Abha festival in Saudi Arabia shines spotlight on world’s mountain cultures

1 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (SPA)
2 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (SPA)
3 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (SPA)
4 / 24
CEO of the Ministry of Culture’s Theater and Performing Arts Commission Sultan Al-Bazie. (Supplied)
5 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
6 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
7 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
8 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
9 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
10 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
11 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
12 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
13 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
14 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
15 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
16 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
17 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
18 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
19 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
20 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
21 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
22 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
23 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
24 / 24
The third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites. (Supplied)
Short Url
Updated 24 January 2024
Follow

Abha festival in Saudi Arabia shines spotlight on world’s mountain cultures

  • Historic sites of the Kingdom hosting local, international dance performances
  • 20 Saudi groups and 25 international groups from countries like Argentina, Spain, Uganda, Mexico and Peru paraded through the streets

JEDDAH: A festival to celebrate the cultural heritage of the world’s mountain regions is leaving a mark on the landscape of Saudi Arabia’s Asir region.

Organized by the Ministry of Culture’s Theater and Performing Arts Commission, the week-long third Qemam International Festival for Mountain Performance Arts will run until Jan. 27 across eight archaeological sites, showcasing the rich tapestry of mountain performing arts and drawing visitors from around the world.

The festival’s opening day featured an outdoor carnival parade along Prince Sultan Road in Khamis Mushayt. A total of 20 Saudi groups and 25 international groups from countries like Argentina, Spain, Uganda, Mexico and Peru paraded through the streets, presenting more than 40 mountain styles in diverse and colorful costumes.

For centuries, mountainous cultures have maintained traditions in some of the world’s most isolated places, preserving distinctive linguistic and cultural heritage that is rarely seen or heard by wider society. The Saudi cultural extravaganza not only entertained audiences, but also provided a glimpse into some of the oldest traditional dances from around the world.

Following the parade, Sultan Al-Bazie, CEO of the commission, told Arab News: “At the Theater and Performing Arts Commission, we are committed to hosting high-quality cultural events. We firmly believe that the uniqueness of mountain performance arts is unique and internationally recognized.”

The festival, which in 2022 began as a local event for the Kingdom’s mountain regions — from Tabuk in the north to Jazan, Najran and Asir in the south — has evolved into an international platform, creating global cross-cultural dialogue.

The second edition of the festival involved 14 countries and featured 16 Saudi groups presenting traditional dances from across the Kingdom.

This year, in its third edition, the festival further increased the number of countries represented, covering almost all the world’s continents, the commission reported.

Abha, the first city in the Kingdom to win the Capital of Arab Tourism title in 2017, played a significant role in hosting the celebrations.

Al-Bazie said: “The main goal of this event is to draw comparisons between mountain performances around the world. We find many commonalities, whether in rhythms, performances or body movements. This cultural blend between world nations provides diversity, connecting different cultures and giving the Saudi audience in the Asir region a chance to experience performing arts from around the world.”

In the audience was well-known Bahraini YouTuber Omar Al-Farooq, also known as “Omar Tries.” He told Arab News: “Despite traveling to many countries and continents, this massive carnival parade made me realize how vast the world is with its diverse cultures and traditions. I am now excited to visit these countries and explore their arts further.”

He added: “The lively spirit of the Latin American performances was especially beautiful and engaging.

This year’s event features 13 Saudi folk performances from the Asir region, five from Al-Baha, three from Najran, one from Tabuk, one from Madinah, one from Taif and two from Jazan.

Mashari Aseery, a local father of two daughters, said: “The festival was incredible! The energy, the music, and the overall vibe were just amazing. It was such a great way to celebrate our local culture and showcase the performance arts of our ancestors.”

Another Abha local, Salma Al-Malki, who is studying fashion design, said: “I attended the festival for the first time this year, and I was blown away. The organizers did a fantastic job of bringing together a diverse range of performers and activities from around the world. The highlight for me was the fashion area, where I got to explore more about ancient fashion from across the globe.”

The opening night ended with a musical concert with Yemeni singer Fouad Abdulwahed and Lebanese singer Melhem Zein, who captivated a large audience with Lebanese songs and diverse dabke performances.

Dabke, a folklore dance popular across the Levant, and Lebanon in particular, involves performers — both men and women — forming a row, an arc or a circle. The first dancer leads the performance and guides the direction of the group, as well as displays extra motions that showcase his skill.

During the six-day festival, daily performances by 45 Saudi and international groups are taking place in eight heritage villages: Basta Al-Qabil, Shamsan Castle, Bin Adwan Heritage Village, Malik Historical Palace, Al-Mushait Palaces, Al-Abo Sarrah Palaces, the Castles of Abu Nuqata Al-Mutahmi and Bin Hamsan Village.

The villages are also hosting antique shops, live music performances, fashion displays, local food areas, art platforms, children’s activities and more.

The Qemam festival also features seminars and workshops on folkloric traditions, including the history of dabke, among other topics.

The festival has raised awareness of the theater and performing arts sector as a vital cultural field, and has also created job opportunities for talented people in the region.

The commission’s commitment to fostering international cultural exchange aligns with the goals of the National Cultural Strategy under the umbrella of Saudi Vision 2030.

The festival will conclude with a grand carnival parade and a closing musical concert.


Prominent artworks at Riyadh Metro stations blend daily life, creativity

Updated 03 December 2024
Follow

Prominent artworks at Riyadh Metro stations blend daily life, creativity

  • Masterpieces transform the daily commute into a celebration of art, architecture and creativity
  • Since its launch in 2019, Riyadh Art has seamlessly integrated art into the urban fabric

RIYADH: Riyadh Art, one of the world’s largest public art programs, has unveiled four monumental public artworks with the launch of the Riyadh Metro, transforming stations into cultural landmarks.

At the King Abdullah Financial District Metro Station, designed by the internationally acclaimed Zaha Hadid Architects, Alexander Calder’s “Janey Waney” takes center stage.

The lofty and colorful sculpture exemplifies Calder’s pioneering spirit in kinetic art, creating a dynamic and engaging experience for visitors.

Nearby, Robert Indiana’s “LOVE (Red Outside Blue Inside)” — one of the world’s most recognizable artworks — captivates visitors with its vibrant interplay of color and universal themes of connection and hope.

Together, these masterpieces transform the daily commute into a celebration of art, architecture and creativity.

At the Qasr Al-Hokm Downtown Metro Station, designed by the renowned architectural firm Snohetta, Ugo Rondinone’s “The Sun” makes a striking golden centerpiece, symbolizing energy and renewal.

Complementing this is Zaman Jassim’s “When the Moon is Full,” a reflective and poetic piece inspired by Riyadh’s cultural heritage.

“These permanent artworks embody our vision of transforming Riyadh into an open-air gallery that enriches the quality of life and fosters a deeper connection between people and art,” said architect Khalid Al-Hazani, executive director of Riyadh Art.

“By collaborating with some of the most creative minds of our time, we’re not just adding art to public spaces — we’re creating cultural landmarks that inspire and engage generations,” he added.

Al-Hazani told Arab News: “The beautiful thing is that there is a specialized program under Riyadh Art dedicated to installing artworks in all 85 stations that we’ve already selected, which will be produced and placed within the upcoming year.”

Led by the Royal Commission for Riyadh City, Riyadh Art is championing cultural innovation and economic diversification, and positioning the Kingdom’s capital as a global center for contemporary art and culture.

Since its launch in 2019, Riyadh Art has seamlessly integrated art into the urban fabric, displaying over 500 artworks by more than 500 local and international artists, hosting more than 6,000 community engagement activities, and engaging more than 6 million visitors.

As the program continues to expand, the number of artworks and initiatives is expected to grow significantly, fostering a sense of community, enriching the city’s identity, and elevating Riyadh’s standing as a global arts destination.


Japanese artist Takayuki Mori’s interpretation of Saudi culture on display at Noor Riyadh

Updated 03 December 2024
Follow

Japanese artist Takayuki Mori’s interpretation of Saudi culture on display at Noor Riyadh

RIYADH: Japanese visual artist Takayuki Mori pays homage to Saudi culture and heritage in his latest work, which can be seen at Noor Riyadh, the Kingdom’s annual festival of light and art. 

In “View Tracing #5 ‘LABYRINTH’,” the artist creates a visual manipulation experience featuring prominent cultural elements such as the falcon, mabkhara (incense burner), dallah (coffee pot), and an oud musical instrument mounted on large blocks and steps. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TMW BTR (@tmwbtr)

“I designed this with the structures based on Islamic geometrical patterns, so when people see it from the top, you see the patterns. After doing some research, I selected objects inspired by Saudi Arabia and the neighboring regions … These represent the senses — taste, smell, sound,” Mori told Arab News. 

All the objects on display are 3D-printed and lined with fluorescent thread which glows in the ultraviolet-lit room, the lines creating geometric shapes that resemble computer-generated graphics. 

Viewers cannot physically smell, taste or hear the items, but the artist creates an experience where echoic, olfactory and taste memory come into play.

Japanese visual artist Takayuki Mori. (Supplied)

As they navigate the maze-like pathways they are challenged to test their own memory, creating a unique experience of determining what we presume to be true and what really is in both virtual and physical spaces. 

“This physical sculpture and installation was made digital to explore the relationship between two and three-dimensional, the analog and digital Riyadh,” said Mori.

Previous artworks in the series use a grid pattern, but this one features triangular patterns signaling to the motifs commonly found in old houses in Diriyah, the capital of the first Saudi state. 

This is Mori’s first time visiting and exhibiting his work in the Kingdom and he expressed his optimism for the region’s art scene: “It’s very powerful and energized. I’m very excited for the future here. I’ve talked with artists from Saudi and other countries and they are very motivated, so I got some inspiration from them and I’d like to continue that in my work.”


Dutch artist Vincent Ruijter’s exploration of heritage and ethnicity on show at Noor Riyadh

Updated 03 December 2024
Follow

Dutch artist Vincent Ruijter’s exploration of heritage and ethnicity on show at Noor Riyadh

RIYADH: Dutch artist Vincent Ruijters explores themes of identity and self at the ongoing Noor Riyadh, the annual Saudi festival of light and art. The festival runs until Dec. 14.

At this year’s edition, Ruijters digs deeper into hybrid cultures through the interplay of light, shadow and fabric. “This is telling my own story from a very personal way. But by doing that, hopefully connecting to all kinds of people,” Ruijters told Arab News. 

Set in a studio in the Jax District, one of the three main festival hubs, “Selintas Selalu” is a kinetic installation. (Supplied)

Set in a studio in the Jax District, one of the three main festival hubs, “Selintas Selalu” is a kinetic installation: a steel-based structure stands at the center of the space where strips of red fabric hang off vein-like rods. A light is suspended in the center while steel light structures with sharp metal spikes frame the surrounding walls. 

The work came about after three months’ research in Indonesia, where the work was created. While he was born and is based in the Netherlands, Ruijters’ mother is a seventh-generation Indonesian, with family roots going back to China.

These multi-ethnic groups, referred to as Peranakan, demonstrate a fusion between Chinese and Indonesian culture. “They have their own arts, colors, patterns, music, and their own culture,” he said.

The Betawi people, native to Jakarta and its outskirts, blend cultures including native Indonesian, Arab, Chinese and Portuguese. 

“Actually, a lot of Chinese and Asians immigrated after the independence of Indonesia after the Second World War because the colony was over. So, they went to the Netherlands and America, and then they had children like me, but those children often do not know much about their ancestors,” Ruijters said. 

Taking ownership of his own difficult history, he decided to research the topic not just for himself but also “for my other generations of Chinese Indonesians living in the Netherlands, younger people, to show them: this is your heritage,” he said. 

Dutch artist Vincent Ruijters explores themes of identity and self at the ongoing Noor Riyadh. (Supplied)

The mix of cultures is realized in the motifs: the sun-shaped lamps on the periphery which are reminiscent of kembang kelapa decorations, the petal shapes at the structure’s base that are popular in Javanese batik dyeing techniques, and the red fabric, which is made in collaboration by Chinese and Indonesian craftsman with a special red color, associated with the Peranakan culture. This fabric was specially made in a batik house for this project.

“To make big installations, it’s never one person,” Ruijters said. “So, I was always trying to emphasize this as part of a team. I worked with an Indonesian electronic engineer, with a Dutch electronic engineer, with the batik workshop house for the fabric … I’m more like a guide to the creative process,” he said. 

The artwork branches out from the light in the center, a symbol of Ruijters’ ancestors. As time progresses, the lamp moves forward, symbolically straying from those strong roots of the past, toward the twiggier branches at the forefront, leading us to the present. 

Shadowplay is an important element, because it preserves Indonesian culture through shadows as a means of accessing an inner world. “You can feel your ancestry; you can feel the past shivering and whispering to you. And this is similar, I think, to the guiding light that is the constellation of the theme … I think shadow is a beautiful way of expressing that, because you cannot touch it. It's there, but it’s also not,” he said. 


Art under the stars: Noor Riyadh returns to dazzle Kingdom’s capital

Updated 28 November 2024
Follow

Art under the stars: Noor Riyadh returns to dazzle Kingdom’s capital

  • Fleet of drones illuminates Saudi capital for Noor Riyadh
  • 18 Saudi, 43 international talents present light artworks themed ‘Light Years Apart’

RIYADH: The courtyards of the King Abdulaziz Historical Center in central Riyadh came alive on Tuesday evening with the launch of the Noor Riyadh Festival, attended by creatives from around the world.

London-based artist collective United Visual Artists transformed the night sky into a living canvas with a preview of their drone show “Aether.”

Featuring 1,500 drones, the seven-minute performance explored the silent harmony of the stars and planets.

Noor Riyadh Festival, a key initiative of the Riyadh Art, is being held under the theme “Light Years Apart” and will continue until Dec. 14.

This year, the festival will feature artworks by over 60 artists across three hubs: King Abdulaziz Historical Center, Wadi Hanifa, and Jax district.

Architect Khalid Al-Hazani, director of the Riyadh Art Program, said Noor Riyadh is designed to transform the city into an open-air art exhibition.

Festival director Nouf Al-Moneef told Arab News: “What’s great about these three is the connection between art, heritage, culture, nature — and also contemporary creativity in Jax.

“The most important thing in Noor Riyadh is accessibility for people. Noor Riyadh is under the umbrella of Riyadh Art, whose mission is to transform the city into a gallery without walls. Wherever you go and whatever locations or hubs that you go to, you find these spectacular art pieces.”

The festival aims to enhance the quality of life in the Kingdom’s capital and contribute to fostering creativity and presenting art to the community, he added.

It serves as a platform for artistic and cultural exchange in line with Riyadh Art’s objective to nurture local talent and boost the cultural economy of the capital.

In addition to 18 Saudi artists, 43 international artists are representing countries including Australia, France, Germany, Hungary, Italy, Japan, Montenegro, the Netherlands, Poland, Russia, Slovenia, South Korea, Spain, Turkiye, the UK, the UAE, and the US.

Speaking about the theme, Al-Moneef said that “Light Years Apart” is inspired by the connection between the Earth and the sky, praising the curatorial team who came up with the idea.

The festival invites citizens, residents, and visitors to explore the city and to celebrate the deep connection between heritage and creativity.

Mohammed Al-Bahri, an Omani journalist, said what caught his attention the most during the opening ceremony was the stunning harmony between the lights and music, which created a unique and immersive sensory experience for the viewers.

In recent years, the Kingdom has witnessed cultural and artistic development, which has contributed to enhancing its position on the global art scene, he added.

“I expect that interest in artistic creativity will continue to grow in the future, especially with the increasing government support for arts and culture, as well as the growing awareness of the importance of art in people’s lives,” Al-Bahri said.

“Art will thus become an integral part of the social fabric. Moreover, the younger generation is more open and has a deeper appreciation for the arts, signaling a bright future for artistic creativity in the Kingdom,” he said.

Munirah Abdulrazaq, a Bahraini beautician, said: “The Noor Riyadh Festival is a remarkable celebration of light and art, transforming Riyadh into a luminous canvas that bridges the gap between tradition and modernity.

“The fusion of creativity, technology, and heritage enhances the cultural landscape and positions Saudi Arabia as a burgeoning hub for contemporary and public art. By celebrating local and global artists, the festival fosters a deep appreciation for artistic expression and cultural dialogue, highlighting the Kingdom’s dedication to nurturing creativity and inspiring future generations.”


Diriyah Art Futures opens doors with tech-savvy exhibit

Updated 28 November 2024
Follow

Diriyah Art Futures opens doors with tech-savvy exhibit

  • Exhibition features works by more than 30 international and regional artists exploring the history of computer art from the 1960s to the present day
  • Director of Diriyah Art Futures Haytham Nawar: The art hub is transforming Saudi Arabia into a global center of exchange and discourse in these emergent fields

RIYADH: Diriyah Art Futures, a new media arts hub in the region, has opened its doors with its inaugural exhibition, “Art Must Be Artificial: Perspectives of AI in the Visual Arts,” running until Feb. 15.

Curated by Jerome Neutres, former director at the Reunion des Musees Nationaux-Grand Palais in Paris, the exhibition features works by more than 30 international and regional artists exploring the history of computer art from the 1960s to the present day.

Haytham Nawar, director of Diriyah Art Futures, told Arab News that the art hub is “transforming Saudi Arabia into a global center of exchange and discourse in these emergent fields.”

The exhibit includes pieces by Saudi artists Lulwah Al-Homoud, Muhannad Shono and Nasser Al-Shemimry, showcasing Saudi Arabia’s burgeoning contributions to new media and digital art.

International artists include Frieder Nake (Germany), Vera Molnar (Hungary/France) alongside contemporary innovators like Refik Anadol (Turkiye) and Ryoji Ikeda (Japan).

“By placing works from different geographic regions, eras and mediums alongside one another, we aim to introduce the region to the immense power of new media art, while shining a light on its remarkable depth and potential,” said Nawar.

He added that the exhibition brings “a much-needed regional perspective to the conversation, allowing the works to be experienced, understood and perceived in new ways.”

Speaking about new media art explorations in the Saudi context, the hub director added: “Interestingly, with the word ‘algorithm’ originating from the Islamic world, the exhibition invites viewers to reflect on the relevance of these themes to Saudi Arabia, a country with a very young and technologically literate population, currently experiencing a dramatic transformation.”

Alongside its opening, the hub is also launching the Emerging New Media Artists Programme, developed in collaboration with Le Fresnoy — Studio National des Arts Contemporains in France.

The initiative will last one year, equipping emerging artists with advanced equipment, mentorship and funding to create innovative multidisciplinary works.

Nawar says Diriyah Art Futures selected a group of emerging artists from diverse backgrounds, hailing from across the world and representing a broad range of mediums.

“We wanted to work with artists whose work already stands out, but would benefit from a one-year program, under the mentorship of world-class artists.”

In addition, the hub has announced the Mazra’ah Media Art Residency, which will run from February to April next year. This three-month program invites established artists and scholars to engage with its resources to create works reflecting on the relationship between nature, technology and society.

Mona Khazindar, adviser to the Ministry of Culture, said that the hub is creating “a space for diverse perspectives and creative expressions to meet, converse and flourish — breaking down barriers and demonstrating the power of art to connect humanity.”

“DAF embodies Saudi Arabia’s commitment to facilitating cultural exchange and international collaboration, while creating opportunities for shared learning, innovation and mutual understanding,” Khazinder added. “Through our embrace of these principles, we aim to not only celebrate regional heritage, but also contribute to the global conversation about the role of culture in shaping a more connected and creative future.”

Developed by the Saudi Museums Commission in partnership with Diriyah Co., Diriyah Art Futures contributes to the global new media and digital art landscape by integrating regional voices and pioneering practices in art, technology and innovation.

The launch of Diriyah Art Futures aligns with Saudi Vision 2030’s commitment to advancing innovation, driving global collaboration and positioning the country as a leader in the global creative economy.