How a Saudi consultancy is helping businesses remain competitive in the age of AI

Intelligent robots are expected to soon participate in meetings. (Shutterstock)
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Updated 08 June 2024
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How a Saudi consultancy is helping businesses remain competitive in the age of AI

  • Working with top executives, Foresighted aims to enhance understanding of AI’s advantages and limitations
  • CEO Mohammed Alqarni says business chiefs should experiment with AI or risk falling behind their more nimble rivals

RIYADH: Unless company executives adopt artificial intelligence technologies now, they will soon find themselves outmoded and driven out of business by their competitors, a Saudi AI consultant has warned.

Mohammed Alqarni, an academic, AI-for-business consultant, and CEO of the Saudi AI consultancy firm Foresighted, believes it is important for businesses to begin experimenting with AI right away, otherwise they will quickly fall behind their more nimble rivals.

“AI will not replace your job — someone using AI will replace your job,” Alqarni told Arab News.

Working with top executives, Foresighted aims to enhance understanding of AI’s advantages and limitations, propel the development of innovative business models, and integrate AI technologies into business plans.

“One of the main philosophies that we have is: No one understands the business more than the business people themselves,” Alqarni said. “We teach them what AI can do and what AI can’t do because AI can’t do everything.”

Alqarni is developing a “generative AI organizational transformation framework,” which will consider key impact areas of AI, including the impact of automation on various jobs — including top managerial positions.

“A very interesting insight we found was that the higher the skill needed, the more AI impact will have,” said Alqarni. 

“Initial analysis revealed that if you are in a managerial position, AI will impact your job more, and this makes a lot of sense, because your main tasks are reviewing documents, and doing strategic level work, and that is heavily data-driven, so AI will help you a lot.

“The lower you go, to the more operational tasks, the impact of AI reduces, because it is usually manual work.”

For many in the business world, AI is still just a trendy buzzword that is not fully understood. Alqarni believes bosses cannot afford to be complacent about the tectonic shifts already underway.




For Mohammed Alqarni, CEO of the Saudi AI consultancy firm Foresighted, the sooner business executives learn or get themselves familiar with AI, the better for their careers and businesses. (Shutterstock)

Asked about the possible repercussions that executives and companies will face if they fail to utilize AI, Alqarni is unequivocal: “They will be out of business.” 

He added: “As I said, AI is no longer an option. It’s your only defense against creative destruction. If you do not change, someone else will force you to change or you will be out of business. The sooner you start, the better you are.”

To avoid falling behind, Alqarni says business leaders should start experimenting with AI right away and encourage their employees to start utilizing it in their work. “I am not saying deploy AI today,” he said. “All I’m asking is, start experimenting today.”

One of the biggest challenges executives cite for avoiding AI uptake is that they are “too busy” and lack the time to experiment. However, Alqarni says business chiefs “need to create a culture of innovation, a culture of experimentation in order to utilize AI in the best way.” 




AI consultant Mohammed Alqarni says the transition could be painful, but believes it is wrong to bury one’s head in the sand. (Shutterstock image)

Some are likely putting off AI adoption, fearful that it could make many human jobs obsolete. Alqarni acknowledges the transition could be painful, but believes it is wrong to bury one’s head in the sand.

“The way I think about it, when it comes to AI and unemployment — because this is the ultimate fear at a government level — AI will definitely eliminate jobs, but it will also change some jobs, and at the same time it will create more jobs,” he said. 

“The question is not about whether AI will eliminate jobs or not. It’s about how many jobs will be created and how many jobs will be eliminated and how many jobs will be changed.”

Drawing parallels with the industrial revolution of the 18th and 19th centuries, when large, steam-driven factories destroyed many traditional cottage industries and artisan crafts, Alqarni said the job market eventually “balanced out” as more roles were created.

Likewise, he believes the employment landscape will adjust to the rhythms of the AI age. “My only concern is the speed at which this has happened,” said Alqarni. “I think we will feel it stronger with AI because the development is much faster.

“For you to build a factory, it will take years. To build a model AI agent that could replace human beings could happen in a couple of days. 

“It is not black and white when it comes to job creation and job elimination, but it is a scale. There will be jobs that are lost, transitioned, changed, as well as job creation.”




The best way to guarantee job security is through re-skilling the workforce, says AI consultant Mohammed Alqarni. (AP/File photo)

For Alqarni, the best way to guarantee job security during this turbulent transition, therefore, is through re-skilling the workforce.

“People that are losing their job will need to be re-skilled, given relevant skills that are needed in the market,” he said. “For jobs that are being changed, it is a matter of up-skilling.”

Alqarni believes Saudi Arabia should prepare young workers for a rapidly changing job market.

“Vision 2030 programs tasked with such planning should consider AI’s impact on jobs in the near and far future,” he said.

“This would ensure that job creation matches the required demand. This is a crucial consideration that is not being considered enough.” 
 

 


Saudi king, crown prince offer condolences to king of Morocco

Saudi Arabia's King Salman and Crown Prince Mohammed bin Salman. (SPA)
Updated 30 June 2024
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Saudi king, crown prince offer condolences to king of Morocco

RIYADH: Saudi Arabia’s King Salman and Crown Prince Mohammed bin Salman sent cables of condolences to the king of Mohammed VI of the Kingdom of Morocco on the death of his mother, the Saudi Press Agency reported on Sunday.

In a cable to King Mohammed VI of Morocco, King Salman expressed deepest and sincere condolences on the death of Princess Lalla Latifa.

Crown Prince Mohammed bin Salman expressed 'my warmest and most sincere condolences' in a separate cable, the SPA said.

 


Saudi embassy in Lebanon urges citizens to leave country immediately

Updated 29 June 2024
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Saudi embassy in Lebanon urges citizens to leave country immediately

  • Embassy stressed previous call to all Saudi citizens to avoid travel to Lebanon

BEIRUT: The Embassy of Saudi Arabia in Lebanon said on Saturday it was closely following the developments of the current events in southern Lebanon, Saudi Press Agency reported. 

It stressed its previous call to all Saudi citizens to avoid travel to Lebanon, and urged citizens there to leave Lebanese territory immediately.

The embassy said should they need to, citizens must contact it in the event of any emergency.

The warning came as Iran on Saturday warned that “all Resistance Fronts,” a grouping of Iran and its regional allies, would confront Israel if it attacked Lebanon.

The comment from Iran’s mission to New York came with fears of a wider regional war involving Israel and Lebanon’s Iran-backed Hezbollah movement.

The two sides have engaged in near-daily exchanges of fire since the war in Gaza began.


UNESCO-inscribed oral tradition of Alheda’a reflects enduring bond between Arabs and camels

Updated 29 June 2024
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UNESCO-inscribed oral tradition of Alheda’a reflects enduring bond between Arabs and camels

  • Historical accounts credit Mudar bin Nizar with having invented Alheda’a. After a fall from his camel, he kept crying “Waidah! Waidah!” (Oh, my hand!). The camels began moving, thus beginning the tradition of using vocal cues to guide camels

RIYADH: Alheda’a, a folk art passed down through generations across Arabian societies, embodies the deep connection between camels and locals.

Camel herders use Alheda’a — a combination of sounds, gestures, and sometimes musical instruments — to communicate with their camels. These rhythmic expressions, inspired by poetry, form a unique vocabulary that camels seem to understand and obey.

According to a report by the Saudi Press Agency published on June 29, herders use Alheda’a to guide their camels through the desert, find pastures for grazing, and prepare them for watering, milking, and riding. It also allows them to quickly gather the herd together in case of sandstorms.

Historical accounts credit Mudar bin Nizar with having invented Alheda’a. After a fall from his camel, he kept crying “Waidah! Waidah!” (Oh, my hand!). The camels began moving, thus beginning the tradition of using vocal cues to guide camels.

Early Alheda’a mimicked natural camel noises — herders would urge their animals along with sounds including “Heh,” “Doh,” and “Dah.” These vocalizations, along with rajaz (short, improvised poems), are still used today, but their use varies depending on the environment.

Over time, Alheda’a has evolved into a more poetic artform, with distinct styles and vocabulary. It has incorporated deeper meanings, sung verses, and balanced rhythms.

Saudi folk heritage researcher Ibrahim Al-Khaldi told the SPA that Alheda’a was “essential” for nomadic caravans. It typically involved two people reciting simple rhyming verses in unison, a practice that helped encourage the camels while extracting water from wells. For larger water-extraction tasks, where gathering distant camels was crucial, up to four people might recite Alheda’a. Their voices, carried in the quiet of the desert night or dawn, would travel a great distance.

The chairman of the Saudi Society for Camel Studies, Dr. Mohammed Al-Otaibi, told the SPA that Alheda’a existed in pre-Islamic times. The short, impactful chants helped gather camels, guide their movements, and direct them back to their resting places.

Inscribed in 2022 on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity, Alheda’a has various specific chants — for departure, travel, watering, gathering, and drawing water from wells.

Camels hold a unique place in Arab society. Recognizing this rich cultural heritage, the Camel Club was established in Saudi Arabia under the directives of King Salman in 2017.

The Ministry of Culture even declared 2024 “Year of the Camel,” in honor of an animal seen as a cultural treasure, a pillar of national identity, and a valuable part of Arab heritage.

 


Saudi culture, landscape in the spotlight at Riyadh showcase

Updated 29 June 2024
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Saudi culture, landscape in the spotlight at Riyadh showcase

  • 15 local, global artists present work inspired by fusion of visual arts, fashion

RIYADH: The open studio at the second Intermix Residency offers entry into a realm of creative exploration in which artists from across the globe put the Kingdom’s natural landscapes and cultural elements at the center of their work.

Some 15 creators worked together over 10 weeks to develop their own artistic vision inspired by the fusion of visual arts and fashion, and centered around themes of transformation, innovation, and sustainability.

Kuwaiti artist Maha Alasaker uses her own body as a loom for weaving as she contemplates the complex relationship between body and land. (AN photos)

Italian visual artist Ivo Cotani told Arab News: “The residency (has) pushed me forward a lot. I’ve seen (it) not just in my productions, but (by) being myself in my art. I feel more mature and comfortable with what I’m doing.”

His artwork “I Am Nature” is a combination of various mediums and is inspired by local flora and fauna. His studio showcases small ceramic sculptures of oryxes, camels, eagles and other animals, abstract floral paintings, and animal-like flower masks made with the help of two artisans.

HIGHLIGHT

The Intermix Residency program is fully funded and initiated by Saudi Arabia’s Visual Arts Commission in collaboration with the Fashion Commission, and hosted in JAX District within Diriyah.

He added: “Whenever I work, I’m always relating to the land in some way. I have been looking at nature and the desert, and I also visited AlUla and saw the tombs and eagles there. From there I started creating and studying the animals of the desert. I was thinking of embodying nature in some way, and then I thought of masks.”

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

The open studio’s artworks delve into the intricacies of human experience, exploring how individuals embody memories, emotions, and interpretive codes that shape relationships between oneself, daily life, and the natural world, producing an archive of experiments, research, and possibilities.

Saudi visual artist Maram Alsuliman’s “Fragments of the Missing” reflects her background and interest in tradition. She investigates the why, how, and impact of forgotten, discontinued traditions, which are only temporarily preserved through oral transmission.

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

She told Arab News: “My family’s from Najran but I was born and raised in Jeddah, so I’ve always had this curiosity to know more about Najran. While it’s even difficult for me to learn about it, though my parents are from there, how will others learn? I’ve felt like it’s my responsibility to document and tell people about it through my art.”

Mirroring the residency’s sustainability theme, she uses objects that are discarded, like date seeds and broken coffee cups, to create abstract shapes that are then screen printed onto bags. The natural black dye is made from broken-down date seeds.

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

Alsuliman added: “My dad used to bring dates back from Najran in these plastic bags. For him he was carrying food, but I wanted to use them to carry my traditions.”

Alla Alsahli, a Syrian Palestinian designer born and raised in the US, incorporates material manipulation and repetition to tell stories that are rooted in culture and space.

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

Her Intermix project explores the idea of preservation through architecture in Riyadh and beyond. Inspired by the triangular geometrical patterns of Najdi traditional mud buildings, Alsahli creates fashion pieces out of clay, rope and fabric.

Her first ensemble joins each handmade ceramic piece with thread to hold it together. The other is constructed using the throw-away muslin fabric, which is used as a prototype by most designers, linked together by rope. The process of connecting each element to the other symbolizes a hope of preservation.

As architecture goes through phases, construction followed by deconstruction, so the art mirrors the process.

She told Arab News: “The reconstruction phase — which is when people are trying to revive and bring that space back to life — we see that a lot here in Riyadh with Diriyah and Al-Bujairi where a lot of people want to hold on to that culture and style because it's so significant to Najd. I wanted to translate that into fashion to showcase the idea of reconstruction.

“When I started the project, I was thinking about Saudi Arabia a lot, but I felt bad for not relating it to myself and my identity. When I started thinking about myself more, I thought about Syria and Palestine and that’s where the idea of ruins and preservation came from.”

The program's mission is to foster a shared visual language that celebrates the expressive potential of both visual arts and fashion design.

Kuwaiti artist Maha Alasaker focuses on the relationship between nature and culture, with a particular emphasis on the natural colors that can be extracted from the land. This led her to investigate herbal medicines and their historic use in pain management for women.

She presents a live ongoing performance using her own body as a loom for weaving as she contemplates the complex relationship between body and land.

While Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah, Saudi artist Um Kalthoom Al-Alawi’s “Images of Memory” investigates what lies hidden and what is revealed through printed patterns on fabric.

The Intermix Residency program is fully funded and initiated by Saudi Arabia’s Visual Arts Commission in collaboration with the Fashion Commission, and hosted in JAX District within Diriyah.

It aims to provide emerging and mid-career Saudi nationals, residents, and international visual artists, fashion designers, and curators with a platform to innovate, experiment, and collaborate in a supportive creative environment.

 


Saudi minister meets US Secretary of Commerce in Washington

Updated 29 June 2024
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Saudi minister meets US Secretary of Commerce in Washington

  • Saudi Arabia’s Ambassador to the US Princess Reema bint Bandar was also present at the meeting

WASHINGTON: Saudi Minister of Communications and Information Technology Abdullah Al-Swaha on Saturday met US Secretary of Commerce Gina Raimondo in Washington.

The two sides discussed strengthening the strategic partnership between their countries to support the growth of the digital economy in the region, the Saudi Press Agency reported.

The Kingdom’s Ambassador to the US Princess Reema bint Bandar was also present at the meeting.