Haaretz criticizes Israeli journalists for ‘keeping silence’ on Gaza counterparts killings

Israel has faced accusations of carrying out a “retaliatory campaign” against journalists and media workers in Gaza, which some have called war crimes, a charge the Israeli military has consistently denied. (AFP/File)
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Updated 08 August 2024
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Haaretz criticizes Israeli journalists for ‘keeping silence’ on Gaza counterparts killings

  • Palestinian Israeli journalist Hanin Majadli said Israeli colleagues ‘are indifferent to the fate of their peers in Gaza’
  • She argued that international outlets like Al Jazeera are dismissed as pro-Palestinian propaganda within Israel

LONDON: Israeli newspaper Haaretz has criticized the country’s journalists for their “silence” regarding the killing of Gaza-based media workers during the ongoing conflict.

In a column published Wednesday, Palestinian Israeli journalist Hanin Majadli highlighted the stark polarization within Israeli media, arguing that most Israeli journalists “are indifferent to the fate of their peers in Gaza,” who are often perceived as aligned with Hamas and, thus, “deserve to die.”

She wrote: “According to the Committee to Protect Journalists, over 110 reporters and media crew members have been killed in Gaza since October 7, a worse result than in World War II, the Korea War, the Vietnam War and the wars in Iraq.”

Majadli added: “This development doesn’t get much attention because in Israel, including in the media, all journalists from Gaza — actually everybody in the Strip — are members of Hamas, its elite Nukhba force, murderers and rapists. Or at the very least, they’re accomplices and supporters of terrorism.”

An outspoken advocate for Arab-Palestinian rights in Israel, Majadli criticized the “battle of narratives” between Israeli media and international outlets like Al Jazeera, which she says is dismissed as mere propaganda within Israel.

“What if these journalists are the Gazans’ only way to broadcast their plight to the world? What if the rest of the world views these reporters as journalists risking their lives on the battlefield to get the story — the way journalists are supposed to — and they’re having a hard time due to Israel’s hermetic control over Gaza?” she argued.

“Only a state in breach of international law would so closely monitor news reports about what's happening under its rule. Only a state that feels threatened by a free, independent media would consider the death of over 110 journalists ‘collateral damage.’”

Majadli also pointed out that Israel has banned foreign journalists from entering Gaza unless they are “closely accompanied” by soldiers from the Israeli military’s spokesperson’s unit.

This restriction has been contested by international media organizations and press freedom advocates, who argue that it imposes an “untenable burden” on local journalists and fosters an environment ripe for misinformation.

Israel has faced accusations of carrying out a “retaliatory campaign” against journalists and media workers in Gaza, which some have called war crimes, a charge the Israeli military has consistently denied.

“With the number of dead in Gaza approaching 40,000, the notion that journalists, of all people, will be protected sounds particularly ludicrous,” Majadli continued.

“Reporters’ efforts to identify themselves have failed to protect them, and there have been claims that journalists actually have been targeted by the army. The Israeli military officially denies that it views journalists in Gaza as targets, so why are so many of them getting killed?”

Majadli’s concerns have been echoed by other commentators, including Palestinian journalists like Linah Alsaafin, who has recently criticized both Israeli and international media for their “nauseating silence” on the issue.

The “lack of empathy” and “empty press statements” from international organizations, such as the Committee to Protect Journalists, were also criticized, with calls for “genuine action” and a need to “stand up to the bully” by actively rejecting the Israeli narratives that often dominate newsrooms.

“This is why there hasn’t been a single petition against the killing of journalists in Gaza, not one demonstration outside any newsroom. Who would sign something like that?” Majadli asked.

“What can you expect from a media culture that grooms its future generation in Army Radio? Will these journalists ever truly take a stand?”

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AFP Gaza photographers shortlisted for Pulitzer Prize

Updated 33 sec ago
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AFP Gaza photographers shortlisted for Pulitzer Prize

  • Jury praised the ‘powerful images’ from Gaza by Mahmud Hams, Omar Al-Qattaa, Said Khatib and Bashar Taleb
NEW YORK: Four Palestinian photographers from Agence France-Presse (AFP) were finalists for their Gaza coverage in the “Breaking News Photography” category of the Pulitzer Prize, the most prestigious awards in US journalism.
The jury for the award, presented on Monday by Columbia University in New York, praised the “powerful images” from Gaza by Mahmud Hams, Omar Al-Qattaa, Said Khatib and Bashar Taleb.
The AFP photographers’ work encapsulated “the enduring humanity of the people of Gaza amid widespread destruction and loss,” they said.
The Pulitzer nomination crowns an exceptional year for Hams, who also won the News award at the Visa pour l’Image festival in Perpignan and the Bayeux Calvados Prize for war correspondents — two of the most prestigious international awards in photojournalism.
AFP has provided uninterrupted coverage of the war in Gaza since 2023, when Hamas launched its attack against Israel on October 7, with teams on both sides of the border to guarantee rigorous and impartial information.
AFP’s local journalists are working in perilous conditions in Gaza to document the consequences of the war on civilians.
Since the start of the war, virtually no journalist has been able to cross into Gaza, which borders Israel and Egypt.
“This recognition is a tribute not only to the talent and bravery of these photographers, but also to AFP’s steadfast commitment to documenting events with accuracy and integrity, wherever they unfold,” Phil Chetwynd, AFP’s global news director, said in a statement.
“We are deeply grateful to Mahmud, Omar, Said, and Bashar, whose work gives voice to those caught in the heart of the conflict,” he added.

YouTube sets sights on enhancing Saudi user experience with shift from smartphones to TV

Updated 06 May 2025
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YouTube sets sights on enhancing Saudi user experience with shift from smartphones to TV

  • Pedro Pina took reporters back in time with a video of early meetings between the YouTube co-founders

ZURICH/RIYADH: YouTube is setting its sights on Saudi Arabia, aiming to shift video consumption from smartphones to television and leveraging the Kingdom’s affinity for the platform. 

As it celebrates its 20th anniversary, the platform envisions a new era for the region, positioning YouTubers like Noor Stars as the next Hollywood stars. Additionally, YouTube is exploring artificial intelligence-enhanced experiences, including dubbing and other innovative features, to engage users on the big screen. 

Pedro Pina, vice president of YouTube in Europe, the Middle East and Africa, told Arab News: “Whether you are talking about Egypt or Saudi Arabia, we want to be the zeitgeist of culture; we want to be the future of TV. 

“As these countries pick up steam in terms of penetration in connectivity, it will happen.” 

According to a study released by YouTube’s internal data, the platform reaches more than 12 million people in Saudi Arabia, over 2.5 million in the UAE, and 600,000 in Qatar over the age of 18 via connected TV.  

Saudi Arabia has developed a significant affinity for YouTube, with 95.8 percent of the population using the platform. As YouTube looks to shift viewing from smartphones to television, it aims to enhance the way content is experienced by audiences in Saudi Arabia. 

TV is now the primary device for YouTube viewing in the US, and viewers in the Middle East are shifting their viewing preferences from the smartphone to the TV. 

During a two-day press gathering to mark YouTube’s anniversary, hosted in Zurich, the platform’s executives gathered to reflect on its growth since its inception in 2005, while highlighting future features and the vision for the region. 

Executives who spoke about the evolution and progression of YouTube included Pina; Amjad Hanif, vice president of product management for YouTube creator products; Roya Zeitoune, head of YouTube’s culture and trends for Europe, the Middle East, and Africa; and Geoff van der Meer, vice president of engineering. 

Pina took reporters back in time with a video of early meetings between the YouTube co-founders, showing them discussing the future of the platform. 

He highlighted that between the co-founders, “there were a lot of conversations about where the site was going to be … and what they were going to do about the ability of uploading videos.” 

As YouTube looks to the future, it has four areas of focus: remaining the epicenter of culture, creators becoming the startups of Hollywood, YouTube becoming the new television, and AI being implemented to enhance the experience for viewers and creators. 

“Creators are continuing to be the new startups. Noor Stars is one of the creators who is incredibly successful in the region,” Pina said, adding that she represents one of the success stories in YouTube’s mission: “Give everyone a voice and show them the world. This has been our goal since we began.”

Pina highlighted the strong engagement YouTube receives from viewers across the Middle East, citing the region’s diverse cultures and varied realities. 

When asked what new features can be expected in the region, Pina said: “The solutions will look and feel different in each country (in the Middle East) because they are in different levels of development. 

“For example, the penetration of connected TVs is different in one type of country from another, and therefore the future of TV viewing for creators will also feel different from other regions.”

Among the topics executives discussed was podcasting. With podcasting becoming increasingly mainstream, Pina highlighted YouTube’s newly released statistic: Over 1 billion people interact with podcast content on YouTube each month, and those viewers are watching over 400 million hours of podcasts monthly on their TVs. 

The rise of podcasting as a mainstream media format is not unexpected. As of now, the most viewed podcast episode on YouTube comes from Saudi Arabia’s Thmanyah, a sister publication of Arab News under SRMG, with 140 million views. 

Another topic discussed was the YouTube Partner Program, which allows creators to have sustainable revenue and build a business while pursuing their passions through content creation. 

According to YouTube’s internal data, in Saudi Arabia, the number of YouTube channels making seven figures or more in Saudi riyals is up 40 percent year on year. And in the UAE, the number of YouTube channels making seven figures or more in SR is up 15 percent year on year.

Hanif said that there are currently 3 million YouTubers in the partner program, and more than half a million of them started their channel over a decade ago. 

Hanif added: “That speaks to the sustainability and the thoughtfulness we put into the program to make sure they are able to build a business this year, and YPP gives them the opportunity to continue to build and expand that business.” 

The first YouTube video was uploaded on April 23, 2005, by Jawed Karim, one of the three co-founders of the platform. The video was titled “Me at the Zoo.” Since then, YouTube has grown exponentially, with over 20 billion videos uploaded as of April 2025. 


Palestinian writer wins Pulitzer Prize for Gaza war commentary

Updated 06 May 2025
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Palestinian writer wins Pulitzer Prize for Gaza war commentary

  • Mosab Abu Toha was awarded the $15,000 award for four of his essays published in The New Yorker

DUBAI: Renowned Palestinian poet and author Mosab Abu Toha won the Pulitzer Prize in commentary for his published essays documenting the suffering of people in Gaza.

Abu Toha was awarded the $15,000 award for four of his essays published in The New Yorker “on the physical and emotional carnage in Gaza that combine deep reporting with the intimacy of memoir to convey the Palestinian experience of more than a year and a half of war with Israel,” the Pulitzer board said.

Announcing his win, Abu Toha wrote on X: “Let it bring hope. Let it be a tale.”

The writer, who was born in a refugee camp in Gaza City, lost 31 family members in an airstrike on their home on Oct. 28, 2023 amid the war in Gaza.

He was detained by Israeli forces in November 2023 while trying to flee his home in northern Gaza, where he lived most of his life and was wounded aged 16 by an Israeli airstrike.

Abu Toha, along with his wife and three children, are now based in the US, where he received a Harvard fellowship for scholars at risk in 2019.

In a tribute post on Tuesday following his Pulitzer prize win, Abu Toha wrote on X: “Blessings to the 31 members of my family who were killed in one airstrike in 2023.

“Blessings to the soul of my great aunt, Fatima, whose ‘corpse’ remains under the rubble of her house since October 2024. Blessings to the graves of my grandparents who I will never find.”


Israeli soldiers raid home of Palestinian activist featured in Louis Theroux documentary

Updated 06 May 2025
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Israeli soldiers raid home of Palestinian activist featured in Louis Theroux documentary

  • Issa Amro posted videos on social media showing confrontations with Israeli soldiers, settlers at his home in Hebron
  • The activist said ‘they wanted revenge from me for participating in the BBC documentary’

LONDON: Israeli soldiers have raided the home of Issa Amro, a prominent Palestinian activist featured in Louis Theroux’s recent BBC documentary “The Settlers,” in what he described as a retaliatory move for his appearance in the film.

Amro, co-founder of the non-violent group Youth Against Settlements, posted videos on social media showing confrontations with Israeli soldiers at his home in Hebron, as well as footage of Israeli settlers entering the property.

“The soldiers raided my house today, they wanted revenge from me for participating in the BBC documentary ‘the settlers’, after the army left the settlers raided my house, they injured one activist and cut the tree, they stole tools and the garbage containers,” he said in a post on X.

The incident comes as Israel intensifies its military operations in the West Bank, even as global attention remains focused on its war in Gaza. Human rights groups have long accused Israeli settlers — often accompanied or protected by soldiers — of conducting near-daily raids on Palestinian communities to intimidate residents and seize land.

Despite repeated condemnation by the international community, attacks by settlers and security forces have grown more frequent and more violent, forcing many Palestinians to abandon their homes.

Israeli settlements in the West Bank and East Jerusalem are considered illegal under international law. The expansion of settlements has drawn comparisons from rights organizations to the apartheid system once seen in South Africa.

Amro, a Nobel Peace Prize nominee, appeared in “The Settlers,” a follow-up to Theroux’s 2012 documentary “The Ultra Zionists.” In the new film, he guides Theroux through Israeli-occupied Hebron, where around 700 settlers live under heavy military protection among a Palestinian population of roughly 35,000.

The documentary not only examines the daily realities of life under occupation but also explores the religious and ideological motivations driving the settler movement.

Amro said Israeli police threatened him with arrest and told him not to file a complaint. In one video posted on X, he confronts balaclava-wearing soldiers and asks why their faces are covered. One responds: “You know exactly why.”

Theroux commented on X that his team is in regular contact with Amro and is “continuing to monitor the situation.”

The incident echoes a similar case in March, when Hamdan Ballal, a co-director of the Oscar-winning documentary “No Other Land,” was assaulted outside his home in Susya, a village in the Masafer Yatta area of the West Bank, before being briefly detained. Ballal later claimed he was beaten while in custody and described the attack as “revenge for our movie.”

In a statement, a spokesperson for the Israel Defense Forces denied Amro’s claims, saying: “As the videos clearly show, the soldiers present on May 3 in the Hebron area were there to disperse the confrontation between Palestinian residents and Israeli civilians.”


Syria state TV relaunches, months after Assad’s ouster

Updated 06 May 2025
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Syria state TV relaunches, months after Assad’s ouster

  • Following Assad’s fall, television channels, radio stations and outlets suspended broadcasting and publishing
  • ‘We hope to rebuild national media and trust with Syrians,’ Information Minister Hamza Al-Mustafa said

DAMASCUS: Syrian state television officially relaunched on Monday with a trial broadcast almost five months after the ouster of longtime ruler Bashar Assad and following delays blamed on sanctions and dilapidated equipment.
After Syria’s new authorities took power in December, state media and other television channels, radio stations and outlets affiliated with Assad’s government suspended broadcasting and publishing.
At 5:00 p.m. (1400 GMT) on Monday, a presenter appeared on television screens, welcoming viewers and announcing the start of a test broadcast of Syria’s Alekhbariah television channel from Damascus via two satellite providers.
The channel showcased its new branding and broadcast images of Damascus and Ummayad Square, where the Public Authority for Radio and Television headquarters are located, as well as images of correspondents across the country.
“Today, the first official television channel has launched,” said new authority chief Alaa Bersilo, vowing it would be “a mediator between the state and society.”
He said broadcasting was delayed several times “due to television infrastructure” and “sanctions on the former regime which impacted satellite broadcast efforts.”
The channel’s director Jamil Srur said: “We were keen on Alekhbariah being fit for the new Syria, and this is what delayed its launch.”
In a post on X, Information Minister Hamza Al-Mustafa called the launch “a very emotional moment,” expressing hope that the channel would be help rebuild the national media and be a model for “rebuilding trust” with Syrians.
After forces led by Islamist group Hayat Tahrir Al-Sham (HTS) took Damascus on December 8 and announced Assad’s overthrow, state news agency SANA stopped operating for more than a day before resuming with new staff.
But state television failed to keep up with fast-evolving events, at first broadcasting archive footage and later ceasing transmissions.
The new authorities have cracked down on outlets that were close to the ousted government, particularly Al-Watan daily and Sham FM radio.
For decades, Syria’s ruling Baath party and the Assad family dynasty heavily curtailed all aspects of daily life, including freedom of the press and expression, while the media became a tool of those in power and the entry of foreign media was heavily restricted.
Since Assad’s fall, outlets in exile or in formerly opposition areas have come to prominence, and foreign journalists have flooded in.
Syria ranks 177 out of 180 countries and territories on the 2025 World Press Freedom Index published by the Paris-based Reporters Without Borders (RSF).
While Assad’s ouster ended “five decades of brutal and violent repression of the press... journalists’ newfound freedom remains fragile due to ongoing political instability and mounting economic pressures,” according to RSF.