MALMO, Sweden: Swiss singer Nemo won the 68th Eurovision Song Contest early Sunday with “The Code,” an operatic pop-rap ode to the singer’s journey toward embracing a nongender identity.
Switzerland’s contestant beat Croatian rocker Baby Lasagna to the title by winning the most points from a combination of national juries and viewers around the world. Nemo, 24, is the first nonbinary winner of the contest that has long been embraced as a safe haven by the LGBT community. Nemo is also the first Swiss winner since 1988, when Canadian chanteuse Celine Dion competed under the Swiss flag.
“Thank you so much,” Nemo said after the result from Saturday’s final was announced soon after midnight. “I hope this contest can live up to its promise and continue to stand for peace and dignity for every person.”
At a post-victory news conference, Nemo expressed pride in accepting the trophy for “people that are daring to be themselves and people that need to be heard and need to be understood. We need more compassion, we need more empathy.”
Nemo’s victory in the Swedish city of Malmo followed a turbulent year for the pan-continental pop contest that saw large street protests against the participation of Israel that tipped the feelgood musical celebration into a chaotic pressure cooker overshadowed by the war in Gaza.
Hours before the final, Dutch competitor Joost Klein was expelled from the contest over a backstage altercation that was being investigated by police.
Nemo — full name Nemo Mettler — bested finalists from 24 other countries, who all performed in front of a live audience of thousands and an estimated 180 million viewers around the world. Each contestant had three minutes to meld catchy tunes and eye-popping spectacle into performances capable of winning the hearts of viewers. Musical styles ranged across rock, disco, techno and rap — sometimes a mashup of more than one.
Israeli singer Eden Golan, who spent Eurovision week in Malmo under tight security, took the stage to a wall of sound — boos mixed with cheers — to perform the power ballad “Hurricane.” Golan shot up the odds table through the week, despite the protests that her appearance drew, and ended in fifth place behind Nemo, Baby Lasagna, Ukrainian duo alyona alyona & Jerry Heil, and French singer Slimane.
Eurovision organizers ordered a change to the original title of her song, “October Rain” — an apparent reference to the Oct. 7 Hamas attack that killed about 1,200 people in Israel and triggered the war in Gaza.
The show was typically eclectic Eurovision fare, ranging from the pop-zombie folk hybrid of Estonia’s 5Miinust x Puuluup to the folk-inflected power pop of Greece’s Marina Satti and Armenia’s Ladaniva and the goofy 1990s nostalgia of Finland’s Windows95man, who emerged from a giant onstage egg wearing very little clothing.
Britain’s Olly Alexander offered upbeat dance track “Dizzy,” while Ireland’s gothic Bambie Thug summoned a demon onstage and brought a scream coach to Malmo, and Spain’s Nebulossa boldly reclaimed a term used as a slur on women in “Zorra.”
Nemo had been a favorite going into the contest, alongside Baby Lasagna, whose song “Rim Tim Tagi Dim” is a rollicking rock number that tackles the issue of young Croatians leaving the country in search of a better life.
The contest returned to Sweden, home of last year’s winner, Loreen, half a century after ABBA won Eurovision with “Waterloo” — Eurovision’s most iconic moment. ABBA did not appear in person in Malmo, though their digital “ABBA-tars” from the “ABBA Voyage” stage show did.
A trio of former Eurovision winners — Charlotte Perrelli, Carola and Conchita Wurst — performed “Waterloo” in tribute.
Though Eurovision’s motto is “united by music,” this year’s event has proven divisive. Protests and dissent overshadowed a competition that has become a campy celebration of Europe’s varied — and sometimes baffling — musical tastes and a forum for inclusiveness and diversity.
Thousands of pro-Palestinian demonstrators marched for the second time in a week on Saturday through Sweden’s third-largest city, which has a large Muslim population, to demand a boycott of Israel and a ceasefire in the seven-month Gaza war that has killed almost 35,000 Palestinians, according to the health ministry in the Hamas-run territory.
Several hundred gathered outside the Malmo Arena before the final, with some shouting “shame” at arriving music fans, and facing off with police blocking their path. Climate activist Greta Thunberg was among those escorted away by police.
Klein, the Dutch performer, was ejected from the competition after a female member of the production crew made a complaint, competition organizer the European Broadcasting Union said. The 26-year-old Dutch singer and rapper had been a favorite of both bookmakers and fans with his song “Europapa.”
Dutch broadcaster AVROTROS, one of dozens of public broadcasters that collectively fund and broadcast the contest, said that as Klein came offstage after Thursday’s semifinal, he was filmed without his consent and in turn made a “threatening movement” toward the camera.
The broadcaster said Klein didn’t touch the camera or the camera operator, and called his expulsion “disproportionate.”
Tensions and nerves were palpable in the hours before the final. Several artists were absent from the Olympics-style artists’ entrance at the start of the final dress rehearsal, though all appeared at the final.
Several competitors made reference to peace or love at the end of their performances, including France’s Slimane, who said: “United by music for love and peace.”
Nemo said the Eurovision experience had been “really intense and not just pleasant all the way.”
“There were a lot of things that didn’t seem like it was all about love and unity, and that made me really sad,” Nemo said. “I really hope that Eurovision continues and can continue to stand for peace and love in the future. I think that needs a lot of work still.”
Switzerland’s Nemo wins 68th Eurovision Song Contest after event roiled by protests over Gaza war
https://arab.news/97w6r
Switzerland’s Nemo wins 68th Eurovision Song Contest after event roiled by protests over Gaza war
- Nemo, 24, is the first nonbinary winner of the contest that has long been embraced as a safe haven by the LGBT community
Review: Carttel Entertainment
- The mini-golf course offers eight levels, catering to both beginners and seasoned players. Other games include basketball, shuffleboard, air hockey, and snooker
JEDDAH: Jeddah has recently introduced a range of diverse entertainment concepts for kids, but why should adults miss out on the fun?
Carttel Entertainment, which opened this month, offers an exciting mix of elevated entertainment, games, food, and shisha — making it the perfect place to unwind and play.
Carttel spans two floors and features a bowling alley, interactive football simulators, and an F1 racing experience that takes gaming to the next level.
The mini-golf course offers eight levels, catering to both beginners and seasoned players. Other games include basketball, shuffleboard, air hockey, and snooker.
The wooded interior, with rich red curtains and classic theatre-style seating creates an inviting and elegant atmosphere.
Whether you’re playing a game or relaxing with some food, the space’s retro charm with modern touches make it a unique spot in Jeddah’s nightlife.
On the ground floor there is a bar serving fresh juices, mocktails, and a variety of hot and cold beverages as well as food. I sampled the lobster tacos, Wagyu beef tacos, and smashed truffle burgers, which were delicious. For dessert, the hazelnut chocolate cake was so rich and indulgent that I ordered two portions. The menu also features a tempting selection of international sweets, salads, pizzas, and main courses.
For a more exclusive gathering, Carttel offers a VIP Room — a private space equipped with the same games but on a smaller scale. Ideal for celebrations with friends or family, the room accommodates around 20 guests.
Carttel also hosts live music and dance performances from around the world.
It is located at La Prestige Mall, Ash Shati and is open daily from 4 p.m. to 1 a.m. For more information and booking visit @carttelentertainment on Instagram.
Huda Kattan launches ‘Huda Hotline’ — a podcast for honest talking
DUBAI: Huda Kattan, the mogul behind Huda Beauty, is breaking new ground with the launch of her “Huda Hotline” podcast.
Launched on Jan. 30, the podcast marks her first major project outside her beauty empire, offering a space for candid discussions about self-worth, beauty standards and personal growth.
Speaking about her motivation, Kattan told Arab News: “I wanted to do this for so long, it’s been a dream of mine for so many years, because I just had so many people from my community asking me to do a podcast, telling me they wanted to see a place where I could share some of my experiences.”
She added that her community has always been deeply connected by a shared passion for development and hard work, something she has learned from statistics and surveys conducted on her META platforms. They revealed a significant percentage of her followers are women striving to start their own businesses.
With “Huda Hotline,” Kattan said she was aiming to give back by being more vulnerable and open about her journey.
“I also have realized that my vulnerability and accepting that I don’t know the answers is something that people also have appreciated from me,” she said.
Initial episodes will explore topics such as entrepreneurship, overcoming fear and redefining traditional beauty standards.
Kattan also talked about the impact her beauty brand has had on diversifying the industry. She said: “I definitely think we were a big part of leading this conversation, and it was difficult at first. It was very, very difficult to be based in the Middle East and trying to break through to the US, break through Europe, and that was extremely, extremely challenging.”
As for the podcast’s future, Kattan envisions she will eventually bring in guests.
“I definitely think there may be some people, but not right away,” she said. She said she was interested in featuring experts in health, self-improvement and biohacking, giving her audience a glimpse into her personal passions beyond beauty.
“I’m so ready for this,” she added.
REVIEW: Timothée Chalamet dazzles as Bob Dylan in ‘A Complete Unknown’
DUBAI: There’s a scene roughly two-thirds of the way through “A Complete Unknown” when Bob Dylan (played by Timothée Chalamet) and Joan Baez (Monica Barbaro) sing “It Ain’t Me Babe” on stage at the Newport Folk Festival. It’s an extraordinary, electrifying performance — one that encapsulates the mesmerizing musical clarity and emotional power of this brilliant yet flawed biopic.
The opening quarter of James Mangold’s film is rich with such moments: a young, carefree Dylan singing “Song to Woody” for his hero Woody Guthrie; his first encounter with Baez at Gerde’s Folk City in 1961; the visible joy of Pete Seeger (played by Edward Norton) as Dylan performs “The Times They Are A-Changin’” at Newport in 1963; and the rapt attention of Seeger’s children as Dylan sings one morning in their family home. These scenes may play footloose and fancy-free with historical fact, but they brim with atmospheric splendor.
“A Complete Unknown” — co-written by Mangold and screenwriter Jay Cocks, and based on Elijah Wald’s book “Dylan Goes Electric!” — follows Dylan from his arrival in Greenwich Village in 1961 to his seismic performance at the Newport Folk Festival in 1965. The latter, replete with a braying crowd and hostile projectiles, acts as the film’s explosive finale, as Dylan rejects the straitjacket of traditional acoustic folk in favor of electric experimentation.
Chalamet captivates as Dylan, capturing the singer-songwriter’s nonchalance and charisma, although the artist himself remains mostly a mystery. Sure, we see his ruffled hair, his quirky mannerisms, and his love of cigarettes, and Chalamet nails his distinctive, raspy, grittily raw voice, but Dylan the man is as doggedly elusive as ever. Outside of the musical set pieces, the songwriting, and a few intimate moments with Baez and his long-suffering girlfriend Sylvie (Elle Fanning, playing Dylan’s real-life partner Suze Rotolo), what remains is a moody, mumbling, and largely unpleasant artist grappling with the burden of celebrity.
That said, the movie’s faithful recreation of Greenwich Village and the New York folk scene of the early 1960s, its supporting performances — especially Norton’s Seeger and Barbaro’s Baez, and the addictive nature of the soundtrack not only make this a tribute to Dylan’s enduring influence, both as an artist and as a cultural icon, but a beautifully rendered period piece.
Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh
- Ambassador of India Dr. Suhel Ajaz Khan: The Embassy is honored to co-host the upcoming Sarod quintet concert by the legendary musician Amjad Ali Khan in Riyadh
- Dr. Suhel Ajaz Khan: The strong interest among Saudi friends toward this concert is a testimony to the popularity of Indian music, arts and cinema in the Kingdom
RIYADH: The internationally acclaimed sarod maestro Ustad Amjad Ali Khan will give a virtuoso performance of the stringed instrument at the Cultural Palace, Diplomatic Quarter in Riyadh on Feb. 6, 2025.
The Embassy of India, in collaboration with the Diplomatic Quarter Office at the Royal Commission for Riyadh City, is organizing the musical performance of “Three Generations, One Melody,” featuring the renowned Indian sarod quintet led by the acclaimed composer Amjad Ali Khan.
Ambassador of India Dr. Suhel Ajaz Khan told Arab News: “The Embassy is honored to co-host the upcoming Sarod quintet concert by the legendary musician Amjad Ali Khan in Riyadh. This unique musical performance being organized for the first time in Saudi Arabia is going to showcase the richness of Indian classical music.”
“The strong interest among Saudi friends toward this concert is a testimony to the popularity of Indian music, arts and cinema in the Kingdom that has only become more profound in recent years,” he said.
A few months ago, Indian artists and cultural troupes performed at the ten-day Indian cultural festival at Suwaidi Park in Riyadh under the Global Harmony Initiative of the Saudi government, he said.
“The event was hugely popular among the Saudi guests. Indian art and music always had a huge fan base in Saudi Arabia, and we are happy to see our Saudi friends showing great interest in attending Indian cultural events. This not only shows the strength of our people-to-people ties, but also the immense potential of cultural exchanges between the two countries.”
Speaking to Arab News from India, Amjad Ali Khan said: “I feel very happy, highly honored, that I got the opportunity to perform in Riyadh, to regale the people of Saudi Arabia. I am grateful to the Indian Embassy in Riyadh who made it possible.
“We are invited to the Western world and get a lot of opportunities to perform. Recently the London Philharmonic Orchestra played my composition. I had a concert at the Royal Festival Hall of London.”
The sarod grand master joined the London Philharmonic Orchestra in a concert that spanned continents and cultures.
“A Saudi orchestra can also play my composition, ‘Samaagam,’ but it needs to be planned,” he said.
“To perform with your children and grandchildren is only possible with the blessing of the Almighty Allah, and the prayers of fans. I am lucky to perform with our three generations in the concert in Riyadh.”
The sarod grand master was born to a family steeped in Indian classical music and is regarded as one of the icons of the music world, bringing a new and yet timeless interpretation to the playing of the sarod.
The sarod is a fretless stringed instrument with a teak frame, a goatskin soundtable and a metal fingerboard, with six to eight strings as well as additional sympathetic strings. The instrument lends itself to improvization and graceful expression because of the ability of the musician to slide and glide between notes, much like a human voice.
His sons, Amaan Ali Bangash and Ayaan Ali Bangash, are virtuoso performers in their own right, and will accompany the sarod grand master at the concert in Riyadh.
‘The Seven Dogs,’ directed by ‘Bad Boys’ filmmakers, begins production in Riyadh
DUBAI: “The Seven Dogs,” a groundbreaking film for Saudi Arabia starring Egyptian cinema icons Karim Abdel Aziz and Ahmed Ezz, has begun production in Riyadh.
The film is based on a story by Turki Al-Sheikh, Chairman of Saudi Arabia's General Entertainment Authority, with a screenplay by Mohamed El-Dabbah.
The project – directed by the internationally acclaimed duo Adil El Arbi and Bilall Fallah, known for their work on "Bad Boys for Life” – is making waves for its substantial budget, exceeding $40 million, making it the largest Arabic film production to date, according to Al-Sheikh.
Filming is taking place at the newly inaugurated Al-Hisn Big Time Studios in Saudi Arabia.
Al-Sheikh expressed his enthusiasm on social media, writing, “Today marks an important day in my career and in the history of cinema in my country and the Arab world. Today, filming began for ‘The Seven Dogs,’ a story by myself and the Big Time team, with a screenplay by Mohamed El-Dabbah."
This collaboration between Abdel Aziz and Ezz follows their previous successful projects, including “Kira & El Gin.”
The film's plot details remain under wraps, but the combination of a high-profile cast, experienced directors, and a significant production budget has generated considerable anticipation.