Virtual artspace opens new worlds for disabled artists

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Najd Alsahli, a communication manager in a government sector, collaborated with her brother Abdullah to bring the studio to life. (Supplied)
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Updated 04 August 2023
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Virtual artspace opens new worlds for disabled artists

RIYADH: Saudi brother and sister Abdullah and Najd Alsahli created the virtual studio Art Without Limits with the goal of empowering artists living with disabilities.

Abdullah, an independent artist, has spinal muscular atrophy, a condition that affects movement and strength. He was determined to find art software suitable for artists with similar conditions.

In 2019, he began publishing articles talking about his experience using various types of software. The following year, he published his second article, “How I use Blender with a Disability,” listing his user-friendly tools and applications to create art.

“A few years ago, I started writing articles about my process on public platforms such as Medium. The goal of those articles was to create something that might be useful for anyone with the same condition as me or anyone interested in creating art in general,” Abdullah said.

After receiving positive feedback from fellow artists and followers, he continued to write more about his experiences.

“Those articles were received really well and it inspired me to continue expanding on it, so the Art Without Limits studio is a natural evolution of my early articles.

“I get messaged often by people saying I inspired them to start doing digital art, which is some of the most encouraging feedback an artist can receive. It’s quite surreal.”

Abdullah, who goes by his artist name ARC, said his goal is to “deconstruct the limits any disabled artist might face while creating art, hence the name Art Without Limits.”

He urges artists to “work within their disabilities” and find a medium that suits their artistic style.

“I picked digital art because it was the best medium for my specific disability. It doesn’t require a lot of physical strength to move a touchpad around, unlike painting where you need to move a brush around a large canvas, which is physically difficult depending on what kind of disability you have.”

Abdullah’s animations are smooth loops of digital art.

“My art style has evolved and changed throughout the years, and I am sure it will continue changing as I grow older, but the main theme is smooth, soothing looping animations. My goal is to create something mesmerizing and pleasant to look at.”

Abdullah said he has unlocked his artistic potential by constantly sketching and publishing his art.

“It creates a satisfying feedback loop that motivates you to create more, and with creating more, you get better at unlocking your full artistic potential.”

Although there have been developments in art creation software, Abdullah said there is “always room for improvements” to make products more user-friendly.

“But you can’t really wait for them to arrive. Any person with a disability knows the best way to get things done is by doing them yourself; that’s why most of the assistive technologies I use are things I made myself or constructed from off-the-shelf products.”

Najd, a communication manager in a government sector, collaborated with her brother to bring the studio to life.

“It started with my brother Abdullah approaching me about an idea to expand his articles and work on an art studio with a focus on artists with disabilities.

Najd said she attended international events to spread the AWL Studio name and shed light on their objective.

“I was already heavily involved with helping him with the logistics of his art journey in terms of attending international events on his behalf when he couldn’t travel, and presenting a few of his talks in France and the US. So, being a co-founder in Art Without Limits felt like a natural extension of that.”

She said that as an outsider looking in, assistive technologies could be improved for artists who rely on their use.

“While working closely with Abdullah, I noticed a lot of assistive technologies have room for improvement in terms of availability. It’s quite difficult to find what we need locally, so we’ve been making our own custom systems and tools, and we hope we can open source them in the future.”

Abdullah and Najd plan to make AWL Studio into a physical space in the future. In the meantime, Abduallah will continue to pursue his career as an artist.

“If I can help encourage one person to pursue art then I’d feel pretty accomplished already. Creating art can be quite therapeutic, especially for people with disabilities — the sense of accomplishment when you finish a piece of art is quite magical.”

 For more information on ARC’s artworks visit: https://arc.art/a-selection-of-my-artworks


‘Adopt a Coral’ community restoration initiative unveiled

Updated 6 sec ago
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‘Adopt a Coral’ community restoration initiative unveiled

RIYADH: A new environmental initiative aimed at directly involving local communities in coral reef rehabilitation will be launched on Saturday.

The innovative “Adopt a Coral” scheme, by the General Organization for the Conservation of Coral Reefs and Turtles in the Red Sea (SHAMS), will also promote awareness of marine ecosystem preservation.

The project represents a significant step in Saudi Arabia’s marine conservation efforts, supporting Vision 2030 sustainability goals and the Saudi Green Initiative’s mission to prevent ecosystem decline and protect biodiversity.

SHAMS has developed the program using proven scientific methods for identifying damaged reef areas and implementing cutting-edge rehabilitation techniques. The organization’s track record includes successful long-term monitoring systems that measure ecosystem recovery over extended periods.

The initiative offers a range of opportunities for those taking part, from hands-on coral seedling planting to educational workshops addressing major reef threats, including climate change and marine pollution. It particularly targets Saudi Arabia’s diving community as active contributors to reef monitoring and public education efforts.

Central to the program is a symbolic adoption concept, where participants take responsibility for specific coral sections.

Initial implementation will focus on selected Red Sea coastal sites, with gradual expansion planned to maximize both long-term environmental impact and sustainable community involvement.

As environmental pressures mount, “Adopt a Coral” initiative offers a practical model for community-based conservation of the fragile underwater habitats and reflects SHAMS’s broader mission to transform environmental protection into tangible community action.


Ladder of the Holy Kaaba: A symbol of care for the holiest of sites

Updated 33 min 53 sec ago
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Ladder of the Holy Kaaba: A symbol of care for the holiest of sites

  • The ladder of the Holy Kaaba represents a unique piece that has witnessed, over the past 25 years, the occasions of washing the Kaaba

Makkah: The ladder of the Holy Kaaba represents a unique piece that has witnessed, over the past 25 years, the occasions of washing the Kaaba and has remained present throughout, reflecting the great care for the holiest site, SPA reports.

The General Authority for the Affairs of the Grand Mosque and the Prophet’s Mosque explained that the ladder, which was brought in 2000, is powered by 24 batteries.

At its top, it includes a platform to illuminate the interior of the Holy Kaaba, along with central air-conditioning vents for cooling the inside of the Kaaba. It also contains three tanks for air-conditioning water, one tank designated for washing the Kaaba, and another for return water.

The General Authority said that it has provided all advanced technologies, including those used in crafting the Kaaba’s ladder, which was made from teak wood, the finest type of wood, with a length of 5.65 meters, a height of 4.80 meters, a width of 1.88 meters, and a weight of 6,500 kg.

According to SPA, this comes as part of the General Authority’s commitment to providing all advanced technologies for the components of the Holy Kaaba, in line with the directives of the leadership.


Visit Saudi, ‘Doraemon’ collaborate on culture at Expo 2025

Updated 11 July 2025
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Visit Saudi, ‘Doraemon’ collaborate on culture at Expo 2025

  • Doraemon character in 40 films, 3,000 TV episodes since 1969
  • Part of Saudi Pavilion’s ‘Wonders of Arabia’ showing tourist sites

OSAKA: Visit Saudi, the brand identity of the Saudi Tourism Authority, is collaborating with the creators of the renowned Japanese anime “Doraemon” at Expo 2025 Osaka, to promote the Kingdom’s culture in a fun and engaging manner.

The collaboration is a part of the Saudi Pavilion’s “Wonders of Arabia” exhibition launched on Thursday, which also celebrates the 70th anniversary of relations between the two nations.

Taking place until July 16, visitors can follow the iconic blue robot cat named Doraemon as he explores the Kingdom’s destinations throughout the exhibition.

A QR code can be scanned to take a quiz on various Saudi destinations. The first 250 guests daily will receive a special “Doraemon” tote bag after completing the experience.

 

 

In a video released by Doraemon’s creators, the character is seen wandering around Saudi Arabia landmarks through his popular pink portal door that allows him to explore any place at any time.

Surrounded by Saudi Arabia’s majestic landscapes, the character searches for his best friend Nobita, who makes a quick appearance. He returns to the Saudi Pavilion at the end of his journey, encouraging people to visit it.

“That was amazing. Come see it for yourself — and don’t forget to collect your limited-edition Doraemon tote bag after the experience,” the character says at the end of the video.

Located inside the Osaka Expo Exhibition Center, the “Wonders of Arabia” exhibition offers workshops, interactive presentations, photobooths, and live demonstrations of Saudi and Japanese calligraphy.

The exhibition is also offering an interactive virtual reality experience simulating Formula 1 races, and highlights of the Esports World Cup currently taking place in Riyadh.

Doraemon has become a cultural icon in Japan since the manga debuted in 1969, appearing in more than 40 feature films and 3,000 TV episodes.

Expo 2025 Osaka began in April and concludes in October.

• This article also appears on Arab News Japan


How AI could make Saudi Arabia’s construction sites safer and more efficient

Updated 11 July 2025
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How AI could make Saudi Arabia’s construction sites safer and more efficient

  • Construction remains one of the most dangerous and under-digitized industries, prompting a growing demand for real-time safety solutions
  • AI-driven tools are increasingly viewed not as job threats but as vital safeguards enhancing judgment, oversight, and worker protection

RIYADH: Across the global construction sector, long considered one of the most resistant to digitization, a quiet revolution is unfolding.

Artificial intelligence is no longer a mere buzzword confined to laboratories and boardrooms. It is increasingly present in the urban fabric, embedded into scaffolding, concrete and command centers.

One company at the heart of this shift is viAct, a Hong Kong-based AI firm co-founded by Gary Ng and Hugo Cheuk. Their aim is to make construction safer, smarter and significantly more productive using a scenario-based AI engine built for complex, high-risk environments.

“Despite being one of the most labor-intensive and hazardous industries, construction remains vastly under-digitized,” Ng told Arab News. “We saw this as an opportunity to bring AI-driven automation and insights to frontline operations.

Unlike conventional surveillance tools that simply record footage, viAct’s platform acts like a digital foreman. It interprets real-time visual data to detect unsafe practices, productivity gaps and anomalies, all without human supervision.

At the core of the platform are intelligent video analytics powered by edge computing. By processing visuals from jobsite cameras and sensors, viAct can flag whether a worker has entered a restricted zone, whether proper personal protective equipment is being worn, or if a crane is operating unsafely.

“This is not just about object detection,” said Ng. “Our AI understands context. It recognizes behaviors — like a worker being too close to the edge without a harness or a truck reversing unsafely — and acts in real time.”

That ability to contextualize data is crucial in megaprojects, where risks multiply with size.

The firm’s technology has already been deployed across East Asia and parts of Europe. Now, the company is eyeing Saudi Arabia and the wider Gulf region, where giga-projects are transforming skylines at record speed.

Ng confirmed viAct is in active discussions to enter the Saudi market.

“Saudi Arabia’s Vision 2030 is deeply aligned with our mission,” he said. “There’s a growing demand for AI in infrastructure — not just for safety, but also for efficiency, environmental compliance, and transparency.

From NEOM and The Line to Qiddiya and Diriyah Gate, Saudi Arabia is leading one of the most ambitious construction booms in the world. These projects involve thousands of workers, advanced logistics and constant oversight.

However, traditional safety audits and manual inspections are no longer sufficient. “With projects of this scale, real-time monitoring is not a luxury — it’s a necessity,” said Ng.

While viAct hasn’t yet launched in the Kingdom, its platform is fully prepared for Arabic localization and regional compliance standards, including Saudi labor laws and Gulf Cooperation Council safety codes.

What sets viAct apart is how seamlessly it integrates with existing infrastructure. Rather than requiring expensive proprietary equipment, the platform works with standard CCTV cameras and can be deployed in both urban and remote sites.

 

“Our system is plug-and-play,” said Ng. “You don’t need to overhaul your entire setup to use AI. That makes it ideal for companies in transition or for phased construction timelines.”

Its use of edge AI, meaning data is processed on site rather than in a distant cloud, allows viAct to deliver insights even in areas with weak internet connectivity. This feature is particularly useful in Saudi Arabia’s more isolated development zones or early-phase sites with minimal setup.

Its software is also highly customizable. For instance, a client building a hospital might prioritize fall detection and material delays, while a contractor working on an airport runway may need to monitor large machinery and perimeter access.

As automation reshapes industries, many worry that people are being replaced by machines. But Ng insists that viAct’s goal is not to eliminate workers — it is to protect them.

“We’re not building robots to take over,” he said. “We’re building tools that enhance human judgment and ensure safety. When a worker is alerted to a risk before an accident occurs, that’s AI doing its best job.”

In fact, many of viAct’s clients report that once site workers understand the system is not spying on them, but rather observing unsafe situations, adoption becomes smoother. Managers gain better oversight and laborers gain peace of mind.

“We see this as a collaboration between human intelligence and artificial intelligence,” Ng said. “Each has strengths. Together, they’re far more effective.”

Gary Ng co-founded viAct, a Hong Kong-based AI firm, with Hugo Cheuk. (Supplied)

Deploying AI in construction also brings ethical questions to the forefront, particularly in projects run by government entities or involving public infrastructure. Ng is upfront about these concerns.

“All our solutions are GDPR-compliant and privacy-first,” he said, referring to the EU’s General Data Protection Regulation, a comprehensive set of rules designed to protect the personal data of individuals.

“We don’t use facial recognition and we don’t track individuals. The focus is purely on safety, compliance and productivity.”

Workers are anonymized in the system, with all data encrypted and stored securely. Dashboards used by contractors and project leads include logs, alerts and safety scores, allowing for clear documentation and accountability without compromising personal privacy.

This is especially important in the Gulf, where projects often involve multinational labor forces and cross-border stakeholders

Looking ahead, viAct plans to double down on its expansion in the Middle East, continue advancing its AI models and advocate for ethical AI deployment in high-risk sectors.

The company is also exploring ways to integrate predictive analytics, allowing clients to foresee and prevent incidents before they occur. This could eventually shift AI’s role from reactive to proactive, forecasting safety breaches, delivery delays or environmental compliance issues in advance.

Ng believes this kind of intelligent foresight will soon become standard across the construction industry.

“It’s not about replacing humans,” he said. “It’s about building a smarter site, one where decisions are faster, risks are fewer, and lives are safer.”

In the age of giga-projects, that is a future Saudi Arabia is already building.
 

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Saudi communications minister meets with international leaders to advance Saudi role in AI

Updated 10 July 2025
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Saudi communications minister meets with international leaders to advance Saudi role in AI

GENEVA: Saudi Minister of Communications and Information Technology Abdullah Alswaha held a series of high-level meetings during his official visit to Switzerland, aimed at strengthening the Kingdom’s global role in promoting inclusivity in the era of artificial intelligence, innovation, and digital economy development.

The minister met with UN International Telecommunication Union Secretary-General Doreen Bogdan-Martin, the Saudi Press Agency reported. The two discussed the Kingdom’s longstanding partnership with the union spanning more than 76 years.

The minister also met with Algerian Minister of Post and Telecommunications Sid Ali Zerrouki, to expand partnership opportunities in the areas of digital governance, AI, and digital infrastructure.