RIYADH: In Riyadh’s bustling Souq Al-Zal the air is filled with the scent of spices, vibrant colors of traditional goods, and the echo of timeless melodies.

Amid the stalls of woven rugs and antiques, Abu Radah’s corner stands out. Known for his collection of records an cassettes, and his boundless passion for folk music, he has become a beloved figure in the market, sharing his love for vintage sounds with locals and tourists alike.

“I work with folk art. It’s my passion,” he told Arab News. “I love folk art; artists like Fahd Al-Saeed, Bashir Shannan, Essa, Taher, and all the folk artists, including Mohammed Abdu and Talal, all Khaleeji and non-Khaleeji music.”

For over two decades, Abu Radah has nurtured this passion, turning it into a collection that speaks to the soul of Saudi Arabia’s musical heritage.

His stall, adorned with colorful rugs and surrounded by retro radios and speakers, is a treasure trove of music that resonates with Saudi heritage. “Honestly, I’ve been passionate about it since I was young. I started collecting records when I was around 17 or 18,” he said. “I used to get them from Abu Wahib, may he rest in peace, in Helat Al-Ahrar.

“Little by little, I collected records, tapes, silencing devices, recorders, musical scales, and classic recordings. It became a hobby and a routine for me, thank God.”

Visitors to Abu Radah’s stall can explore everything from rare vinyl records to cassette tapes, all carefully organized across tables covered in colorful textiles. “(I have) some rare records, like Bashir Shannan’s album ‘Al-Barih Yom Aindak.’ It’s hard to find, as well as the classic Fahd Al-Saeed records. These are collector’s items,” he says with pride.

His dedication to preserving this musical heritage has made his stall a magnet for enthusiasts.

“Honestly, Bashir Shannan, may he rest in peace. He’s my favorite artist,” Abu Radah added, reflecting on his connection to the music.

His collection also includes international names. “I have records of Michael Jackson and other international artists. I got them because we receive tourists, and some might prefer non-Arabic music.”

This blend of local and international records makes his stall a fascinating stop for tourists. “Tourists enjoy it here. We even had an American tourist who loved it when I played a Michael Jackson record, and it became a trending moment,” Abu Radah recalls with a smile.

Souq Al-Zal, known for its antique treasures and traditional crafts, has evolved in recent years, attracting a new generation eager to reconnect with their roots. Social media, particularly TikTok, has played a surprising role in this resurgence.

Videos of Abu Radah spinning vinyl records and inviting visitors to dance have gone viral, bringing a new wave of attention to his humble stall. Young Saudis and international tourists now flock to the market, eager to meet the man behind the music and experience his one-of-a-kind collection.

Abdullah Al-Sheqair, known as Shalgm, is another familiar face in the market who has spent eight to ten years there.

Shalgm admires how the market has evolved, crediting social media and the country’s leadership for revitalizing heritage. “Social media has boosted the market, and Crown Prince Mohammed bin Salman’s vision has rejuvenated heritage. Previously, items like traditional coffee pots sold for little, but now they have high value. Back then, only the elderly were in this trade, but now both youth and elders are involved.”

According to Shalgm, the number of tourists has increased significantly, bringing fresh energy to the market. “Now, we have an increasing number of tourists visiting. They participate in auctions and enjoy the music with Abu Radah. Everyone’s happy,” he said.

Shalgm also holds a deep admiration for Abu Radah’s dedication to music. “Speaking of Abu Radah, he’s been a fan of Bashir for over 20 years … he is one of the nicest people in the market, even kinder than I am,” Shalgm added, highlighting Radah’s well-known generosity and warmth.

As the day winds down in Souq Al-Zal, the sound of Abu Radah’s records continues to echo through the market, creating an atmosphere where music bridges generations and cultures.

For those who pass by his stall, it is not just a place to buy records, but a place to experience a piece of Saudi history, brought to life by a man whose love for music is as timeless as the records he cherishes.

MAKKAH: After qualifying at just 11 years old, Reman Assere officially became Saudi Arabia’s youngest calligraphy instructor.

Her journey started in fifth grade, sparked by a school activity. She began with basic exercises but, with continuous practice and self-learning through platforms such as YouTube, she steadily refined her skills.

Her ambitions and her love of the art drove her to undertake professional training in Kufic calligraphy, believed to be the earliest example of a universal style of Arabic calligraphy. Once qualified, she was registered on the Ministry of Culture’s official platform, Al-Khattat.

What truly set her apart and caught people’s attention was her relentless dedication to learning. Even during vacations, she practiced tirelessly, seeking out special events and connecting with other calligraphers.

Now aged 15, Assere told Arab News that her professional training was carried out under the guidance Shurooq Al-Harbi. She also highlighted the pivotal role played in her development by Prof. Siraj Al-Omari, whose ongoing support and encouragement were instrumental.

Today, Assere has become proficient in both in writing and teaching Kufic calligraphy and is expanding her expertise to include the Diwani style.

However, her journey has been far from easy. A lack of calligraphy institutes in her native region of Abha posed considerable challenges and meant she had to rely on online courses or travel to other cities.

It was worth it, however. Her numerous awards include first place in the 2023 Cultural Skills Competition and the Ministry of Education’s National Olympiad for Arabic Calligraphy. She has also demonstrated her talents at prominent events, such as the Layalina Festival in Wadi Al-Dawasir and the Abha Shopping and Entertainment Festival.

Assere has also led courses at the Holy Mosque Library in Makkah and organized calligraphy workshops in schools.

Today, she is recognized as one of the most influential trainers in Arabic calligraphy, teaching across all age groups. She takes pride in seeing her students compete in calligraphy competitions, a testament to the success of her approach and teaching methods.

Even in an age of rapid technological advancements, Assere is confident that calligraphy’s unique beauty will endure. She believes the future is bright for students and trainees, as the art of calligraphy continues to inspire and cultivate creativity.

She explained how the beauty of Arabic calligraphy is in the balance and harmony of its letters, with fluid lines that interlace. For Assere, Arabic calligraphy not only captures the essence and grace of the Arabic language, but it also allows the writer to convey thoughts and emotions.

Arabic calligraphy is celebrated for its variety of styles, including Kufic, Naskh, Thuluth, Diwani, and Ruq’ah, each with a unique character and distinct lettering technique. Rooted in precise geometric principles, Arabic calligraphy achieves a harmonious visual balance, allowing for flexibility in letter formation, overlapping designs, and intricate decorative motifs.

Assere said: “The beauty of Arabic calligraphy extends beyond writing; it is a visual art that enhances both artworks and decorations. Over time, it has become a cultural symbol that embodies Arab and Islamic identity.”