Discovering the dual history of Hiroshima and Nagasaki: From tragedy to cultural gems

Hiroshima, with Hiroshima Castle in the foreground. (Shutterstock)
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Updated 08 March 2024
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Discovering the dual history of Hiroshima and Nagasaki: From tragedy to cultural gems

  • The two cities were almost wiped out in 1945. They remain sobering but rewarding destinations for visitors 

TOKYO: Hiroshima and Nagasaki will forever be infamous as the first cities to be targeted by atomic weapons. Nearly 80 years since the world entered the nuclear age, however, both are keen to promote the more positive parts of their histories and some of their unique attractions. 

There is no getting around the fact, however, that Hiroshima and Nagasaki are on travelers’ maps today largely because they were nearly wiped off them completely in 1945. 

Hiroshima — less than five hours south-west of Tokyo by bullet train — is spread across the delta of the Ota River. A distinctive T-shaped bridge on the northern tip of one of the delta’s long, slender islands was the target of “Little Boy,” the bomb dropped by the Enola Gay B-29 Superfortress at 8.15 am on August 6, 1945. 




Nagasaki Skyline at night from Mount Inasa. (Shutterstock)

It detonated almost directly above the Hiroshima Prefectural Commercial Exhibition Hall, a steel-and-concrete structure that, while almost everything within the blast radius of several kilometers was destroyed, withstood the explosion. Its skeletal remains are today known as the A-Bomb Dome. 

Just across one branch of the river is the Peace Memorial Park, home to the sobering Peace Memorial Museum where survivors’ tales are interspersed with artifacts such as melted glass or thick steel that was folded by the force of the blast. An eternal flame burns in a cenotaph in the gardens where commemorations are held every August. 

Nearby is the famous Children’s Peace Monument, which depicts a girl with her arms outstretched and an origami paper crane above her. The model for the statue was Sadako Sasaki, who survived the bomb but was diagnosed with leukemia in 1954. In hospital, before her death in 1955, she folded more than 1,000 paper cranes which, according to Japanese lore, would grant her a wish.  

Hiroshima Castle, once the base of local warlord Terumoto Mori, is well worth visiting, even if it is a reconstruction, the original having been destroyed by the bomb. Its spacious grounds are the best place in the city to enjoy the cherry blossoms during the brief spring “hanami” season. 

A short boat journey away is the island of Itsukushima, a UNESCO World Heritage Site dotted with shrines and pagodas dating back centuries. It is most famous for the bright orange “torii” gate that stands in front of Itsukushima Shrine and appears to float above the water at high tide. 




The 'floating' gate in front of Insukushima Shrine. (Shutterstock)

Around 400 kilometers to the west of Hiroshima, on the island of Kyushu, is Nagasaki, which — under the national-isolation policy of the Tokugawa shogunate — was once the only port in Japan where Portuguese and Dutch traders were permitted to come ashore and trade. This enabled Christian missionaries to gain a foothold in the mid-1500s, which led to hundreds of Japanese converts being executed.   

As trade grew, so did Nagasaki’s importance. When Japan emerged from a second bout of isolation in the mid-1850s, Western concepts, engineering and technology flowed through the city and it became Japan’s center of shipbuilding, thanks in part to Scottish merchant Thomas Glover, who arrived in 1859, and swiftly became involved in the construction of ships and railways, and the import of, among other commodities, guns. 

Glover’s luxurious former home sits on a bluff overlooking the harbor and the Mitsubishi Heavy Industries dockyards that are direct descendants of his ventures. A number of other historic buildings from the city’s foreign community have been preserved, giving a glimpse into the luxury in which expats lived at the time. 

Nagasaki also has a thriving Chinatown district, which gets particularly raucous during New Year festivities, while Dejima has undergone extensive archeological investigation and reconstruction to return it to the fan-shaped isle that was built on the orders of the shogun in 1636, linked to the mainland by a footbridge to limit the early foreign traders’ interactions with locals. 

A cable car can take you the 333 meters to the top of Mount Inasa, on the west side of the inlet, where the view is particularly spectacular at night. Further along the inlet, after it has become the Urakami River, is the spot that will forever connect Nagasaki to Hiroshima. Here stands a towering 10-meter statue of a man with his left hand extended in a gesture of peace while his other hand points to the skies. 

The plutonium bomb, “Fat Man,” detonated 500 meters above this spot just after 11 a.m. on the morning of August 9, 1945. The man’s eyes are closed. The sculptor wanted him to appear to be in prayer for the dead. 


Elyanna hypes up Coldplay show in Abu Dhabi

Updated 08 January 2025
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Elyanna hypes up Coldplay show in Abu Dhabi

DUBAI: Palestinian Chilean singer Elyanna is excited to open for British rockers Coldplay as they get ready to take to the stage in Abu Dhabi, on Jan. 9, 11, 12 and 14 at Zayed Sports City Stadium.

“Still can’t believe I’m opening for @coldplay’s Music of The Spheres tour. Abu Dhabi,” she posted on Instagram.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

“Yanna Merch coming your way soon,” she added, crediting artists Nadine Ghannoum and Fairdose.

Elyanna’s formal introduction to Coldplay took place when she was invited to collaborate on their track, “We Pray.”

Elyanna also released her own Arabic-language version of the track on Sept. 20 last year.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

Elyanna is set to perform live with Coldplay again when the band heads to Abu Dhabi for four shows in the UAE capital. The band will perform as part of the “Music of the Spheres World Tour” on Jan. 9, 11, 12 and 14.


Georgina Rodriguez promotes collaboration with Saudi perfume label Laverne

Updated 08 January 2025
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Georgina Rodriguez promotes collaboration with Saudi perfume label Laverne

DUBAI: Argentinian model and reality TV star Georgina Rodriguez took to Instagram to announce that her debut fragrance collaboration with Saudi perfume label Laverne is back in stock.

“SENSE my new perfume with Laverne is back in stock,” she posted, alongside a photo of herself – dressed in an eye-catching red dress while holding the fragrance bottle.

On the official website, the label describes Sense as the result of a collaboration between Dalia Eisem and Rodriguez that lasted more than a year and included the creation of more than 740 samples.

“Finally, Georgina chose the perfect combination that embodies all her feelings in a perfume bottle,” it said, noting that the fragrance included notes of blackcurrant, mandarin, jasmine, cashmere and orange blossom.

In March 2023, Rodriguez – the longtime partner of legendary footballer Cristiano Ronaldo – collaborated with Laverne to become the face of their new fragrance, Blue Laverne.


Saudi star Model Roz makes guest appearance on Netflix’s ‘Dubai Bling’

Updated 08 January 2025
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Saudi star Model Roz makes guest appearance on Netflix’s ‘Dubai Bling’

DUBAI: Los Angeles-based Saudi influencer Model Roz made a surprise appearance in season three of Netflix’s gossip-filled drama show “Dubai Bling,” which premiered on Jan. 8.

The model, who boasts 15.2 million Instagram followers, shared a short clip of her cameo on social media.

In the video, Mahira Abdel Aziz, the Emirati Egyptian newcomer to the show, introduced Roz to the cast, saying” “Ladies and gentlemen, all the way from LA... Roz. We are happy to have her here in Dubai.” Roz responded by bowing gracefully and thanking the cast for their warm welcome.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Netflix MENA (@netflixmena)

“Welcome to Dubai,” added Zeina Khoury, a real estate agent and founder of the fashion brand I Am The Company.

“It’s my first time in Dubai, so all of you need to show me around,” Roz replied with a smile.

The scene then shifted to Roz sitting with Loujain Adada as they got their makeup touched up. 

Roz seized the moment to ask, “What happened the other day in the fitting? I heard your voices and sensed some stress.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Netflix MENA (@netflixmena)

Adada brushed off the question, saying: “Stress? Nothing happened. I don’t think it concerns you in any way, so don’t worry.”

Roz responded quickly, “Yes, I stay away from these things.” 

“I’m telling you now, don’t be a gossip. I really hate that kind of stuff,” Adada cautioned.

Roz clarified: “It’s not my thing. I just wanted to make sure everything is okay.”

The program has been praised by critics for its ability to attract a multicultural audience due to its diverse cast, as well as merging English and Arabic dialogue, often in the same sentence.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by(@model_roz)

Season three of “Dubai Bling” features a mix of returning cast members, new faces and notable departures. Familiar faces such as Adada, Khoury, Mona Kattan, Ebraheem Al-Samadi, Safa and Fahad Siddiqui, Farhana Bodi, Marwan Al-Awadhi (DJ Bliss), and Danya Mohammed return to share their glamorous lives. 

Joining the cast are media personality Abdel Aziz and Iraqi singer and actress Jwana Karim.

Saudi TV presenter Lojain Omran, along with radio host Kris Fade and his wife Brianna Fade, have exited the show.

Roz shot to fame in 2019 when she modelled for a Victoria’s Secret’s Pink campaign.

The model’s Instagram feed is littered with photographs of her various advertising campaigns, as well as visits to many a product launch party — from NYX Cosmetics events to TikTok gatherings. 


Zuma Riyadh ‘feels like a homecoming,’ says Azumi Group CEO

Updated 08 January 2025
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Zuma Riyadh ‘feels like a homecoming,’ says Azumi Group CEO

DUBAI: Born in London, coveted Japanese restaurant Zuma opened its doors in Riyadh’s King Abdullah Financial District mere weeks ago, with Azumi Group CEO Sven Koch telling Arab News that Saudi Arabia’s capital city was chosen “because of its cultural importance to the Kingdom.”

With 15 locations across the world, this marks Zuma’s first outpost in the Kingdom — but Saudi foodies are familiar with the luxury brand, Koch said.

“Since its inception in London in 2002, guests from Saudi Arabia have been one of the most loyal Zuma demographics from around the world. Bringing the Zuma experience to the Kingdom feels like a homecoming,” he said.

With interactive sushi and robata counters offering a front-row view of the artistry and precision of Zuma’s chefs, the Izakaya-style restaurant serves traditional Japanese dishes with a modern twist.

There are a few Riyadh-exclusive items on the menu. The Ajwa Date and Miso Toffee Cake dessert comes with ginger crumble, poached pears, and sweet corn mochi ice cream.

It is “a creation that combines the essence of the region’s flavors with Zuma’s renowned techniques,” Koch said.

Koch described Zuma Riyadh as a space that blends Middle Eastern influences and classic Japanese designs.

“Designed by renowned architect Noriyoshi Muramatsu, the space is a blend of Middle Eastern influences and Japanese design, creating an ambiance that is both locally inspired and globally sophisticated,” he explained.

Zuma’s launch in Riyadh was inspired by the cultural and economic transformations that the Kingdom has been undergoing over the past few years, especially in the food and beverage sector.

In 2025, Riyadh will have several new glittering international restaurants including Latin hotspot Amazonico, Japanese-Peruvian eatery Chotto Matte and Italian dessert cafe Cipriani Dolci.

“This transformation has focused on fostering a more vibrant lifestyle, creating a bigger demand for world-class dining and flavors … Zuma Riyadh’s debut in the Kingdom is a testament to the growing demand for exceptional dining experiences while also catering to a clientele that values both tradition and innovation,” said Koch.

 


International Prize for Arabic Fiction announces 2025 longlist

Updated 07 January 2025
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International Prize for Arabic Fiction announces 2025 longlist

DUBAI: The longlist for the 2025 International Prize for Arabic Fiction has been revealed, with 16 novels in the running for the $50,000 award, sponsored by the Abu Dhabi Arabic Language Centre.

While works from Bahrain and Mauritania have made the list for the first time, other nominated novels come from Egypt, Syria, Lebanon, Algeria, Iraq and the UAE.

The longlist has been chosen from a total of 124 submissions by a panel of five judges chaired by Egyptian academic Mona Baker. Joining her on the panel are Moroccan academic and critic Said Bengrad, Emirati critic and academic Maryam Al-Hashimi, Lebanese researcher and academic Bilal Orfali, and Finnish translator Sampsa Peltonen.

In a statement, Baker said, “This year’s longlist is remarkable in its diversity of both theme and literary form. Some novels address women’s struggles to achieve their dreams in a patriarchal society that prevents them from living fulfilled lives. Others offer a nuanced portrait of religious and sectarian worlds, where extremism and dogma contrast with human empathy and understanding.

“There are a number of historical novels on the list which deal with both the recent and more distant past, such as the Abbasid era, or the Inquisition and persecution of Muslims in Andalusia. There are also semi-autobiographical books, and others which read like detective stories.

“Repressive regimes and their power to crush the hopes and lives of ordinary people are also explored; some novelists paint a stark picture of this reality, while others employ sarcasm and humour, rendering these difficult topics more accessible for the reader.”

The 2025 International Prize for Arabic Fiction longlist:
Aqeel Almusawi’s “The Weepers” (Bahrain)
Inam Bioud’s “Houwariya” (Algeria)
Rashid Al-Daif’s “What Zeina Saw and What She Didn’t” (Lebanon)
Ahmed Fal Al-Din’s “Danshmand” (Mauritania)
Jan Dost’s “The French Prisoner” (Syria)
Sausan Jamil Hasan’s “Heiress of the Keys” (Syria)
Iman Humaydan’s “Songs for the Darkness” (Lebanon)
Azher Jirjees “The Valley of the Butterflies” (Iraq)
Hasan Kamal’s “The Stolen Novel” (Egypt)
Taissier Khalaf’s “The Andalusian Messiah” (Syria)
Ahmed Al-Malawany’s “Happy Dreams” (Egypt)
Mohamed Samir Nada’s “The Prayer of Anxiety” (Egypt)
Nadia Najar’s “The Touch of Light” (United Arab Emirates)
Haneen Al-Sayegh’s “The Women’s Charter” (Lebanon)
Sumar Shihada’s “My Life Has Just Begun” (Syria)
Ayman Ragab Taher’s “The Lamplighter” (Egypt)