Saudi fashion industry seen as a catalyst for economic diversification as it eyes global recognition

Brimming with diversity, Saudi Arabia’s topography offers picture-perfect backdrops for local and international fashion designers. (Photo: Saudi Style Council/NEOM)
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Updated 12 September 2023
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Saudi fashion industry seen as a catalyst for economic diversification as it eyes global recognition

  • Vision 2030 reforms have laid the ground for talented young Saudi designers to flourish in the industry
  • Acclaimed Saudi designer Yousef Akbar says the Kingdom recognizes fashion is a “serious business”

DUBAI: Move over, Milan. Not today, New York. It’s Riyadh’s turn to shine on the global catwalk as social reforms and economic diversification across the gamut of sectors propel Saudi Arabia toward the ranks of international capitals of the fashion industry.

In July, Mohammed Ashi became the first Saudi designer to show at Paris Haute Couture Week — a leading event in the global fashion calendar — by invitation of the Federation de la Haute Couture et de la Mode.




Models present creations by Ashi Studio during the Women's Haute-Couture Fall/Winter 2023/2024 Fashion Week in Paris n July 6, 2023. (AFP)

This September, a hundred Saudi brands will head to Italy’s style capital Milan to present their designs in WHITE Milano, one of the most anticipated events during Milan Fashion Week. 

The rise of Saudi fashion designers is a relatively recent development, owing in part to a host of government-sponsored initiatives, including the Ministry of Culture’s Fashion Commission, established in 2020 to lead the sector’s expansion.

Saudi fashion emerged as an important catalyst for economic growth and diversification in line with Crown Prince Mohammed bin Salman’s Vision 2030 reform agenda, launched in 2016 to help the Kingdom branch out beyond hydrocarbons.




The Since 2087 gallery in Jeddah. Since 2087 is a brand founded by Saudi creative director Abduljalil Abduljawad. (Supplied)

The Fashion Commission recently published a report, “The State of Fashion in the Kingdom of Saudi Arabia 2023,” to help local and international stakeholders understand the scale of the opportunity offered by the country’s emerging fashion industry.

“It holds the largest projected growth rate of any other large, high-income market,” Burak Cakmak, CEO of the Fashion Commission, told Arab News.

“Fashion is now very much a key economic driver of Saudi Arabia’s growth with the report showing retail demand for fashion products in the Kingdom is forecast to increase by 48 percent to $32 billion in 2025, with luxury retail set to enjoy 19 percent growth.

“We’re taking Saudi fashion from a predominantly domestic-focused market to the international stage and our home-grown brands, some established and some emerging, attend major fashion weeks and are building customer bases around the world.”




Burak Cakmak, CEO of the Saudi Fashion Commission. (Supplied)

Among the initiatives spearheaded by the Ministry of Culture through the Fashion Commission is the first-ever Riyadh Fashion Week, scheduled to take place from Oct. 20-23. The aim is “to sit among the most popular fashion weeks in the world,” Cakmak said. 

“We look forward to giving a warm welcome to visitors from across the globe and showcasing what Saudi fashion and luxury has to offer.”

While fashion shows have been held in private settings in Saudi Arabia for many years, it is only since the social reforms implemented after 2016, including the suspension of laws requiring women to wear head coverings, that such events moved into the public domain.

Dolce & Gabbana staged its first fashion show in the historic desert region of AlUla in 2022, while other prominent fashion and jewelry brands such as Chaumet and Van Cleef & Arpels, among others, have also staged events in the Kingdom. 

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Saudi Arabia’s Ministry of Culture established the Fashion Commission in 2020 to lead the sector’s expansion.

Demand for fashion products in the Kingdom is forecast to increase by 48 percent to $32 billion in 2025.

Above all, the Vision 2030 reforms have cleared the way for talented young Saudi designers to flourish in the industry, establishing their careers and showcasing their work on the domestic, regional and global stage.

“The world has its eye on Saudi Arabia — whether it’s through our participation in global sports, promoting the Kingdom as a new tourism destination, or a global player in the start-up economy,” Marriam Mossalli, a Saudi lifestyle editor, journalist and founder of communications agency Niche Arabia, told Arab News.

“There are so many sectors that utilize fashion, whether it’s the staff uniforms of a new resort by the Red Sea Development Company, or costumes for a new play produced by the General Entertainment Authority. There are so many opportunities for young Saudi talent to get involved and have their homegrown aesthetic celebrated.” 




Princess Noura bint Faisal Al-Saud, top left, wearing designs by Mona Alshebil. Alshebil, Niche Arabia founder Marriam Mossalli (top, right) and Mohammed Ashi (above, left) are among the Saudi creative talents who have entered the international fashion scene. (Photos: Mona Alshebil/Lina Qummosani/Saudi Fashion Commission/AFP)

 


In 2021, the Fashion Commission launched the “100 Saudi Brands” initiative, aimed at supporting and empowering Saudi designers by providing them with mentorship, guidance and resources to help them achieve international success in the fashion industry. 

The initiative has demonstrated the Saudi government’s commitment to promoting and developing the country’s fashion industry while supporting its designers to reach their full potential. 

“Being part of the 100 Saudi Brands for the last two years, I have greatly benefited from all the experts we worked with,” Saudi designer Mona Alshebil told Arab News. 

“Moreover, we participated in Milan Fashion Week, New York Fashion Week and Paris Fashion Week, with the support of the Fashion Commission.”

Others, such as the acclaimed designer Yousef Akbar, whose designs were featured on the cover of Vogue Arabia’s June edition celebrating new Saudi talent, say that until a few years ago there was no fashion industry to speak of in the Kingdom. Now that has all changed.




Saudi fashion designer Yousef Akbar. (Instagram)

“The fashion industry is now recognized as serious business for the government,” Akbar told Arab News. “Whereas before nothing was done about it. There was no fashion industry. Now there is the recognition that fashion is important, and it plays a key cultural and economic role. 

“Secondly, the Saudi government’s investment in establishing the industry is crucial and thirdly, which in my opinion is the most important, are the designers themselves, because there is a lot of talent in the Kingdom and without the designers, there is no industry.”

Now, people around the world “can finally see that there are talented designers in the region and they’re just as good as anyone international.”

At the end of 2023, the Fashion Commission will also launch a first-of-its-kind product development studio in Riyadh. The production space will enable designers to create prototypes and samples to hasten market entry.




Brimming with diversity, Saudi Arabia’s topography offers picture-perfect backdrops for local and international fashion designers. (Photo: Saudi Style Council/NEOM)

The studio will be outfitted with cutting-edge technology, including 3D knitting and laser-cutting machines, with a view to being on par with the best factories in the world. Still, there is a lot of work to be done to forge a prosperous future for the fashion sector.

“We need to lay the foundation for an authentic fashion ecosystem that can evolve with the country, as well as complement the global fashion industry,” Mossalli said. 

“From manufacturing and sales to marketing and media, Saudi Arabia can adopt best practices and find its niche among its international counterparts.”

This will involve continued investment in human talent.

“We will continue to be guided by the data as we build the foundations for an internationally networked value chain and invest in Saudi Arabia’s talent pipeline through educational programs to produce world-class designers, ensuring the Kingdom continues to grow as an integral part of the global fashion scene,” said Fashion Commission CEO Cakmak.




Mona Alshebil designs. Mona Alshebil is a Saudi fashion designer and part of the 100 Saudi Brands Organization. (Photo Courtesy of Mona Alshebil)

Many of the Kingdom’s up-and-coming designers are striving not only to grow their own brands but also showcase their country’s heritage and identity on the regional and international stage. 

Fashion, therefore, has the potential to contribute both economic growth and enhance a sense of national pride. 

“As an emerging designer in Saudi Arabia, my goal is to contribute to the growth and development of the fashion industry in the Kingdom,” said Saudi designer Alshebil. 

“I am passionate about showcasing the unique beauty and creativity of Saudi fashion to the world, while also creating opportunities for local talent and celebrating the cultural diversity of Saudi Arabia.”

 


Kef Hayyak? Seeing Saudi neighborhoods through the eyes of emerging filmmakers

Updated 30 April 2025
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Kef Hayyak? Seeing Saudi neighborhoods through the eyes of emerging filmmakers

JEDDAH: Eighteen aspiring filmmakers have taken to the streets of their neighborhoods armed with nothing but their phones and a vision for the grassroots documentary challenge, “Kef Hayyak?”

The project, initiated by Art Jameel in collaboration with the Red Sea International Film Festival, invited participants to reflect the spirit of their communities in short documentaries.

Months after the February 2025 open call, the winners have been announced, and their films will premiere as part of the Red Sea Documentary Days this May at Hayy Cinema.

The program, which began as a concept in 2021 and has since grown into an annual platform, continues to break down barriers in filmmaking by expanding access to wider creative communities across Saudi Arabia. For the first time, the 2025 event also welcomed participants from Makkah, with one of the city’s filmmakers making it to the jury-selected top three.

The initiative culminates in a public screening at Hayy Cinema, featuring the three jury-selected winners — Eyad Al-Zahrani’s “Between,” Asia Lajam & Nad’s “A World Between Buildings,” and Alisha Khan’s “Nam Ghar, Jeddah” — alongside two audience favorites, “Hay Alakaber” by Amal Al-Zahrani and Othoub Al-Bedaiwi, and “From the Olives to the Sea” by Haya Al-Bhaisi and Mohammed Khalid.

A jury, comprising head of Hayy Cinema, Zohra Ait El-Jamar, director and actress, Fatima Al-Banawi, and director and actress, Ophelie Legris — evaluated the films based on creativity, relevance and narrative strength.

El-Jamar told Arab News: “‘Kef Hayyak?’ draws its essence from the name of Hayy Jameel and reflects our ongoing mission to connect with new audiences in meaningful ways. The project was first imagined in 2021, and after the success of its first edition, it has grown into an annual platform that empowers emerging filmmakers.

“Through this short documentary film competition, we invite aspiring talents to explore their neighborhoods using just their phones. I created the concept with the vision of breaking down barriers in filmmaking and expanding access to a wider creative community. It’s also a powerful way to document the ever-changing urban fabric of Jeddah — and now Makkah.

“We see this as a powerful launchpad for emerging talent, and we’re actively working to expand the program with deeper mentorship and professional opportunities in the years to come,” she added.

Audience Choice Award winner, Al-Zahrani, who hails from Makkah, said: “The movie covers a neighborhood that lacks identity and how it affects me and the residents in our day-to-day lives. Winning was such a heartwarming experience, seeing my work acknowledged and the story of my people and neighborhood embraced and loved. I plan to keep improving my documentary skills and hope to release a movie about a lawyer later this year.”

Khan’s winning documentary explores the Musrefah neighborhood of Jeddah and its vibrant Desi (Pakistani and Indian) community.

“My film ‘Naam Ghar, Jeddah’ is a documentary film which acts as a time capsule for me to look back on not only my neighborhood but the people living in it, especially the often-overlooked Desi community in Jeddah, where even the people themselves think the outer world is not interested in them,” Khan said.

“It aims to explore their dreams, identities and quiet resilience through simple, human questions, like what is your favorite color or what gives you happiness.”

Khan believes in the power of cinema to humanize and connect communities, emphasizing how platforms such as Hayy Jameel empower storytellers like herself. Her goal is to keep documenting life in Jeddah, capturing its present for future generations.

Al-Bhaisi told Arab News: “‘From the Olives to the Sea’ is a short documentary that explores the contrast and emotional connection between two places — Jeddah, where I feel a deep sense of belonging, and Gaza, the place I’m originally from but never fully connected with.

“Winning the Audience Choice Award honestly means the world to us. It shows that people connected with our story, and that’s all we ever wanted — to be heard, and to make others feel something real.”


Christie’s Islamic and Indian art auction showcases rare pieces

Updated 30 April 2025
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Christie’s Islamic and Indian art auction showcases rare pieces

LONDON: Ahead of its “Art of the Islamic and Indian Worlds including Rugs and Carpets” auction here on May 1, Christie’s experts recently shared insights with Arab News about the rare lots going under the hammer. 

Sara Plumbly, director and head of the Islamic and Indian art department, highlighted an illuminated Kufic Qur’an folio, likely from Damascus, Umayyad Syria, dated to the 8th or 9th century.

“This Surah Al-Baqarah … is very early on in the Qur’an (chapter two titled ‘The Cow’), and you have this wonderful illuminated border. While you often see a line or two thick — here you have this hugely complicated border with beautiful colors.”

Although several illuminated Kufic manuscripts were produced, there were few survivors and generally fragmentary, since their placement at the front of a manuscript meant that they were more exposed to wear and tear, according to Christie’s website.

An illuminated Kufic Qur’an folio, likely from Damascus. (Supplied)

A collection of 11th century Fatimid gold jewelry caught the eye, to which Plumbly commented: “Jewellery of this type very rarely comes on the market.

“I think one of the reasons is that they are made of gold which is quite fragile and malleable and also, because it is such a precious material, gold is often melted down and used for other objects through the course of history, so it doesn’t survive in great quantities.”

A collection of 11th century Fatimid gold jewelry caught the eye. (Supplied)

At the pre-sale press exhibition in London, there was also a striking Iznik pottery dish from Ottoman Turkiye, circa 1585-1590. This was complete with bole red, cobalt blue, green and black accents, as well as saz leaves and pomegranates against a background of dense black scrolls.

A striking Iznik pottery dish from Ottoman Turkiye, circa 1585-1590. (Supplied)

Louise Broadhurst, director and international head of the department of rugs and carpets, pointed to The Hans Konig Collection of Classical Chinese Carpets.

There was a magnificent Imperial Ming “Qi” Dragon Palace carpet dating from the Wanli period, circa 1575-1600.

“It is one of just seven complete Dragon carpets that remain outside of China,” she explained.

“It  would have originally been red in color, woven with a Brazilwood dye which at the time emulated the red that was the Imperial color of the emperor but sadly with time it faded quite rapidly to this sandy yellow color that we see today.

“It displays the ‘Qi’ dragon —a juvenile dragon in a naturalistic life form with cloud-like body, symbolic of an energetic life force. It’s married with the peony which is another symbol for beauty. It would imbue all of the powers that the emperor wanted.”

The live auction is at Christie’s London headquarters with 129 lots set to go under the hammer.

 


Victoria Beckham drops capsule collection with Mideast retailer

Updated 30 April 2025
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Victoria Beckham drops capsule collection with Mideast retailer

  • British singer and designer launches in Dubai with influencers
  • Beckham expresses ‘joy’ over women here wearing her designs

DUBAI: British fashion designer and singer Victoria Beckham hosted an intimate dinner in Dubai this week with some of the city’s leading style influencers to celebrate her exclusive capsule collection with Middle Eastern online luxury retailer Ounass.

The collaboration includes a dedicated pop-up at the Ounass Maison, located in Dubai’s Mandarin Oriental Hotel in Jumeirah.

It features a curated selection of Spring/Summer 2025 pieces, including designs created specifically for the Middle East. The collection is also available online.

“So excited to be here in Dubai to celebrate my capsule for @ounass,” she wrote on Instagram. “Coming here and seeing how Emirati women are wearing my clothes and making them their own brings me so much joy.”

The dinner was attended by several fashion influencers, including Karen Wazen, her sister Andrea Wazen, Dima Al-Sheikhly, Dana Hourani, Sossi Wartanian, Jessica Kahawaty, Deema Al-Asadi and Rym Saidi.

Guests posed for photos with Beckham, who wore a shiny silver-white satin dress featuring a one-shoulder design, soft draping across the bodice, and a gathered detail at the hip that flowed into an asymmetrical hem. She completed the look with clear pointed heels.

Beckham attended the event with her youngest daughter, Harper Seven, 13, who matched her mother in a sleek, floor-length satin gown in a light silver shade.

Harper’s dress featured thin spaghetti straps, a straight neckline, and a smooth, fitted silhouette. She completed the look with a black clutch.

Victoria was not the only member of the Beckham household making fashion headlines this week.

Her husband, football legend David Beckham, is also making a foray into the fashion world with the announcement of a major new collaboration.

In Spring/Summer 2025, BOSS will launch “BECKHAM x BOSS,” the brand’s first collection co-designed with David.

The pieces will draw inspiration from the star’s personal style, and promises to blend modern tailoring with heritage influences.

“We have been very much looking forward to this launch and are more than excited to see how these pieces are received by our end consumers,” said Daniel Grieder, CEO of Hugo Boss, in a statement.

“This collection is based on our strategic priority that product is key and our goal to seamlessly dress our customers for every occasion with our brands.”


Image Nation Abu Dhabi, Timur Bekmambetov pick eight UAE stories to lead screenlife rollout

Updated 29 April 2025
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Image Nation Abu Dhabi, Timur Bekmambetov pick eight UAE stories to lead screenlife rollout

ABU DHABI: Ben Ross, CEO of Image Nation Abu Dhabi, joined Kazakh-Russian film director and producer Timur Bekmambetov on Tuesday at the Culture Summit Abu Dhabi to discuss screenlife, a pioneering format developed by Bekmambetov that is coming to the region for the first time.

Screenlife is a style of filmmaking where the entire story takes place on a digital screen — through text messages, video calls, social media and other everyday apps — reflecting how people communicate in today’s tech-driven world. Notable examples include the horror film “Unfriended” (2014) and the mystery thriller “Searching” (2018).

Ben Ross (L) and Timur Bekmambetov (R) at the Culture Summit Abu Dhabi. (AN Photo by Mohamed Fawzy)

In the session, Ross and Bekmambetov announced that they have selected eight stories from UAE filmmakers to bring to life after the launch of the Screenlife Program in June 2024, which aims to help UAE citizens and residents master this new format and create authentic narratives with global resonance.

“We were drawn to it because it is so innovative and so forward-thinking,” Ross told Arab News. “We enjoyed the screenlife movies, and it just felt like a natural step to evolve it into this region.”

Bekmambetov emphasized the universality of digital communication. “The digital world is the same universally. There is a different cultural element … but every family has a WhatsApp chat with hundreds of people on it. My family in Kazakhstan have one, and the internet in Abu Dhabi is the same,” he told Arab News.

He said that the format is “socially very impactful” and can give voice to those often left out of traditional cinema. “Because it costs nothing, you can tell stories about your individual life with no money. It will help us to engage very different storytellers.”

Ross noted that the selected projects reflect a wide range of stories. “Every story that we have chosen ... stood out in its own way. There’s a huge variety being told — it’s not formulaic.”

Bekmambetov also noted that Muslim women lead very different lifestyles, saying, “maybe screenlife will bring their stories to life,” to which Ross added that some of the stories currently in development already do.


Kehlani responds to concert cancellation over ‘anti-Israel sentiments’

Updated 29 April 2025
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Kehlani responds to concert cancellation over ‘anti-Israel sentiments’

DUBAI: US singer Kehlani has taken to social media after her appearance at Cornell University’s annual campus concert was cancelled due to her pro-Palestine stance.

Last week, Cornell President Michael Kotlikoff announced he was withdrawing the R&B singer’s invitation to perform at the event due to what he called “antisemitic, anti-Israel sentiments.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Kehlani (@kehlani)

“Unfortunately, although it was not the intention, the selection of Kehlani as this year’s headliner has injected division and discord into Slope Day,” Kotlikoff wrote last week, referring to the concert.

“For that reason, I am rescinding Kehlani’s invitation and expect a new lineup for a great 2025 Slope Day to be announced shortly.”

He continued: “In the days since Kehlani was announced, I have heard grave concerns from our community that many are angry, hurt, and confused that Slope Day would feature a performer who has espoused antisemitic, anti-Israel sentiments in performances, videos, and on social media. While any artist has the right in our country to express hateful views, Slope Day is about uniting our community, not dividing it.”

In a new Instagram video responding to the cancellation, Kehlani said: “I am being asked and called to clarify and make a statement yet again for the millionth time, that I am not antisemitic nor anti-Jew. I am anti-genocide, I am anti the actions of the Israeli government, I am anti an extermination of an entire people, I’m anti the bombing of innocent children, men women… that’s what I’m anti.”

The 30-year-old, a frequent collaborator with the Jewish Voice for Peace group, added a caption, stating: “I know you’ve seen Cornell University cancelled my show, and now there are attempts at other cancellations on top of the cancellations I’ve already experienced over the past year. If you want to cancel me from opportunity, stand on it being because of your Zionism. don’t make it anti-Jew. this a played out game. all this because we want people to stop dying. I hope this helps.”