Saudi culture, landscape in the spotlight at Riyadh showcase

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)
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Updated 04 August 2024
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Saudi culture, landscape in the spotlight at Riyadh showcase

  • 15 local, global artists present work inspired by fusion of visual arts, fashion

RIYADH: The open studio at the second Intermix Residency offers entry into a realm of creative exploration in which artists from across the globe put the Kingdom’s natural landscapes and cultural elements at the center of their work.

Some 15 creators worked together over 10 weeks to develop their own artistic vision inspired by the fusion of visual arts and fashion, and centered around themes of transformation, innovation, and sustainability.




Kuwaiti artist Maha Alasaker focuses on the relationship between nature and culture, with a particular emphasis on the natural colors that can be extracted from the land, which led her to investigate herbal medicines and their historical use in pain management for women. (AN photo)

Italian visual artist Ivo Cotani told Arab News: “The residency (has) pushed me forward a lot. I’ve seen (it) not just in my productions, but (by) being myself in my art. I feel more mature and comfortable with what I’m doing.”

His artwork “I Am Nature” is a combination of various mediums and is inspired by local flora and fauna. His studio showcases small ceramic sculptures of oryxes, camels, eagles and other animals, abstract floral paintings, and animal-like flower masks made with the help of two artisans.

HIGHLIGHT

The Intermix Residency program is fully funded and initiated by Saudi Arabia’s Visual Arts Commission in collaboration with the Fashion Commission, and hosted in JAX District within Diriyah.

He added: “Whenever I work, I’m always relating to the land in some way. I have been looking at nature and the desert, and I also visited AlUla and saw the tombs and eagles there. From there I started creating and studying the animals of the desert. I was thinking of embodying nature in some way, and then I thought of masks.”




Alla Alsahli is a Syrian Palestinian designer born and raised in the United States whose work involves material manipulation and repetition to tell stories rooted in culture and space. (AN photo)

The open studio’s artworks delve into the intricacies of human experience, exploring how individuals embody memories, emotions, and interpretive codes that shape relationships between oneself, daily life, and the natural world, producing an archive of experiments, research, and possibilities.

Saudi visual artist Maram Alsuliman’s “Fragments of the Missing” reflects her background and interest in tradition. She investigates the why, how, and impact of forgotten, discontinued traditions, which are only temporarily preserved through oral transmission.




Alla Alsahli is a Syrian Palestinian designer born and raised in the United States whose work involves material manipulation and repetition to tell stories rooted in culture and space. (AN photo)

She told Arab News: “My family’s from Najran but I was born and raised in Jeddah, so I’ve always had this curiosity to know more about Najran. While it’s even difficult for me to learn about it, though my parents are from there, how will others learn? I’ve felt like it’s my responsibility to document and tell people about it through my art.”

Mirroring the residency’s sustainability theme, she uses objects that are discarded, like date seeds and broken coffee cups, to create abstract shapes that are then screen printed onto bags. The natural black dye is made from broken-down date seeds.




Saudi artist Um Kalthoom Al-Alawi’s draping “Images of Memory” investigates what lies hidden and what is revealed through printed patterns on fabric. (AN photo)

Alsuliman added: “My dad used to bring dates back from Najran in these plastic bags. For him he was carrying food, but I wanted to use them to carry my traditions.”

Alla Alsahli, a Syrian Palestinian designer born and raised in the US, incorporates material manipulation and repetition to tell stories that are rooted in culture and space.




Saudi visual artist Maram Alsuliman’s “Fragments Of the Missing” reflects her cultural background and interest in tradition. She investigates the why, how, and impact of forgotten, discontinued traditions, which are only temporarily preserved through oral transmission. (AN photo)

Her Intermix project explores the idea of preservation through architecture in Riyadh and beyond. Inspired by the triangular geometrical patterns of Najdi traditional mud buildings, Alsahli creates fashion pieces out of clay, rope and fabric.

Her first ensemble joins each handmade ceramic piece with thread to hold it together. The other is constructed using the throw-away muslin fabric, which is used as a prototype by most designers, linked together by rope. The process of connecting each element to the other symbolizes a hope of preservation.

As architecture goes through phases, construction followed by deconstruction, so the art mirrors the process.

She told Arab News: “The reconstruction phase — which is when people are trying to revive and bring that space back to life — we see that a lot here in Riyadh with Diriyah and Al-Bujairi where a lot of people want to hold on to that culture and style because it's so significant to Najd. I wanted to translate that into fashion to showcase the idea of reconstruction.

“When I started the project, I was thinking about Saudi Arabia a lot, but I felt bad for not relating it to myself and my identity. When I started thinking about myself more, I thought about Syria and Palestine and that’s where the idea of ruins and preservation came from.”

The program's mission is to foster a shared visual language that celebrates the expressive potential of both visual arts and fashion design.

Kuwaiti artist Maha Alasaker focuses on the relationship between nature and culture, with a particular emphasis on the natural colors that can be extracted from the land. This led her to investigate herbal medicines and their historic use in pain management for women.

She presents a live ongoing performance using her own body as a loom for weaving as she contemplates the complex relationship between body and land.

While Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah, Saudi artist Um Kalthoom Al-Alawi’s “Images of Memory” investigates what lies hidden and what is revealed through printed patterns on fabric.

The Intermix Residency program is fully funded and initiated by Saudi Arabia’s Visual Arts Commission in collaboration with the Fashion Commission, and hosted in JAX District within Diriyah.

It aims to provide emerging and mid-career Saudi nationals, residents, and international visual artists, fashion designers, and curators with a platform to innovate, experiment, and collaborate in a supportive creative environment.

 


Separated twins, families visit 2034 World Cup exhibit, historic At-Turaif district

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Separated twins, families visit 2034 World Cup exhibit, historic At-Turaif district

RIYADH: Saudi aid agency KSrelief organized a special visit for conjoined twins who had undergone separation surgeries in the Kingdom, along with their families, to Saudi Arabia’s 2034 World Cup bid exhibition.

The visit was organizaed on the sidelines of the International Conference on Conjoined Twins, held in Riyadh from Nov. 24-25.

The twins and their families also toured the historic At-Turaif district, a UNESCO World Heritage Site known for its stunning architecture, which reflects Saudi Arabia’s scientific and cultural advances.

At the end of the visit, the twins and their families expressed their gratitude to the Kingdom, represented by KSrelief, for organizing the visit and for the warm hospitality of the Saudi people.


‘The extraordinary has become the ordinary in Saudi Arabia,’ says Middle East expert

Updated 5 min 34 sec ago
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‘The extraordinary has become the ordinary in Saudi Arabia,’ says Middle East expert

  • Appearing on “Frankly Speaking,” Norman Roule called for more robust media narrative to communicate the Kingdom’s ambition
  • Lauded the role of Ambassadors Michael Ratney and Princess Reema bin Bandar in strengthening bilateral relationship

DUBAI: Saudi Arabia’s transformation, showcased by world-class entertainment events, AI and green energy investments, and giga-projects, continues to redefine its global image and influence, but according to Middle East expert Norman Roule, more can be done to explain the Kingdom’s ambitions to the world.

On the diplomatic front, the former senior American intelligence officer believes Saudi-US relations will continue to thrive regardless of the administration in Washington and despite the temporary pause caused by the Gaza war.

“Truth be told, I see so much that is extraordinary in Saudi Arabia that the extraordinary has become the ordinary,” he said on the Arab News current affairs program “Frankly Speaking,” referring to the star-studded “1001 Seasons of Elie Saab” fashion show on Nov. 14 as part of Riyadh Season 2024, which has drawn over 6 million visitors and turned the Saudi capital into a cultural and entertainment hub.

“Saudi Arabia must have what it needs to achieve its vision as a global node of progress, stability, interfaith relationships,” Roule said, noting that the Kingdom “is located in the center of so many pathways of global commerce and social exchange between India and Africa, between Europe and Asia.”

Saudi-French model Amira Al-Zuhair was spotted on the runway of the 1001 Seasons of Elie Saab in Riyadh. (Jafer Alsaleh/AN)

Calling for a more robust narrative strategy to dispel misconceptions and showcase Saudi Arabia’s impact, he underscored the importance of investing in media programs similar to “Frankly Speaking” to communicate the Kingdom’s vision “in English to the international community.”

“The world needs more of it, not just to understand what the Kingdom is doing in and of itself, but how those ambitions will shape the global society and the global economy. Understanding Saudi Arabia’s investments in green energy, along with those of the United Arab Emirates. It’s critical to the future of the planet for developing countries — for the Global North and the Global South,” Roule told Katie Jensen, the host of “Frankly Speaking.”

“Understanding how entertainment connects Europe to Asia, how it’s going to shape how people move in the world. That can only be done with more information being put out.”

Roule spoke of Saudi Arabia’s influence on critical issues, such as women’s empowerment and cultural exchange, stating that it can reach well beyond its borders, shaping developments across the region and even other continents. “The role of protecting women’s rights is not just a Saudi issue,” he said, “but I’d like to see Saudi Arabia’s influence touch Afghanistan and Africa.”

Roule also offered an enthusiastic assessment of NEOM — a key part of Saudi Arabia’s Vision 2030 initiative to diversify its economy beyond oil — describing it as a game-changer for Saudi Arabia’s future. The $500 billion futuristic city on the Red Sea is designed to address challenges like population growth and sustainability while leveraging the Kingdom’s strategic location near the Red Sea.

A handout picture shows the design plan for the 500-meter tall parallel structures, known collectively as The Line, in the heart of the Red Sea megacity EOM. (NEOM/AFP)

“NEOM is 90 minutes from Athens and about 60 kilometers from the Suez Canal,” he said, and noted that its vision includes carbon-neutral technologies, transformative trade hubs like Oxagon, and revolutionary urban designs such as The Line.

“So much of this has never been done before anywhere in the world. It will be amazing,” Roule said.

“When people talk about The Line, which is often how NEOM is described in the West, I tell them, first, NEOM is the size of Belgium or Massachusetts,” he said. “Only 5 percent of the territory can be developed. And I think they’ve mapped that about 4 percent.”

Looking ahead, he said: “I have no doubt it’s going to succeed — it will be amazing — but it may not succeed on the schedule that some might hope.”

Roule lauded the work done by the ambassadors of Saudi Arabia and the US in their respective capitals to strengthen bilateral relations. “Michael Ratney is not only experienced, a superb Arabist, but he’s someone who has a deep knowledge and understanding and respect for the region,” he said. “He’s exactly the sort of ambassador the United States would hope to have in a position as consequential as this.

Saudi Ambassador to the US Princess Reema bint Bandar and US Ambassador to the Kingdom Michael Ratney in Riyadh. (X: @rbalsaud)

“At the same time, you have Saudi Ambassador Reema bint Bandar in Washington, who is extremely capable. She is a national treasure for both of our countries as we look to understand and work together.”

Roule praised the two ambassadors for encouraging American executives to visit Saudi Arabia, saying: “I have been with such executives at some of these meetings. If they’re fresh to the Kingdom, they’re delighted and amazed; if they don’t come often, they’re delighted and amazed.”

Ultimately, he said, “the success that we all hope to achieve is not a business deal; it’s a partnership on the broader ambitions of the Kingdom and the United States for regional stability and progress.”


UN official lauds KSrelief’s landmine work in Yemen

Updated 24 November 2024
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UN official lauds KSrelief’s landmine work in Yemen

  • The UN official emphasized the importance of continuing such humanitarian projects to achieve stability in Yemen and protect civilians

Riyadh: The UN special envoy’s military adviser to Yemen, Antony Hayward, praised the work carried out by Saudi aid agency KSrelief’s Project Masam to clear landmines in Yemen.

During his visit to the agency’s headquarters in Marib, he said that the project works to protect the lives of civilians and secure large areas of Yemeni territory despite the challenges posed by landmines.

The UN official emphasized the importance of continuing such humanitarian projects to achieve stability in Yemen and protect civilians, the Saudi Press Agency reported.

Last week, meanwhile, members of Project Masam removed 840 explosive devices from various regions of Yemen, including anti-personnel mines, anti-tank mines and unexploded ordnance, according to a recent report.

Ousama Al-Gosaibi, the initiative’s managing director, said 470,416 mines had been cleared since its inception in 2018.

The explosives were planted indiscriminately and posed a threat to civilians, including children, women and the elderly.

The demining operations took place in Marib, Aden, Jouf, Shabwa, Taiz, Hodeidah, Lahij, Sanaa, Al-Bayda, Al-Dhale and Saada.

The initiative trains local demining engineers and provides them with modern equipment. It also offers support to Yemenis injured by the devices.

Teams are responsible for clearing villages, roads and schools to facilitate safe movement for civilians and the delivery of humanitarian aid.

About 5 million people have been forced to flee their homes since the start of the conflict in Yemen, many of them displaced by the presence of landmines.


Saudi culture minister engages with manga students in Tokyo

Updated 24 November 2024
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Saudi culture minister engages with manga students in Tokyo

  • Prince Badr highlighted the Saudi leadership’s strong commitment to developing human capabilities across various fields

Riyadh: Saudi Minister of Culture and Chairman of the Literature, Publishing and Translation Commission Prince Badr bin Abdullah bin Farhan met Saudi scholarship students participating in the Manga Industry program in Tokyo.

The program, organized in collaboration between the commission and Manga Productions, a subsidiary of Misk Foundation, aims to develop talented manga artists through professional training rooted in Japanese techniques, the art form’s birthplace.

Prince Badr highlighted the Saudi leadership’s strong commitment to developing human capabilities across various fields, emphasizing the importance of academic and professional training in cultural disciplines.

The meeting was attended by the CEO of the commission, Mohammed Hasan Alwan, CEO of Manga Productions Essam Bukhary and students studying manga art at Kadokawa Contents Academy, a leading Japanese institution for training and recruiting manga talent.

The program offers virtual workshops, intensive training courses and overseas training in Japan. It also includes competitions blending manga with Saudi cultural themes, such as Munjanha, which transforms Arabic proverbs into manga stories; Manga Al-Qaseed, which adapts Arabic poetry; and Manga Al-Ibil, which celebrates the cultural symbolism of camels in Saudi heritage.

More than 1,850 participants have benefited from the program’s virtual workshops, with 115 advancing to intensive training, producing 115 manga stories. Of these, 21 students were selected for advanced training in Japan.


Umrah guests tour Madinah’s historic sites

Updated 24 November 2024
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Umrah guests tour Madinah’s historic sites

RIYADH: The first group of the Custodian of the Two Holy Mosques Guests Program for Umrah and Visit toured the King Fahd Glorious Qur’an Printing Complex in Madinah.

The visit, part of a cultural program by the Ministry of Islamic Affairs, aimed to enhance the cultural experience for visitors and Umrah performers in Madinah, the Saudi Press Agency reported.

The pilgrims toured the complex’s technical and administrative departments, learning about the various stages of printing the Holy Qur’an, preservation efforts, and its translation into multiple languages.

The first group included 250 prominent Islamic figures from 12 countries, part of a total of 1,000 Umrah performers from 66 countries. The guests will visit over four groups as part of the program.

At the end of the visit, the complex representatives gifted copies of the Holy Qur’an to the guests.

The group also visited the Battle of Uhud site, Mount Al-Ramah, and the Uhud Martyrs’ Cemetery, learning about this historic turning point in Islam.

The program includes meetings with imams of the Prophet’s Mosque and renowned scholars.

Several guests expressed gratitude to King Salman and Crown Prince Mohammed bin Salman for hosting them, thanking the ministry for the excellent services provided.

Hanafi bin Hamza from Malaysia praised the facilities and expressed joy at visiting the Kingdom. Norasni Binti Muhammad Suh, also from Malaysia, conveyed her gratitude for the program, while Rebuan bin Abdullah thanked the Saudi leadership for the initiative, highlighting the Kingdom’s commitment to serving Muslims worldwide.

Automaki from Japan called the program outstanding, appreciating the exceptional services and warm hospitality extended by the Saudi leadership.