DUBAI: Dutch Moroccan DJ and record producer R3hab plans to return to Saudi Arabia before the end of the year, he told Arab News, hot on the heels of a busy six-month period during which he has hit the decks in Finland, China, Spain and beyond.

The DJ, who took to the stage at the E-Sports World Cup in Riyadh alongside Wiz Khalifa this summer, said in an interview with Arab News. “I’ve been to Riyadh many times, the energy of the city is unique. I really love performing in Saudi Arabia, the crowd energy is something else,” he said.

Asked if his Saudi fans will get to see him again soon, R3hab said: “All I can say is I’ll be back in Saudi before the end of the year and I can’t wait to play all the unreleased music I’ve been working on in the last months.”

R3hab’s love story with the Kingdom does not end there. He shot a music video for his track “Run Till Dark” at the historic city of AlUla.

“The ‘Run Till Dark’ shoot was exceptional. AlUla has so much history and we shot in some amazing locations. One that I won’t forget is Gharameel — this is a stunning desert reserve with beautiful natural stone pillars unlike anywhere else in the world. We were lucky to be the first film featuring this incredible site,” he said.

Last month, R3hab released two singles, each a collaborative effort.

On his track “Gozalo” with Deorro, he said: “It’s been 10 years since Deorro and I produced our hit ‘Flashlight.’ We thought it’s time to get in the studio together again and combine his Latin influence with my energetic vision.”

And on his more recent release, “All Night,” a collaboration with Sophie and the Giants, he praised the artist’s vocal talent and shed light on the track’s pop influences.

“Sophie’s voice stands out and I wanted to work with her on a record since I heard ‘Hypnotized.’ ‘All Night’ is a party anthem to keep us all dancing towards the end of the summer, it has a retro influence with a dance-pop touch.”

The second half of the year has been as busy as the first for the jet-setting producer with appearances at Dreambeach Festival (Spain), WKND Festival (Finland), Unseen Festival (Thailand), Smukfest (Denmark), Ministry of Sound (UK), Mysteryland (The Netherlands), EDC China and the Mega DJ Festival (South Korea).

“Touring can get very intense, so I take special care to recover, exercise and eat well on tour. The motivation is simple — the people. Connecting with the crowd every time I go on stage is a very rewarding feeling and my main drive,” he said.

LONDON: Viewers beware: the first two thirds of Netflix’s “His Three Daughters” is a Very Serious Film full of Very Serious Acting from a trio of Very Gifted Actors.

This tense, claustrophobic family drama tells the story of Katie, Christina and Rachel — played by Carrie Coon, Elizabeth Olsen and Natasha Lyonne, respectively — who return to the family home to look after their ailing father during his last days, butting heads on everything from groceries to life choices.

And writer-director Azazel Jacobs wants us all to know just how Very Serious it all is — so he has his cast speak and move like very accomplished thespians straight out of a critically lauded stage play.

So we learn all about the three women and their relationships with each other, and their father, from wildly gesticulated one-sided phone conversations, impassioned exposition dumps, and spectacularly articulate jibes they launch at one another.

But it is the last third of the movie, when the three women must deal with the inevitable, that this goes from being a Very Serious Film to an actually great one.

Coon, Olsen and Lyonne all lean into the slightly caricatured roles they have established thus far, and all of a sudden, “His Three Daughters” becomes a sweet, heartbreaking, bitterly acerbic and wonderfully nuanced examination of an ever-shifting family dynamic that is more layered and relatable than the first hour of runtime ever hinted at.

Coon and Olsen make for good extremist foils — they sit at differing ends of the sister spectrum, one serious and efficient, the other laidback and irritatingly holistic.

But it is Lyonne’s Rachel who really makes the final act sing, bursting with approachable spikiness and disarming wit, all while visibly trying to keep it together while her world falls apart.

Jacobs has opted to shoot the movie on film, in a real location, both of which give “His Three Daughters” a visceral, lived-in feel that only adds to that sense of claustrophobic, sinking dread that their father’s life is coming to an end.

Forgive this movie its overwrought first hour and settle in for a final act that is as good as anything else that has been released this year.