Saudi Arabia’s Uruq Bani Ma’arid among MENA sites up for UNESCO World Heritage List consideration

The Saudi site up for consideration is Uruq Bani Ma’arid, in the Kingdom’s southwestern desert. (SPA/File Photo)
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Updated 14 September 2023
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Saudi Arabia’s Uruq Bani Ma’arid among MENA sites up for UNESCO World Heritage List consideration

  • World Heritage List made up of sites that represent cultural and natural diversity of the world
  • Sites among more than 50 across hoping to be included in the list

LONDON: Six sites in the Middle East and North Africa, including one in Saudi Arabia, are to be considered for the UNESCO World Heritage List when the 45th extended session of its committee gets underway in Riyadh on Sunday.

The sites are among more than 50 across the world hoping to be included in the list following the meeting, which is being chaired by Princess Haifa Al-Mogrin, Saudi Arabia’s permanent representative to UNESCO.

The World Heritage List is made up of sites that represent the cultural and natural diversity of the world, and a yearly meeting is held to review and update the list, accept new applications and make edits.

The list, which currently consists of 1,157 sites, is highly regarded by many countries as it serves as a major driver of tourism, funding and the conservation of historical sites.

The Saudi site up for consideration is Uruq Bani Ma’arid, in the Kingdom’s southwestern desert, which is making a name for itself with its unique vistas, diverse wildlife and eco-tourism offerings.

Another is Ancient Jericho, also known as Tell es-Sultan, an archaeological site located in the West Bank in Palestine, which is famous for its evidence of human habitation dating back more than 11,000 years.




Ancient Jericho, also known as Tell es-Sultan, is an archaeological site located in the West Bank in Palestine. (Wikimedia Commons)

Djerba, an island off the southeastern coast of Tunisia, is the third regional site looking to make the list. The island is renowned for its blend of local Berber culture with Arab and Jewish influences, especially the Ghriba Synagogue.




Djerba, an island off the southeastern coast of Tunisia, is the third regional site looking to make the list. (Wikimedia Commons)

The remaining three sites are all in Iran and include the village of Masouleh with its distinct architecture built into the Alborz mountains; the Hyrcanian forests, which span across northern Iran and cover a small part of neighboring Azerbaijan; and, lastly, the Persian Caravanserai, a marvel of ancient Persian architecture that was an important stop for travelers and traders along the Silk Road.


Fashion and family: Amir Adnan heiress takes father’s legacy forward with sustainable vision

Updated 8 sec ago
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Fashion and family: Amir Adnan heiress takes father’s legacy forward with sustainable vision

  • Parishae Adnan, 30, celebrates taking over as CEO with debut collection Nakhlistan, which means oasis 
  • Aims to take her father’s iconic brand into future rooted in climate sustainability, cultural integrity

KARACHI: The name Amir Adnan has been synonymous with menswear in Pakistan for over 35 years. 

Adnan launched the eponymous men’s fashion wear brand in 1990 and several sub-brands since, and is widely credited for glamorizing the long-sleeved sherwani outer coat in modern times.

Now, it’s time for his daughter Parishae Adnan to take the helm of Adnan’s fashion empire as CEO and transition the company, Shapar Private Limited, into a future rooted in climate sustainability and cultural integrity.

Last week, Parishae, a 30-year-old managerial economics graduate, launched the company’s summer collection, Nakhlistan, which means oasis, a show she has conceptualized and that she exhibited as a formal celebration of her appointment as CEO in May 2024. 

“It absolutely feels incredible, I feel a lot of gratitude, taking the legacy forward,” Parishae told Arab News in an interview last week.

Adnan said it was always clear that his children would take over the business. 

“My children were raised while we were working in the workshops, and they’ve been seeing this all along. My eldest daughter, Parishae, she worked with me for three years and now she’s become the CEO of the company,” he told Arab News.

“It’s not common, especially in this industry that we are working in, the fashion industry, to see legacy go on from one generation to another.”

And Parishae has plans for her father’s company, with her major aim being to introduce and integrate environmentally conscious practices into its operations.

“We need to do anything, even if it’s a little small step,” said Parishae, who explored fields like acting, hospitality, IT, and supply chain before finally embracing fashion designing.

“One of the first things I did was I changed our packaging material, making it recyclable.” 

In 2021, she launched the ‘House of Parishae,’ a collection grounded in sustainable couture, with her debut show featuring 35 pieces created entirely from upcycled clothing, extending the life cycle of garments and promoting conscious consumption.

“The idea that couture, high end couture luxury can come out of upcycling or recycling, it’s not an idea that was digestible to the public in Pakistan,” the designer said, pointing to inspirations like Stella McCartney and Alexander McQueen. 

“People here usually don’t go for that concept for their event wear. They don’t want to spend so much money if it’s going to be recycled or upcycled.”

But Parishae is resolved to take her vision forward — all the while staying true to what she has in common with her father: a deep connection to Pakistan’s cultural identity. 

The designs of Adnan, who was born in Lahore to a bureaucratic father and a mother from the royal family of Dhaka, often draw inspiration from the sartorial heritage and timeless attire of South Asian nobles.

“If I go back in time and I look at my forefathers, photographs or paintings, they actually wore what I’m making right now, literally,” Adnan said.

Parishae too sees cultural identity as central to her vision, especially in an increasingly globalized and digitally connected world.

“As globalization is on a rise, it is even more important in this day and age to understand where your roots are coming from and it’s even more important to keep an identity, a cultural identity, in order for you to realize who you are and where you belong to,” she said.

“I wanted to be a pioneer for change, not in the West because they already have that. It’s actually trying to help us here because you never know, there might be a next generation that looks at this story and gets inspired by it and says, ‘Let’s go, it’s been done before, we can do it better’.”

And her father is proud. 

“For every parent, whether you’re a father or a mother, it’s always your dream to see your children outdo you,” Adnan said. 

“For me to see my daughter excel in my lifetime ... is one of the best gifts I could have asked from Allah.”


Julian Assange open to political action as Cannes hosts documentary

Updated 21 May 2025
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Julian Assange open to political action as Cannes hosts documentary

  • WikiLeaks founder makes surprise showing at festival
  • The Six Billion Dollar Man documentary premiered at Cannes and it highlights Assange's extradition fight

CANNES: WikiLeaks founder Julian Assange, who is at the Cannes Film Festival this week for the documentary “The Six Billion Dollar Man,” is thinking about how to become politically active again once he has fully recovered from prison, said his wife, Stella.
Assange, 53, returned to his native Australia after pleading guilty last June under an agreement with US officials to one count of illegally obtaining and disclosing national security materials.
The plea ended Assange’s five-year stay in a British prison, which followed seven years at the Ecuadorian embassy as he sought to avoid extradition to Sweden on sexual assault allegations.
Assange denied those allegations and called them a pretext to extradite him to the United States over WikiLeaks.
WikiLeaks in 2010 released hundreds of thousands of classified US military documents on Washington’s wars in Afghanistan and Iraq — the largest security breaches of their kind in US military history — along with swaths of diplomatic cables.
“He was in a very grave situation in the prison. He’s recovering from that,” Stella Assange told Reuters in Cannes.
“But now he’s coming to understand how grave the situation outside (prison) is and thinking, making plans to find the means of what to do about it,” she added.
“He’s very, very concerned about the state of the world and the state that we’re all in right now,” said Stella, who met Assange in London in 2011 while working as part of his legal team.
Julian and Stella Assange, wearing a brooch with a picture of British designer Vivienne Westwood holding a sign saying “Stop Killing,” walked the red carpet on Wednesday evening.
Julian has so far not spoken at any of his appearances.
Assange’s extradition fight 
The documentary from Emmy-winning director Eugene Jarecki takes on the tone of a high-tech international thriller to recount Assange’s fight against extradition, using WikiLeaks footage and archives, and previously unpublished evidence.
Jarecki, who began filming before Assange was released, said he never expected to see him walk around Cannes as a free man.
By inviting Assange, the festival was sending a message about the need for freedom of information and a free press, Jarecki told Reuters, as those values are in decline in many parts of the world according to an index from Reporters without Borders.
The director called Assange “a canary in the coal mine” in foretelling the US government’s current moves to exert more control over media access to US President Donald Trump.
“If we had taken that bit more seriously, we might have seen a bunch of this coming,” said the US director.
Assange’s lawyer, Jennifer Robinson, told Reuters that the film portrayed the WikiLeaks founder as he should be shown.
“This film is absolutely necessary in terms of telling the story of free speech and what Julian Assange, his case means for the world, not just for him, but for the world,” she said.


Tradition drives the contemporary at Downtown Design Riyadh fair

Updated 21 May 2025
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Tradition drives the contemporary at Downtown Design Riyadh fair

  • Rugs, light fixtures, furniture seek to redefine modern design
  • Carpet ‘The Noorah’ based on Saudi Arabia textiles on display

RIYADH: Design is always evolving, but at Riyadh’s first Downtown Design fair, it is tradition that is shaping the contemporary.

From elegant, oversized rugs to gleaming light fixtures and bold statement chairs, artisanal pieces line up the exhibition halls at Riyadh’s JAX District, showcasing a medley of heritage pieces that are redefining what modern design looks like.

Trame Paris’ collaboration with Maison L. Drucker brings new meaning to Parisian cafe bistro chairs. The “Enlace” collection utilizes an algorithm to generate unique digital patterns that make every customizable chair a one-of-a-kind piece.

Ismail Tazi, founder of Trame, said they were “continuing this conversation between technology and craftsmanship.”

He added that as an Arab he was “very proud because ‘algorithm’ is derived from Al-Khwarizmi — a Muslim scholar who was born in today’s Uzbekistan.

“So it’s really something that represents me today and how I’m looking to balance my own heritage and still be part of this cultural revolution and define a new Arab aesthetic within this digital revolution.”

Iwan Maktabi, a brand that specializes in contemporary takes on antique rugs, displayed a number of eye-catching carpets — particularly a piece called “The Noorah.”

Made of handwoven wool and silk, the black base of the wall rug stands out with pink, orange, and silver accents, embellished with gold motifs; and is inspired by traditional Saudi Arabic textiles.

Jordan-based Naqsh Collective centralizes the concept of engravings, which is one of the first forms of art.

Blending architecture and design with traditional embroidery methods, their work becomes a mode for storytelling. One of the pieces on display is derived from the embellishments on women’s thobes, specifically around the collar.

Nermeen Abudail, co-founder of the collective, said: “In this piece, we talk about how the ladies did their embroidery in the backyards. They sat together collectively creating motifs inspired by their flora and fauna.

“Each pattern comes from a region. Amulets, flowers, cyprus trees — each holds a name, comes from a region and tells a story of why it was embroidered.”

Each piece is hand-cut, inlaid, and finished with solid brass on walnut wood.

The four-day event, running until May 23, showcases collectible works and ultra-high-end collections presented by international galleries, independent designers and manufacturers.


Brad Pitt’s ‘F1 The Movie’ to premiere in Abu Dhabi this June

Updated 21 May 2025
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Brad Pitt’s ‘F1 The Movie’ to premiere in Abu Dhabi this June

ABU DHABI: Brad Pitt’s Formula 1 film will return to Abu Dhabi for its regional premiere on June 25, ahead of its official Middle East release on June 26.

Directed by Joseph Kosinski and produced by Jerry Bruckheimer and seven-time F1 champion Lewis Hamilton, “F1 The Movie” was partly shot at the Abu Dhabi Grand Prix last year.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by FORMULA 1 (@f1)

The Apple Original Films production follows fictional former driver Sonny Hayes (Pitt) as he returns to Formula 1 decades after a career-ending crash, teaming up with a struggling race team and a hotshot rookie played by Damson Idris.

The cast and crew will return to Abu Dhabi for the red-carpet premiere after filming 29 days across the emirate, including at Yas Marina Circuit and Zayed International Airport. The production involved 284 local crew members and 15 interns, supported by local partner Epic Films and the Abu Dhabi Film Commission’s rebate scheme.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Warner Bros. (@warnerbros)

Mohamed Dobay, of the Creative Media Authority, called the return “a fitting closing moment” to a project that has made a significant impact on Abu Dhabi’s creative economy. The film is one of 180 major productions supported by the Abu Dhabi Film Commission since 2013.


Art Basel to launch new fair in Qatar

Updated 21 May 2025
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Art Basel to launch new fair in Qatar

  • Sheikha Al-Mayassa is leading the initiative in Doha
  • Builds on ‘thriving ecosystem of culture and sports’

DUBAI: Art Basel is set to launch a new edition of its globally renowned fair in Qatar, scheduled for February 2026 in Doha.

Announced on Tuesday, the inaugural Art Basel Qatar is a joint partnership between the organization’s parent company MCH Group, Qatar Sports Investments, and QC+, a cultural commerce collective.

The fair will be held at M7 and the Doha Design District in Msheireb, at the heart of the city’s creative quarter.

It promises a tightly curated showcase of leading modern and contemporary art galleries, spotlighting talent from the Middle East, North Africa, South Asia, and beyond.

The initiative builds on Qatar’s long-term cultural vision, championed by Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani, chairperson of Qatar Museums.

“We have built a thriving ecosystem of culture and sports … and are pleased to welcome the Art Basel organization as our partner,” she said.

The project follows Qatar’s successful hosting of the FIFA World Cup and aims to further position the nation as a hub for arts, sports, and tourism.

QSI’s Chairman Nasser Al-Khelaifi called the partnership “part of the legacy” of the World Cup and a new chapter in QSI’s investment in culture.

Art Basel CEO Noah Horowitz said the initiative “supports artists and galleries and develops new collecting audiences,” while MCH Group CEO Andrea Zappia added that it “will attract art buyers and fans from the region and all over the world.”

Art Basel Qatar will be the fifth fair in the Art Basel portfolio, joining editions in Basel, Miami Beach, Hong Kong, and Paris.