The best video games of 2023 so far

A scene from ‘The Legend of Zelda: Tears of the Kingdom.’ (Nintendo)
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Updated 30 June 2023
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The best video games of 2023 so far

  • From remade classics to brand-new brilliance, here are the standout titles from the past six months

DUBAI: From remade classics to brand-new brilliance, here are the standout titles from the past six months.

‘The Legend of Zelda: Tears of the Kingdom’

Developer: Nintendo

The “Zelda” games have entertained generations of gamers now, going back to the original “Legend of Zelda” in 1986. This latest sprawling, magical open-world adventure game — a sequel to 2017’s excellent “Breath of the Wild” — has clearly been created by a team who love the franchise; the care and thought they have put into crafting the enormous and engrossing world of Hyrule (and its shady underworld) are apparent throughout. As usual, you play as Link, the elven hero with the magic arm. If you decide to follow the main quest then you’ll be helping Princess Zelda prevent the evil Ganondorf from trashing Hyrule, but you probably won’t be following the main quest for long — the great joy here is wandering off to explore the staggering amount of “background” in the game and the hugely satisfying ability to improvise by combining found objects. “Tears of the Kingdom” can be tricky and frustrating at times, but the payoff is always worth it. This is a masterpiece.

‘Street Fighter 6’

Developer: Capcom

The latest addition to one of the all-time great franchises was a triumph, selling 1 million copies within five days of its release and garnering critical acclaim too. All well-deserved for its engrossing mix of accessible gameplay (if you pick the right level for yourself), customizable characters, almost-faultless online competition, and the ability to focus on particular areas of combat that best suit your style — all of that on top of the iconic retro visuals that have entertained millions since the late-Eighties.

‘System Shock’

Developer: Nightdive Studios

The 1994 original wasn’t a huge success commercially, but is now seen as a seminal game in the history of first-person adventures. This remake might achieve similar status. The developers have stayed loyal to the source, but made full use of the technological advancements of the last 30 years to deliver a visual experience to match the excellent — and very difficult — gameplay. Set in a steampunk-style near future, you play a hacker responsible for reining in a malevolent and frighteningly powerful AI called SHODAN.

‘Meet Your Maker’

Developer: Behaviour Interactive

Relatively simple to pick up and very hard to put down, this enjoyable and unique first-person action shooter sees you play as a killer robot, raiding bases created by other players. How hard that proves to be depends on how devious and cruel the bases’ creators are. You’ll find yourself ‘dying’ in some remarkably original ways. But you can always get your own back via your own base designs.

‘Dredge’

Developer: Black Salt Games

No. Fishing simulators don’t usually end up in ‘Best Games of the Year’ lists, even in July. But then again, fishing simulators don’t usually have a sinister undertone like “Dredge” does. You play a struggling trawler captain leading his crew around a group of remote islands. You can trade your catches with the locals, and gradually improve your boat, skills and knowledge. But the more you find out about those locals, the more you’ll realize you’ll need all the help you can get to survive these waters.

‘Hi-Fi Rush’

Developer: Tango Gameworks

It probably won’t enjoy the longevity of a truly great game, but for a quick blast of unadulterated excitement, this over-the-top, cartoonish mayhem is hard to match. You play as wannabe rock star Chai, whose music player is accidentally embedded in his chest during experimental surgery. Now you have to defeat the evil execs of the company that did this to you, with fighting skills that require you to try and match the rhythms of the game’s killer soundtrack. Loud, dumb and lots of fun.


Sofia Carson suits up for Netflix celebration

Updated 23 sec ago
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Sofia Carson suits up for Netflix celebration

DUBAI: US singer and actress Sofia Carson showed off several looks by Lebanese designer Elie Saab during Netflix festivities this week, marking the latest in a long list of red carpet moments where she has opted for a Lebanese creation.

Ahead of Netflix Tudum 2025: The Live Event — the streaming platform’s celebration of global fandom and storytelling — Carson appeared in a white ensemble featuring a tailored blazer, wide-leg trousers and a matching shirt.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

On a separate occasion, she wore an all-black outfit composed of wide-leg trousers and a sheer top with cape-like sleeves, tied at the neck with a long scarf. Both outfits were from Saab’s Ready-to-Wear Pre-Fall 2025 collection.

For the live event, which she hosted, Carson first wore a taupe, floor-length gown by Stephane Rolland, made of pleated fabric with long draped sleeves and a high beaded neckline. Later, she switched to a black velvet tailored suit, styled with a white shirt, satin lapels, a black bow tie, a brooch and statement rings.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

Netflix Tudum 2025: The Live Event took place in Los Angeles at the sold-out Kia Forum and attracted thousands of online viewers as well as the live audience.

It included exclusive previews and performances by Lady Gaga and Hanumankind and featured appearances by cast members from series such as “ONE PIECE,” “Squid Game,” “Stranger Things” and “Wednesday,” as well as previews of upcoming films including “Frankenstein,” “Happy Gilmore 2,” “The Rip” and “Wake Up Dead Man: A Knives Out Mystery.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

The event was preceded by Netflix’s first fully interactive red carpet, which included immersive installations, fan pits and dedicated stages for photo opportunities tied to specific titles.

This was not the first time Carson, known for her roles in “My Oxford Year,” “Carry-On,” “Purple Hearts” and “Feel The Beat,” wore Elie Saab this year.

In March, she appeared in one of the designer’s ensembles while promoting her latest project, “The Life List.” She also wore a green dress from the designer’s Ready-to-Wear Fall/Winter 2023–2024 collection during an appearance on “CBS Mornings” in New York City. The look featured an oversized floral embellishment at the neck in shades of yellow and white, styled with deep green knee-high boots and a matching bag.


He tries and triumphs: John Achkar’s ‘AAM JARRIB’ scores big in Abu Dhabi

Updated 02 June 2025
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He tries and triumphs: John Achkar’s ‘AAM JARRIB’ scores big in Abu Dhabi

ABU DHABI: Lebanese comedian John Achkar, who is on a world tour, touched down in the UAE capital on Sunday night as part of Abu Dhabi Comedy Season.

Achkar performed his latest special, “AAM JARRIB” (“Trying” in English), before upcoming stops in London, Paris and Sydney on a tour that wraps up in October.

“John has been trying new things for 34 years, and he’s still trying,” his grandmother sang in a video that opened the show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by John Achkar (@johnachr)

At 34, Achkar claims he does not like trying new things — but as the show unfolds, it is clear he excels at turning the discomfort and quiet fulfillment of those rare efforts into comedy gold.

He paces the stage, piecing together absurd real-life misadventures — a botched sailing trip or an outrageously inappropriate skydiving incident — into hilarious anecdotes.

At one point, Achkar calls out what he jokingly dubs a modern epidemic — ADHD — which he says has become a socially accepted excuse to dodge plans. Fittingly, his performance is a whirlwind of energy: Fast-paced, delightfully chaotic and entirely on brand.

True to form, Achkar’s commentary on Lebanon is bold but affectionate. He jokes that almost every restaurant blasts the internet-famous patriotic anthem “Lebanon Will Return,” even as the country teeters on the edge of war. The satire is sharp, never cynical.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by John Achkar (@johnachr)

Behind him, a detailed sketch of the Lebanese coastline hangs throughout the performance — a quiet yet unmistakable tribute to his identity.

The show ended on the perfect note as the same anthem he mocked earlier blasted through the speakers, with the crowd bursting into applause and laughter — a full-circle moment.

In “AAM JARRIB,” John Achkar does not just try — he soars. And the audience, just as energized as he is, soars with him.


Gigi Hadid marks launch of Havaianas line with new campaign

Updated 01 June 2025
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Gigi Hadid marks launch of Havaianas line with new campaign

DUBAI: US Palestinian Dutch supermodel Gigi Hadid has unveiled a new campaign with Brazilian footwear brand Havaianas.

The model, who launched a line with the flip flop label, stars in a vintage-inspired series of photographs. In the shots, she shows off slippers from her collection with the brand and is seen wearing retro outfits on a beach.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Havaianas (@havaianas)

Hadid celebrated the launch at a party in Altro Paradiso in New York last week.  At the event, she wore flip flops paired with a white tweed Marc Jacobs minidress, featuring vibrant scattered crystals.

The model is no stranger to making creative decisions and is also the founder of her own cashmere brand, Guest in Residence.

She launched her clothing label, which features soft, colorful knitwear, in September 2022.

“Over the last handful of years, I didn’t want to be backed into starting my own line just because there was an offer on the table or a deal to be made,” she wrote to her followers on Instagram at the time.

“The earliest days of Guest in Residence came about when I started to question the cashmere market, and those answers gave me a path,” she wrote.

“I believe that because of its sustainable qualities — natural and made to cherish and to pass down — cashmere is a luxury that should be more accessible.”

Earlier this year, Hadid celebrated her birthday party at Le Chalet in New York City.

Hadid entered the venue with her partner, Oscar nominee Bradley Cooper on April 25, and met up with her sister Bella Hadid, mother Yolanda Hadid, father Mohamed Hadid, Russian media personality Keni Silva and US actress Anne Hathaway, among others.

Gigi’s birthday was on April 23, and the internet was abuzz with celebrities, designers, family and friends who sent birthday wishes to the supermodel as she turned 30.

 


Nayla Al-Khaja reflects on new film ‘BAAB’ and Canon collaboration

Updated 01 June 2025
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Nayla Al-Khaja reflects on new film ‘BAAB’ and Canon collaboration

  • The director a is frequent guest at the Cannes Film Festival and partnered with Oscar winning Indian musical composer and record producer A. R. Rahman on the score for her latest film
  • Her previous feature “Three” played at Saudi Arabia’s Red Sea International Film Festival and the Shanghai International Film Festival

DUBAI: UAE filmmaker Nayla Al-Khaja, a pioneering voice in Emirati cinema, has wrapped production on her second feature film, “BAAB,” and is also taking part in a renewed partnership with Canon Middle East as part of the brand’s “See No Limits” campaign.

In a conversation following the film’s completion, Al-Khaja told Arab News “BAAB,” set for release after the summer, marks a creative milestone in her career. 

“It really feels like I found a language I enjoy in filmmaking,  like my own artistic voice,” she said, highlighting its striking visual style and deeply immersive atmosphere. Compared to her debut feature “Three,” she described “BAAB” as a significant evolution in her storytelling and visual approach.

“Haunted by a mysterious rhythm after her twin sister's death, Wahida's journey to find answers pulls her deep into the mountains. As she unravels her grief, she descends into madness, blurring the line between reality and imagination,” the logline of the film reads.

Her previous feature “Three” played at Saudi Arabia’s Red Sea International Film Festival and the Shanghai International Film Festival. She is also a frequent guest at the Cannes Film Festival and partnered with Oscar winning Indian musical composer and record producer A. R. Rahman on the score for her latest film.

Al-Khaja continues to work in psychological horror, drawn to its emotional impact and the technical challenge of filming in low light. “You feel like you are pulled like a magnet, pulled into a very ethereal, very haunting world… it is just so visually beautiful,” she said.

The director is also working with Japanese corporation Canon on educational initiatives aimed at emerging filmmakers. 

As part of the “See No Limits” campaign, she led a workshop for film students, emphasizing both the technical strengths of Canon’s EOS R5 Mark II and the importance of narrative-driven visual decisions. “Although you have the camera, if you don’t know how to position it in sense of what your story is trying to say… how far can you push your own limit?” she said.

Al-Khaja’s collaboration with Canon began in 2011. Their latest campaign focuses on empowering female filmmakers across the region. 

While she notes there are still only a handful of women working full-time in the UAE film industry, she sees growing momentum driven by regional grants, commissions and the demand for streaming content.

“When I started, I didn’t have a role model,” she said. “It is good to know that you now have an older generation that you can reach out to.” 


Review: ‘Doom: The Dark Ages’ sets new bar for first-person carnage

Updated 31 May 2025
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Review: ‘Doom: The Dark Ages’ sets new bar for first-person carnage

LONDON: The first “Doom” game back in 1993 helped define the first-person shooter genre, spawning numerous sequels and even a Hollywood film. Now it is back, and in a crowded market packed with chaotic shooters and arena brawlers, this game slices its way into the pantheon with style — and a spinning shield saw.

Boasting 22 adrenaline-soaked levels, “Doom: The Dark Ages” sticks to the classic formula of annihilating every enemy in the room before moving on. Yet it rarely pauses for breath, charging through its campaign. While there are secrets to uncover and collectible toys to find, it always feels hurried, pushing players forward with breakneck urgency.

Where it stands out is in its innovative combat tools — a shield saw that doubles as a melee weapon, a flail for crowd control, and a shield charge that turns defense into offense. Combat is fast, demanding, and utterly satisfying, especially in boss fights where success hinges on timing and picking the right attack for the enemy.

The gunplay is awesomely brutal and weapons evolve through Sentinel Shrines, letting players fine-tune their arsenal to match the rising difficulty. This isn't just a shooter; it’s a metal-fueled ballet of aggression, where being passive is punished and staying alive means staying angry.

The music? Pure heavy metal fury, matching the gameplay beat for beat. Visuals run at a crisp 60 frames per second and every environment drips with cosmic dread, from crumbling hellscapes to star-forged citadels. The new cosmic realm adds visual diversity, while massive set-pieces like dragon-riding with autocannons and piloting giant sentinels crank the spectacle to 11.

This is bone-crunching mayhem at its finest. It’s Halo-esque in scope, “Doom”-like in execution, but ultimately a beast of its own making.