Saudi photographer’s winning shot and the stories behind it

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Raed Abdullah Al-Maliki captured an award-winning photo, main, of the Grand Mosque domes from a helicopter during Hajj season, showcasing their size in relation to a solitary figure on the roof. (Supplied)
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Raed Abdullah Al-Maliki captured an award-winning photo, main, of the Grand Mosque domes from a helicopter during Hajj season, showcasing their size in relation to a solitary figure on the roof. (Supplied)
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Raed Abdullah Al-Maliki captured an award-winning photo, main, of the Grand Mosque domes from a helicopter during Hajj season, showcasing their size in relation to a solitary figure on the roof. (Supplied)
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Raed Abdullah Al-Maliki captured an award-winning photo, main, of the Grand Mosque domes from a helicopter during Hajj season, showcasing their size in relation to a solitary figure on the roof. (Supplied)
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Updated 05 March 2024
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Saudi photographer’s winning shot and the stories behind it

  • From hobbyist to international artist, the journey of Raed Abdullah Al-Maliki

MAKKAH: Raed Abdullah Al-Maliki, a Taif native, developed a love for photography from a young age, particularly in documenting family events, eventually earning him a reputation as the family photographer.

Al-Maliki holds a bachelor’s degree in physical education from Umm Al-Qura University and currently serves as an employee at the Ministry of Education.




Raed Abdullah Al-Maliki captured an award-winning photo, main, of the Grand Mosque domes from a helicopter during Hajj season, showcasing their size in relation to a solitary figure on the roof. (Supplied)

As an active member of numerous local and international photography clubs, Al-Maliki holds affiliations with key organizations, including the International Federation of Photographic Art and the Photographic Society of America. He has showcased his talent in various local and international photography exhibitions, clinching several accolades.

His most recent recognitions came through the This Is Makkah photography competition, a part of the Makkah Brings Us Together event activities, organized by the Royal Commission for Makkah City and Holy Sites.

HIGHLIGHT

Al-Maliki said that technological advancements have made photography easier, especially with artificial intelligence technologies inside cameras that contribute to solving many problems. ‘From my perspective, so long as there is an idea and a message, your work will reach its audience and you will maintain your position.

Reflecting on his journey, Al-Maliki shared with Arab News: “My belief in the saying, ‘A picture is worth a thousand words,’ is the main motivation for me to continue this hobby, especially since a picture stops a moment in time and allows people to remember what made them happy later on. What the picture means to the photographer is a noble message that must be conveyed correctly.”




Raed Abdullah Al-Maliki captured an award-winning photo, main, of the Grand Mosque domes from a helicopter during Hajj season, showcasing their size in relation to a solitary figure on the roof. (Supplied)

He added: “I will never forget the first professional camera that my father gave me. It was like the exploration stage of a new world. At that time, I began to learn about the camera and then experimented with various types of photography. I believe that this stage was the most important in my journey because it taught me the basics of photography and allowed me to delve into its exceptional world, especially since I started taking diverse pictures and learning from my mistakes.”

Al-Maliki said that he moved on to the stage of practical application and improvement through visual nourishment, attending specialized courses and workshops, especially art exhibitions that help interact with photographers and benefit from their experiences.




Raed Abdullah Al-Maliki captured an award-winning photo, main, of the Grand Mosque domes from a helicopter during Hajj season, showcasing their size in relation to a solitary figure on the roof. (Supplied)

“When I started participating in local and international competitions, I set several goals for myself to strive for, which became a motivation for me to continue. I have achieved some of them. I was awarded the title of ‘international artist’ by the International Federation of Photographic Art, as well as ‘golden exhibitor’ by the Asian Photographers Union.”

Al-Maliki further explained that when he started participating in competitions in 2009, he was not successful, but despite that, he did not hesitate to continue participating.




Raed Abdullah Al-Maliki

“With perseverance, attempting to capture different shots, and self-improvement, I won my first international award in 2013. I always made sure to learn and benefit from the community of photographers around me. As for the picture of ‘the domes on the roof of the Grand Mosque,’ I consider it the main player in my submissions.”

Al-Maliki said: “This picture has won more than one award at both local and international levels, including gold, silver, and bronze medals, as well as honorary distinctions in several different countries, including recently Oman, China, France, and India.




Raed Abdullah Al-Maliki captured an award-winning photo, main, of the Grand Mosque domes from a helicopter during Hajj season, showcasing their size in relation to a solitary figure on the roof. (Supplied)

“It is considered one of the closest shots due to the circumstances under which it was captured, as it was taken during the first helicopter flight operated by a security agency during the Hajj season, specifically on the Day of Arafah. This day is known for the Grand Mosque being empty of pilgrims as they stand on the plains of Arafat.

“Also, due to the windy conditions and altitude at midday, multiple rapid shots were taken until success was achieved, with only this person present on the roof of the Grand Mosque, which contributed to highlighting the domes and their size compared to the person, as well as the presence of all shades of monochromatic colors in the work and the contrast of its elements.”

What the picture means to the photographer is a noble message that must be conveyed correctly.

Raed Abdullah Al-Maliki

Speaking about what the Saudi photographer lacks to achieve international recognition, he explained that we are living in the golden age of photography, with the vision of our inspiration, Crown Prince Mohammed bin Salman, who sees us as the true force for achieving the vision.

“The Kingdom is rich in its diverse terrain and beautiful places, be it in the north, south, east, or west.

“Every photographer should seize the opportunity to capture shots that remain in the memory of viewers and leave a special mark, especially since the spread of pictures has become easier than ever through various social media platforms and the ease of access to the world. I will strive diligently to represent my country and achieve top positions because we are always at the forefront and nothing hinders our sky-high ambition.”




Raed Abdullah Al-Maliki captured an award-winning photo, main, of the Grand Mosque domes from a helicopter during Hajj season, showcasing their size in relation to a solitary figure on the roof. (Supplied)

He pointed out that technological advancements have made photography easier, especially with artificial intelligence technologies inside cameras that contribute to solving many problems. From my perspective, so long as there is an idea and a message, your work will reach its audience and you will maintain your position, regardless of the tool used in photography, whether professional cameras or even mobile phones.

“The photographer plays a large part in showing creativity because no matter how many resources are available, without the right person, you cannot impress others.”

Al-Maliki concluded by stating that artists can see their reality differently, even if they are accustomed to it. “Choosing different angles and places at different times and with new ideas will help me find subjects worthy of photography. Usually, I search for new angles photographers have not touched upon, hoping to highlight a different aspect through the picture.”

 


UN Internet Governance Forum concludes in Riyadh

Updated 20 December 2024
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UN Internet Governance Forum concludes in Riyadh

  • Event witnessed launch of Riyadh Declaration to help strengthen international partnerships in AI
  • Forum featured experts from 170 countries

RIYADH: The UN Internet Governance Forum concluded its 19th edition on Thursday at the King Abdulaziz International Conference Center in Riyadh.

The forum’s organizers said that the global event had focused on internet governance policies and emerging digital challenges. It had achieved the highest attendance in the history of the forum, surpassing 11,000 participants.

The forum also witnessed the launch of the Riyadh Declaration, a document which aims at strengthening international partnerships in artificial intelligence and digital technologies to serve humanity.

The event featured experts and specialists in internet technology and policy from 170 countries, with more than 1,000 international speakers contributing to over 300 sessions and workshops, the Saudi Press Agency reported.

It revolved around four main topics: innovation and risk in the digital space; development and sustainability; promoting human rights and inclusiveness; and improving the digital governance of the internet, the SPA added.


King Abdulaziz Falconry Festival concludes with record-breaking prize pool

Updated 19 December 2024
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King Abdulaziz Falconry Festival concludes with record-breaking prize pool

  • The 17-day event featured 1,032 falconers from nine countries, 3,322 birds and a total prize pool of $9.6 million

The 2024 King Abdulaziz Falconry Festival, which featured a prize pool of more than SR36 million ($9.6 million), the largest in the history of the event, concluded on Thursday.

The festival, which began on Dec. 3 and was organized by the The Saudi Falcons Club at its headquarters in Malham, north of Riyadh, featured 1,032 falconers, of whom 160 came from outside the Kingdom. They represented nine countries — Saudi Arabia, Bahrain, Kuwait, the UAE, Oman, Qatar, Syria, Italy and Ireland — and brought with them 3,322 birds. A youth section included 49 young falconers.

The festival culminated in two rounds of the King’s Sword, the toughest and most lucrative section of the Melwah competition, with total prize pools of SR925,000 for each round.

Barghash Al-Mansouri, who won the first round in the Shaheen and Hur categories, said his falcon SH13 had performed exceptionally well to clinch first place. He said the bird has great strength but can be affected by adverse wind conditions. On the day, however, conditions were favorable and it was able to maintain stability and perform at its best.

He added that he had expected Shama, a falcon owned by Fahd Al-Mansouri, to take the top spot but instead it finished second. He thanked the club for its exceptional efforts in organizing the festival and congratulated all the winners, noting that the competition grows stronger each year.

Talal Al-Shumaisi, CEO of the Saudi Falcons Club, thanked the Kingdom’s leaders for their support of falconry and its heritage, in particular Crown Prince Mohammed bin Salman, who is the club’s general supervisor. He also thanked Minister of Interior Prince Abdulaziz bin Saud bin Naif, the chairman of the board of directors of the club, for his support.


Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Updated 19 December 2024
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Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

  • The exhibition features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom

RIYADH: Princess Nourah bint Abdulrahman University, represented by the College of Design and Arts, has launched the “Itar Exhibition 2024” to feature the graduation projects of 26 students from the film production and animation program.

The exhibition, which is part of the Department of Film and Theater Arts’ graduation project course, features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom.

The exhibition highlights the cognitive, technical, and creative skills developed by the graduates through their film projects, demonstrating their proficiency in applying creative and critical thinking methodologies.

The exhibition provides a platform for interaction and collaboration among graduates, university students, employers, industry professionals, researchers, partners, the business sector, and the broader community. It also prepares graduates to compete in the job market and venture into entrepreneurship.

Haya Al-Rashoud, head of the Department of Film and Theater Arts at PNU, said that the exhibition is part of the College of Design and Arts’ commitment to developing national talent. It aims to foster a supportive and inspiring environment for creativity, expertise, and specialized scientific skills, while aligning with the evolving demands of the labor market, particularly in the film industry.

The “Itar Exhibition 2024” at the College of Design and Arts reflects the objectives of PNU’s 2025 strategic plan, aiming to cultivate competitive talent and empower female students. It creates an educational environment that inspires creativity, enriches cultural and artistic expression, and promotes learning, research, and innovation. 

Additionally, it underscores the university’s commitment to advancing women’s leadership in driving development and progress.


Telling stories of Al-Ahsa through art 

Updated 19 December 2024
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Telling stories of Al-Ahsa through art 

  • Fatima Al-Hammadi uses fronds to showcase the history and heritage of her region through a natural element 

 

MAKKAH: In a small house shaded by palm trees in the heart of Al-Ahsa’s palm oasis, artist Fatima Al-Hammadi transforms fronds – often considered mere remnants of palm trees – into works of art.

Her creations tell the story of Al-Ahsa’s ancient heritage. Since childhood, Al-Hammadi viewed the surrounding palm trees from a unique perspective. 

They were not just a source of livelihood; they symbolized civilization itself. Motivated by this, she decided to breathe new life into the fronds, using her art to highlight the beauty of Saudi heritage both locally and internationally.

A graphic artist accredited by the Saudi Ministry of Education, Al-Hammadi told Arab News, “I have always been passionate about graphic art. It is a dream I have aspired to achieve on the global stage. 

“I have always wanted to become an internationally recognized graphic artist. Today, I am working hard to make that dream a reality, armed with my skills and my deep connection to the heritage of my homeland, Al-Ahsa.”

“Al-Ahsa, the famous palm oasis in the Eastern Province, inspired me to transform the land’s natural bounty into art. Palm fronds are the primary material I use in my work. I take them – once considered waste, destined to be burned – and transform them into art that reflects the story of Al-Ahsa’s civilization and heritage. My goal has always been to showcase the history and heritage of my region through this natural element. My work has been highly appreciated in Al-Ahsa and across the Kingdom,” she explained.

“During the various exhibitions and events I have participated in, I noticed the public’s interest and fascination with artwork that blends nature and creativity.” She attributes her choice of palm fronds to her inspiration from nature itself, which has earned her recognition among both art lovers and heritage enthusiasts.

Reflecting on the evolution of graphic art in the Kingdom, Al-Hammadi noted its remarkable growth and prosperity. 

“The fact that young men and women are showing increased interest in graphic arts signals the maturing taste of the Kingdom’s art scene. However, this sector requires greater support from art institutions,” she said, emphasizing the importance of artists’ awareness of their local culture and national heritage in fostering the growth of graphic art.

Underlining the need for more local and international art exhibitions and opportunities for artists to participate in local, Arab and international art fair, she said: “This kind of support is crucial for raising the profile of Saudi graphic art and enabling it to compete on the world stage.”

With her ambitious vision and the support of her community, Al-Hammadi looks forward to a bright future for graphic arts in the Kingdom, where creativity serves as a bridge between the ancient past and the present. 


Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir

Updated 19 December 2024
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Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir

ASIR: Saudi authorities in Al-Raboah, Asir, have foiled an attempt to smuggle 180 kg of qat. Legal procedures have been initiated and the confiscated drug handed over to the relevant authorities.

Meanwhile, the authorities have arrested a resident in Yanbu for attempting to sell methamphetamine (shabu). Legal action has been taken against him, and he has been referred to the Public Prosecution.

Elsewhere, land patrols of the Border Guard in Al-Dayer, Jazan, have apprehended six Ethiopians for attempting to smuggle 162 kg of qat. Preliminary legal procedures have taken place and the suspects, along with the seized drug, handed over to the relevant authorities.

Security authorities have urged citizens and residents to report any activities related to drug smuggling or trafficking. Informants can contact the authorities by calling 911 in Makkah, Riyadh, and the Eastern Region, and 999 in the rest of the Kingdom.