Najdi Ardah — a testament to vibrant Saudi history

The most popular Ardah style in the Kingdom is the Najdi Ardah. (Supplied)
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Updated 24 February 2024
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Najdi Ardah — a testament to vibrant Saudi history

  • Saleh Nasser Al-Abdulwahed, leader of the Saudi Ardah group, told Arab News that the Najdi ardah “stands as a testament to Saudi history”

MAKKAH: Saudi Arabia is home to a rich tapestry of folkloric arts, each with its own distinct features, but all with the same purpose: to express the Kingdom’s history, culture, and heroism.

Over time, these artistic traditions have become essential components of a variety of events and holidays. They predominantly take the form of ardah — group war dances which were originally intended to terrify enemies by showcasing the performers’ military prowess and the power and courage rooted in their past.

Of the many types of ardah, the most popular style in the Kingdom is the Najdi ardah, also known as the Saudi ardah.




The most popular Ardah style in the Kingdom is the Najdi Ardah. (Supplied)

Saleh Nasser Al-Abdulwahed, leader of the Saudi Ardah group, told Arab News that the Najdi ardah “stands as a testament to Saudi history.”

The Najdi Ardah begins with the recital of a poem, after which the drummers begin, establishing the rhythm for the dancers to follow. The group leader then takes the stage, wielding a blade and demonstrating well-practiced movements that match those of warriors in battle. He expertly maneuvers the sword, occasionally laying it on his shoulder, lifting it high, or holding it on its side. He also uses precise finger movements to move the blade in a circular motion, demonstrating his expertise.

Usually, the dancers will be dressed in their finest military outfits.

FASTFACT

The Najdi Ardah begins with the recital of a poem, after which the drummers begin, establishing the rhythm for the dancers to follow.

“Ardah performers don Al-Murawden military uniform, featuring long sleeves. They complement it with Al-Zaboun, a finely crafted wooden cashmere fabric adorned with a cashmere shawl, meticulously made by hand, resembling the ‘dagla’ gown,” Al-Abdulwahed explained. “Additionally, the performers may opt for Al-Saya, a tailored white summer fabric, or the Jokha, which is usually reserved for dignitaries such as kings, princes, and knights.”

He noted that warriors typically choose red clothing, though the shades could vary from a bright, blood-like tone to a more muted burgundy.

The performers will also typically be heavily armed, wearing a dagger, a gun holster, a bullet holder known as mujannad, and a sword. When wearing the uniform, the participant positions his pistol holster to the left and mujannad to the right. Various types of sword are used, each with its own sheath.

The Najdi ardah is a cultural touchstone for many Saudi nationals, and remains widely practiced today, not only in the central part of the Kingdom, but all over the country. It is frequently showcased at weddings. Its involvement in such ceremonies creates a sense of joy and delight, enthralling both older and younger generations.

Folk arts in other regions

The Hejaz region is one of the Kingdom’s most diverse in terms of folk arts. It is renowned for the Majrour art form, characterized by two facing rows of performers wearing tied and belted headbands. Each individual holds a daf in hand, contributing to the performance with special tunes and melodies.

The Yanbawi tarab is a form of collective musical expression, featuring the use of a stringed instrument called a simsimiyya, which is closely tied to maritime culture.

In Taif, the ardah Al-Zir takes center stage during special occasions and holidays. This dance involves the use of swords, guns, and daggers, and is a significant element of cultural festivities.

In the northern region, the traditional arts of Al-Samari and Al-Dahha come to life with two opposing rows of performers creating harmonious rhythms, playing melodies such as Al-Mashoub, Al-Zubai, and Al-Hajini.

 


Saudi Arabia’s cultural renaissance under spotlight at Riyadh forum

Updated 8 sec ago
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Saudi Arabia’s cultural renaissance under spotlight at Riyadh forum

  • Muntada gathering brings together 24 creatives to explore facets of Kingdom’s arts and culture developments

RIYADH: A five-day cultural forum organized by Fenaa Alawwal in Riyadh’s Diplomatic Quarter, and co-curated by Afikra, is exploring the theme “Introspection: the role of contemporary art practices in a time of change.”

The inaugural Muntada Forum of Contemporary Art Practices opened on Sunday night and will have five panel discussions during its run until Sept. 19.

There are 24 creatives exploring a diverse range of topics, which includes the role of Saudi Arabia’s artists in shaping the Kingdom’s global image.

There will be discussions on Saudi Arabia’s youth culture involving music, street art and fashion; the role of art professionals: navigating creativity in a structural setup; cultural hubs: the emergence of urban art districts; and the intersection of food and art.

The bumper-to-bumper traffic in Riyadh was not a deterrent for art enthusiasts, curators and interested locals from attending the opening at the building built in 1988.

The venue was designed by Omrania architecture company, as a part of Alawwal Bank’s Riyadh branch in the landmark Diplomatic Quarter.

The forum includes discussions on Saudi Arabia’s youth culture involving music, street art and fashion. (AN photos by Abdulrhman Bin Shalhoub)

Every seat was occupied during the first panel which was titled “Soft power: Saudi artists’ role in shaping the Kingdom’s global image.”

It was moderated by curator Sara Al-Mutlaq with speakers, Ahmed Mater, a doctor-turned-artist, and Alia Al-Senussi, a cultural strategist, art patron and academic.

Al-Senussi told Arab News after the talk: “What we have really been able to embrace is the idea, (as) Ahmed Mater said, that it’s up to the artist to remove the power from the conversation.

HIGHLIGHTS

• The inaugural Muntada Forum of Contemporary Art Practices opened on Sunday night and will have five panel discussions during its run until Sept. 19.

• Muntada will conclude with a performance by culinary storyteller and social media sensation Nadir Nahdi.

• The first panel was titled ‘Soft power: Saudi artists’ role in shaping the Kingdom’s global image.’

“And soft power, in its kind of whole and holistic way, is really about translating who people are to the rest of the world.”

Mater, who is working on a new book slated for publication later this year, discussed how events over the past 45 years, starting with 1979 — his birth year — changed the course of the world, a topic which he will explore in his latest work.

The forum includes discussions on Saudi Arabia’s youth culture involving music, street art and fashion. (AN photos by Abdulrhman Bin Shalhoub)

He explained that each decade since 1979 has had events with major ramifications on the local and international fronts, which included the revolution in Iran and the seizure of Makkah.

He also referred to events from the 1980s up to the present day, which include the Gulf War, 9/11, the Arab Spring and the rise of social media, as well as the COVID-19 pandemic.

“There was a big change happening in Saudi Arabia during these decades. I spoke about art as a mirror for sociopolitical events and the culture of changing and that’s what shapes our narrative, our story, our strength — by telling our story that shapes our life and our memory,” Mater told Arab News.

The venue is a part of Alawwal Bank's Riyadh branch in the landmark Diplomatic Quarter, designed by Omrania architecture. (AN photos by Abdulrhman Bin Shalhoub)

On opening night, curator Maya El-Khalil and Saudi Arabia artist Moath Alofi offered their insights in their keynote speeches.

Other speakers to come include Hala Al-Hedeithy from the Music Commission, Gigi Arabia, the founding director of Heavy Arabia; Nada Al-Helabi from MDLBEAST; and Mikey Muhanna, the founder and executive director of Afikra.

Other participants include Lulwah Al-Homoud, curator and artist; Oliver Farrell from Misk Art; Mayada Badr, CEO of the Culinary Arts Commission; and Sybel Vazquez from the Diriyah Biennale Foundation.

There will also be a kitchen lab dedicated to speaking about and celebrating all things food, hosted by celebrity chef Joe Barza.

Muntada will conclude with a performance by culinary storyteller and social media sensation Nadir Nahdi.

 


Ambassador holds Mexico independence day celebration in Riyadh

Updated 16 September 2024
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Ambassador holds Mexico independence day celebration in Riyadh

  • Festive occasion brought together the Mexican community in Riyadh and friends of the embassy
  • Anibal Gomez Toledo: We are celebrating the 214th anniversary of the beginning of our independence from Spain

RIYADH: The ambassador of Mexico to Saudi Arabia, Anibal Gomez Toledo, hosted a vibrant national day celebration in Riyadh to commemorate Mexico’s independence day on Sunday.

The festive occasion brought together the Mexican community in Riyadh and friends of the embassy to highlight the strong ties between Mexico and Saudi Arabia.

The ambassador emphasized the significance of September as a month of celebration for both nations.

The ambassador said that the national day celebration hosted in Saudi Arabia held meaning for both Mexico and Saudi Arabia.

“Mexico and Saudi Arabia started bilateral relations back on September 12, 1952, so within the same month Saudi Arabia celebrates its national day on September 23,” he told Arab News.

“So September is a month of celebration for both Mexicans and Saudi Arabia.” 

The Mexico national day festivities took place in the Diplomatic Quarters Cultural Palace and welcomed ambassadors, Mexicans living in Saudi Arabia, Saudi authorities and friends of the embassy in an evening of celebration and music.

“It’s a very significant day. It is the most important day in our history,” Toledo said.

“We are celebrating the 214th anniversary of the beginning of our independence from Spain.

“At that time, a group of leaders headed this movement and they started the call on the night of September 15, so exactly at midnight on the 16th is when the movement started, and that is why we enact this special event that we are having today,” he said.

Guests followed the ambassador’s lead in waving flags and chanting “Viva la Mexico,” a chant that embodies the nation’s continued prosperity and freedom.

Toledo also highlighted a significant moment during the celebrations called “El Grito,” a tribute to the Mexican people’s battle cry when they rose up against Spanish rule on Sept. 16, 1810.

“Grito is the call of our founders when they started the revolution of independence. They called and started to gather, and we do something similar tonight,” he said.

“Saudis are very generous and very welcoming and very warm. We feel this warmth from Saudi people toward us Mexicans and Mexico.

“I have been here for almost five years, and I have this feeling of emotion when I am with a Saudi. We are not only friends but brothers ... I don’t know if we share the same DNA or something like that,” he said jokingly.

“We get along very easily; you can see how Saudis celebrate our day and how Mexicans celebrate Saudi national day.” 

The ambassador said that the two countries have been “working closely in the past five, six years.”

He added: “We activated our political dialogue, and now our bilateral dialogue is strong and solid. We have exchanged a number of high-level visits from both sides.”

When asked where he would like to see cooperation grow, the ambassador said that trade and tourism were areas of focus.

“Mexico and Saudi Arabia are G20 countries, two of the 20 largest economies in the world. I think we have great potential to continue together.

“Our bilateral trade surpassed $1 billion; five to six years ago, it was less than $300 million. We are seeing bilateral trade growing, and what I would like to have is to double or triple this figure.”

On tourism and cultural exchange, the envoy said that he “would also like to see more Mexicans in Saudi Arabia and more Saudis in Mexico.”

Toledo said that in May, the embassy signed an MoU between two higher education institutions in Mexico and Saudi Arabia, King Fahad Petroleum and Minerals and the Instituto Politecnico Nacional in Mexico offering scholarships for Mexicans to study their graduate degrees in Saudi Arabia.


Crown Prince meets with Egyptian prime minister

Updated 16 September 2024
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Crown Prince meets with Egyptian prime minister

  • Mostafa Madbouly conveyed greetings of President Abdel Fattah El-Sisi to King Salman and crown prince

RIYADH: Saudi Arabia's Crown Prince Mohammed bin Salman met with Egyptian Prime Minister Mostafa Madbouly in Riyadh on Monday, Saudi Press Agency reported.

The Egyptian prime minister conveyed the greetings of President Abdel Fattah El-Sisi to King Salman and Prince Mohammed, SPA added.

During the meeting, they reviewed relations between the two countries, prospects for joint cooperation and ways to enhance and develop ties.

The meeting was also attended by Saudi Foreign Minister Prince Faisal bin Farhan, the Minister of State and Member of the Council of Ministers for Shura Council Affairs Essam bin Saeed, and the Minister of Commerce Majid Al-Qasabi. 

Khalid Al-Falih, the Saudi Investment Minister, and Finance Minister Mohammed Al-Jadaan were joined by the Governor of the Public Investment Fund Yasser Al-Rumayan at the meeting.

The ambassadors of both countries and Egyptian ministers were also in attendance.


Jazan club organizes workshop to enhance tourism experience

Updated 16 September 2024
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Jazan club organizes workshop to enhance tourism experience

RIYADH: The Jazan Tourist Guides Club organized a workshop on museum guidance for guides at Al-Alia Museum in Al-Dagharir, Samtah governorate.

The workshop, held under the National Portal for Hobbies, or Hawi, showed the importance of cultural museums and their role in displaying the region’s heritage, traditions, and the preservation of history, the Saudi Press Agency reported.

The guides toured the museum, which contributes to the preservation of cultural heritage, enriching the knowledge of the current generation, and providing information for researchers and people interested in history through its collection of artifacts.

The workshop was part of the club’s efforts to prepare tour guides for the job market and train them in museum guiding techniques.

The club holds training sessions at various tourist attractions throughout Jazan, preparing guides for real-life situations.

Its goal is to prepare tour guides to accompany tourists, plan well-organized tours, and create enjoyable tour itineraries for guests of all nationalities, ages, and interests, the report noted.

The workshops also enrich tour guides’ knowledge of the landmarks in Jazan and train them on how to handle different circumstances in which tourists may find themselves, provide accurate information, and create an exciting experience that reflects the beauty and charm of Jazan. 


Madarik program trains 1,000 for space sector growth

Updated 16 September 2024
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Madarik program trains 1,000 for space sector growth

RIYADH: The Communications, Space and Technology Commission has concluded the Madarik program, which trained 1,000 participants with the aim of furthering Saudi Arabia’s space sector growth.

Participants received intensive training in three tracks: space business, space software and data, and space engineering, the Saudi Press Agency reported on Monday.

The three-month program was held in partnership with the International Space University in France, the Georgia Institute of Technology, the Thunderbird School of Global Management in Arizona, and BAE Systems Saudi Development and Training, with Al-Yamama University in Riyadh as an educational partner.

Courses were conducted in Riyadh and Jeddah, helping participants refine their skills and deepen their knowledge in specialized fields of space science, the commission said.

The program aimed to equip participants to keep pace with Saudi space sector advancements and contribute to a sustainable future.

The first track focused on space economics and project success, the second on data and software for satellite applications, and the third on spacecraft design, maintenance, and control.

Launched in May, Madarik targeted recent graduates, professionals, and specialists as part of the commission’s efforts to regulate the space sector, empower national talent, and promote future space professions.