Saudi designers win big at Tanween Challenge

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Pavilion Design Challenge: “The project ‘The Determinal’ uses a steel structure in an artistic way to represent a deconstructed airport, applying the architectural school of deconstructionism,” said project winners Mohamed Alghoneimy, Turki Aljandal, Muzun bin Rubayan and Mahmood Alkawi, said. (Supplied)
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Updated 21 July 2024
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Saudi designers win big at Tanween Challenge

DHAHRAN: Three projects from Saudi Arabia and one from Bahrain were selected recently as recipients of the annual Tanween Challenge, hosted by the King Abdulaziz Center for World Culture (Ithra).

At the six-day creative competition last week competitors displayed their final group projects at the Dhahran headquarters before a judging panel. Each project tried to solve a nature-related problem, in four categories: pavilion design; graphic design; furniture design; and fashion design. The four award-winning projects will be developed for commercial production.
Winners were selected from 80 participants who answered an open call for designers from the Middle East and North Africa. Tanween, Ithra’s flagship program since 2019, has become an integral part of fostering the thriving creative community in the region.
Sultan Al-Badran, creative programs developer at Ithra’s Ideas Lab said: “The winning projects today will receive support for the next couple of months by Tanween Challenges’ production partners to further develop the winners’ innovative ideas into real solutions. 
“The winning projects are a reflection of the individual capabilities and talent of each of the winners, who will now take their projects to market,” Al-Badran said. “Guided by knowledge partners Vanina, NYXO, LEAD, and Data is Beautiful, who provided support throughout the six-day event, all participants are creatives with immense potential who can continue their path of learning and challenge themselves to further develop their projects.”
Winning projects
Graphic Design Challenge: The project “Eyes Wide Open” won in this category. The team collected air pollution-related death figures between 1990 and 2021, and used two digital eyes to demonstrate the data — one representing the past and the other representing the present.
“The eyes were assembled to be facing each other, emphasizing the continuous influence of generational knowledge, values, and actions for future generations. The project aims to show that everyone’s contribution has effects on the environment,” Zahra Mansour, Deema Albuolayan and Fatima Bukhamseen said of their award-winning project.
Pavilion Design Challenge: “The project ‘The Determinal’ uses a steel structure in an artistic way to represent a deconstructed airport, applying the architectural school of deconstructionism,” said project winners Mohamed Alghoneimy, Turki Aljandal, Muzun bin Rubayan and Mahmood Alkawi, said.
The winning participants gathered different movement paths that take place simultaneously at airports — including the movements of people and aircraft — for the purpose of displaying the experience of movement that occurs in airports.

Centered around the concept of air as a communal lifeline, the “City Breathe” challenge asks: How can we repurpose industrial waste to construct a pavilion that purifies urban air to revitalize local communities and ecologies?

“This pavilion is envisioned as a nomadic structure, designed to be easily mounted and dismounted in various urban areas. Beyond its primary function as an air purifier, the pavilion aims to activate public space and foster interaction between city dwellers — both human and non-human. Constructed from industrial waste, it challenges us to rethink our relationship with materials and the environment,” they said in a statement. 
Furniture Design Challenge: The bench design “Bloom” was created with nature in mind — and as its muse. The design uses an organic shape and includes a shaded seating area and a space in which birds and cats can drink and feed. Abdullah Nasser Al-Battat, Ahmed Al-Arqan, Nader Al-Metairi, Nawaf Al-Ghamdi and Mohammed Al-Bayyabi were the winners of the challenge.
“Using additive manufacturing technology and locally sourced waste-based materials, participants are asked to craft provocative solutions that activate public spaces, while fostering co-habitation between human and non-human urban inhabitants. Through the power of design and innovation, we aim to create public interventions that enrich the lives of all species that call our cities home,” is how Ithra described the challenge criteria. 
Fashion Design Challenge: Inspired by the Arabian Gulf coast, the project “MRG” won this category, using sea salt and fish scales as their materials. The biodegradable bag “reflects the clarity of the sea, which is cherished not only for its beauty, but also for the stories it carries, reminding us of the deep connection we have to the sea and the importance of protecting it,” said winners Ghayda Al-Nasser, Ebaa Al-Taweel and Rawan Al-Salem of their project.
“Our goal is to turn them (the projects) into solutions that may have a positive impact on our relationship with nature, with the opportunity to display them in Ithra’s Tanween Conference in November,” Al-Badran concluded.
The Tanween Conference is at Ithra headquarters from Nov. 1-4, 2024.


Saudi king, crown prince congratulate Montenegro and Kiribati on their special days

Updated 14 July 2025
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Saudi king, crown prince congratulate Montenegro and Kiribati on their special days

JEDDAH: Saudi Arabia's king and crown prince on Sunday congratulated President Jakov Milatović of Montenegro on his country's National Day celebration. 

In a cable, King Salman wished Milatović "continued good health and happiness, and the government and people of Montenegro steady progress and prosperity," the Saudi Press Agency (SPA) reported.

Crown Prince Mohammed bin Salman, who is also the Kingdom's prime minister, sent a similar message in a separate cable, according to SPA.

Earlier on Saturday, the king and crown prince greeted Kiribati President Taneti Maamau on his country's Independence Day, wishing him and his constituents steady progress and prosperity.

Montenegro, located in southeast Europe, became part of Yugoslavia in 1918 during the realignment of nations after World War I. After Yugoslavia broke up in 1992, Montenegro formed a federation with Serbia, but opted later to become an independent republic in 2006.

Kiribati, an island republic in the central Pacific, gained its independence from the United Kingdom in 1979.

Both Montenegro and Kiribati are members of the United Nations.
 


Saudi artist rolls forward with bamboo paper

Jumanah Telity transforms bamboo paper into sturdy objects, from baskets to small-scale furniture and figurines. (Supplied)
Updated 13 July 2025
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Saudi artist rolls forward with bamboo paper

  • Jumanah Telity’s eco-conscious art form is as durable as it is creative

JEDDAH: Saudi artist Jumanah Telity has found an unusual medium for her creativity: bamboo paper.

Through a labor-intensive process she transforms it into sturdy objects, from baskets and storage boxes to small-scale furniture and figurines.

“This art, like any other art, requires specific techniques, sense, and artistic thought to produce creativity,” she told Arab News. “It differs from other arts in that it is a very strong and practical product that is used daily and also decoratively.”

Jumanah Telity transforms bamboo paper into sturdy objects, from baskets to small-scale furniture and figurines. (Supplied)

Originally an educator, Telity spent 19 years in schools, eventually serving as a principal.

In 2020, during the COVID-19 pandemic, she decided to explore her long-time fascination with natural materials such as wood, bamboo, and rattan.

That is when she discovered bamboo paper weaving online and something clicked.

HIGHLIGHTS

• In 2020, Saudi artist Jumanah Telity decided to explore her long-time fascination with natural materials such as wood, bamboo, and rattan.

• She recently displayed her work at Balad Al-Fann in Jeddah’s historic district.

“It strangely attracted me. I felt like I found my passion here because it really appealed to me,” she said.

Telity says the method involves tightly rolling paper into sticks using a special needle. It is then woven into shape.

Jumanah Telity transforms bamboo paper into sturdy objects, from baskets to small-scale furniture and figurines. (Supplied)

“It begins with choosing the type of paper, its size, and the way it is cut,” she said. “After trying this art, you’ll be amazed at the strength of these products and how they can be washed with soap and water without being affected.”

She describes the art as eco-conscious because of the recycling involved in the process.

To hone her craft, Telity enrolled in intensive online courses specializing in the technique.

Jumanah Telity transforms bamboo paper into sturdy objects, from baskets to small-scale furniture and figurines. (Supplied)

“I found what I was looking for,” she said. “The study was online, intensive, daily, and very precise in how to teach and train step by step.”

Now among the first Saudi artists to specialize in this form of bamboo art, she credits the Kingdom’s growing cultural landscape for supporting artists exploring niche and rare forms of expression.

“This type of art is considered one of the rarest arts in the world,” she added. “It requires precise skills and a deep understanding of transforming paper into a wood-like material.”

Telity recently displayed her work at Balad Al-Fann in Jeddah’s historic district. She was struck by how strongly the art resonated with visitors. “I noticed people’s amazement and admiration for this art and how they were attracted by the type of art, method of weaving and the strength and ability to withstand external factors,” she said.

She now plans to hold workshops to pass on her skills, with the goal of eventually becoming a certified trainer.

With growing interest from aspiring crafters and a renewed push for cultural innovation across Saudi Arabia, Telity believes the future of this art form is bright.

 


Once a symbol of Najdi homes, Al-Roshen fades from view

Though most contemporary homes are no longer built with an Al-Roshen, the spirit behind it remains. (Supplied)
Updated 13 July 2025
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Once a symbol of Najdi homes, Al-Roshen fades from view

  • Today, Saudis continue to express hospitality in new ways — hosting events in gardens, villas, or special venues, while maintaining the warmth and generosity that have always defined social gatherings

RIYADH: As Saudi Arabia rapidly modernizes, some elements of its traditional architecture are becoming rarer, but not forgotten.

Once a hallmark of Najdi homes, Al-Roshen remains a cherished symbol of Saudi hospitality and social values, even as lifestyles and housing designs evolve.

“Al-Roshen is a room for special guests,” said Mohammad Alhouti, a resident of Riyadh’s Aldeerah neighborhood.

Though most contemporary homes are no longer built with an Al-Roshen, the spirit behind it remains. (Supplied)

“As soon as a person enters the house through the door, there is a ground-floor sitting room and a staircase. This staircase leads to Al-Roshen, separate so that the guest can go up as soon as they enter the house.”

Unlike the more common majlis, Al-Roshen offered a secluded space for important visitors.

According to Abdulrahman Alhouti, some people would add plaster to the walls of Al-Roshen, creating shapes and decorations that would make it stand out from the main majlis in the house.

FASTFACTS

• Once a hallmark of Najdi homes, Al-Roshen remains a cherished symbol of Saudi hospitality and social values, even as lifestyles and housing designs evolve.

• Unlike the more common majlis, Al-Roshen offered a secluded space for important visitors.

Though most contemporary homes are no longer built with an Al-Roshen, the spirit behind it remains.

Mohammad and Abdulrahman are a part of Thuluthiyyat Almasmak, a weekly cultural gathering held in front of Riyadh’s Al-Masmak Palace.

(From L to R) Abdulrahman Al-Houti, Fahad Al-Hidyyan and Mohammad Al-Houti, members of Thuluthiyyat Almasmak. (AN photo by Jaafer Alsaleh)

Their group includes Fahad Alhidyyan, helping document and share Riyadh’s history through stories of its neighborhoods, streets, schools and everyday life.

Their weekly gathering has reached its seventh year and the group has welcomed all types of visitors, from locals to international tourists coming to Riyadh, to discuss the past and present of the Kingdom’s capital.

“(The gathering) tells the story of the history of Riyadh, its old alleys, streets, schools, farms and everything old, from the time of King Abdulaziz until the beginning of the development,” Abdulrahman said.

Al-Roshan was similar to Almajlis, but with a separate seating area and cushions. It was a room on the second floor in the house where special guests are hosted. (Supplied)

Today, Saudis continue to express hospitality in new ways — hosting events in gardens, villas, or special venues, while maintaining the warmth and generosity that have always defined social gatherings.

“In the past, receiving guests was of great importance. The host would take great care in welcoming his guests, making every effort to provide them with the best he could,” Alhidyyan said.

“People now meet during Eid, weddings, or planned gatherings, though often outside the home. There is a difference, but the intention remains.”

Rather than fading away entirely, Al-Roshen now lives on through cultural forums and conversations that highlight the evolution of tradition in a rapidly changing society.

For those preserving these stories, the goal is not to resist change but to carry forward the values and meaning behind these cultural symbols.

 


Deputy minister receives Ukraine’s ambassador to Saudi Arabia

Abdulrahman Al-Rassi (R) and Anatolii Petrenko in Riyadh. (Supplied)
Updated 13 July 2025
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Deputy minister receives Ukraine’s ambassador to Saudi Arabia

  • Saudi Ambassador to Greece Ali Al-Yousef recently presented his credentials to the country’s president, Constantine Tassoulas

RIYADH: Abdulrahman Al-Rassi, the Saudi deputy minister for international multilateral affairs, received Anatolii Petrenko, Ukriane’s ambassador to the Kingdom, in Riyadh on Sunday.

During the meeting, the two sides discussed bilateral relations as well as prominent developments in regional and international arenas, the foreign ministry wrote in a post on X.

Meanwhile, Saudi Ambassador to Greece Ali Al-Yousef recently presented his credentials to the country’s president, Constantine Tassoulas.

 


Lebanon’s envoy wraps up tenure with visit to Arab News

Lebanon’s ambassador to Saudi Arabia Dr. Fawzi Kabbara visited Arab News’ headquarters in Riyadh on Sunday. (AN photo)
Updated 13 July 2025
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Lebanon’s envoy wraps up tenure with visit to Arab News

  • Kabbara acknowledged the long-standing relationship between Saudi Arabia and Lebanon and praised Arab News for promoting understanding between the two

RIYADH: Lebanon’s ambassador to Saudi Arabia, Dr. Fawzi Kabbara, on Sunday ended his tenure with a visit to Arab News Editor-in-Chief Faisal J. Abbas at the newspaper’s Riyadh headquarters.

During the meeting, Kabbara acknowledged the long-standing relationship between Saudi Arabia and Lebanon and praised Arab News for promoting understanding between the two with its “insightful reporting.”

“It is an honor to celebrate the enduring ties between Lebanon and Saudi Arabia during a time of significant change in the Kingdom under the leadership of King Salman and Crown Prince Mohammed bin Salman,” he said.

He highlighted the publication’s commitment to journalistic integrity and said it enriched the media landscape and supported diplomatic relations by keeping diplomats informed on local and regional news.

Lebanon’s ambassador to Saudi Arabia Dr. Fawzi Kabbara and Editor-in-Chief Faisal J. Abbas view editions dating back to the newspaper’s founding in 1975. (AN photo by Huda Bashatah)

Kabbara also emphasized the pivotal role the media played in shaping public opinion and fostering cross-cultural dialogue.

During his tour of the newspaper’s headquarters, the envoy viewed editions dating back to its founding in 1975, including its first Christmas cover, the transformation under Abbas’ leadership in 2016 and award-winning editorial cartoons capturing key moments in world history.

Looking ahead, Kabbara said this was not the end of his time in the Kingdom. He expressed his eagerness to return “wearing a different hat” so he could witness the growth of Lebanon-Saudi relations and Arab News’ evolving role.

He concluded by expressing sincere gratitude to Arab News and Abbas. For his part, Abbas thanked the ambassador for his visit and wished him success in his future endeavors.