Atelier Hekayat designers dedicate collection to Saudi women at London showcase

Atelier Hekayat designers pose with the managing director of the British Fashion Council Caroline Rush and Helena Christensen at the BFC x AlUla Creates: Atelier Hekayat and Aram Designs Presentation during London Fashion Week. (Getty Images)
Short Url
Updated 20 September 2023
Follow

Atelier Hekayat designers dedicate collection to Saudi women at London showcase

  • ‘We dedicate this collection to Saudi women,’ the designers told Arab News ahead of their showcase in London, organized by Film AlUla and the British Fashion Council

DUBAI: Sisters Alia and Abeer Oraif of Jeddah-based label Atelier Hekayat have many feathers in their cap. They have dressed supermodel Helena Christensen and Saudi actress Mila Al-Zahrani, both ambassadors of the AlUla Creates program, and the duo have now presented their collection “A Chapter in Her Life” in London during fashion week.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Film AlUla (@filmalula)

Film AlUla has partnered with the British Fashion Council alongside sustainable fashion consultancy Eco-Age to host an exhibition of two Saudi labels in London this week — as London Fashion Week goes on — and Atelier Hekayat made the cut.

Their upcoming collection is an ode to the many chapters in a woman’s life. “We dedicate this collection to Saudi women, and we want to represent Saudi Arabia in London in the best way possible,” Alia told Arab News.

Launched in 2012, the duo was adamant about starting a brand with international appeal. Cut to 2023 and they have achieved what they set out to create. Arab News caught up with the sisters to get an insight into their journey with the AlUla Creates program, which was designed to support and empower Saudi creatives.

“It was one of the best moments when we got the call from AlUla Creates’ team. They give opportunities and open doors for creating success stories like ours,” explained Abeer. One of those opportunities was designing a dress for Christensen to wear at the 2023 Oscars Vanity Fair after-party — something that was a dream come true for Abeer.

“When I was eight years old, I used to watch her walk in the Gianni Versace shows, and when I saw her on the flight to AlUla, I thought I was dreaming!” For Christensen’s dress, Abir wanted to make something dreamy and sparkling that was also sustainable, so she turned to an ivory skirt which she and her sister had previously designed and upcycled it into a dress with the help of British designer Emilia Wickstead’s team in London.

“Since the skirt was an existing design, we sent it to Wickstead so she could turn it into a dress – we had already ideated and created sketches for the design,” Abeer said.  


Sofia Carson suits up for Netflix celebration

Updated 23 sec ago
Follow

Sofia Carson suits up for Netflix celebration

DUBAI: US singer and actress Sofia Carson showed off several looks by Lebanese designer Elie Saab during Netflix festivities this week, marking the latest in a long list of red carpet moments where she has opted for a Lebanese creation.

Ahead of Netflix Tudum 2025: The Live Event — the streaming platform’s celebration of global fandom and storytelling — Carson appeared in a white ensemble featuring a tailored blazer, wide-leg trousers and a matching shirt.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

On a separate occasion, she wore an all-black outfit composed of wide-leg trousers and a sheer top with cape-like sleeves, tied at the neck with a long scarf. Both outfits were from Saab’s Ready-to-Wear Pre-Fall 2025 collection.

For the live event, which she hosted, Carson first wore a taupe, floor-length gown by Stephane Rolland, made of pleated fabric with long draped sleeves and a high beaded neckline. Later, she switched to a black velvet tailored suit, styled with a white shirt, satin lapels, a black bow tie, a brooch and statement rings.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

Netflix Tudum 2025: The Live Event took place in Los Angeles at the sold-out Kia Forum and attracted thousands of online viewers as well as the live audience.

It included exclusive previews and performances by Lady Gaga and Hanumankind and featured appearances by cast members from series such as “ONE PIECE,” “Squid Game,” “Stranger Things” and “Wednesday,” as well as previews of upcoming films including “Frankenstein,” “Happy Gilmore 2,” “The Rip” and “Wake Up Dead Man: A Knives Out Mystery.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

The event was preceded by Netflix’s first fully interactive red carpet, which included immersive installations, fan pits and dedicated stages for photo opportunities tied to specific titles.

This was not the first time Carson, known for her roles in “My Oxford Year,” “Carry-On,” “Purple Hearts” and “Feel The Beat,” wore Elie Saab this year.

In March, she appeared in one of the designer’s ensembles while promoting her latest project, “The Life List.” She also wore a green dress from the designer’s Ready-to-Wear Fall/Winter 2023–2024 collection during an appearance on “CBS Mornings” in New York City. The look featured an oversized floral embellishment at the neck in shades of yellow and white, styled with deep green knee-high boots and a matching bag.


He tries and triumphs: John Achkar’s ‘AAM JARRIB’ scores big in Abu Dhabi

Updated 02 June 2025
Follow

He tries and triumphs: John Achkar’s ‘AAM JARRIB’ scores big in Abu Dhabi

ABU DHABI: Lebanese comedian John Achkar, who is on a world tour, touched down in the UAE capital on Sunday night as part of Abu Dhabi Comedy Season.

Achkar performed his latest special, “AAM JARRIB” (“Trying” in English), before upcoming stops in London, Paris and Sydney on a tour that wraps up in October.

“John has been trying new things for 34 years, and he’s still trying,” his grandmother sang in a video that opened the show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by John Achkar (@johnachr)

At 34, Achkar claims he does not like trying new things — but as the show unfolds, it is clear he excels at turning the discomfort and quiet fulfillment of those rare efforts into comedy gold.

He paces the stage, piecing together absurd real-life misadventures — a botched sailing trip or an outrageously inappropriate skydiving incident — into hilarious anecdotes.

At one point, Achkar calls out what he jokingly dubs a modern epidemic — ADHD — which he says has become a socially accepted excuse to dodge plans. Fittingly, his performance is a whirlwind of energy: Fast-paced, delightfully chaotic and entirely on brand.

True to form, Achkar’s commentary on Lebanon is bold but affectionate. He jokes that almost every restaurant blasts the internet-famous patriotic anthem “Lebanon Will Return,” even as the country teeters on the edge of war. The satire is sharp, never cynical.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by John Achkar (@johnachr)

Behind him, a detailed sketch of the Lebanese coastline hangs throughout the performance — a quiet yet unmistakable tribute to his identity.

The show ended on the perfect note as the same anthem he mocked earlier blasted through the speakers, with the crowd bursting into applause and laughter — a full-circle moment.

In “AAM JARRIB,” John Achkar does not just try — he soars. And the audience, just as energized as he is, soars with him.


Gigi Hadid marks launch of Havaianas line with new campaign

Updated 01 June 2025
Follow

Gigi Hadid marks launch of Havaianas line with new campaign

DUBAI: US Palestinian Dutch supermodel Gigi Hadid has unveiled a new campaign with Brazilian footwear brand Havaianas.

The model, who launched a line with the flip flop label, stars in a vintage-inspired series of photographs. In the shots, she shows off slippers from her collection with the brand and is seen wearing retro outfits on a beach.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Havaianas (@havaianas)

Hadid celebrated the launch at a party in Altro Paradiso in New York last week.  At the event, she wore flip flops paired with a white tweed Marc Jacobs minidress, featuring vibrant scattered crystals.

The model is no stranger to making creative decisions and is also the founder of her own cashmere brand, Guest in Residence.

She launched her clothing label, which features soft, colorful knitwear, in September 2022.

“Over the last handful of years, I didn’t want to be backed into starting my own line just because there was an offer on the table or a deal to be made,” she wrote to her followers on Instagram at the time.

“The earliest days of Guest in Residence came about when I started to question the cashmere market, and those answers gave me a path,” she wrote.

“I believe that because of its sustainable qualities — natural and made to cherish and to pass down — cashmere is a luxury that should be more accessible.”

Earlier this year, Hadid celebrated her birthday party at Le Chalet in New York City.

Hadid entered the venue with her partner, Oscar nominee Bradley Cooper on April 25, and met up with her sister Bella Hadid, mother Yolanda Hadid, father Mohamed Hadid, Russian media personality Keni Silva and US actress Anne Hathaway, among others.

Gigi’s birthday was on April 23, and the internet was abuzz with celebrities, designers, family and friends who sent birthday wishes to the supermodel as she turned 30.

 


Nayla Al-Khaja reflects on new film ‘BAAB’ and Canon collaboration

Updated 01 June 2025
Follow

Nayla Al-Khaja reflects on new film ‘BAAB’ and Canon collaboration

  • The director a is frequent guest at the Cannes Film Festival and partnered with Oscar winning Indian musical composer and record producer A. R. Rahman on the score for her latest film
  • Her previous feature “Three” played at Saudi Arabia’s Red Sea International Film Festival and the Shanghai International Film Festival

DUBAI: UAE filmmaker Nayla Al-Khaja, a pioneering voice in Emirati cinema, has wrapped production on her second feature film, “BAAB,” and is also taking part in a renewed partnership with Canon Middle East as part of the brand’s “See No Limits” campaign.

In a conversation following the film’s completion, Al-Khaja told Arab News “BAAB,” set for release after the summer, marks a creative milestone in her career. 

“It really feels like I found a language I enjoy in filmmaking,  like my own artistic voice,” she said, highlighting its striking visual style and deeply immersive atmosphere. Compared to her debut feature “Three,” she described “BAAB” as a significant evolution in her storytelling and visual approach.

“Haunted by a mysterious rhythm after her twin sister's death, Wahida's journey to find answers pulls her deep into the mountains. As she unravels her grief, she descends into madness, blurring the line between reality and imagination,” the logline of the film reads.

Her previous feature “Three” played at Saudi Arabia’s Red Sea International Film Festival and the Shanghai International Film Festival. She is also a frequent guest at the Cannes Film Festival and partnered with Oscar winning Indian musical composer and record producer A. R. Rahman on the score for her latest film.

Al-Khaja continues to work in psychological horror, drawn to its emotional impact and the technical challenge of filming in low light. “You feel like you are pulled like a magnet, pulled into a very ethereal, very haunting world… it is just so visually beautiful,” she said.

The director is also working with Japanese corporation Canon on educational initiatives aimed at emerging filmmakers. 

As part of the “See No Limits” campaign, she led a workshop for film students, emphasizing both the technical strengths of Canon’s EOS R5 Mark II and the importance of narrative-driven visual decisions. “Although you have the camera, if you don’t know how to position it in sense of what your story is trying to say… how far can you push your own limit?” she said.

Al-Khaja’s collaboration with Canon began in 2011. Their latest campaign focuses on empowering female filmmakers across the region. 

While she notes there are still only a handful of women working full-time in the UAE film industry, she sees growing momentum driven by regional grants, commissions and the demand for streaming content.

“When I started, I didn’t have a role model,” she said. “It is good to know that you now have an older generation that you can reach out to.” 


Review: ‘Doom: The Dark Ages’ sets new bar for first-person carnage

Updated 31 May 2025
Follow

Review: ‘Doom: The Dark Ages’ sets new bar for first-person carnage

LONDON: The first “Doom” game back in 1993 helped define the first-person shooter genre, spawning numerous sequels and even a Hollywood film. Now it is back, and in a crowded market packed with chaotic shooters and arena brawlers, this game slices its way into the pantheon with style — and a spinning shield saw.

Boasting 22 adrenaline-soaked levels, “Doom: The Dark Ages” sticks to the classic formula of annihilating every enemy in the room before moving on. Yet it rarely pauses for breath, charging through its campaign. While there are secrets to uncover and collectible toys to find, it always feels hurried, pushing players forward with breakneck urgency.

Where it stands out is in its innovative combat tools — a shield saw that doubles as a melee weapon, a flail for crowd control, and a shield charge that turns defense into offense. Combat is fast, demanding, and utterly satisfying, especially in boss fights where success hinges on timing and picking the right attack for the enemy.

The gunplay is awesomely brutal and weapons evolve through Sentinel Shrines, letting players fine-tune their arsenal to match the rising difficulty. This isn't just a shooter; it’s a metal-fueled ballet of aggression, where being passive is punished and staying alive means staying angry.

The music? Pure heavy metal fury, matching the gameplay beat for beat. Visuals run at a crisp 60 frames per second and every environment drips with cosmic dread, from crumbling hellscapes to star-forged citadels. The new cosmic realm adds visual diversity, while massive set-pieces like dragon-riding with autocannons and piloting giant sentinels crank the spectacle to 11.

This is bone-crunching mayhem at its finest. It’s Halo-esque in scope, “Doom”-like in execution, but ultimately a beast of its own making.