Riyadh street art festival transforms abandoned building into gallery

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The RSH Street Art Festival displays the work of more than 30 international, regional, and local artists. Inset: The Art of the People area to unleash creativity is open to all from 7 p.m. to 9 p.m. (Supplied)
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Updated 19 November 2023
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Riyadh street art festival transforms abandoned building into gallery

  • The RSH Street Art Festival organized by Visual Arts Commission will run until Dec. 6

RIYADH: A building that stood abandoned in Riyadh’s Al-Mughrizat District for 15 years was transformed on Nov. 15 as crowds attended its rebirth.

The annual RSH Street Art Festival, which is organized by the Saudi Ministry of Culture’s Visual Arts Commission and runs until Dec. 6, displays the work of more than 30 international, regional, and local artists, and aims to build communities around art while helping to beautify the city of Riyadh.

Basmah Felemban, co-curator of the festival, told Arab News: “The festival puts on stage the works of artists from Saudi Arabia and all over the world, and that diversity really reflects on the different flavors in the works.




The RSH Street Art Festival displays the work of more than 30 international, regional, and local artists. Inset: The Art of the People area to unleash creativity is open to all from 7 p.m. to 9 p.m. (Supplied)

“It creates a great environment to discuss deeper questions about street art as a practice through workshops, lectures, and discussions for both curious artists and more advanced individuals and collectives.”

Two of the works, one by ST4 Collective and another by Saudi artist San Shyn, are to be repurposed and permanently relocated to Municipal Square and Sunset Park, respectively.

HIGHLIGHTS

• The RSH Street Art Festival aims to build communities around art and beautify the city of Riyadh.

• Two of the works, one by ST4 Collective and another by Saudi artist San Shyn, will be permanently relocated to Municipal Square and Sunset Park, respectively.

• Saudi artist Bolotron’s work ‘Bolotron 808 — Cyber Vision’ is a futuristic cyborg-obsessed take on the Kingdom.

Shyn said of the work: “I was inspired by the location. The park is a place for families and children to gather, play, and enjoy their time, surrounded by trees and grass. I chose colorful and vibrant flowers as the main element while the character runs in the middle.”

A large black and white collection of headshots of various members of the community hits the senses just before the entrance. The work is by the Inside Out Project, a platform that amplifies voices through public art and highlights street communities.




Basmah Felemban, RSH Street Art Festival co-curator

To enhance their presence in the space, visitors can listen to the experiences through testimonies and the voices of the people themselves.

Walking through the interior, Saudi artist Zainab Al-Mahoozi’s mural reels in visitors with tempting visuals of an ice cream truck. Emerging from the blacked out window is a stranger’s arm handing awaiting children the frozen dessert. She uses her dedicated space to tackle social issues, in this particular case concerning children and vulnerable members of society.

The festival puts on stage the works of artists from Saudi Arabia and all over the world, and that diversity really reflects on the different flavors in the works.

Basmah Felemban, RSH Street Art Festival co-curator

She told Arab News: “Not everything that looks outwardly pleasing is the same on the inside.

“I chose to exemplify this notion through children since they’re the most impressionable, but this also applies to everyone.”

Others choose to platform the new Saudi and its promising future. Saudi artist Bolotron’s work “Bolotron 808 — Cyber Vision” is a futuristic cyborg-obsessed take on the Kingdom, while Fouad Alghareeb showcases a Saudi Lego character running toward the 2034 World Cup in one mural and nods to the country’s first-ever car manufacturing facility in another.




The RSH Street Art Festival displays the work of more than 30 international, regional, and local artists. Inset: The Art of the People area to unleash creativity is open to all from 7 p.m. to 9 p.m. (Supplied)

Iraqi artist Wijdan Al-Majed’s “Landmarks of Iraq in Riyadh” is an impressive interpretation of an imagined space. The mural pays homage to prominent Iraqi figures and the country’s deep-rooted history and identity.

Photojournalist Martha Cooper played a pivotal role in documenting graffiti culture in the 1970s and 80s in New York City, and her collaborative 1984 book “Subway Art” has quickly become a street culture bible. A collection of her photos is displayed digitally at the festival.

Backdropping the festival’s miniature skate park is a colorfully contrasted artwork by SHN Collectivo, composed of Brazilian creatives Haroldo Paranhos, Edwardo Saretta, Marcelo Fazolin, and their crew. The silkscreen-printed neon mural features Saudi cultural elements like palm trees while also boasting tropical prints, stylized in printed letter stamps.




The annual RSH Street Art Festival kicked off with a bang as it displayed the work of over 30 international, regional, and local artists with an aim to build communities around the artform and beautify the city of Riyadh. (AN photo)

Ahmad Bawazeer’s RSH work is a self-portrait in which he is seen carrying a bouquet of flowers and boasting his beating red heart to surrounding faces. “I like giving out good vibes and happiness,” he told Arab News. “With all the suffering in the world, this is me just sending flowers to everyone through art.

“I think all this — skateboarding, street art, music — is part of youth culture and they all complement each other.

“In order for all of us to succeed we need to support each other and push further to become better. It’s all about boosting the culture.”

Bawazeer speaks of his early interaction with art when his mother would sketch out Street Fighter characters and he would then bring them to life with colors. To this day, characters are central to his work.




The Art of the People Area buzzed with visitors looking to unleash their creative expression with various materials, including paint and non-toxic chalk, on the building’s walls. By the end of the fest, the concrete will become a collective artwork. The zone is open to all, daily from 7 to 9pm. (Supplied)

But the event is not merely a display of captivating artworks. It works to actively educate and engage the public through workshops, lectures, street performances, skate classes, competitions, and film screenings.

The first night’s program began with a lecture from American artist Futura 2000, who was at the forefront of the early 1980s street art movement, in conversation with festival co-curator Cedar Lewisohn.

Other topics include “A Brief History of Graffiti Writing” and “The Community Mind Map,” while other discussions will be taking place throughout the month, as well as workshops for aspiring artists and children.




Graffiti work by Saudi artist Moath Alofi. (AN photo)

As the festival champions collaboration, collectiveness, and knowledge exchange, the halls of the abandoned building echo with discourse circles, music, and the rattles and hisses of spray cans.

The Art of the People Area buzzes with visitors looking to unleash their creative expression with various materials, including paint and non-toxic chalk, on the building’s walls. By the end of the fest, the concrete will become a collective artwork. The zone is open to all, daily from 7 p.m. to 9 p.m.

Al-Mahoozi said: “We used to dream of something like this happening. Street art or graffiti used to be forbidden, and today artists are acknowledged and asked to present work to the community by the Visual Arts Commission.”

 


Al-Urumah seasons draw more than 1m ecotourists

The Al-Urumah Season has become a premier ecotourism initiative, showcasing the Kingdom’s stunning environment. (SPA)
Updated 8 sec ago
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Al-Urumah seasons draw more than 1m ecotourists

  • Over four seasons, Al-Urumah has grown into a vibrant destination, attracting more than 1 million ecotourists

RIYADH: The Al-Urumah Season, held in the heart of the desert at the Imam Abdulaziz bin Mohammed and King Khalid royal reserves, has become a premier ecotourism initiative, showcasing the Kingdom’s stunning environment and the passion of its organizers.

Over four seasons, Al-Urumah has grown into a vibrant destination, attracting more than 1 million ecotourists, according to a recent report from the Saudi Press Agency.

The inaugural season had about 52,000 visitors, rising to 230,000 in the second season. With eight service providers, the third season exceeded 300,000 attendees.

The fourth this year drew more than 400,000, reflecting effective strategic planning and infrastructure development involving the private sector and local communities.

During the Al-Urumah Season, the Imam Abdulaziz bin Mohammed Royal Reserve Development Authority offers 13 activities across both reserves, including camping, hiking, camel riding, cycling, stargazing, and other outdoor pursuits.

Additionally, 358 eco-units have been established for visitor accommodation, the SPA reported.

The authority also organizes training workshops for service providers on ecotourism principles, responsible recreation, and wildlife interaction, emphasizing their vital role in delivering quality tourism experiences.

The Al-Urumah Season has become an “integrated model of sustainable ecotourism.”

The authority has blended ecotourism, entertainment, and nature conservation, aligning with Saudi Vision 2030’s goals of economic diversification and community empowerment.


Saudi matchmaking app, Awaser, is helping individuals find partners by bridging tradition and modernity

Awaser remains firmly rooted in cultural and religious values. (Supplied)
Updated 16 June 2025
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Saudi matchmaking app, Awaser, is helping individuals find partners by bridging tradition and modernity

  • Alolayan said: “The younger generation increasingly wants to take ownership of their marriage journey in terms of to get

JEDDAH: With digital innovation taking place at a rapid pace, Awaser, a mobile application developed in Saudi Arabia, is at the forefront of a quiet transformation in the Kingdom’s matchmaking traditions.

It offers a modern approach to marriage, but remains firmly rooted in cultural and religious values.

Founded by psychiatrist Dr. Mohammed Alolayan, Awaser is not just a dating platform but a dedicated space for individuals and families with the intention of forming lasting marriages.

“There’s a clear need, and many people are ready to embrace technology, so long as it honors our values. Awaser allows them to do both.” (Supplied)

With features tailored to Saudi Arabia’s cultural norms and a strong emphasis on privacy, the app introduces a respectful and structured alternative to traditional matchmaking.

Speaking about the inspiration behind creating the first app of its kind, Alolayan said: “As a trained psychiatrist, I’ve spent years exploring human psychology and understanding the deep emotional challenges people face, especially in midlife, around intimacy and the question of ‘Who should I be with?’

“Listening to countless stories from patients and online followers, I realized how difficult it is for many to find a suitable partner within the traditional framework. That’s what inspired me to create Awaser.”

HIGHLIGHTS

• Awaser gives users the tools to search based on preferences unique to Saudi society, including regional origin, family background, education, sect, and tribal affiliation. 

• This approach blends technology with cultural traditions, creating a platform that speaks to both the younger generation and their families. 

Unlike typical matchmaking apps that rely on algorithms to suggest potential partners, Awaser gives users the tools to search based on preferences unique to Saudi Arabia society, including regional origin, family background, education, sect, and tribal affiliation.

This approach blends technology with cultural traditions, creating a platform that speaks to both the younger generation and their families.

Alolayan said: “Awaser does not offer matchmaking in the conventional sense. Instead, it elevates traditional matchmaking by making it more accessible and efficient.

Dr. Mohammed Alolayan

“It’s a platform that respects Saudi customs while empowering individuals and families to make informed choices.”

One of the app’s most distinctive features is the ability for families to create and manage accounts on behalf of their children, a model that preserves the essence of traditional matchmaking while increasing the chances of finding a suitable match.

This family-first approach has resonated strongly with conservative users seeking to maintain trust throughout the process.

The app operates on a paid subscription model, which Alolayan believes ensures the quality and seriousness of its community. “We implemented a payment wall to ensure serious participation and prevent random or unserious users,” he said.

“Trust is crucial. That’s why users must verify with a Saudi mobile number and OTP (One-Time Password), and all communications are encrypted and automatically deleted after 30 days of inactivity.”

Privacy is a key concern for users in Saudi Arabia, particularly when it comes to online interactions between men and women.

Awaser addresses this by giving users complete control over their profiles and conversations, with no human intervention from the app’s management team. Conversations cannot begin without mutual consent, and all user data remains private and protected.

The platform currently focuses on Saudi nationals and residents, and has already had impressive engagement, especially from well-educated individuals.

“Around 30 to 40 percent of our users hold advanced degrees such as master’s or PhDs. While we expected high participation from major cities, we were pleasantly surprised to see users from nearly every region of the Kingdom,” he said.

Among the many success stories shared by users, one stands out for Alolayan: “A couple who met on Awaser married about a year and a half ago, and they recently welcomed their first child.

“Hearing that directly from them was incredibly moving, it validated everything we’ve been working toward.”

In a culture where family involvement remains a cornerstone of the marriage process, launching a technology-driven platform presented unique challenges. But the public response,  Alolayan said, has been overwhelmingly positive.

“There’s a clear need, and many people are ready to embrace technology, so long as it honors our values. Awaser allows them to do both.”

Umm Abdullah, a user of the app, said: “As a mother, I’ve seen how difficult it’s become to find suitable matches, and approaching someone as the bride’s parents is not very common in our culture, we usually wait for proposals to come.

“Apps like this give us the chance to actively search instead of just waiting. It feels more efficient, while still respecting our values.”

Interestingly, Awaser also provides a space for non-traditional introductions between individuals, allowing for more autonomy in the relationship-building phase.

This dual approach supporting both traditional and independent searches reflects the evolving preferences of younger Saudis who want to play a more active role in choosing their life partners.

Alolayan said: “The younger generation increasingly wants to take ownership of their marriage journey in terms of to get to know their future partner before traditional steps begin.

“Awaser arrived at just the right time to meet this shift. It offers an alternative that feels modern yet grounded in cultural values.”

Another user, Naser Al-Rahman, said: “It’s really hard these days to find a relationship that leads to something serious. Most platforms don’t feel safe or genuine.

“But with this app, I feel like I can search more conveniently and securely, knowing the people here are serious about marriage.”

Although Awaser does not currently employ artificial intelligence to match users, Alolayan is open to future possibilities. “There is no proven psychological model for perfect matchmaking, which is why we don’t claim to match people ourselves.

“But I do see potential for AI and data analytics to provide smarter tools in the future, based on long-term user behavior.”

As Saudi Arabia continues its Vision 2030 journey toward modernization and empowerment, platforms such as Awaser highlight how digital solutions can coexist with tradition.

Commenting on the legal and cultural implications of matchmaking platforms, family lawyer Hassan Al-Ghawi said: “Apps like these help bridge the gap between tradition and technology.

“As long as user privacy is protected and the legal framework is respected, they can serve as a positive and legitimate extension of traditional matchmaking.

“Today’s younger generation often rushes into relationships, so involving both parents and children in the process allows for deeper understanding and more thoughtful decisions, potentially leading to stronger, longer-lasting marriages and fewer divorces.”

 


Deaf artist breaks barriers with solo debut in Jeddah

Elham Abu Talib, left, showcased more than 40 paintings at Saudi Arabian Society of Culture and Arts. (AN photo)
Updated 16 June 2025
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Deaf artist breaks barriers with solo debut in Jeddah

  • Elham Abu Talib shares vision through her expressive works

JEDDAH: “It’s never too late to follow your dream,” says Elham Abu Talib, who has held her first solo exhibition in Jeddah after 38 years.

The Saudi artist is no stranger to the local art scene, having taken part in exhibitions across the Kingdom and overcome the barriers accompanying being severely deaf.

Titled “Inspiration,” the exhibition marked a milestone, presenting her work to the public while highlighting her artistic journey amid years of persistence. (AN photo)

And at the Saudi Arabian Society of Culture and Arts in Jeddah on Sunday, Abu Talib showcased more than 40 paintings to leading artists and lovers of the genre.

Titled “Inspiration,” the exhibition marked a milestone, presenting her work to the public while highlighting her artistic journey amid years of persistence.

HIGHLIGHT

Abu Talib hopes to represent the Kingdom in international competitions. She also hopes the arts society will continue supporting disabled and female artists by providing platforms for their creativity.

Her passion began in childhood, when natural talent blossomed into fine art shaped by a beautiful dream. She lost her hearing as a child and faced speech difficulties, but met her challenges with patience, courage, and ambition.

Determined to express herself, she used a brush and colors as her voice — turning her childhood dreams into vivid reality.

Titled “Inspiration,” the exhibition marked a milestone, presenting her work to the public while highlighting her artistic journey amid years of persistence. (AN photo)

She shared that hearing loss kept her from entering university, but her late father convinced her it did not mean giving up her ambitions.

Inspired by his words, she began participating in exhibitions while raising her children and fulfilling her duties as a mother.

She believes her disability has sharpened her visual perception — a gift she channels into her art.

“I’m so happy that, after 38 years, my dream has come true with this solo exhibition,” she said. “I thank the Saudi Arabian Society of Culture and Arts in Jeddah for giving me this opportunity.”

Abu Talib hopes to represent the Kingdom in international competitions. She also hopes the arts society will continue supporting disabled and female artists by providing platforms for their creativity.

Maha Abdulhalim Radwi, secretary-general of the Radwi Art Prize, said the artist had finally achieved a major milestone, adding: “This event allowed her to showcase her unique perspective and creative talent to a wider audience, proving that art transcends communication barriers.”

Mohammed Al-Subaih, the director general of the SASCA, said Abu Talib had dreamed of a solo exhibition for nearly four decades — and was now finally living that dream.

He added: “She’s participated with us in many workshops and group exhibitions; now it’s time to celebrate her first solo show.

“She deserves all the support and encouragement.”

 


Saudi Arabia to participate in Beijing book fair

The aim is to boost the global reach of Saudi literature and create opportunities for Arabic content in the Chinese market. (SPA
Updated 16 June 2025
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Saudi Arabia to participate in Beijing book fair

  • Saudi participation will include a strong institutional presence, with several government entities

RIYADH: The Literature, Publishing and Translation Commission will lead Saudi Arabia’s participation in the Beijing International Book Fair from June 18 to 22.

This is part of the Saudi-Chinese Cultural Year 2025, reflecting the depth of the strategic partnership between the two states, and their shared goal to enhance cultural and intellectual exchange.

The initiative supports the commission’s efforts to represent the Kingdom in global cultural forums, promote Saudi literary achievements, and foster cooperation in literature, publishing, and translation.

It also aligns with the Kingdom’s Vision 2030 reform plan, which positions culture as a pillar of development and a bridge for civilizational dialogue.

Saudi participation will include a strong institutional presence, with several government entities. The program features seminars, literary gatherings, and dialogue sessions to promote cultural exchange and build lasting partnerships in the literary field.

The aim is to boost the global reach of Saudi literature and create opportunities for Arabic content in the Chinese market.

The Kingdom was the guest of honor at the 2024 Beijing International Book Fair, where the commission presented a rich cultural program.

The events included seminars, artistic performances, and interactive activities that drew strong interest and strengthened cultural and intellectual ties between the two countries.

 


Saudi project clears 1,317 mines in Yemen

Updated 16 June 2025
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Saudi project clears 1,317 mines in Yemen

  • The explosives were planted indiscriminately and posed a threat to civilians, including children, women and the elderly

RIYADH: Members of Saudi Arabia’s Project Masam removed 1,317 explosive devices from various regions of Yemen last week.

The total included 1,276 unexploded ordnances, 38 anti-tank mines and three improvised explosive devices, according to a recent report.

Ousama Al-Gosaibi, the initiative’s managing director, said that 500,000 mines have been cleared since the project began in 2018.

The explosives were planted indiscriminately and posed a threat to civilians, including children, women and the elderly.

The demining operations took place in Marib, Aden, Jouf, Shabwa, Taiz, Hodeidah, Lahij, Sanaa, Al-Bayda, Al-Dhale and Saada.

The project trains local demining engineers and provides them with modern equipment. It also offers support to Yemenis injured by the devices.

Teams are tasked with clearing villages, roads and schools to facilitate the safe movement of civilians and delivery of humanitarian aid.