Saudi creative brings her late mother’s cooking to life

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Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)
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Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)
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Updated 29 March 2024
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Saudi creative brings her late mother’s cooking to life

  • Waad Janbi’s ‘Mom’s Spaghetti’ aired on MBC Academy, portrays the love language of food

DHAHRAN: In Waad Janbi’s new animated short film, “Mom’s Spaghetti,” which aired this week on MBC Academy, the Saudi creative serves the audience a universal story of overcoming grief after the loss of a loved one, and the importance of feeding your soul — and your stomach.

The animated short follows 14-year-old Amjad as he awkwardly — and delicately — navigates dealing with the loss of his mother by attempting to recreate a beloved dish she used to prepare for him.

The story starts on the first day of Ramadan and he is seen playing ball in front of his home. He interrupts the game when his grandmother gently pokes her head out from the window overlooking the street and tells him to take it easy since it is the first day of fasting in the holy month. He tells his friends he needs to step inside to help his grandmother and cheerfully goes in to support her.




Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)

Inside, the mood is somber. His father and sister also live with them. They break their fast mostly in silence.

For the next several days, along with his sister and grandmother, he attempts to re-create the favorite spaghetti dish that his mother used to make. They fail. Until one day, Amjad finds a blue notebook with drawings on the cover. It is his mother’s recipe book tucked away in a drawer. They try again. And again. Until one day, it smells and looks the way his mother used to make. Tears fill his eyes as he, and his family, enjoy the dish that their beloved mother used to serve them.

Janbi, who is a filmmaker and writer raised in Makkah and educated in the US, used some of her family’s real story sprinkled into this fictional narrative.

“The real inspiration came from my younger brother, Hamza. When our mother died, he was very athletic so she would prepare vegetables for him — healthy things. Right before she died, she told him that she made him something that she saved in the oven for him. ‘I kept it for you,’ she said,” Janbi told Arab News.




Waad Janbi, Saudi creative

But then she died and the household was overcome with grief. During the funeral, the dish was forgotten. Eventually, Hamza went looking for it and realized that it was gone.

“It likely went bad and someone threw it out while they were cleaning. Hamza was really sad about it, sad how the last thing our mother made for him, he couldn’t taste. So, when I wrote the story, I had him in my mind. This was the last act of love that she made but he couldn’t eat that last dish. That last serving of love was untouched,” Janbi said.

The way mama showed love and what she was most proud of was food.

Waad Janbi, Saudi creative

“Mama was a phenomenal cook. She was famous for her macarona bechamel. Our relatives would flock over just to taste her food. But I guess many don’t make that normally during Ramadan so I switched it the more widely known spaghetti,” she said.

The title was inspired by an unlikely source: the US rapper Eminem, who was popular during Janbi’s youth. In his debut, and critically acclaimeded film, “8 mile,” he famously rapped a lyric where he says: “Mom’s spaghetti.” Janbi, who uses humor to cope with grief, decided to use it.




Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)

“I was being playful with the title. Eminem wasn’t ashamed of his anger, he turned it into art. And, although I’m aware that he was problematic during different times, he was a poet and that line stuck with me and it would make me snicker to myself each time I heard someone mention ‘Mom’s spaghetti’ in my short film’s title,” she said.

This film is a love letter to all the things that inspired Janbi rolled into one.

In the Janbi household growing up, they would watch MBC on the screen while preparing the food and then switch to live footage of the Haram right before Maghreb.

Fast-forward to years later, Janbi enrolled in MBC Academy’s first online cohort dedicated to screenwriting. She then took a more advanced screenwriting course and did on-site training in Dubai. Through a group chat, mentors at MBC Academy encouraged former participants to write and pitch an episode as part of a series that would air during Ramadan. They were told that seven episodes would be selected.

Janbi felt the pull of her mother and was able to scramble together her story in the nick of time. Like her mother, she used a bit of this, a dash of that, and was able to produce a story that she shared with the committee. Her story was selected and was released as the second of the seven stories.

It was important for her to write it from the point of view of a Saudi teen boy, in order to subtly shift the conversation.

“In the story, the boy was trying to learn basic skills, to feed himself and his family. I grew up with very strict rules about gender roles; me as a girl, I’d have to help with the kitchen and my brother had to help feed those fasting with father. I began to understand the pressures my brother had and wanted to let Saudi boys know that they should be active in their own lives. Helping in the kitchen is good, helping your grandmother is good. And they should learn how to feed themselves!” she said.

While food is vital to survival, certain dishes can truly make you feel alive. With curated ingredients and specific spices and herbs mixed just right, that culinary journey can turn that spoon or fork into a sort of time machine. It can bring you back to simpler times.

Janbi’s older sisters still have some of the handwritten recipes that their mother scribbled in loose notebook papers, each fragmented page tells a story of a time long gone but also serves as a treasure map to revive that magic.

“The way mama showed love and what she was most proud of was food. She would never hug us or kiss us or say ‘I love you,’ but she would lovingly prepare the dish you loved and that was her love language,” Janbi said.

Janbi was overwhelmed by the positive reception after her episode aired. Her friends flooded her inbox and tagged her on social media, praising the story that resonated deeply with viewers of all backgrounds. The storytelling was layered and complex but told in a clear way.

“Usually the artist is never satisfied with the final draft but I was happy with the way that the MBC Academy team was able to bring it to life, even though they modified some things and left things out that I was slightly upset about, like in my vision, the mother had different hair … but I also understood their decision,” she said.

Janbi especially wanted to thank MBC Academy’s Munira Altheeb, assistant project manager at MBC Academy Middle East, for her support.

But, most importantly, her family understood what she was trying to achieve. She had told her siblings about the story before it came out and when it was ready, they all watched it. Her brother, the one that inspired the story, was excited. Her older sisters cried. Her youngest sibling, a sister, was slightly upset that the story didn’t seem to include her.

“I told my little sister, ‘Don’t worry, the next film I write will feature a story from your point-of-view,’” Janbi said.

To this day, Janbi’s family have not yet perfected their mother’s green beans with shrimps dish, her favorite. But they will keep on trying.

And Janbi will keep on typing.

The short animated film, which runs just under 10 minutes, can be viewed on MBC Academy’s YouTube channel.

 


Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

Updated 06 January 2025
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Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

  • Anyone who violates the rule will be punished with a fine of SR20,000 ($5,327), interior ministry says

RIYADH: Saudi Arabia’s Interior Ministry confirmed that the provisions of the “Use of Security Surveillance Cameras” law prohibit the transfer or publication of security surveillance camera recordings.

Security surveillance camera recordings can only be transferred or published with the approval of the ministry or the Presidency of State Security, based on a judicial order, or at the request of an investigating authority.

The ministry explained that anyone who violates this rule will be punished with a fine of SR20,000 ($5,327).

This includes anyone who transfers or publishes recordings in violation of the law or damages or vandalizes security surveillance camera systems or recordings.


Saudi artist breaks from signature style with ‘W’ard’ exhibition

Updated 06 January 2025
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Saudi artist breaks from signature style with ‘W’ard’ exhibition

  • Dammam collection running until Jan. 10 features sculpture, video and imagery

DHAHRAN: Visitors are immersing themselves in a vibrant celebration of art as Hussain Alismail unveils his compelling solo exhibition, “W’ard,” at the SASCA Art Gallery in Dammam, Saudi Arabia.

Launched on Dec. 30 last year and running until Jan. 10, the exhibition is a captivating journey through the artist’s evolving vision.

‘Wa’rd’ series by Hussain Alismail showcases a rich blend of experimentation with different materials, colors and artistic techniques. (Supplied)

In the “W’ard” series, Alismail breaks free from his signature style, which often features bold continuous-line drawings in striking shades of black and red.

Instead, the collection showcases a rich blend of experimentation with different materials, colors and artistic techniques.

HIGHLIGHTS

• Primarily focused on drawing and painting, Hussain Alismail’s artworks delve into the intricate complexities of Saudi social dynamics.

• His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Visitors can expect to encounter an array of fascinating works, from collages that fuse imagery, mixed media pieces with texture, three-dimensional sculptures, to dynamic video installations that spark imagination.

Hussain Alismail creates a new piece while visitors watch at his W’ard exhibition in Dammam. (Supplied)

At the heart of Alismail’s work lies the symbol of the rose, a timeless emblem of unity that surpasses differences, inviting connection among visitors.

He said: “For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.”

This cultural reference runs throughout the exhibition, highlighting the themes in Alismail’s artwork.

For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.

Hussain Alismail, Saudi artist

Through his collection, Alismail creates an artistic experience that celebrates unity in the diversity of humanity.

“I see my artwork as a reflection of who I am, but once it’s out in the world, it belongs to everyone to interpret and connect with however they choose,” he told Arab News.

Alismail is not only a gifted artist, but also a committed scholar, having recently relocated to Melbourne, Australia, to pursue a master’s degree in design innovation and technology at RMIT.

His time in academia, which he describes as research-focused, has significantly influenced his art. “I’ve found these skills super useful for my art in this exhibition and they’ll definitely play a bigger role in my upcoming projects.”

Alismail holds a bachelor’s degree in fine arts in drawing and painting from OCAD University in Toronto, Canada, as well as a bachelor’s degree in creative arts in visual effects and entertainment design from Flinders University in Adelaide, Australia.

His academic background enriches his creative practice, fueling his artistic exploration.

Primarily focused on drawing and painting, Alismail delves into the intricate complexities of Saudi social dynamics.

His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Beyond canvas and paper, Alismail’s artistic skills include photography, videography and digital graphics, allowing him to create stories that invite exploration.

“Medium serves as a platform for discovery. I constantly challenge myself to go deeper into techniques and artistic presentations,” he said.

For the exhibition, Alismail embraced a variety of innovative mediums. “I played around with 3D design, 3D printing, AI generative imagery and various other hands-on mediums,” he said.

Additionally, he aims to create a vibrant experience, expressing his desire that viewers feel “joyful and leave with a smile on their face.”

Inspired by cultural stories around him, Alismail combines personal and community tales in his art, enhancing the diverse narratives he shares.

With an eye toward revitalizing cultural connections, his work fosters an enriched understanding of our shared human experiences.

“What my audience has seen from me before is different from what I’m creating now, and I know it’ll have even more depth down the line.”

 


Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

Updated 06 January 2025
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Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

  • The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works

RIYADH: Two major electrical substations were launched at the Diriyah megaproject in Riyadh on Monday.

The substations will be operated by the Saudi Electricity Company and will speed up the development of projects in the historical area of Diriyah as well as nearby Wadi Safar.

“Today is very special to us,” Jerry Inzerillo, group CEO of Diriyah Company, told Arab News, before underlining the importance of developing infrastructure to be able to complete projects in time for Riyadh Expo 2030.

Jerry Inzerillo, Group CEO of Diriyah Company, and the CEO of Saudi Electricity Company, Khalid Alghamdi during the launch of the two substations. (Supplied)

Inzerillo further elaborated on how the project requires sustainable development because it will be serving a large number of people.

The housing project “will cater to 100,000 people who will live, work, recreate, and pray with us every day,” the CEO said. “So, you need all-new, smart-city technology that the Kingdom is leading on.”

The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works.

HIGHLIGHT

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

The second substation, developed by the Saudi Electricity Company through Maetel contracting company, will be one of the main power sources for Wadi Safar.

This will result in a combination of the area’s natural beauty with modern infrastructure, including hospitality assets and sports facilities such as the Royal Diriyah Equestrian and Polo Club, and Wadi Safar golf course.

Also at the event, the acting CEO of SEC, Khalid Al-Ghamdi, expressed his excitement for this significant event and milestone.

“The completion of the bulk substation and the primary substation marks a new era for Diriyah, one that combines advanced infrastructure with our shared vision of creating a sustainable, world-class city,” Al-Ghamdi said.

“We are honored to work with Diriyah Company to bring power solutions that are both reliable and in harmony with Diriyah’s architectural heritage,” he added.

Diriyah is one of Saudi Arabia’s main megaprojects, supported by the Public Investment Fund. The project will eventually have homes for 100,000 people and is aiming to host millions of visits per year by 2030.

The Diriyah project alone contributes $18.6 billion directly to Saudi Arabia’s GDP and will create 178,000 job opportunities, according to the Diriyah Company.

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

While the city is a major part of Saudi Arabia’s Vision 2030, it also has historical importance because Diryiah is the birthplace of the Kingdom of Saudi Arabia.

 


Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

Updated 06 January 2025
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Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

  • 60 agency trucks deliver food, shelter materials and medical supplies to meet needs of the Syrian people
  • Six planes carrying aid from the Kingdom arrive at Damascus International Airport

RIYADH: Sixty trucks carrying relief supplies from Saudi Arabia crossed the Nasib Border Crossing into Syria on Monday, as part of a humanitarian effort organized by Saudi aid agency KSrelief.

The trucks contained essential supplies including food, shelter materials and medical supplies, the Saudi Press Agency reported.

Also on Monday, six planes planes carrying aid from the Kingdom arrived at Damascus International Airport.

Jordanian authorities said 600 trucks filled with aid have entered Syria through the Jordanian-Syrian Free Zone since the collapse of President Bashar Assad’s regime on Dec. 8. The director general of the zone, Irfan Khasawneh, told the Jordan News Agency that the flow of goods has remained consistent since then.

The shipments are addressing the needs of the Syrian people for essential items such as food supplies, energy equipment and spare parts for machinery, he added.

Trade is flowing smoothly, with transactions completed promptly and without delays, Khasawneh said, and staff at the zone are ready to handle larger volumes of trucks and goods in the days ahead.


Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

Updated 06 January 2025
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Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

  • Riyadh-based organization says the collaboration has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts
  • Platform thanks Etidal, says partnership has been instrumental in efforts to identify and remove harmful content

RIYADH: The Global Center for Combating Extremist Ideology, also known as Etidal, said on Monday that more than 31 million items of extremist content were removed from messaging service Telegram during the final quarter of 2024.

This brought the total number of such items removed from the platform since the start of their partnership in 2021 to more than 160 million, it added.

Etidal, which is based in Riyadh, said international cooperation is important in efforts to address extremist ideologies and counter the global threat posed by terrorist organizations, and that the collaboration with Telegram has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts.

The platform said it has intensified its efforts to combat extremism since 2022 and expressed its appreciation for the partnership with Etidal, saying it has proved to be instrumental in efforts to identify and remove harmful content.

“There is no place for incitement to violence or terrorist propaganda on Telegram,” it added.

Etidal said it uses advanced technologies to help monitor and analyze extremist content, and detect the deceptive propaganda and tactics used by terrorist organizations in an attempt to evade content removal. It added that its efforts form part of Saudi Arabia’s broader strategy to help safeguard societies through an integrated approach, including targeted media campaigns to raise awareness of the dangers of extremism.

In addition to its partnership with Telegram, Etidal has established strategic collaborations with other international organizations. In 2021, for example, it signed a memorandum of understanding with the UN Counter-Terrorism Center.