Recipes for success: Chef Mukkram Kazim offers advice and a lobster thermidor and pommes Anna recipe

Mukkram Kazim is the head chef at French fine-dining restaurant L’ami Dave in Mansard Riyadh. (Supplied)
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Updated 09 August 2024
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Recipes for success: Chef Mukkram Kazim offers advice and a lobster thermidor and pommes Anna recipe

DUBAI: Mukkram Kazim, head chef at French fine-dining restaurant L’ami Dave in Mansard Riyadh, began his career aged 18 in the UK, where he studied culinary arts and gained experience in fine dining. Kazim worked in prestigious restaurants in London before taking on “a significant role” with a luxury cruise line under famed US chef Thomas Keller. 

That job took him across Europe, America, Asia and Australia, broadening his culinary perspective. 




L’ami Dave in Mansard Riyadh. (Supplied)

Kazim then opened his own restaurant, Gusto Italian, in England before taking the lead in the kitchen at L’ami Dave.

Here, Kazim discusses common mistakes, his favorite dish to cook, and his management style.   

When you started out what was the most common mistake you made?  

A mistake many chefs make early in their career is not properly tasting and seasoning dishes as they cook. It’s easy to assume that a dish will turn out well without frequent adjustments, but flavors can change during cooking. Regular tasting and adjustments are crucial for a balanced final dish.  

What’s your top tip for amateur chefs?     

Focus on mastering basic techniques. Understanding how to properly handle knifes, cook vegetables and manage heat can make a huge difference. Once you’re comfortable with the basics, experimenting with flavor and ingredients becomes much easier and more enjoyable.  




L'ami Dave - creme brulee. (Supplied)

What ingredient can instantly improve any dish? 

A high-quality sea salt. It enhances the natural flavors of ingredients and can make a noticeable difference in taste. Just a pinch can elevate the overall dish. 

When you go out to eat, do you find yourself critiquing the food? What’s the most-common mistake that you find in other restaurants?

Yes, as a chef, I think it’s natural to critique food when dining out. One common mistake I notice is inconsistency. Sometimes dishes can be under seasoned or unevenly seasoned, which affects the overall flavor.  

What’s your favorite cuisine? 

I usually go for Arabic or Indian cuisine, especially dishes featuring rice and meat. I enjoy the depth of flavors and the complexity of spices that these cuisines offer. Dishes like biryani or kabsa are particularly appealing because they combine aromatic spices with tender meat and flavorful rice, making for a satisfying and rich meal. 

What’s your go-to dish if you have to cook something quickly at home?

A simple pasta aglio e olio. Just pasta, garlic, olive oil and a pinch of red pepper flakes. It’s flavorful and satisfying, and can be made in about 20 minutes with minimal effort. Plus, it’s a great way to use up staples and can be easily customized with extra ingredients. 




L'ami Dave - Roasted Beef Salad with Goat Cheese and Walnuts. (Supplied)

What customer behavior most annoys you? 

When they ask for excessive or frequent changes to a dish after it’s been ordered. Accommodating special requests is part of the job, but constant adjustments can complicate the preparation process and impact the timing and quality of the meal. Clear communication about preferences and limitations means a smoother dining experience for everyone. 

What’s your favorite dish to cook?

Mutton curry with spinach. I love it — the combination of tender lamb and vibrant spinach, infused with aromatic spices. The process of blending spices and achieving the perfect balance of flavors is incredibly satisfying, and the result is a dish that’s both comforting and impressive. 

What’s the most difficult dish for you to get right?

One of the most challenging to perfect is soufflé. It requires precise timing, temperature control, and the right technique to achieve the perfect rise and texture. Even slight deviations can lead to a deflated or uneven soufflé, making it a true test of a chef’s skill and attention to detail. 

As a head chef, what are you like? 

I strive to strike a balance between being authoritative and approachable. I believe in leading with respect and setting high standards, while ensuring that every aspect of the kitchen runs smoothly. My approach involves clear communication and a commitment to quality.

Chef Mukkram’s lobster thermidor and pommes Anna recipe 




(Supplied)

INGREDIENTS:

1 whole lobster (including tails and claws); 120g thermidor sauce (instructions below); 30g unsalted butter; 180g of pommes Anna (instructions below); 2g microgreens 

For the thermidor sauce (yield = 2.4kg)

INGREDIENTS: 150g butter; 100g flour; 900ml milk; 1l cream; 200g shallots; 150g leeks; 15g garlic; 200ml American malt; 750ml shrimp stock (instructions below); 180g gruyere cheese; 25g dijon mustard; 40g Maldon salt

INSTRUCTIONS:

Combine 125g of butter with the flour and mix until evenly distributed. This is your beurre manié. Set aside and keep at room temperature. 

Heat a large saucepan over medium heat. Add the remaining butter.

When the butter foams, add the shallot, leeks, garlic and salt.

Sweat the vegetables until soft, do not allow them to brown.

Add malt and cook for a minute. Add the shrimp stock.

Reduce the liquid by half, add the cream and milk and bring to a simmer.

Whisk in the beurre manié.

Reduce to a very low heat and cook for 20 minutes, stirring frequently.

Whisk in the mustard and cheese. 

Strain the sauce through chinois.  

For the pommes Anna 

INGREDIENTS: 1 kg sliced potatoes; 220g duck fat; 20g Maldon salt

INSTRUCTIONS: 

Peel the potatoes and slice thinly.

Pour the duck fat on top and mix well.

Layer the sliced potatoes in a mold, seasoning each layer. 

Cover with parchment and cook at 180 C for 30 minutes.

Once cooked place a tray on top 

Leave overnight in the fridge to press and set.   

For the shrimp stock

INGREDIENTS: 1kg seafood shells; 2L water; 250g torpedo shallots, peeled, quartered; 200g celery; 60g sliced lemon; 100g fennel; 10g black peppercorns; 5g fresh bay leaf

INSTRUCTIONS: 

Roast the shells in the oven. 

Add all the ingredients to a large pot, along with the roasted shells.   

Bring to a simmer and cook for 20 minutes. 


From Shanghai to New York, stars show off Lebanese looks

Updated 14 sec ago
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From Shanghai to New York, stars show off Lebanese looks

DUBAI: International stars including Hollywood actress Emily Blunt and Chinese K-Pop singer Victoria Song showed off glittering looks by Lebanese designers at global events.

Blunt attended the American Institute for Stuttering's Annual Gala in New York late last week in a gown from Lebanese label Elie Saab’s  pre-fall 2025 ready-to-wear collection.

The pleated gown came in a simmering shade of burnt sienna and incorporated a bouquet of ruffles on one shoulder. The Oscar-nominated actress chose to keep things relatively simple when it came to her accessories, opting for minimal earrings, bracelets and a few shimmering rings. Blunt’s look was put together by celebrity stylist Jessica Paster, who also works with singer Paris Jackson and actress and comedian Quinta Brunson. Launched in 1998, the American Institute for Stuttering is a non-profit organization offering speech therapy and community support for people of who stutter.

Blunt previously wore an Elie Saab design for the 2024 BAFTAs in London and proved she’s a fan of Lebanese creations by attending the Clooney Foundation for Justice’s Albie Awards in a hot red dress by Lebanese designer Zuhair Murad in September 2023.

Meanwhile, Chinese songstress Song showed off a full beaded lilac number by Elie Saab at the 2025 2025 Sina Weibo Movie Night Awards on Friday.

The red carpet in Shanghai, China, played host to a number of decadent Lebanese designs, with the likes of Elaine Zhong showing off a Zuhair Murad gown as Tong Li Ya opted for Georges Hobeika and Chen Du Ling stunned in Georges Chakra.

The actresses all opted for floor-length shimmering gowns in various shades of gold, with Zuhair Murad’s social media team describing the fashion house’s creation as “an embroidered corset with leaf petal detailing in champagne and silver paired with a draped silk chiffon skirt from the Zuhair Murad Couture Spring 2025 collection.”


Egyptian film ‘Happy Birthday’ takes top honors at Tribeca Film Festival

Updated 14 June 2025
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Egyptian film ‘Happy Birthday’ takes top honors at Tribeca Film Festival

DUBAI: Egyptian film “Happy Birthday,” the debut feature by writer-director Sarah Goher, this week took two of the international festival’s top honors — for best international narrative feature and for best screenplay.

The film, which stars Nelly Karim, Hanan Motawie, Hanan Youssef and Doha Ramadan, tells the story of Toha, an eight-year-old girl working as a child maid for a wealthy family in Cairo. She forms a close bond with the family’s daughter, Nelly, and becomes determined to give her the perfect birthday — something Toha herself has never experienced.

As her connection with Nelly’s mother begins to blur the lines of class and duty, Toha is forced to confront the stark social hierarchies of modern Egypt.

Goher co-wrote the film with acclaimed Egyptian director Mohamed Diab, internationally recognized for Marvel’s “Moon Knight.” Diab also took on the role of executive producer.


Bella Hadid’s Orebella named conscious brand of the year

Updated 14 June 2025
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Bella Hadid’s Orebella named conscious brand of the year

DUBAI: Ulta Beauty — one of the largest beauty retailers in the US — has awarded Bella Hadid’s fragrance brand, Orebella, its prestigious “conscious brand of the year” title, recognizing the label’s commitment to clean ingredients, ethical practices and sustainable packaging.

Hadid took to Instagram to announce the news with her followers. “Thank you to our Ulta Beauty family for recognizing our commitment to creating a healthy daily ritual for all,” she wrote.

Hadid went on to share the criteria that helped Orebella to earn the title, noting that the brand meets Ulta’s guidelines across several categories. These include clean ingredients — excluding parabens, phthalates and more than 20 other substances on Ulta’s “Made Without” list.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Orebella (@orebella)

Orebella goes further, she said, banning more than 1,300 ingredients in line with EU standards.

She also emphasized that the brand is certified cruelty-free by PETA and Leaping Bunny, and is entirely vegan, formulated without any animal products or byproducts. In addition, all Orebella packaging is recyclable, refillable or made from recycled or bio-sourced materials, including its line of perfumes.

Hadid also highlighted Orebella’s philanthropic efforts, explaining that the brand’s Alchemy Foundation donates at least 1 percent of domestic net sales to causes “close to our hearts.”

The alcohol-free scents of Orebella, which launched in 2024, were Hadid’s answer to traditional perfumes.

Hadid wrote on her website: “For me, fragrance has always been at the center of my life — helping me feel in charge of who I am and my surroundings,” she said. “From my home to nostalgic memories, to my own energy and connection with others, scent has been an outlet for me. It made me feel safe in my own world.

“Through my healing journey, I found that I was extremely sensitive to the alcohol in traditional perfumes — both physically and mentally — it became something that was more overwhelming than calming to me,” she added. “That is the main reason I wanted to find an alternative, so essential oils became an artistic and experimental process for me.”

She started growing lavender on her farm, walking through the garden every morning and learning about her family’s tradition of making homemade scents. “I realized I might have a calling in this. I found healing, joy and love within nature’s scents,” she said.


Pakistani films attracted ‘biggest’ Eid collections in 5 years, says largest cinema chain

Updated 13 June 2025
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Pakistani films attracted ‘biggest’ Eid collections in 5 years, says largest cinema chain

  • Pakistani films ‘Love Guru’ and ‘Deemak’ led box office collections surge this Eid Al-Adha, says Cinepax Cinemas sales head
  • Love Guru’s team says flick generated $676,500 during first five days, Deemak distributor says movie collected $142,000

KARACHI: Pakistani films that released on the Eid Al-Adha last week attracted the highest Eid box office collections in five years, the sales and marketing head of the country’s largest cinema chain said on Friday.

Pakistani romantic comedy ‘Love Guru,’ starring acting powerhouses Humayun Saeed and Mahira Khan released in cinemas worldwide on Eid-ul-Adha. The other prominent Pakistani movie that released in theaters across the world was “Deemak,” a horror movie with A-list actors Faysal Qureshi, Sonya Hussyn and Samina Peerzada starring in lead roles.

As per official figures released by Love Guru, the Pakistani film collected Rs 12.8 crores [$457,143] in Pakistan during the first three days of Eid Al-Adha, making it the biggest ever Eid weekend opener in the country.

“If we look at Eid [film] business since Covid, we did the biggest business this year [on Eid],” Adnan Ali Khan, the sales and marketing head of Cinepax Cinemas, told Arab News. “Meaning highest in five years.”

He said this does not include The Legend of Maula Jatt film, which enjoyed record-breaking box office business but was not released on Eid.

People gather outside cinema hall at the Cinepax, Jinnah Park in Rawalpindi, Pakistan on June 10, 2024, during Eid Al-Adha celebrations in Pakistan. (Photo courtesy: Azadar Kazmi)

“Love Guru got 50 percent of the shows and that is why it generated huge numbers,” Khan explained, adding that Deemak was the second-best performing film on Eid while Hollywood flick “From the World of John Wick: Ballerina” secured the third-highest collections.

The film’s official team announced that its international box office collections for the opening weekend surged to Rs15.4 crores [$546,000]. This means the film raked in a total of Rs28.2 crores [$999,186] in the first three days of the release.

After the first five days of their release, Love Guru’s team said it collected Rs19.10 crores [$676,500] locally while Deemak distributor Nadeem Mandviwalla said the horror flick generated around Rs4 crores [$142,000] at the box office.

Mandviwalla said the film is expected to secure over Rs7 crores [$248,000] in box office collections by the end of this week.

“It is a very encouraging figure for Deemak,” Mandviwalla said.

However, there have been speculations around the authenticity of these figures, particularly at the local box office. There hasn’t been an official detailed division of box office collections in cinemas across Pakistan.

Pakistani film critic Kamran Jawaid, however, brushed aside claims that Love Guru’s box office collections were fabricated.

‘ONLY FOR THE DELUDED’

“When the audience comes out of cinemas in droves at seven in the morning— and that too from multiple shows— then countering claims about fabricated figures is only for the deluded,” Jawaid told Arab News.

He said the high footfall in cinemas across the country puts to rest the opinion that attendances at cinemas are too low due to expensive ticket prices or that audiences no longer harbor interest in Pakistani movie.

“One just has to make movies that people are willing to shell money out on, whether it is Mission: Impossible: The Final Reckoning, which also ran shows till morning two weeks before Eid, or Love Guru,” Jawaid said.

The Pakistani film critic broke down the numbers based on the number of screens and seating capacity of Pakistani cinemas.

People gather outside cinema hall at the Cinepax, Jinnah Park in Rawalpindi, Pakistan on June 10, 2024, during Eid Al-Adha celebrations in Pakistan. (Photo courtesy: Azadar Kazmi)

“Although not big, counting all 91 screens, Pakistan’s total seating capacity is a little above 21,000, which equates to 21 million in ticket sales per show/slot, with an average ticket price of a thousand,” he said.

“An average of four shows per day leads to 84 million in gross income. Depending on the number of screens a film like Love Guru gets — which is roughly between 30-40 percent of the country — per-day estimates range between 25 to 33 million in gross receipts,” Jawaid explained.

“Given that the tickets are selling hot, one cannot refute the legitimacy of the quoted figures.”

Khan said the movies garnered the highest numbers at its cinemas in Packages Mall in Lahore, followed by Jinnah Park in Rawalpindi.

“We are running late night shows every day,” Khan said, adding that the coming weekend was also expected to feature “packed” theaters as the cinemas have bookings in advance.

“We need four Pakistani movies like Love Guru every year,” he said. “However, Deemak has started gaining momentum now alongside Love Guru.”

Jawaid, however, looked toward the future of Pakistani cinema.

“Pakistan’s cinema needs one Love Guru a month to revive audience’s interest,” he said.


‘Ocean’ — bleak indictment of mankind offers a glimmer of hope

Updated 13 June 2025
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‘Ocean’ — bleak indictment of mankind offers a glimmer of hope

  • David Attenborough’s latest documentary is a vital, compelling call to action

JEDDAH: “Ocean with David Attenborough” was released regionally on Disney+ on June 8 — World Ocean Day. It hit cinemas in May, on the 99th birthday of its venerable and venerated presenter, the famed biologist and broadcaster.

Like all Attenborough-fronted nature docs, “Ocean” is gorgeously shot and an immersive viewing experience. But while the vast majority of his output leaves you speechless at the on-screen beauty, “Ocean” also strikes you dumb at the horrifying devastation wrought on the open seas by the 40,000+ super-sized fishing trawlers operating around our planet constantly.

Sweeping the seabed with their giant nets, these ships commit slaughter on an unimaginable scale, leaving little alive in their rapacious search for a few specific species that humans actually eat. In their wake they leave something akin to the dystopian portrayals of a nuclear winter in post-apocalyptic dramas. These grim, heart-breaking shots are interspersed with glorious, vibrant scenes of what a healthy seabed should look like — towering forests of kelp, sea meadows, abundant diverse communities of extraordinary marine life… A reminder of what we are destroying every minute of every day.

Attenborough lays out for us with all of his trademark passion and authority just what is at risk here. The seas, he stresses, are vital for the survival of humankind. And humankind is putting the seas in terrible jeopardy. Marine ecosystems are delicately balanced and linked in complex, subtle ways that we are only now beginning to understand. And industrial fishing is far from subtle. As Attenborough notes, if rainforests were being razed at this rate, the protests would be global and furious. But because this destruction takes place miles below the surface of the water, it goes mainly unnoticed. Incredibly, this mindless, untargeted carnage is not illegal; it is positively encouraged — and heavily subsidized — by many governments. 

Thankfully, there is hope. Attenborough reveals that scientists have discovered that — if left alone through the imposition of “no-take zones” — the oceans can recover at an incredible rate, and the most barren of sea floors can once again flourish in just a few years. There is now an international pact to turn one-third of Earth’s seas into no-take zones by 2030. And if this does happen — note the if — then there’s a good chance that man-made damage can be reversed not just in the water, but on land, as sea life is, it turns out, extremely adept at reducing carbon. The sea could save the world.

As nature documentaries go, it’s hard to imagine “Ocean” being bettered (except perhaps for the distracting clichéd mishmash that serves as its soundtrack, which deserves to be classified as a man-made disaster itself). This is a compelling, vital and urgent narrative delivered by an expert scientist and broadcaster accompanied by awe-inspiring, mind-boggling cinematography showing us wonders that most of us will never come close to seeing first-hand. And it lays out a path for survival. Whether we actually take that path...