Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 

A still from the 2021 series 'Take Care of Zizi,' written by Mariam Naoum. (Supplied)
Short Url
Updated 02 August 2024
Follow

Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 

  • Netflix’s Saudi Female Future Filmmakers Program will launch in September 

JEDDAH: Fifteen new and emerging female filmmakers from Saudi Arabia are about to get the opportunity of a lifetime: mentorship from famed Egyptian screenwriter Mariam Naoum, as part of a new training program from Netflix run in partnership with Naoum’s Sard Writing Room and NEOM Media Industries. 

The first of the Saudi Female Future Filmmakers Program’s two phases will launch in September. 

“The first phase is an intense introduction to the processes of writing, directing and production. It will involve extensive time being spent with all the participants taking them through the basics,” Naoum tells Arab News. “And then the second phase will be more hands-on work done in groups. The participants will be separated or grouped into teams of four or five, and each group will write their own projects or their own short film.” 




Mariam Naoum. (Supplied)

Participants will then be given the opportunity to pitch their scripts to a panel of experts in a simulation pitch exercise at the upcoming Red Sea International Film Festival. They will also be guests at the festival, attending workshops and panel discussions as well as networking events.  

Sard, or the Sard Writing Room, was founded by Naoum in 2016 and is a “dedicated hub” for scriptwriters that has so far spawned 17 TV series and a feature film. Sard is billed as “a safe space for aspiring screenwriters to develop their projects, improve their writing skills, and practice their creative freedom.” 

Netflix previously partnered with Sard to launch the Because She Created writing program in Egypt to train women in writing and develop their storytelling and creative expression skills. 

“Sard believes that expressing oneself through writing is the first step to self-discovery and we’re proud to have discovered talent through this program that we feel will one day become the scriptwriters of the future,” Naoum said at the time. 

When asked about the kind of talent they are looking to attract for the new Saudi-based program, Naoum said: “We are looking for passionate participants. We want to discover indie filmmakers or women who are now looking at filmmaking as a career option and are looking to discover their abilities to express themselves through writing, directing and production. 




The first of the Saudi Female Future Filmmakers Program’s two phases will launch in September. (Supplied)

“We are looking for women who want to tell their own authentic stories, and through the application process, we are trying — through the questions — to discover that with them. The application form features questions like their favorite films, their favorite books, their favorite story that changed the lives, a moment in their life that they appreciate… We are trying to discover them as humans and discover their passion and the reason behind why they are looking into this.” 

Naoum — known for her work on films like “One-Zero” and “Between Two Seas,” as well as TV series including “Take Care of Zizi” — has garnered acclaim for writing stories that focus on issues facing everyday people, especially women. Most of her work is based on true stories. 

“I think this is my way to reflect on what is happening in the region and my feelings toward the society I am living in. I’m always reflecting on current happenings, how we arrived here — how did Egyptians end up at this point in this kind of situation in society? And then I want to share my thoughts with the audience,” she says. 

Naoum is bullish about the prospects for the Saudi entertainment industry. “I think it has great potential because there is a will for doing things and creating opportunities and there is a true wealth in terms of a young generation of filmmakers. And I can see how they are investing in studying cinema with workshops and more. And I think this will lead to a new wave,” she says. 

Applications for the Saudi Female Future Filmmakers Program are open until August 10 for women aged 21 and over, residing in Saudi Arabia with no prior experience working in the film and TV industry. 


Directors show solidarity with Palestinians during Venice Film Festival speeches

Updated 08 September 2024
Follow

Directors show solidarity with Palestinians during Venice Film Festival speeches

DUBAI: The final ceremony of the Venice Film Festival on Saturday saw multiple winners use their acceptance speeches to express solidarity with the Palestinian people and condemn Israel’s military campaign in Gaza.

“As a Jewish American artist working in a time-based medium, I must note, I’m accepting this award on the 336th day of Israel’s genocide in Gaza and 76th year of occupation,” said US director Sarah Friedland as she accepted the Luigi de Laurentiis prize for best first film for “Familiar Touch.”

“I believe it is our responsibility as filmmakers to use the institutional platforms through which we work to redress Israel’s impunity on the global stage. I stand in solidarity with the people of Palestine and their struggle for liberation,” she continued.

Kathleen Chalfant, Orizzonti Award for Best Actress winner, and Sarah Friedland (R), Lion of the Future – "Luigi De Laurentiis" Venice Award for a Debut Film and the Orizzonti Best Director award winner, pose during a photocall. (AFP) 

The director’s comments were met with strong applause, Deadline reported. Her speech comes amid Israel’s 10-month military campaign in Gaza in which more than 40,000 Palestinians, including more than 16, 000 children, have been killed. The current conflict was sparked by the Oct. 7 Hamas attack on Israel, in which 1,139 were killed, including 36 children.

Palestinian filmmaker Scandar Copti accepted the best screenplay prize in the Horizons section for his films “Happy Holidays.”

“I stand here deeply honored, yet profoundly affected by the difficult times we’re living through over the past 11 months, our shared humanity and moral compass have been tested as we witness the ongoing genocide in Gaza,” he said on stage.

“This painful reality reminds us of the devastating consequences of oppression, which is a theme in our film. Our film looks at how moral narratives can bring us together as communities, but also blind us to the suffering of others.”

Meanwhile, “The Room Next Door,” Pedro Almodóvar’s English-language debut starring Julianne Moore and Tilda Swinton, topped the Venice Film Festival and was awarded its Golden Lion award.

 


‘Colonizer to colonized’: Pakistani photographer travels from London to Quetta ‘without flying’

Updated 08 September 2024
Follow

‘Colonizer to colonized’: Pakistani photographer travels from London to Quetta ‘without flying’

  • Danial Shah’s 58-day-journey brought him home to Quetta via trains, ferries, buses and taxis at a cost of $2,509
  • Historic Quetta-London Road was once a popular route for international tourists and considered a ‘gateway’ to Europe

QUETTA: Earlier this year, Danial Shah, a Pakistani photographer and filmmaker currently pursuing a doctorate in visual and performing arts in Brussels, got an idea: to travel from the land of the colonizer, Britain, which had ruled the Indian subcontinent from 1858 to 1947, to the land that was colonized, present day Pakistan — but without flying.

Thus began a journey that took him from London to the southwestern Pakistani town of Quetta, the city of his birth, via trains, ferries, buses and taxis at a cost of $2,509.

“I wanted to start my journey from London, the reason is that Britain ruled our country for a long time, colonized us and it is Britain that gives us [Pakistanis] visas with great difficulty,” Shah, a 35-year-old documentary filmmaker and photographer, told Arab News in an interview in Quetta.

Pakistani photographer and backpacker Danial Shah, who travelled from London to Quetta in 58 days via trains, ferries, buses and taxis, uses his phone in a street in Quetta on September 3, 2024, during an interview with Arab News. (AN Photo)

“So I thought if I get a visa, I will start my journey from the place where the colonizer lives and reach the place which they colonized.”

Spending his early childhood in Quetta, Shah was always thrilled by the stories of foreign travelers who frequented the area and often arrived using what was dubbed the historic Quetta-London Road, once a popular route for international tourists and considered a ‘gateway’ to Europe.

“I often used to see foreigners here and when you asked someone their story, they would say, ‘We have come from Germany, from London, traveling through Turkiye and Iran’,” Shah said. “So, when I found time, I thought I should go on this journey also.”

This map, shared by Pakistani photographer and backpacker Danial Shah, shows his journey from London to Quetta. Shah’s 58-day-journey brought him home to Quetta via trains, ferries, buses and taxis at a cost of $2,509. (Photo courtesy: Danial Sheikh)

Frequent public commuting through the Quetta-London route, stretching over thousands of miles, began after the end of World War I and people even used it to travel to Saudi Arabia to perform Hajj, according to Dr. Irfan Ahmed Baig, a Quetta-based historian and author of the Urdu-language book ‘Quetta My City.’ European tourists choose the route to enter Turkiye via Greece and continued onwards to the Middle East and Asia. The route was diverted to Central Asia from Afghanistan, from where to leads to India and Bangladesh via Pakistan.

“A Quetta-London bound bus service was started in the 1950 but it was suspended due to unknown reasons,” Baig told Arab News. “During the Soviet Union’s incursion on Afghanistan, tourist movement through this route declined due to security reasons.”

Shah’s journey through a stretch of the route also did not come without difficulty as he faced strict border security checks on account of holding a Pakistani passport, considered one of the weakest travel documents according to global rankings, and amid fears about human smuggling and illegal migration.

This photo, posted on August 11, 2024 on Instagram, shows Pakistani photographer and backpacker Danial Shah, who travelled from London to Quetta in 58 days via trains, ferries, buses and taxis, at the Albania Museum in Tirana, Albania. (Photo courtesy: Danial Shah)

“At various border crossing points, I was the only one off-boarded from buses and questioned by border security forces,” he said.

But he powered on and the journey that began in London on July 3 took him through Europe, the Balkans and the Middle East, to Pakistan’s Balochistan province on August 21.

“From London, I traveled to France. From France, I went to Italy, where I took a boat to Croatia. From Croatia, I went to Serbia, Serbia to Bosnia, and from Bosnia to Montenegro, Albania,” the University of Antwerp student said.

“From Albania, I entered Greece. Then I took a boat from Greece to Turkiye and from Turkiye I took a bus to Iran. From Iran I traveled through buses and taxis and reached Pakistan.”

He said he was grateful for the people he met along the way and the hospitality and warmth he was offered.

“I enjoyed Bosnia the most, followed by Albania, and then Turkiye and Iran, because their manner of hospitality is similar to our Quetta,” Shah said.

His next plan is to save up for journeys to ever new countries and cultures.

This photo, posted on August 22, 2024 on Instagram, shows Pakistani photographer and backpacker Danial Shah, who travelled from London to Quetta in 58 days via trains, ferries, buses and taxis, in Iran. (Photo courtesy: Danial Shah)

“I wish to plan a year-long journey after saving some money to see more countries and additional stay,” Shah said, “because I met many people who were on the same route but traveling to Central Asia via Iran and Afghanistan to Vietnam.”


Roberto Cavalli closes Dubai Fashion Week with bold animal prints, vibrant hues

Updated 07 September 2024
Follow

Roberto Cavalli closes Dubai Fashion Week with bold animal prints, vibrant hues

DUBAI: The Italian luxury label Roberto Cavalli closed out Dubai Fashion Week this week with a presentation of its spring/summer 2025 collection, marking the brand’s first showcase in the Middle East.

Models descended onto the runway against a backdrop featuring the brand’s signature golden emblem. The runway was framed by a textured wall, with lighting that emphasized the collection.

The show kicked off with a powerful display of bold black-and-white printed outfits, featuring eye-catching patterns reminiscent of animal motifs, setting the stage for what was to come.

(Supplied)

The models strutted down the runway in long, structured coats and tailored suits, complemented by wide-brimmed hats and high boots.

Sleek tailored suits, glamorous mini-dresses, and flowing gowns reflected a mix of modern sophistication and bold statement pieces.

As the collection progressed, the color palette began to shift from monochromatic tones to vibrant hues, starting with a bold introduction of bright greens. Flowing pleated dresses and figure-hugging designs in various shades of green took center stage.

 (Instagram)

The green hues were followed by striking pinks and deep reds, with rose patterns adorning halter-neck dresses and flowing gowns.

In addition to the vivid colors, the collection featured a variety of textures. A standout piece was a fuchsia snake-patterned suit. Pleated fabrics added movement, while corset-style dresses highlighted structure and femininity. Flowing silks and airy satins further contributed to the collection’s dynamic mix.

(Supplied)

The show was attended by several celebrities and influencers, including “Dubai Bling” star Loujain Adada, Egyptian actress and model Enjy Kiwan, reality TV sisters Nadine and Farah Abdel Aziz, Tunisian model Ameni Esseibi, Emirati actress and TV presenter Mahira Abdel Aziz, Saudi designer and fashion influencer Tamaraah Al-Gabaani, Iraqi fashion blogger Deema Al-Asadi, and Egyptian style star Soha Taha.

The show concluded with Fausto Puglisi, the brand’s new creative director, stepping out to thank the audience.

Founded by the late Roberto Cavalli in the 1970s, the brand quickly became synonymous with Italian luxury and glamor. Roberto Cavalli has long been a staple on international runways and red carpets, and is known for its bold use of tropical patterns and animal prints.


Saudi-supported ‘Front Row’ screens in Toronto

Updated 07 September 2024
Follow

Saudi-supported ‘Front Row’ screens in Toronto

DUBAI: Algerian filmmaker Merzak Allouche’s family dramedy “Front Row,” supported by the Red Sea Fund, screened this week at the 49th Toronto International Film Festival.

Allouche’s 19th feature tells the story of two matriarchs, Zohra Bouderbala and Safia Kadouri, who find themselves in conflict during a day at the beach. Zohra, accompanied by her five children, arrives early to secure a desirable spot, but tension arises when the Kadouri family is placed directly in front of them by a beach attendant.

As the two families engage in a passive-aggressive battle, teenage romance quietly unfolds in the background, adding to the drama.

The film stars Fatiha Ouared as Bouderbala, Bouchra Roy as Kadouri, and Nabil Asli as Hakim, the beach attendant.


Born in Exile unveils ‘nostalgic love letter’ to Libya at Dubai Fashion Week

Updated 07 September 2024
Follow

Born in Exile unveils ‘nostalgic love letter’ to Libya at Dubai Fashion Week

DUBAI: Fashion label Born in Exile, led by designer Ibrahim Shebani, showcased its latest collection at Dubai Fashion Week in the form of a “nostalgic love letter” to Libya.

Shebani is keen to pay homage to Libya’s culture and heritage through his collections with one of the few high fashion brands to emerge from the country.

“We go back to our traditional dress code. We revamp it (and) we make modern clothing that is inspired from our traditional clothing,” he said before touching on the country’s turbulent recent history.

“Also the geopolitical situation influences our work … In 2014, when the civil war broke out in Libya, we had a beautiful monument in the center of (Tripoli), which was a bronze statue. It was stolen. We had some extremist militias in the city, and they stole it and destroyed it,” Shebani said, referring to an incident in November 2014 in which militants were suspected of removing the statue of a naked woman petting a gazelle.

“That was very heartbreaking to everyone that lived there or was from that city, and that inspired the collection. I think what we really want to say with this collection is that you might take away things, you might destroy some things, but it’s very, very difficult to wipe out the history of a nation.

“So the collection … is really a nostalgic love letter to a place where I lived for 10 years,” he said.

(Supplied)

Shebani was born in Germany and grew up in Egypt and Libya, before relocating to Tunisia, where he currently runs his brand.

The designer praised Tunisia’s homegrown production capabilities, and lamented the common practice of high-end European labels manufacturing leather goods there before placing a “Made in Europe” tag on the product.

“For every single brand you can think of, the bags factories (in Tunisia) produce (the goods). If you do one step in Italy, which is as little as fixing a button on a shirt, you can say it’s made in Italy,” he said, emphasizing the importance of educating potential customers on the realities of where and how luxury goods are made.

“Also, I think one of the biggest problems we have in the region is that the buyers are not very familiar with the regional brands,” Shebani added.

“It’s so much easier just to go to Europe because it’s a nice experience to be in Milan or in Paris,” he said.

Shebani believes the key to unlocking a brighter future for regional designers is to strengthen fashion infrastructure in the region involving all the key players — “it’s designers, plus clients, plus buyers, plus press, there has to be more of us in the region.”