Award-winning Saudi film ‘Norah’ premieres in theaters across the Kingdom

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A special screening of award-winning Saudi film “Norah” was held on Wednesday night at Roshn Front’s Vox Cinema. (Abdulrhman Bin Shalhuob)
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Maria Bahrawi attends the special screening of award-winning Saudi film “Norah”. (Abdulrhman Bin Shalhuob)
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Maria Bahrawi and co-star Abdullah Al-Sadhan attend the special screening of award-winning Saudi film “Norah”. (Abdulrhman Bin Shalhuob)
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Maria Bahrawi and co-star Abdullah Al-Sadhan attend the special screening of award-winning Saudi film “Norah”. (Abdulrhman Bin Shalhuob)
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A special screening of award-winning Saudi film “Norah” was held on Wednesday night at Roshn Front’s Vox Cinema. (Abdulrhman Bin Shalhuob)
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Updated 20 June 2024
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Award-winning Saudi film ‘Norah’ premieres in theaters across the Kingdom

  • “Norah” achieved great success at the 78th annual Cannes International Film Festival
  • Film was first screened last December at the Red Sea International Film Festival, where it won the “Best Saudi Film” award

RIYADH: The award-winning Saudi film “Norah” made its premiere in the Kingdom on Thursday after its international success at the Cannes Film Festival.

A special screening was held on Wednesday night at Roshn Front’s Vox Cinema, where director Tawfik Al-Zaidi was in attendance alongside the film’s star, Maria Bahrawi, and her acclaimed co-stars Yaqoub Al-Farhan and Abdullah Al-Sadhan.

Al-Farhan told Arab News: “To be accepted in Cannes is an indication of how important this film is, and also an indication of how much progress the film industry (has made) here.

“Although it’s still the beginning of it, we’re starting to see the results of the huge work that’s happening right now.

“I’m very positive about the future. If this is the beginning, I think after five or 10 years, we’ll be seeing a lot of great films from Saudi.”

“Norah” achieved great success at the 78th annual Cannes International Film Festival, where it was the official selection for the “Un Certain Regard” competition, one of the most critical titles of the event. It also received the Special Mention from the jury, making it the most notably recognized Saudi film at Cannes.

The film takes place in a remote Saudi village in the 90s, where Norah (played by Bahrawi) dreams of seeing horizons beyond her small village. As a new teacher, Nader (played by Al-Farhan) makes his way to her hometown, and Norah’s world begins to open up through art, knowledge and creativity, leading her to discover more about her own family history.

“The fact that they chose me for the role only two weeks before production was a surprise for me. But, thankfully, my first role in a film was a success and reached international audiences. I’m very proud and happy that today it’ll be in cinemas and the world can see it, and I’m excited to see people’s reactions,” Bahrawi told Arab News.

While it was first screened last December at the Red Sea International Film Festival, where it won the “Best Saudi Film” award, the nationwide cinema premiere is a culmination of the film’s journey to its intended audience: the Saudi public.

Bahrawi said: “The fact that they chose me for the role only two weeks before production was a surprise for me. But, thankfully, my first role in a film was a success and reached international audiences. I’m very proud and happy that today it’ll be in cinemas and the world can see it, and I’m excited to see people’s reactions.

“Since I was young, I’ve always dreamed of being an actress, and today I can say that I’ve reached that and acted in my first film as a lead role… AlUla was the city that made my first dream come true.”

Taking public participation even further, a competition was presented to the public last Thursday inviting all girls named Norah to play a part. About 500 girls took part, and two winners received tickets to the special pre-screening event.

“Norah” is the first Saudi feature to be filmed entirely in AlUla. “The city itself and its locations really complemented the film’s story, so that was a wonderful choice for the location,” Bahrawi said.

While the film is both Bahrawi’s debut on the big screen and Al-Zaidi’s first feature film, it was also a personal experience for Al-Farhan, who is widely known for his role in the TV mini series “Rashash.”

“There’s so many similarities between me and the character, which is why it’s a very personal project for me and it’s so dear to my heart, especially after the achievement of the Cannes Film Festival,” he said.

In preparation for the role, Al-Farhan spent time with a professional sketch artist in order to learn the craft for his role — even simple things like holding a pencil the right way.

He said that the beginning sketches featured in the film were his own work, but the final results were “by a real artist.”

Production was supported by the Film Commission through Daw, a national initiative to support and encourage Saudi filmmakers. The film also received support from Film AlUla, the Red Sea Film Fund and Generation 2030.

The inspiration for “Norah” came to Al-Zaidi in 2015 from his need to express something within him. In the same way that Al-Farhan’s character, Nader, portrays his feelings on sketchbooks and canvases, Al-Zaidi uses the big screen.

He told Arab News: “I’m a lover of art in all its forms, whether its music, drawing or visiting museums, cinema encapsulates all of these arts and shows them beautifully through a film’s crew.

“I wanted to create these emotions between two people who love art, Norah and Nader. Art is a means of communication between people, and a means of expression as well.”

As the Saudi film scene continues to develop and grow toward global horizons, Al-Zaidi is confident that the industry can overcome challenges.

“Challenges will always be there, but as they say, ‘success has many fathers, but failure is an orphan’ ... if you believe in yourself, you will get there,” he said.


Saudi king, crown prince offer condolences to king of Morocco

Saudi Arabia's King Salman and Crown Prince Mohammed bin Salman. (SPA)
Updated 30 June 2024
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Saudi king, crown prince offer condolences to king of Morocco

RIYADH: Saudi Arabia’s King Salman and Crown Prince Mohammed bin Salman sent cables of condolences to the king of Mohammed VI of the Kingdom of Morocco on the death of his mother, the Saudi Press Agency reported on Sunday.

In a cable to King Mohammed VI of Morocco, King Salman expressed deepest and sincere condolences on the death of Princess Lalla Latifa.

Crown Prince Mohammed bin Salman expressed 'my warmest and most sincere condolences' in a separate cable, the SPA said.

 


Saudi embassy in Lebanon urges citizens to leave country immediately

Updated 29 June 2024
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Saudi embassy in Lebanon urges citizens to leave country immediately

  • Embassy stressed previous call to all Saudi citizens to avoid travel to Lebanon

BEIRUT: The Embassy of Saudi Arabia in Lebanon said on Saturday it was closely following the developments of the current events in southern Lebanon, Saudi Press Agency reported. 

It stressed its previous call to all Saudi citizens to avoid travel to Lebanon, and urged citizens there to leave Lebanese territory immediately.

The embassy said should they need to, citizens must contact it in the event of any emergency.

The warning came as Iran on Saturday warned that “all Resistance Fronts,” a grouping of Iran and its regional allies, would confront Israel if it attacked Lebanon.

The comment from Iran’s mission to New York came with fears of a wider regional war involving Israel and Lebanon’s Iran-backed Hezbollah movement.

The two sides have engaged in near-daily exchanges of fire since the war in Gaza began.


UNESCO-inscribed oral tradition of Alheda’a reflects enduring bond between Arabs and camels

Updated 29 June 2024
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UNESCO-inscribed oral tradition of Alheda’a reflects enduring bond between Arabs and camels

  • Historical accounts credit Mudar bin Nizar with having invented Alheda’a. After a fall from his camel, he kept crying “Waidah! Waidah!” (Oh, my hand!). The camels began moving, thus beginning the tradition of using vocal cues to guide camels

RIYADH: Alheda’a, a folk art passed down through generations across Arabian societies, embodies the deep connection between camels and locals.

Camel herders use Alheda’a — a combination of sounds, gestures, and sometimes musical instruments — to communicate with their camels. These rhythmic expressions, inspired by poetry, form a unique vocabulary that camels seem to understand and obey.

According to a report by the Saudi Press Agency published on June 29, herders use Alheda’a to guide their camels through the desert, find pastures for grazing, and prepare them for watering, milking, and riding. It also allows them to quickly gather the herd together in case of sandstorms.

Historical accounts credit Mudar bin Nizar with having invented Alheda’a. After a fall from his camel, he kept crying “Waidah! Waidah!” (Oh, my hand!). The camels began moving, thus beginning the tradition of using vocal cues to guide camels.

Early Alheda’a mimicked natural camel noises — herders would urge their animals along with sounds including “Heh,” “Doh,” and “Dah.” These vocalizations, along with rajaz (short, improvised poems), are still used today, but their use varies depending on the environment.

Over time, Alheda’a has evolved into a more poetic artform, with distinct styles and vocabulary. It has incorporated deeper meanings, sung verses, and balanced rhythms.

Saudi folk heritage researcher Ibrahim Al-Khaldi told the SPA that Alheda’a was “essential” for nomadic caravans. It typically involved two people reciting simple rhyming verses in unison, a practice that helped encourage the camels while extracting water from wells. For larger water-extraction tasks, where gathering distant camels was crucial, up to four people might recite Alheda’a. Their voices, carried in the quiet of the desert night or dawn, would travel a great distance.

The chairman of the Saudi Society for Camel Studies, Dr. Mohammed Al-Otaibi, told the SPA that Alheda’a existed in pre-Islamic times. The short, impactful chants helped gather camels, guide their movements, and direct them back to their resting places.

Inscribed in 2022 on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity, Alheda’a has various specific chants — for departure, travel, watering, gathering, and drawing water from wells.

Camels hold a unique place in Arab society. Recognizing this rich cultural heritage, the Camel Club was established in Saudi Arabia under the directives of King Salman in 2017.

The Ministry of Culture even declared 2024 “Year of the Camel,” in honor of an animal seen as a cultural treasure, a pillar of national identity, and a valuable part of Arab heritage.

 


Saudi culture, landscape in the spotlight at Riyadh showcase

Updated 29 June 2024
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Saudi culture, landscape in the spotlight at Riyadh showcase

  • 15 local, global artists present work inspired by fusion of visual arts, fashion

RIYADH: The open studio at the second Intermix Residency offers entry into a realm of creative exploration in which artists from across the globe put the Kingdom’s natural landscapes and cultural elements at the center of their work.

Some 15 creators worked together over 10 weeks to develop their own artistic vision inspired by the fusion of visual arts and fashion, and centered around themes of transformation, innovation, and sustainability.

Kuwaiti artist Maha Alasaker uses her own body as a loom for weaving as she contemplates the complex relationship between body and land. (AN photos)

Italian visual artist Ivo Cotani told Arab News: “The residency (has) pushed me forward a lot. I’ve seen (it) not just in my productions, but (by) being myself in my art. I feel more mature and comfortable with what I’m doing.”

His artwork “I Am Nature” is a combination of various mediums and is inspired by local flora and fauna. His studio showcases small ceramic sculptures of oryxes, camels, eagles and other animals, abstract floral paintings, and animal-like flower masks made with the help of two artisans.

HIGHLIGHT

The Intermix Residency program is fully funded and initiated by Saudi Arabia’s Visual Arts Commission in collaboration with the Fashion Commission, and hosted in JAX District within Diriyah.

He added: “Whenever I work, I’m always relating to the land in some way. I have been looking at nature and the desert, and I also visited AlUla and saw the tombs and eagles there. From there I started creating and studying the animals of the desert. I was thinking of embodying nature in some way, and then I thought of masks.”

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

The open studio’s artworks delve into the intricacies of human experience, exploring how individuals embody memories, emotions, and interpretive codes that shape relationships between oneself, daily life, and the natural world, producing an archive of experiments, research, and possibilities.

Saudi visual artist Maram Alsuliman’s “Fragments of the Missing” reflects her background and interest in tradition. She investigates the why, how, and impact of forgotten, discontinued traditions, which are only temporarily preserved through oral transmission.

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

She told Arab News: “My family’s from Najran but I was born and raised in Jeddah, so I’ve always had this curiosity to know more about Najran. While it’s even difficult for me to learn about it, though my parents are from there, how will others learn? I’ve felt like it’s my responsibility to document and tell people about it through my art.”

Mirroring the residency’s sustainability theme, she uses objects that are discarded, like date seeds and broken coffee cups, to create abstract shapes that are then screen printed onto bags. The natural black dye is made from broken-down date seeds.

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

Alsuliman added: “My dad used to bring dates back from Najran in these plastic bags. For him he was carrying food, but I wanted to use them to carry my traditions.”

Alla Alsahli, a Syrian Palestinian designer born and raised in the US, incorporates material manipulation and repetition to tell stories that are rooted in culture and space.

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

Her Intermix project explores the idea of preservation through architecture in Riyadh and beyond. Inspired by the triangular geometrical patterns of Najdi traditional mud buildings, Alsahli creates fashion pieces out of clay, rope and fabric.

Her first ensemble joins each handmade ceramic piece with thread to hold it together. The other is constructed using the throw-away muslin fabric, which is used as a prototype by most designers, linked together by rope. The process of connecting each element to the other symbolizes a hope of preservation.

As architecture goes through phases, construction followed by deconstruction, so the art mirrors the process.

She told Arab News: “The reconstruction phase — which is when people are trying to revive and bring that space back to life — we see that a lot here in Riyadh with Diriyah and Al-Bujairi where a lot of people want to hold on to that culture and style because it's so significant to Najd. I wanted to translate that into fashion to showcase the idea of reconstruction.

“When I started the project, I was thinking about Saudi Arabia a lot, but I felt bad for not relating it to myself and my identity. When I started thinking about myself more, I thought about Syria and Palestine and that’s where the idea of ruins and preservation came from.”

The program's mission is to foster a shared visual language that celebrates the expressive potential of both visual arts and fashion design.

Kuwaiti artist Maha Alasaker focuses on the relationship between nature and culture, with a particular emphasis on the natural colors that can be extracted from the land. This led her to investigate herbal medicines and their historic use in pain management for women.

She presents a live ongoing performance using her own body as a loom for weaving as she contemplates the complex relationship between body and land.

While Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah, Saudi artist Um Kalthoom Al-Alawi’s “Images of Memory” investigates what lies hidden and what is revealed through printed patterns on fabric.

The Intermix Residency program is fully funded and initiated by Saudi Arabia’s Visual Arts Commission in collaboration with the Fashion Commission, and hosted in JAX District within Diriyah.

It aims to provide emerging and mid-career Saudi nationals, residents, and international visual artists, fashion designers, and curators with a platform to innovate, experiment, and collaborate in a supportive creative environment.

 


Saudi minister meets US Secretary of Commerce in Washington

Updated 29 June 2024
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Saudi minister meets US Secretary of Commerce in Washington

  • Saudi Arabia’s Ambassador to the US Princess Reema bint Bandar was also present at the meeting

WASHINGTON: Saudi Minister of Communications and Information Technology Abdullah Al-Swaha on Saturday met US Secretary of Commerce Gina Raimondo in Washington.

The two sides discussed strengthening the strategic partnership between their countries to support the growth of the digital economy in the region, the Saudi Press Agency reported.

The Kingdom’s Ambassador to the US Princess Reema bint Bandar was also present at the meeting.