How resumption of movie screening provided a global platform for local Saudi talent

Walaa Bahefzallah (R), casting director of Saudi film Champions, alongside the cast at the 2021 Red Sea Film Festival, including Fatima Albanawi (C). (Supplied)
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Updated 27 April 2024
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How resumption of movie screening provided a global platform for local Saudi talent

  • Since cinemas reopened six years ago across the Kingdom, cumulative box office revenues are approaching the $1 billion mark
  • The Red Sea Film Foundation and the Saudi Film Fund support homegrown talent through programs and partnerships

RIYADH: This month, Saudi Arabia marks six years of movie screenings after a 35-year gap. Back then, the idea of a flourishing domestic film industry seemed improbable. Today, it has become a reality.

Since cinemas reopened on April 18, 2018, multiplexes have prospered, with accumulative box office revenues hitting almost $1 billion. Even the closures of the pandemic years were not enough to halt the industry’s meteoric rise.

Cities across the Kingdom now boast their own world-class movie theaters, screening the latest international blockbusters, regional hits and domestic productions, while homegrown film-making capability is now routinely spotlighted at local film festivals.




Saudis gather at a cinema theatre in Riyadh on April 30, 2018. (AFP)

With the launch of the Red Sea Film Festival in December 2021 and the establishment in 2020 of the Saudi Film Commission under the Ministry of Culture, many Saudis who were working in production houses overseas are now relocating to the Kingdom.

“The year 2018 marked a significant turning point for Saudi filmmakers and audiences as well,” Saudi film producer Mohammed Al-Turki, who was named CEO of the Red Sea Film Festival in 2022, told Arab News.

“The Saudi box office is growing rapidly. These achievements reflect the filmmakers’ passion for crafting captivating stories that are deeply embedded in our culture and resonate with an engaged local audience.”




The launch of the Red Sea Film Festival in 2021 prompted many Saudis who were working in production houses overseas to relocate to the Kingdom. (Red Sea Film Festival)

Saudi filmmakers are making their mark both locally and internationally. Among them are Tawfiq Al-Zaidi, the Qudus brothers, Ali Al-Kalthami, and Mishal Al-Jasser, said Al-Turki. “All tirelessly striving to deliver their finest work.”

The Red Sea Film Foundation, which was created in 2019 after the cinema ban was lifted, has become a catalyst for the industry’s expansion, staging one of the Middle East’s biggest film festivals in partnership with other major gatherings in the world cinema calendar.

RSFF has developed a variety of programs and initiatives specifically tailored to filmmakers from the Arab world, Africa, and Asia, with a special focus on Saudi filmmakers.

“Our programs include the Red Sea Fund, which offers financial support to film projects at various stages from development through to post-production,” said Al-Turki. “The Red Sea Labs provide a range of training workshops and courses for filmmakers.”




Winners and jury members posing on stage at the end of the second RSFF’s awards ceremony on December 8, 2022. (AFP)

Additionally, the Red Sea Souk acts as a networking hub, providing numerous developmental programs.

“Among our recent successful initiatives is our collaboration with the Series Mania festival, which has enabled several promising Saudi filmmakers to advance their television projects and gain exposure at one of the world’s foremost television festivals,” said Al-Turki.

“We continue to launch many value-adding programs aimed at nurturing rising Saudi talent.”

INNUMBERS

• $1bn Cumulative box office revenues since Saudi cinemas reopened.

• $100m Saudi Film Fund created to stimulate domestic film industry.

The Kingdom has established several initiatives to support the industry. Most recently, a SR375 million ($100 million) Saudi Film Fund was unveiled by the government’s Cultural Development Fund in partnership with local investment firm MEFIC Capital and Roaa Media Ventures, a holding company that promotes local media projects and talent.

The fund will collaborate with major international studios to invest in film production that provides content reflecting Saudi culture and values.

Such government initiatives are also spurring the private sector. In 2023, Syed Ali launched 40Films KSA to work with local and international clients.




Ibraheem Alkhairallah on the set of Saudi film “Sattar,” where he portrayed the character of Abdulkhaleq, an undercover officer pretending to be a wrestling coach. (Supplied)

“This cinematic renaissance has made a positive impact on our business, fueling commitment to nurture more and meet the top standards being set daily in the market,” Ali, a Pakistani businessman based in Riyadh, told Arab News.

“The Kingdom is not just a consumer of global cinema; it is a creator, contributing its unique voice to the rich tapestry of world cinema. Saudi filmmakers are narrating stories that captivate audiences both at home and around the globe.” 

Saudi filmmaker Mujtaba Saeed, who is based between the Kingdom and Germany, says he has also benefited from the boom in the Saudi entertainment industry and will begin working on a film to be shot in the Eastern Province at the end of this year.

The film, titled “Drowning,” will be funded by the Red Sea Film Festival, the King Abdulaziz Center for World Culture, and the Saudi Film Commission. “Without this support I would not have been able to shoot the film,” Saeed told Arab News.

“The great developments in the Saudi film industry have greatly contributed to the growth of my work as a young director. Through increased opportunities for collaboration and greater support I have access to resources and support that were previously unavailable to me.”




Two young Saudi film directors have been presented with trophies after winning the second edition of a 48-hour filmmaking challenge. (AN Photo/Ali Khameq)

During the Cannes Film Festival in 2022, the Saudi Film Commission announced an incentive program aimed at transforming the Kingdom into a global hub for film production. This included 40 percent returns for productions that hired local crews, among other initiatives.

The incentive program was announced a few months after the RSFF established the Red Sea Fund to support Arab and African filmmakers and directors. The $10 million fund has backed more than 250 projects since its launch.

It is through schemes such as these that the RSFF aims to foster “cultural connections,” providing a platform for up-and-coming film talent in the Kingdom, said Al-Turki.

The Saudi Film Commission is responsible for numerous initiatives that have helped bolster the Saudi industry at home and abroad by providing young Saudi filmmakers with opportunities.

One example is “Norah,” a Saudi production that will be screened at the 77th Cannes Film Festival this year in its “Un Certain Regard” section. It will be the first time a Saudi movie has been selected for the prestigious festival.

Produced by Saudi Tawfik Alzaidi, “Norah” is the first Saudi movie shot entirely in the AlUla region.




Poster of Saudi movie “Norah.” (Supplied)

Supported by the Red Sea Fund, the film also clinched the top prize of a funding award from the Saudi Film Commission’s Daou Competition — an initiative launched by the Kingdom’s Ministry of Culture in September 2019 to bolster Saudi film production and nurture the country’s next generation of filmmakers.

Set in Saudi Arabia during the 1990s, the film follows Norah, a young Saudi woman who lives in a small village, who is introduced to Nader, an artist. Norah asks him to paint her portrait and soon an artistic relationship develops between them. 

The film, Alzaidi’s debut feature, explores the period of Saudi conservatism and the various forms of art that were banned. It examines how art can facilitate communication between people and foster social change.

In the run-up to the sixth anniversary of the lifting of the cinema ban, the Saudi Film Commission organized the fourth edition of the Gulf Cinema Festival, which ran from April 14 to 18.

This was the first time the festival was managed by a government agency, underlining the recognition of the socio-cultural and economic importance of the film industry for the Kingdom.




The Gulf Cinema Festival brought together several pioneers of Gulf cinema to share their visions and experiences in film production. (Supplied)

In a speech during the opening of the festival, the Film Commission’s CEO Abdullah bin Nasser Al-Qahtani said “this edition of the festival represents a crucial milestone in cultural cooperation among the Gulf Cooperation Council countries and embodies our wise leadership’s commitment to enhancing collaboration among us,” according to SPA.

“This festival, which brings us together today, reflects the strong connection between ambition and the cultural strategy of the GCC countries, which play a significant role in enhancing cultural exchange, expanding infrastructure, drawing inspiration from successful experiences, and encouraging Gulf talents to offer more,” he said.

The booming Saudi entertainment industry is also attracting directors from across the world to shoot and produce films in the Kingdom.

Over the last 18 months, the landscapes of NEOM in the Tabuk region have been featured in several international films, including Ruper Wyatt’s “Desert Warrior,” starring Anthony Mackie and Sir Ben Kingsley; “Dunki” directed by Indian filmmaker Rajkumar Hirani starring Shahrukh Khan; the first regional reality TV show “Million Dollar Island;” and the “Rise of the Witches,” the region’s largest-ever budget TV show. 

As deals continue to be made and incentives offered for making movies in Saudi Arabia, the future looks bright not only for domestic movie theaters but also for local, regional and international filmmakers and producers intending to work and collaborate in the Kingdom.

“Despite these accomplishments, this is merely the start,” said Al-Turki. “Saudi cinema has much more to accomplish.”


2 journeys, 1 destination: Hajj through the eyes of the young, elderly

Updated 10 June 2025
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2 journeys, 1 destination: Hajj through the eyes of the young, elderly

  • Generations decades apart walk same sacred path

MINA: Mina was alive in recent days with the footsteps of millions, yet every pilgrim’s pace told a different story, from those who waited decades for the moment to those capturing it in real time.

In the tent city of Mina, two pilgrims rested side by side: one catching his breath, the other capturing a selfie. One scrolled through prayer times on his smartphone; the other adjusted the strap of his orthopedic sandal. One leaned on a walking stick; the other scrolled through digital navigation. But both wore the same white ihram and followed the same steps.

This was the paradox of Hajj 2025, where generations decades apart walked the same sacred path in remarkably different ways. They shared no common language except the unspoken one of faith.

For 73-year-old Moinuddin from Pakistan, the pilgrimage was a long-awaited dream, one that had been etched over decades of supplication.

He said: “I have the desire and I ask help from God to give me courage and power to perform this Hajj for the Isaal-e-Sawaab (gifting of spiritual rewards) for my mother.”

He paused often, not just for rest, but to reflect — at Arafat, in Muzdalifah, and between the pillars of Jamarat.

Just a few rows behind him, Mustafa, 22, from Denmark, documented his Hajj in quick snaps and video clips. He brought a camera with him to capture the moments for his friends and family back home. He said: “Coming here as a young person, I am grateful. I see a lot of older people and it’s difficult; you have to work a lot.”

While Mustafa relied on digital navigation to track his group, Moinuddin leaned gently on a young companion’s shoulder. Both pilgrims endured the same sun, the same crowds, and the same powerful rituals, but the lens through which they experienced Hajj was shaped by their stage in life.

As the majority of pilgrims were elderly, many arrived with wheelchairs, walkers, or full family support. Their presence was treated with reverence — volunteers readily offered water, fans, and silent prayers as they passed.

In contrast, the younger generation brought a different rhythm — one of documentation, discovery, digital devotion, QR codes at checkpoints, real-time language translation apps, and virtual guides to make this year’s Hajj more accessible than ever.

But tech aside, the younger pilgrims still found themselves drawn into moments of stillness.

What binds both ends of the age spectrum was the raw, shared surrender to something greater. In a space where nationality, status, and language dissolve, so too does age. You could be 18 or 81 — you still bow to the same qibla.

At Mina, where pebbles were cast in symbolic defiance of ego, one young man gently steadied an old man’s arm before throwing his own stones. A quiet exchange, but one that said everything.

As pilgrims circled the Kaaba one final time before departure, the generational divide faded further. Some walked swiftly, others were pushed gently in wheelchairs, but all completed the same Tawaf Al-Wadaa (farewell tawaf).

The journey in the end was not measured in steps or speed, but in surrender. And that, in the valley of Makkah, was a language every pilgrim spoke fluently.


Exploring the hidden gems of Saudi Arabia’s sacred heritage

Beyond the holy cities, other sacred destinations continue to attract pilgrims in search of spiritual enrichment. (Supplied/File
Updated 09 June 2025
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Exploring the hidden gems of Saudi Arabia’s sacred heritage

  • In the holy city of Makkah, pilgrims visit Jabal Al-Nour, whose name means “Mountain of Light”

JEDDAH: As pilgrims complete the sacred rites of Hajj, many embark on a deeper spiritual journey by exploring historic Islamic sites across Saudi Arabia to connect with the roots of their faith.

In the holy city of Makkah, pilgrims visit Jabal Al-Nour, whose name means “Mountain of Light.” At its peak lies the Cave of Hira, where the first verses of the Qur’an were revealed through the Angel Jibreel.

The mountain’s distinctive camel-hump shape makes it a striking landmark, especially with the nearby Hira Cultural District, where the Revelation Gallery offers pilgrims to learn the story of divine revelation and history.

Beyond the holy cities, other sacred destinations continue to attract pilgrims in search of spiritual enrichment. (Supplied/File photo)

Ahmed Khan, a private tour guide said: “There’s something unexplainable about standing where it all began. When I take pilgrims to Jabal al-Nour, many of them are moved to tears it’s not just a climb, but it’s a spiritual awakening.”

To the south lies Jabal Thawr, the mountain that cradled the Prophet and his companion Abu Bakr as-Siddiq in its cave during their migration to Madinah. The story of divine protection, where a spider’s web and a dove’s nest concealed their presence from their pursuers, resonates deeply with pilgrims.

Another frequently visited site is Jabal Abu Qubays, believed in some traditions to be the first mountain placed on Earth. As the closest peak to the Grand Mosque, it resonates with the early public da’wah and the great spiritual responsibility.

FASTFACTS

• Al-Qiblatain Mosque, where revelation changed the direction of prayer from Jerusalem to Makkah, remains a must-visit site for pilgrims. 

• Programs like ‘Hala,’ launched by Al-Bait Guests Co., are curating journeys for pilgrims to explore with knowledgeable guides. 

Nearby, the modest yet historically significant Al-Bay’ah Mosque marks the location of the Pledge of Aqabah, where the Ansar of Madinah pledged allegiance to the Prophet Muhammad.

Built during the Abbasid era, it symbolizes early Muslim unity and commitment to the new faith. A short distance away in Al-Hajun district is Jabal Al-Sayyidah, at the base of which lies the revered Al-Ma’la Cemetery, resting place of Khadijah, the Prophet’s beloved wife. Her grave remains a focal point of deep reverence.

“Pilgrims love visiting these places and it helps them to understand the sacrifices of the people who shaped Islam,” Khan added.

Madinah has its own timeless legacy. Al-Qiblatain Mosque, where revelation changed the direction of prayer from Jerusalem to Makkah and marked a defining shift in Muslim identity and remains a must-visit site for pilgrims.

Hussain Rauff, regional director of Madinah Hotels at Elaf Al-Taqwa, said: “We’re planning to organize guided tours across Madinah to help pilgrims explore the city’s rich Islamic heritage. It’s a meaningful way to extend their spiritual journey beyond the rituals of Hajj.”

Further west of the Prophet’s Mosque lies the cluster known as the Seven Mosques, each linked to events from the Battle of the Trench. Among them are Al-Fath Mosque and those named after figures such as Fatimah, Ali ibn Abi Talib, and Salman Al-Farsi. These mosques are rich in historical memory and serve as reminders of hardship during one of Islam’s critical battles.

Mount Uhud rises just north of Madinah city, its slopes reminds of the Battle of Uhud and the place where the Prophet’s uncle, Hamza ibn Abdul Muttalib, and 70 companions were martyred. Today, pilgrims pause at the Uhud Martyrs Cemetery indicating the modesty found in victory and the strength drawn from loss.

Equally powerful is a visit to Baqi’ Al-Gharqad Cemetery, the resting place of many of the Prophet’s family members and companions. Located near the Prophet’s Mosque, the cemetery has long served as a site for prayer and remembrance, offering pilgrims a moment of intimate connection with those who stood beside the Prophet during Islam’s formative years.

Beyond the holy cities, other destinations continue to attract pilgrims in search of spiritual enrichment. Northwest of Madinah lies Khaybar, the site of a pivotal military campaign that showcases both the strategic and ethical dimensions of the Prophet’s leadership. Its volcanic terrain and ancient fortifications tell stories etched in stone.

Fatima Al-Mutairi, a pilgrim from Kuwait: “I am planning to visit these places in Jeddah and Taif after my Hajj. I am planning to visit the Tomb of Hawa in Jeddah and in Taif, I look forward to visiting Masjid Abdullah ibn Abbas, to pay tribute to one of the great scholars whose work in Qur’anic interpretation and Hadith continues to inspire many seekers of knowledge.”

Recognizing the growing desire for such experiences, programs like “Hala,” launched by Al-Bait Guests Co., are curating immersive journeys for pilgrims to explore these sacred sites with knowledgeable guides and spiritual context.

Mohammed Al-Shahrani, experience officer in Hajj and Umrah sector said: “Our aim is to enrich the post-Hajj experience. We want pilgrims to understand that the journey of faith continues, and Saudi Arabia is opening its heritage for those who wish to walk in the footsteps of the Prophet.”

 


MWL, GCC chiefs praise Saudi Arabia’s Hajj success

Updated 09 June 2025
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MWL, GCC chiefs praise Saudi Arabia’s Hajj success

  • Muslim World League Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa also extended his congratulations on behalf of all MWL agencies

RIYADH: The secretary-general of the Gulf Cooperation Council, Jassem Al-Budaiwi, has congratulated King Salman and Crown Prince Mohammed bin Salman on a successful Hajj season.

“This success reflects the Saudi government’s great efforts and capabilities in serving pilgrims and ensuring they perform rituals with ease, safety and security,” he said.

Al-Budaiwi praised the Kingdom’s advanced infrastructure, precise organization, use of modern technologies — including artificial intelligence — and skilled workforce.

“These efforts delivered an exceptional Hajj experience and reaffirmed Saudi Arabia’s leadership in serving Islam and Muslims,” he added. The secretary-general also lauded the Kingdom’s continuous development of the Hajj system.

Muslim World League Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa also extended his congratulations on behalf of all MWL agencies.

He praised the generous care provided to pilgrims, highlighting the smooth movement between holy sites and the commitment to ensuring their comfort and spiritual focus.

 


Maldivian president leaves Saudi Arabia after official visit

Updated 09 June 2025
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Maldivian president leaves Saudi Arabia after official visit

  • Deputy Mayor of Jeddah Ali Mohammed Al-Qarni and Ahmed bin Dhafer, director of the Royal Protocol Office in the Makkah region, were among the officials present

JEDDAH: Maldivian President Mohamed Muizzu departed Saudi Arabia on Monday.

Jeddah Gov. Prince Saud bin Abdullah bin Jalawi and several other officials accompanied Muizzu to King Abdulaziz International Airport to wish him farewell, the Saudi Press Agency reported.

Deputy Mayor of Jeddah Ali Mohammed Al-Qarni and Ahmed bin Dhafer, director of the Royal Protocol Office in the Makkah region, were among the officials present.

 


Spiritual journey of Hajj pilgrims ends with gifts and souvenirs

As Hajj concludes, pilgrims commonly engage in the cherished custom of purchasing gifts. (SPA)
Updated 09 June 2025
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Spiritual journey of Hajj pilgrims ends with gifts and souvenirs

  • Many gifts symbolize the holy sites and carry deep religious significance
  • Popular choices include Zamzam water, prayer beads, and copies of the Holy Qur’an

MAKKAH: Throughout their profound journey of faith, especially as Hajj concludes, pilgrims commonly engage in the cherished custom of purchasing gifts.

They flock to the malls and markets of Makkah, particularly those around the Grand Mosque. This tradition expresses their spiritual fulfillment and prepares them for their return home, blessed by Allah for having performed the sacred rites, according to a Saudi Press Agency report.

Gift buying represents joy at Hajj’s successful conclusion and strengthens social bonds between relatives, SPA added.

Many gifts symbolize the holy sites and carry deep religious significance. Popular choices include Zamzam water, prayer beads, and copies of the Holy Qur’an.

Pilgrims also frequently buy perfumes like incense and musk, along with various types of dates — ajwa dates being especially sought after.

The markets of Makkah and Madinah see a significant boom after Hajj, bustling with pilgrims of diverse nationalities.

These vibrant markets include modern malls in the Haram area, the traditional Aziziyah Market, the Hijaz Market, and bazaars near the Prophet’s Mosque in Madinah.

Merchants actively meet this demand, offering a wide range of products, special offers for pilgrims, and often discounts on bulk purchases.