Recipes for Success: Chef Hadi Saroufim offers advice, shares a recipe for orange cake

Hadi Saroufim is the executive chef at Dubai’s Beirut-import Bar Du Port. (Supplied)
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Updated 26 July 2024
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Recipes for Success: Chef Hadi Saroufim offers advice, shares a recipe for orange cake

DUBAI: Hadi Saroufim, executive chef at Dubai’s Beirut-import Bar Du Port, has been cooking since the age of 10, but he truly fell in love with the culinary world once he began training in professional kitchens. 

“The more I worked in the industry, the more I loved it. I feel lucky to do what I do — it just feels right,” he tells Arab News. 

“One of my earliest food memories is modernizing a traditional Lebanese dish, kibbeh, from my village, Zgharta, in Lebanon. I turned it into a kibbeh roll with ice-cream yogurt, cucumber jelly, and dry ice,” he says. 




Bar Du Port. (Supplied)

His current favorite dish from the Bar Du Port menu is the grilled octopus with dried chorizo, tomato tartare, and smoky bell pepper coulis. “It uses simple ingredients but packs a punch,” he says. “This dish captures the essence of Mediterranean cuisine —fresh, bold, and delicious.” 

Here, Saroufim discusses burned onions, annoying customer habits, and the magic of vinegar. 

When you started out, what was the most common mistake you made? 

I often burned onions and garlic during preparation. In a professional kitchen, even if you’re assigned to a specific section, you have to multitask and work under tight time constraints. The pressure to juggle various tasks simultaneously can be overwhelming, especially for a new chef. Balancing the preparation of different components while keeping an eye on cooking times and techniques is a skill that takes time to develop. Those early days were tough — but essential for learning how to manage everything. 

What is your top tip for amateurs? 

Always use the best fresh produce available. Quality ingredients can elevate a dish from ordinary to extraordinary. When you start with fresh, high-end produce, the natural flavors shine through. I’ve always admired how Chef Alain Ducasse emphasizes “naturalité” in his cuisine, focusing on the purity of ingredients and letting their natural qualities speak for themselves. This philosophy has influenced my approach as well. Whether you’re cooking a simple meal or an elaborate dish, the quality of your ingredients will always make a significant difference. 




Thinly sliced yellowtail with burnt orange, passion fruit sauce. (Supplied)

What one ingredient can instantly improve any dish? 

Vinegar, such as Xeres vinegar, instantly enhances any dish by adding a burst of flavor. Just a splash can elevate the dish and bring out its best qualities, making it a must-have in any kitchen. I particularly recommend it for risotto or salad dressing. 

When you go out to eat, do you find yourself critiquing the food?  

I definitely pay attention to the food, but I try not to be too critical. One thing I often notice is an overuse of sauces. While sauces can enhance a dish, too much can overpower the main produce and mask the natural flavors.  

What’s your favorite cuisine? 

I particularly enjoy French and Japanese cuisines. I also admire the craftsmanship behind quality beef dishes, like the carpaccio at Nobu, which inspires our own menu innovations. 




Green lentil salad with rainbow cherry tomatoes, pomegranate, and yoghurt sumac dressing. (Supplied)

What customer behavior or request most annoys you? 

I love innovating and being creative — it’s all part of the craft. For example, our avocado mash has a unique twist compared to a traditional guacamole recipe, and that once sparked a ‘friendly debate’ with a guest about its preparation. While I always value guest feedback, it can be annoying when customers insist on dishes matching their exact home recipes, leaving little room for creativity. 

What’s your favorite dish to cook? 

I’m passionate about cooking fish because of its delicate nature and the precision it demands. Getting the timing just right is crucial to preserve its freshness and flavors. One dish I particularly enjoy preparing is butterflied sea bass. I love how simple yet elegant it is — seasoned with lemon juice, olive oil, salt and pepper, and served with a refreshing courgette tartare. It’s a dish that showcases the beauty of fresh ingredients and allows me to express my creativity. 




Burrata with kalamata olives, heirloom tomatoes, grilled zucchini, and basil pesto. (Supplied)

What’s the most difficult dish for you to get right? 

One of the most challenging dishes for me is the traditional French foie-gras terrine — a classic of French cuisine. It demands meticulous technique, especially in layering the foie gras correctly. Precision is key; a slight misstep can cause the layers to blend together, compromising both the dish’s texture and presentation. Mastering the terrine requires careful attention to detail and a deep understanding of ingredients, making it technically demanding yet highly rewarding. 

As a head chef, what are you like? Do you shout a lot? Or are you more laidback? 

My focus is on maintaining calm and organization in the kitchen. On our busiest nights, we can serve up to 1,200 covers in our relatively small kitchen, so it’s important that everyone follows the rules. With a team of 15, discipline is crucial, but I avoid shouting, as it’s counterproductive.  

Chef Hadi’s orange cake recipe




(Supplied)

INGREDIENTS 

For the orange cake: 

340g eggs; 470g sugar; 360g flour; 10g baking powder; 230ml whipping cream; 160g butter (melted); 70g orange juice; 7g orange zest 

For the orange syrup:  

60g orange juice; 30g water; 30g sugar 

For the meringue: 

3 egg whites (100g); 200g sugar  

Additional: 

50g orange 

INSTRUCTIONS  

(Note: A bain-marie is required) 

For the orange cake: 

1. Preheat oven to 160C. 

2. In a mixing bowl, combine the sugar and orange zest. Add the eggs and beat well. 

3. Add the orange juice and whipping cream. Mix thoroughly. 

4. Sift in the flour and baking powder. Mix until there are no clumps. 

5. Add the melted butter and mix well. 

6. Pour the batter into a cake tray. Draw a straight line of melted butter on top. 

7. Bake for 55 minutes. 

8. Remove from the oven and pour the orange syrup over the cake. Allow it to cool. 

For the orange syrup:  

1. In a small saucepan, over very low heat, combine the orange juice, water, and sugar. 

2. Bring to a simmer, stirring until the sugar is dissolved. 

3. Remove from heat. 

For the meringue: 

1. In a bain-marie, heat the egg whites to 65C. 

2. Transfer the egg whites to a mixer. 

3. Gradually add the sugar while whisking until stiff peaks form. 

Assembly: 

1. Once the cake has cooled and absorbed the syrup, serve slices with a dollop of meringue and (optional) garnish with fresh orange slices and a scoop of orange ice cream. 


Roberto Cavalli closes Dubai Fashion Week with bold animal prints, vibrant hues

Updated 07 September 2024
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Roberto Cavalli closes Dubai Fashion Week with bold animal prints, vibrant hues

DUBAI: The Italian luxury label Roberto Cavalli closed out Dubai Fashion Week this week with a presentation of its spring/summer 2025 collection, marking the brand’s first showcase in the Middle East.

Models descended onto the runway against a backdrop featuring the brand’s signature golden emblem. The runway was framed by a textured wall, with lighting that emphasized the collection.

The show kicked off with a powerful display of bold black-and-white printed outfits, featuring eye-catching patterns reminiscent of animal motifs, setting the stage for what was to come.

(Supplied)

The models strutted down the runway in long, structured coats and tailored suits, complemented by wide-brimmed hats and high boots.

Sleek tailored suits, glamorous mini-dresses, and flowing gowns reflected a mix of modern sophistication and bold statement pieces.

As the collection progressed, the color palette began to shift from monochromatic tones to vibrant hues, starting with a bold introduction of bright greens. Flowing pleated dresses and figure-hugging designs in various shades of green took center stage.

 (Instagram)

The green hues were followed by striking pinks and deep reds, with rose patterns adorning halter-neck dresses and flowing gowns.

In addition to the vivid colors, the collection featured a variety of textures. A standout piece was a fuchsia snake-patterned suit. Pleated fabrics added movement, while corset-style dresses highlighted structure and femininity. Flowing silks and airy satins further contributed to the collection’s dynamic mix.

(Supplied)

The show was attended by several celebrities and influencers, including “Dubai Bling” star Loujain Adada, Egyptian actress and model Enjy Kiwan, reality TV sisters Nadine and Farah Abdel Aziz, Tunisian model Ameni Esseibi, Emirati actress and TV presenter Mahira Abdel Aziz, Saudi designer and fashion influencer Tamaraah Al-Gabaani, Iraqi fashion blogger Deema Al-Asadi, and Egyptian style star Soha Taha.

The show concluded with Fausto Puglisi, the brand’s new creative director, stepping out to thank the audience.

Founded by the late Roberto Cavalli in the 1970s, the brand quickly became synonymous with Italian luxury and glamor. Roberto Cavalli has long been a staple on international runways and red carpets, and is known for its bold use of tropical patterns and animal prints.


Saudi-supported ‘Front Row’ screens in Toronto

Updated 07 September 2024
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Saudi-supported ‘Front Row’ screens in Toronto

DUBAI: Algerian filmmaker Merzak Allouche’s family dramedy “Front Row,” supported by the Red Sea Fund, screened this week at the 49th Toronto International Film Festival.

Allouche’s 19th feature tells the story of two matriarchs, Zohra Bouderbala and Safia Kadouri, who find themselves in conflict during a day at the beach. Zohra, accompanied by her five children, arrives early to secure a desirable spot, but tension arises when the Kadouri family is placed directly in front of them by a beach attendant.

As the two families engage in a passive-aggressive battle, teenage romance quietly unfolds in the background, adding to the drama.

The film stars Fatiha Ouared as Bouderbala, Bouchra Roy as Kadouri, and Nabil Asli as Hakim, the beach attendant.


Born in Exile unveils ‘nostalgic love letter’ to Libya at Dubai Fashion Week

Updated 07 September 2024
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Born in Exile unveils ‘nostalgic love letter’ to Libya at Dubai Fashion Week

DUBAI: Fashion label Born in Exile, led by designer Ibrahim Shebani, showcased its latest collection at Dubai Fashion Week in the form of a “nostalgic love letter” to Libya.

Shebani is keen to pay homage to Libya’s culture and heritage through his collections with one of the few high fashion brands to emerge from the country.

“We go back to our traditional dress code. We revamp it (and) we make modern clothing that is inspired from our traditional clothing,” he said before touching on the country’s turbulent recent history.

“Also the geopolitical situation influences our work … In 2014, when the civil war broke out in Libya, we had a beautiful monument in the center of (Tripoli), which was a bronze statue. It was stolen. We had some extremist militias in the city, and they stole it and destroyed it,” Shebani said, referring to an incident in November 2014 in which militants were suspected of removing the statue of a naked woman petting a gazelle.

“That was very heartbreaking to everyone that lived there or was from that city, and that inspired the collection. I think what we really want to say with this collection is that you might take away things, you might destroy some things, but it’s very, very difficult to wipe out the history of a nation.

“So the collection … is really a nostalgic love letter to a place where I lived for 10 years,” he said.

(Supplied)

Shebani was born in Germany and grew up in Egypt and Libya, before relocating to Tunisia, where he currently runs his brand.

The designer praised Tunisia’s homegrown production capabilities, and lamented the common practice of high-end European labels manufacturing leather goods there before placing a “Made in Europe” tag on the product.

“For every single brand you can think of, the bags factories (in Tunisia) produce (the goods). If you do one step in Italy, which is as little as fixing a button on a shirt, you can say it’s made in Italy,” he said, emphasizing the importance of educating potential customers on the realities of where and how luxury goods are made.

“Also, I think one of the biggest problems we have in the region is that the buyers are not very familiar with the regional brands,” Shebani added.

“It’s so much easier just to go to Europe because it’s a nice experience to be in Milan or in Paris,” he said.

Shebani believes the key to unlocking a brighter future for regional designers is to strengthen fashion infrastructure in the region involving all the key players — “it’s designers, plus clients, plus buyers, plus press, there has to be more of us in the region.”


‘Great feeling’ to win for Pakistan, says chocolatier who bagged prestigious French pastry award

Updated 07 September 2024
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‘Great feeling’ to win for Pakistan, says chocolatier who bagged prestigious French pastry award

  • Lals Pâtisserie, a luxury chocolate shop that opened in Karachi in 2006, won the ‘Pastry Discovery Gem Award 2024’ 
  • Award is given by Paris-based La Liste, world’s most selective global guide of restaurants, pastry shops and hotels

KARACHI: Lal Majid, whose Lals Pâtisserie won the prestigious La Liste ‘Pastry Discovery Gem Award’ 2024, said this week it was a “great feeling” to be the only winner from Pakistan, able to be in a room full of world-renowned chefs in Paris wearing a Pakistan pin and traditional salwar kameez. 
La Liste, the world’s most selective global guide of restaurants, pastry shops and hotels, puts out the awards annually, celebrating the “diversity of talents, the creativity and audacity, education, and the commitment to values such as seasonality and biodiversity.”
This year, the platform announced a total of 25 winners from 14 countries across the world in 10 categories. The Canadian Farine & Cacao pastry shop, which has been named one of the top pâtisseries in the world in the past, Chez Dodo, a charming pastry shop near St. Stephen’s Basilica in Budapest, and Alanya, a pastry shop in Lima’s bohemian Barranco district, also won in the same category as Lals.
Majid got her award at a ceremony held on June 17, 2024, in Paris. She runs the business with her daughter Madiha Sultan Tai, who serves as CEO.
“Till now, I am the first one [from Pakistan to feature on La Liste],” Majid, a florist turned chocolatier, told Arab News in an interview. “We researched if any Pakistani has won this award previously and we learnt that I was the first one to get this award.”
When Majid first started getting email inquiries from La Liste, she thought they were fake.
“I didn’t realize [it was happening] till the time I entered that area,” Majid said, describing the ceremony in Paris where she stood shoulder to shoulder with some of the world’s best chefs and chocolatiers, many of whose creations she had been admiring for years from a distance and whose books she had read and reread.
“I was lucky to get the award. It was all about my pastry [and] my chocolate,” Majid said.
“When it was announced that I was [from] Pakistan, and I was the only one from this area, it was a great feeling, of course. I was wearing my flag. I was wearing my Pakistani shalwar kameez.”
“HANSEL AND GRETEL”
Born and raised in Peshawar, Majid was not very good at studies and got married while she was still in college.
“[As a child,] I loved chocolates. I don’t know why but I was very much inspired by the story of Hansel and Gretel,” Majid said, referring to a German fairy tale in which siblings Hansel and Gretel are abandoned in a forest and fall into the hands of a witch who lives in a bread, cake, and sugar house.
“I always used to dream that I could have a chocolate, biscuit and candy house and I could break [off a piece] and have it myself. But I never thought I’d be able to make a chocolate factory,” the chocolatier said. 
Majid was initially importing chocolate but then started taking classes on how to make it herself.
“I studied and did a lot of courses,” she said. “Then we started making gelatos. We made this [Shahbaz Commercial] outlet. And now, we are making our own chocolate. And the interesting thing is that now our chocolates, except the cocoa mass and cocoa beans which we don’t grow in Pakistan, every ingredient is local and Pakistani.”
Lals has multiple outlets in Karachi and Lahore and in March this year launched an online shop in Dubai, with a small kiosk in a physical outlet also.
“Dubai is a very tough market. It’s very initial so I can’t say anything about the response yet but inshaAllah, soon,” Majid said.
“We are expanding to Islamabad and opening one more outlet in Lahore [soon]. I hope [to launch an outlet] in Peshawar. That’s my hometown. I live in Karachi but my heart is in Peshawar.”


Riyadh-based UK artist Simon Mortimer delves into Saudi pop culture 

Updated 06 September 2024
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Riyadh-based UK artist Simon Mortimer delves into Saudi pop culture 

  • Simon Mortimer’s mixed-media works exploring Arabic imagery and language are currently on show in Doha 

RIYADH: Inside his apartment in Riyadh, British artist Simon Mortimer experiments with images that explore Saudi Arabia’s current period of transformation. His vibrant creations are filled with references to contemporary Saudi culture through high and low art, with an abundance of Arabic influences.  

In one of the artist’s recent works, a realistic painting of a typewriter on light blue, gray and yellow background is encircled by various signs and symbols from everyday Saudi culture, including an evocative Saudi-based multinational Sharbatly fruit label showing a young boy wearing a red hat. At the top of the work is what appears to be a phrase from another advertisement in Arabic, translating to “For those who don’t know.” On the left-hand side of the typewriter, which Mortimer explains represents the idea of communication, is a cartoon-like depiction of a red falcon with its beak nestled ever so slightly on the machine and a small yellow crown over its head. 

Simon Mortimer. (Supplied)

Mortimer, currently working in Riyadh as an art teacher, is showing works in a new exhibition at the Media Majlis Museum (mm: museum) at Qatar’s Northwestern University titled “The limits of my language are the limits of my world.” It’s a mixed-media exhibition exploring the Arabic language, its historical and contemporary context and questions surrounding its future existence. It runs until Dec. 5. 

Many of Mortimer’s recent works incorporate Arabic writing and the imagery he selects is often repeated throughout his works (the falcon, the Sharbatly logo, coffee pots, and more). He doesn’t speak Arabic, but he says he is “fascinated by the forms of the letters, the culture and the language” and likes to use words with meanings that reflect the subject matter of his pieces. 

“I love to explore the popular culture of a place,” he tells Arab News. “You immediately see these interesting images, logos and adverts. I love the visuals and the aesthetics, and I often don’t understand what they mean, especially when the labels are in Arabic, so I go onto Google Translate to get a better sense of the meaning.” 

'Learn' by Simon Mortimer. (Supplied)

Mortimer moved to Riyadh around a year ago from Doha, where he lived for five years. In the Qatari capital he was an artist-in-residence at the Fire Station, one of Qatar’s leading contemporary art spaces. He has lived in a number of other countries, including the Philippines, Greece and Spain, and has exhibited his work in the UK, Greece, Indonesia, the Philippines and Qatar. 

“I love being a foreigner,” he says. “I love living in different countries and exploring local popular culture. It is interesting whatever country I am in,” explains Mortimer. “Everyday images are combined with text, and the ambiguity that this can lead to reflects the misunderstandings that sometimes arise when living in, or learning about, other countries and cultures. 

'No Limits' triptych by Simon Mortimer. (Supplied)

“I enjoy layering and creating texture with a wide range of media, as well as challenging the concept of ‘high’ and ‘low’ art; traditional ways of mark-making such as oil paint and etching are brought together in the same artwork with modern media such as spray paint and marker pen,” he continues. 

Mortimer’s creative process involves literal and metaphorical layers. He incorporates images and references from Saudi pop-culture, as well as Arabic script, and then merges them in a mixture of traditional oil painting, acrylic, stencils, photocopies, and spray paint. In essence, Mortimer’s works offer the reflections of a non-Arab on present-day Saudi society, as well as his desire to better understand Saudi contemporary culture. 

'Right to Left' by Simon Mortimer. (Supplied)

The new exhibition in Doha invites visitors to explore and celebrate Arabic’s rich history and influence of the Arabic language and to reflect on its place in the future. It revolves around four key themes: “Always another side?” which introduces Arabic and its complexities, challenging negative connotations of the language through beautiful representations; “An influential and powerful language?” exploring how Arabic has shaped politics, science, religion and culture worldwide; “Does media representation matter?” examining the portrayal of Arabic in the media; and the final theme: “Is Arabic a language of the future?” exploring efforts to preserve and protect the language in a world where the ubiquity and dominance of English — particularly in the digital realm, poses challenges. 

Mortimer’s works in the show explore these themes from the viewpoint of a non-Arabic speaker.  They incorporate images from contemporary Arabian society — particularly drawing from his recent experiences in Saudi and Qatar — and Arabic proverbs to explore language, multiculturalism, and education from the perspective of a non-speaker. 

'Round Puff' by Simon Mortimer. (Supplied)

Incorporating local imagery and language into his work allows Mortimer to immerse himself more fully in local culture — and learn something of the language. He says he also learns from, and is inspired by, the Saudi high school students he is teaching.  

“They tell me about the cartoons and the sports they watch and introduce me to popular culture in Saudi and discuss the changes taking place in the Kingdom,” he says. “I’ve learned so much through them.”