Designer Stella McCartney talks sustainability, fashion and saving the planet at COP28 in Dubai

McCartney helms the world’s first luxury house to never use animal leather, feathers, fur or skins. (Supplied)
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Updated 08 December 2023
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Designer Stella McCartney talks sustainability, fashion and saving the planet at COP28 in Dubai

  • McCartney helms world’s first luxury house to never use animal leather, feathers, fur or skins
  • Briton calls for tighter government regulations, incentives for sustainable production

DUBAI: For more than two decades British designer Stella McCartney has been on a mission to produce her fashion line adhering to sustainable methods of production, to combat climate change and reduce the industry’s damaging effects on the planet.

McCartney helms the world’s first luxury house to never use animal leather, feathers, fur or skins. She also adopted extensive sustainability principles following the Livestock’s Long Shadow Report in 2006, which linked animal agriculture with climate harm.

Titled “Stella McCartney’s Sustainable Market: Innovating Tomorrow’s Solutions,” and running until the culmination of COP28 on Dec. 12, she is also hosting a space at the environmental conference in Dubai that presents highlights from her latest collection.




Titled “Stella McCartney’s Sustainable Market: Innovating Tomorrow’s Solutions,” she is also hosting a space at the environmental conference in Dubai that presents highlights from her latest collection. (Supplied)

In addition, McCartney’s showcasing new breakthrough discoveries in regenerative agriculture, bio- and plant-based alternatives to plastic, animal leather and fur, and traditional fibers. Among these is a grape-based alternative to animal leather discovered in partnership with Veuve Clicquot, and the debut of the world’s first garments crafted from Protein Evolution’s biologically recycled and infinitely recyclable polyester.

“I am the first to say coming to COP28 is not the easy route; you need to have purpose and passion not only to get a seat at the table, but just to get heard at all,” the designer told Arab News. “Especially when you’re a woman. However, if I do not represent the industry at COP28, who will?”

“Fashion is not an island; our industry impacts everyone, everywhere,” she continued. “There are no laws or legalization that control how people are working. Every second, a truckful of fast fashion is burnt or sent to landfill.”




McCartney’s showcasing new breakthrough discoveries in regenerative agriculture, bio- and plant-based alternatives to plastic, animal leather and fur, and traditional fibers. (Supplied)

The fashion industry, according to the UN Environment Programme, is responsible for around 8 percent of all global carbon emissions.

Adding to the challenge of reducing its global greenhouse gas footprint is also the concern that the industry will grow due to increased consumption patterns and population. 

“If we want to leave a better world for the next generation, we need to have a voice here calling for change — encouraging both private and public leaders to join us by investing in and incentivizing innovation, creating less and doing more with what we already have, and being kinder to our fellow creatures, humans and Mother Earth. We have to stay positive, and proactive,” she told Arab News.




McCartney at COP28. (Supplied)

McCartney attended COP26 in Glasgow, Scotland, where she declared that the fashion industry was “getting away with murder” due to a lack of accountability and poor self-regulation.

How does McCartney believe change can take place?

“Governments and policymakers can start by putting tax breaks and benefits in place for more sustainable, circular and cruelty-free practices. We are penalized, not incentivized, to work with vegan alternatives to leather,” she explained. “We need government leaders who are brave enough to step up and say no to the powerful leather, fur and agricultural industries that are so afraid of our cruelty-free future,” she said.

“We need policy change, because fashion is one of the most harmful industries on the planet,” she declared. “I have never used leather or fur, but that is because I had the privilege of being raised by two vegetarians and animal rights activists. So, I self-police myself. Nobody else would do that. Governments need to step in and make it worthwhile for brands to do the same, or regulate them, because I can tell you after 22 years, it is not easy.”




The designer’s latest collaboration with Veuve Clicquot serves as an example of what can happen when people from different industries, but with similar sustainable perspectives, come together to champion the same cause. (Supplied)

McCartney has been advocating for governments to change the way they approach vegan alternatives, which is what she incorporates in her designs.

“Our cruelty-free innovations are often taxed 30 percent more than skins that come from animals. How disgusting is that?” she told Arab News.

“Animal agriculture (which is where leather comes from) is responsible for 80 percent of the Amazon’s deforested areas, which has a huge impact on biodiversity as well as the release and sequestering of greenhouse gases,” she added. “One billion animals die annually for leather, so one place the fashion industry could start is by stopping the use of leather.”

The designer’s latest collaboration with Veuve Clicquot serves as an example of what can happen when people from different industries, but with similar sustainable perspectives, come together to champion the same cause.

“We used the harvest by-product from Veuve Clicquot’s regeneratively grown, traceable grape harvest and innovated a new vegan alternative to leather that is on display here at my sustainable market,” she added. “Could you imagine 10 years ago saying that a champagne maison and a fashion house had come together to innovate a luxury material? Time is ticking towards 2030; this kind of outside-the-box thinking and collaboration is what we need more of not only at COP28, but everywhere,” she said.


Robbie Williams is here to entertain you with ‘Better Man’

Updated 30 December 2024
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Robbie Williams is here to entertain you with ‘Better Man’

DUBAI: “I want to be the best entertainer on the planet next year,” British singer-songwriter Robbie Williams said ahead of the UAE premiere of his biographical musical “Better Man” on Sunday.

And he is certainly making inroads on that resolution — fresh off a gig at Abu Dhabi’s Saadiyat Nights concert series, and before he hits the stage on the Robbie Williams Live 2025 tour across Europe, Williams sat down to discuss the Michael Gracey-directed film in Dubai.

It is a raw look at Williams’ life — his early showbiz years as a part of the Take That crew, his battle with addiction and family issues before settling down.

In the film, helmed by Gracey of “The Greatest Showman” fame, Williams is played by a CGI-generated monkey in an otherwise human cast. It was a creative gamble by the director, who previously said that the decision was inspired by conversations with Williams where he described himself as a performing monkey, according to the BBC.

“Well, I think that I would like to see myself as a lion, but I’m not. I’m cheeky and I’m silly, and I’m irreverent and I’m naughty, and I’m not alpha. I am a monkey. There’s vulnerability in monkeys, in apes, simians; I think they’re more human than humans,” Williams said during a media roundtable attended by Arab News.

In the film, the chimp is played by Jonno Davies, but there is an element of Williams in it. “I was in a cage, and 150 cameras, or something like that, (pointed at) you. And they scanned me, and then I had to do 120 different facial expressions to a bunch of cameras in front of me, and then they took all of that information and overlaid it over Jonno, who plays me so brilliantly, and those are my eyes, and those are my expressions,” he said.

UK 50-year-old pop superstar Robbie Williams says “best thing about fame is that it gives me the chance to be successful.” (Supplied)

While the movie offers a warning of sorts about the pitfalls of fame, the “Let Me Entertain You” singer explained: “I’m addicted to success more than I’m addicted to fame. I excel in showmanship; it’s the rest of everything else I’m not very good at. So, fame gives me the opportunity to be successful, to write a great song, to have it translate into people’s hearts, but to do stadiums, too.

“But this brings with its own problems as well, because, you know, I’ve got so much wrapped up in being Robbie Williams. The best thing about fame is that it gives me the chance to be successful.”

The 50-year-old pop superstar has been candid about his struggles with addiction in the past — he was admitted to a rehabilitation center in the US in 2007 and spoke about his addiction to drugs and alcohol during the 1990s in a four-part Netflix documentary released in 2023.


Fatima Al-Banawi celebrates highlights ahead of January’s Joy Awards in Riyadh

Updated 29 December 2024
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Fatima Al-Banawi celebrates highlights ahead of January’s Joy Awards in Riyadh

DUBAI: After topping off a stellar 2024 by co-hosting the closing ceremony of the star-studded Red Sea Film Festival in December, Saudi director and actress Fatima Al-Banawi took to Instagram this week to share behind-the-scenes snafus that occurred before the event.

The star, who is nominated in the Best Film Director category at the upcoming Joy Awards in Riyadh, shared a carousel of photos taken during and after the Red Sea International Film Festival in Jeddah, including a poignant shot of her grandfather.

“I don’t know where the words came from, but truly behind every grand appearance there are dark nights, dim lights, a sudden illness, and a liver sandwich that drips a sauce on your dress. But what comforts us through all the moments of exhaustion and fatigue are the celebrations that unfold honoring the stories we tell. And above all that, the moment you return home and find your grandfather watching you on the television screen (sic),” she captioned the post.

Al-Banawi made her directorial debut with “Basma” this year and she is nominated for an award at the Joy Awards, set to be held on Jan. 18.

The Best Film Director nominees include Tarek Al-Eryan (“Welad Rizq 3: Elqadia”), Ali Al-Kalthami (“Night Courier”), Fatima Al-Banawi (“Basma”), and Moataz Al-Touni (“Ex Merati”).

“Basma” launched on Netflix in June and Al-Banawi  not only directed the movie, but wrote it (and an original song for the soundtrack) and played the title role — a young Saudi woman who returns home to Jeddah after two years away studying in the States to find that her parents have divorced without telling her after struggling to deal with the mental illness of her father, the well-respected Dr. Adly.

“My undergrad is in psychology. My father’s a psychologist. My sister’s a psychologist. I have psychology and sociology in my DNA,” Al-Banawi told Arab News at the time of the film’s release. “We talk about Sigmund Freud over lunch, you know?”  

And so, when she sat down to write her first feature, it was natural that she would choose mental health as its focus. 

“Dissonance was a word I found when I started working on ‘Basma.’ I wasn’t familiar with this term: to be in a complete state of, not just denial, but not responding in any way — action or awareness — to what (is obvious),” she said. “I felt it around me everywhere; things that were brushed under the carpet for years and years until they piled up and a person or a family could not handle them anymore.”

 


Review: Award-winning ‘Moon’ comes out on top as a tense thriller

Updated 29 December 2024
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Review: Award-winning ‘Moon’ comes out on top as a tense thriller

JEDDAH: Iraqi Austrian filmmaker Kurdwin Ayub seems to have found her niche telling stories of women in distress. While her debut fiction feature film, “Sonne,” was awarded the Best First Film Award at the 2022 Berlin International Film Festival, her latest, “Moon,” sees the director wade into similar territory.

After clinching the special jury prize at the 77th Locarno Film Festival in Switzerland, it played at the recent Red Sea International Film Festival in Jeddah — and to me it was one of the event's highlights. 

“Moon” trails Sarah (Florentina Holzinger, who is quite good as a foreigner bewildered by her surroundings), an unhappy martial arts fighter, who having hit the dead end in her career, takes up an assignment with a wealthy Jordanian family whose shady dealings soon make her uneasy. 

Asked to train three sisters after her humiliating defeat in the ring, Sarah grabs the chance, hoping to find a new beginning and earn back her respect. But what awaits her there is beyond her imagination — a household that is run with eerie brutality by the girls' brother in the absence of their parents. Sarah is frightened when things begin to spiral out of her control, and with the sisters' steely defiance toward any sort of regulated life, “Moon” plays out like a thriller and boxes us into a deadly climax.

Ayub specialises in filming the loss of freedom and examines how women struggle circumvent this.  The sisters' trips to the mall seem like one way of tasting freedom — despite the watchful eye of a burly bodyguard — and the audience feels every bit as claustrophobic.

Unfortunately, there are pitfalls in the narrative with some of the protagonist’s actions going unexplained but what keeps the work flowing is the beautiful relationship among the sisters and how they ultimately come to trust their trainer.


Georgina Rodriguez steals the spotlight at Dubai event

Updated 28 December 2024
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Georgina Rodriguez steals the spotlight at Dubai event

DUBAI: Argentine model Georgina Rodriguez made a head-turning appearance this week at the Globe Soccer Dubai Awards 2024, held as part of the Dubai International Sports Conference 2024.

She attended the event alongside her longtime partner, Cristiano Ronaldo, who was honored with two awards: Best Middle East Player 2024 and All-Time Top Goal Scorer.

Rodriguez turned heads in a fitted black dress featuring a sweetheart neckline and lace-detailed sleeves. She completed her look with black pointed-toe heels and carried a matching black purse.

The couple was joined by Ronaldo’s eldest son, Cristiano Jr., making it a family affair at one of the year’s most celebrated sports events.

Upon accepting the award, Ronaldo, who plays for Saudi Arabia’s Al-Nassr FC, expressed his gratitude on stage, saying: “For me, it is a big pleasure to win this trophy. It is very different than the other ones. It is a pleasure to be in this gala. (There are) a lot of champions here, young generations and old generations.”

He continued: “I have to say thank you to my own family, my kids. They are all here in Dubai. My oldest son is there. My wife is here. She’s my lovely support all the time to carry on to play. In one month I’m gonna be 40 years old but I’m not finished yet. I will continue because I want to win titles, I want to be a champion.”

After the event, Ronaldo shared pictures with his 646 million Instagram followers, captioning the post: “A great way to end the year. Thank you to my teammates, staff, to everyone who has supported me along the way, and especially to my family. There is still more to come.”

The couple were later spotted at Nobu Dubai in Atlantis the Palm, where there was also Brazilian football player Neymar and former Italian footballer Alessandro Del Piero.

Rodriguez and Ronaldo traveled to Dubai following their family vacation in Lapland, Finland, where they celebrated the festive season.

The couple shared glimpses of their activities on Instagram, including an in-house dinner with their children, sledding adventures, ice baths and more, giving fans a peek into their holiday moments.


Mohammed Al-Saleem: Saudi Arabia’s best-selling artist dominates art auctions

Updated 28 December 2024
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Mohammed Al-Saleem: Saudi Arabia’s best-selling artist dominates art auctions

  • Al-Saleem’s works fetched the highest prices for Saudi artists at both Christies and Sotheby’s this year 

DUBAI: The late Mohammed Al-Saleem was once again the Kingdom’s stand-out performer at art auctions this year, topping the price list for a single work by a Saudi artist at both Christie’s and Sotheby’s.  

He didn’t quite match the record-breaking levels of the 1986 piece sold by Sotheby’s last year, which made him the first Saudi artist in history to fetch more than $1 million for an auctioned work, but this year Al-Saleem’s 1990 work “Bi nur al-iman, nara al-s'adah” (In the light of faith, we see happiness) realized well over twice its highest estimated price for Christie’s, eventually selling for £630,000 (around $788,285), while, at Sotheby’s, an untitled Al-Saleem piece from 1960 went for £84,000.  

Seen together, the two pieces clearly demonstrate Al-Saleem’s evolution as an artist over the three decades separating the pieces. But the earlier piece also shows just how well-defined Al-Saleem’s aesthetic sense was even at the start of his artistic journey.  

Mohammed Al Saleem, 'Untitled,' 1960. (Supplied)

As Sotheby’s head of sale for 20th Century Art/Middle East, Alexandra Roy, says of the untitled painting, “It’s a work that’s finding its own language. And they you see him really evolve, which I think is always a sign of a great artist — they really find their own language that you can recognize immediately. Even if you only know his later works, you can immediately infer that this was done by Mohammed Al-Saleem. 

“You can see he is starting to think a lot about the visual culture around him,” she continues. “And what I love is that he is super-interested in the landscape around him, abstract art, calligraphy, the Qu’ran… and this work combines a bit of all of that: it has the abstract, the calligraphy, and that important element of the landscape around him with the figures in the painting, which are actually camels. 

“It’s actually super-rare to find a work from the 1960s and really amazing to see the development — how he goes on from this,” she continues. “There’s something traditional and yet very avant-garde about this work. For me, it looks like an Arab flag. So, immediately, my associations go to those early pan-Arab artistic movements. It’s also very textured — he’s really creating something with depth and movement. And visually it has all of these elements which kind of harken back to the Islamic world, to Saudi Arabia’s landscape, to popular motifs, but done in a very original way.” 

Mohammed Al-Saleem. (Supplied)

Ridah Moumni, Christie’s chairman, Middle East and Africa, also stresses the fact that Al-Saleem had a very clear aesthetic identity — one which, by the time he came to paint “Bi nur al-iman, nara al-s'adah” — had become clearly defined.  

“It’s more than the technique. It’s really the composition,” Moumni says. “He creates very abstract layers of colors, in which we see a sort of geometry that we can sometimes identify as human forms, or calligraphy, or animal forms. It’s very interesting. Sometimes people would say this is a Saudi style — I don’t think it is; it’s the style of Mohammed Al-Saleem. He’s an excellent painter in the way he uses the colors to create these abstractions.” 

This particular work is unusual in the way that Al-Saleem used a painted frame to divide the canvas into quarters.  

“This is a really special work. You won’t see two of them. It’s a rare composition and I think the collectors who saw this work saw its exceptional quality,” says Moumni. “I find this piece extremely beautiful. I love it because it’s an abstract piece, with spectacular composition, but it’s also a piece that is absolutely optimistic and shows extraordinary creativity. In the Nineties, the artist was really struggling financially. Then he paints this beautiful message — ‘In the light of faith, we see happiness.’  

“I think the Arab world is full of talent, of resilience, of creativity, of richness. And I think the artists of the Arab world have so much to give, not only regionally, but also from a global perspective,” he continues. “So when I see this work, I see also the optimism and the generosity of the art scenes of the region. The Arab world has so much to give, and we have so much to learn from its artists.”