming, we realized there were Israeli soldiers in a building and suddenly they shot at us,” he said.
“It was clear that we were journalists,” he added.
Photographer Ali Hachicho was with Bay in Khiam when the incident happened but was not injured. They both said they saw a drone above the town before shots were fired.
“We saw military fatigues on the ground,” Hachicho told AFP, then he spotted Israeli soldiers nearby.
“When I put the camera to my eye to film them, I started hearing the sound of bullets between our feet,” he said.
Later on Wednesday, the Israel army set limits on nighttime movement in south Lebanon.


Watchdog calls for international probe into alleged war crimes targeting journalists in Lebanon

Updated 27 November 2024
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Watchdog calls for international probe into alleged war crimes targeting journalists in Lebanon

  • Committee to Protect Journalists urges actions to ‘ensure journalist murders do not go unpunished’
  • Investigations found Israel ‘deliberately targeted’ compound that killed 3 journalists in southern Lebanon in October

LONDON: The Committee to Protect Journalists has called for an international investigation into “possible war crimes” after separate investigations by The Guardian and Human Rights Watch concluded that Israel deliberately targeted and killed three journalists in southern Lebanon.

“Journalists are civilians and must never be targeted,” said CPJ CEO Jodie Ginsberg. “Israel must be held accountable for its actions and the international community must act to ensure that journalist murders are not allowed to go unpunished.”

HRW and The Guardian revealed on Monday that the Oct. 25 airstrike in Hasbaya, southern Lebanon, was carried out using a US-supplied bomb guidance kit.

The attack killed Ghassan Najjar, Mohammed Reda, and Wissam Kassem — journalists and media workers affiliated with Hezbollah-linked outlets — and injured three others.

The strike targeted a chalet in a Druze-majority area, which had been used as a press hub for over 20 days by more than a dozen journalists.

The Israeli military initially claimed the attack targeted a “Hezbollah military structure” harboring “terrorists” but later stated the incident was under review after discovering journalists were among the victims.

Investigations found no evidence of military presence or activity at the site. Analysis of shrapnel, video footage, satellite images, and interviews with survivors suggested the attack was a deliberate strike on civilians, constituting an apparent war crime.

HRW noted: “Information reviewed indicates that the Israeli military knew or should have known that journalists were staying in the area and in the targeted building.”

Legal experts also pointed to potential US complicity due to its provision of the weaponry used in the strike.

The incident follows the Oct. 13 killing of Lebanese journalist Issam Abdallah in an Israeli tank strike, which also wounded six other journalists.

Independent investigations by Reuters, AFP, HRW, Amnesty International, and Reporters Without Borders concluded the attack deliberately targeted journalists who were clearly identifiable.

Since the outbreak of hostilities in October, CPJ has confirmed the deaths of six Lebanese journalists.

In its Deadly Pattern report published before the war, CPJ found that Israel had failed to hold its military accountable for the killings of at least 20 journalists over the past 22 years.

Tuesday’s announcement of a ceasefire between Israel and Hezbollah has brought a pause to hostilities, but media watchdogs will likely continue to demand accountability for attacks on journalists and press freedom violations.


Saudi, UN bodies sign deal on media training

Updated 26 November 2024
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Saudi, UN bodies sign deal on media training

  • Saudi Media Forum Chairman Mohammed Al-Harthi said that the partnership is the forum’s first strategic initiative and will positively impact Saudi media

RIYADH: The Saudi Media Forum has signed a cooperation agreement with the UN Institute for Training and Research to promote sustainable development and empower individuals as well as media organizations.

It aims to advance media and training efforts in alignment with Saudi Vision 2030 and global sustainable development trends, according to the Saudi Press Agency.

The agreement focuses on creating lasting impact through innovative training programs that combine academic knowledge with practical applications.

These programs will empower journalists and organizations, enhance professional awareness in both public and private sectors, and promote media literacy and innovative education.

The partnership will also support media organizations in achieving sustainable development goals through professional training, remote learning and educational resources.

Saudi Media Forum Chairman Mohammed Al-Harthi said that the partnership is the forum’s first strategic initiative and will positively impact Saudi media.

He added that Saudi Arabia, a nation of continuous renewal, must stay ahead of transformations to advance its development.

The forum continues to forge strategic partnerships with local and international entities to elevate Saudi media’s global standing while providing media professionals and organizations with the tools to create world-class content, the SPA reported.