NEW DELHI: Terrified for her safety, Indian actress Sreelekha Mitra remembers pushing chairs and a sofa against her hotel door after she said an award-winning veteran director sexually harassed her.
Mitra waited 15 years to speak out about the incident, one of several cases exposing the dark underbelly of India’s Malayalam-language “Mollywood” film industry that has won awards at Cannes.
Her revelation was spurred by an explosive government report documenting widespread sexual harassment in an industry dominated by powerful and wealthy men who believe that an actress willing to kiss on screen would do the same in real life.
“That entire night I stayed awake,” Mitra, 51, told AFP.
Mitra was invited to a gathering at the director’s house, where she said he lured her into his room for a phone call with a cinematographer.
“He started playing with my hair and neck... I knew if I did not say anything then, his hand would roam around other parts of my body,” she said, describing events from 2009, when she was 36.
She left and returned to her hotel.
“The intentions behind his moves were pretty clear to me... I was petrified.”
Her case and close to a dozen others have triggered a MeToo reckoning in the industry, with at least 10 prominent figures accused, according to Indian media.
Kerala-based Mollywood is known for critically acclaimed movies with strong and progressive themes, a change from the big dance and song numbers of India’s giant Hindi-language Bollywood in Mumbai.
The industry is prolific, producing up to 200 films a year, loved not only by southern India’s 37 million Malayalam speakers, but also dubbed and streamed across the rest of India and abroad.
Internationally, its films have won awards, including the 1999 satire Marana Simhasanam (“Throne of Death“), winner of the Camera d’Or at Cannes.
This year’s “Manjummel Boys,” a survival thriller, took $29 million at the box office, the highest-grossing Malayalam movie ever and the fifth-most successful in India this year.
The industry report, released August 19, said women actors faced the widespread “worst evil” of sexual harassment.
The report was released by the Hema Committee, headed by a former high court judge, set up after a leading Malayalam actress reported she was sexually assaulted in 2017.
Gopalakrishnan Padmanabhan, a prominent Malayalam actor better known by his stage name Dileep, was arrested for allegedly orchestrating the assault.
He was imprisoned for three months before being released on bail. The case continues.
But the release of the report has opened discussion on the far wider issue of chronic violence against women, encouraging people like Mitra to speak out in public for the first time.
It said that women who considered speaking out about sexual assault were silenced by threats to their life, and to their families.
Award-winning actress Parvathy Thiruvothu, 36, called the investigation a “game changer” and a “historic moment.”
“There was this idea that women working in the industry should feel grateful for having been given an opportunity by the men who were hiring them,” said Thiruvothu, a member of the campaign group Women in Cinema Collective.
Allegations of abuse in Indian cinema are not new.
It witnessed a wave in 2018, shortly after the 2017 MeToo movement erupted in Hollywood against disgraced US movie producer Harvey Weinstein.
But Thiruvothu called the latest allegations more than “MeToo Part Two.”
“It’s shaking everything,” she told AFP. “It isn’t an individual-to-individual complaint anymore. It’s about a systemic structure that has continued to fail women.”
Since the report, several top actors have been accused.
The Association of Malayalam Movie Artists was dissolved following the resignation of its chief on “moral grounds” with some members among the accused.
Ranjith Balakrishnan, 59, chairman of the state’s film academy, has also quit.
Balakrishnan, who denies any wrongdoing, was the man Mitra accused of sexual harassment.
Police have filed a case against him for outraging a woman’s modesty, a non-bailable offense.
Mitra, who until the release of the report had only mentioned the incident to an industry colleague, told AFP that Balakrishnan had misused “his power.”
Thiruvothu offered a message to all women in the film industry who have survived sexual assault.
“You are a skilled artist... do not listen to anyone who tells you to find another job if it is so difficult for you,” she said.
“This is your industry, as much as it is anybody else’s. Speak up, so that we are taking the space that is rightfully ours.”
India’s ‘Mollywood’ cinema rocked by MeToo abuse claims
https://arab.news/zg8eu
India’s ‘Mollywood’ cinema rocked by MeToo abuse claims
- Explosive government report has documented widespread sexual harassment in an industry dominated by powerful and wealthy men
- Case of Sreelekha Mitra and close to a dozen others have triggered a MeToo reckoning in the industry, with 10 prominent figures accused
Review: Apple TV’s ‘Before’ is a showcase for Billy Crystal
- Creepy drama gives the famed comic a chance to show his serious side
LONDON: There are many unsettling things about Apple’s new psychological drama “Before”, but first among them is the sight of star Billy Crystal playing it absolutely straight — and not, as you might suspect, in a way that would enable the iconic funnyman to play it so seriously that it’s almost funny.
Here, Crystal is child psychologist Eli Adler, a gifted doctor struggling to come to terms with the recent suicide of his wife, Lynn. Not many laughs there, you’ll agree. While Eli is dealing with visions of Lynn, and recurring nightmares of hurling himself into an empty swimming pool, he finds a troubled young boy who won’t speak, scratching his hands bloody attempting to break into Eli’s house.
Eli’s colleague Gail (Sakina Jaffrey) has been trying to convince him to take on a new case — one of a troubled young boy who won’t speak and is plagued by horrifying visions. Before you can say “contrived coincidence,” we learn the two boys are, in fact, one and the same. What are the chances?
As Eli begins to investigate what led Noah (Jacobi Jupe) to stop speaking and start drawing creepy pictures of an abandoned barn — the same barn Eli finds in a picture among his wife’s things — the as-yet-unrevealed link between the two begins to solidify. With two episodes broadcast (of the 10 scheduled), the story behind whatever brought Eli and Noah together looks set to be eked out across the limited series, but writer/creator Sarah Thorp doesn’t hold out on audiences too much. So while there’s still a lot of hinting at seemingly unconnected elements — Noah’s visions of water leaking into his reality, his unnerving tendency to lapse into 17th-century Dutch, the often-sinister nature of Eli’s visions of Lynn — there’s enough dangled threads weaving together all of the above that viewers can feel like figuring out the mystery is achievable.
And, wonderfully, the cherry on the top is Crystal, demonstrating a gift for drama that few of his numerous roles ever hinted at. Eli is believably grief-stricken, world-weary and simply exhausted at the strangeness of what’s going on around him. Whatever the mystery at the heart of “Before” ends up being, the real gem here is the discovery of how effective a serious Billy Crystal can be.
Highlights from this year’s ‘Festival Favorites’ at RSIFF
JEDDAH: The category’s movies are ‘films that stay with the viewer long after the fall of the curtain,’ says RSIFF’s Antoine Khalife
‘Agora’
Director: Ala Eddine Slim
Starring: Majd Mastoura, Neji Kanawati, Bilel Slatnia
The Tunisian filmmaker’s third feature, which was backed by Saudi Arabia’s Red Sea Fund, has already proven to be a winner. At the Locarno Film Festival in August it picked up the Pardo Verde Award, which is “given to a film that best reflects an environmental theme and is unafraid of asking difficult questions.” It centers on a small town where a series of disturbing events that seem to bridge the world of the living and the dead — including the return of three missing people who don’t appear to be quite themselves any longer — has attracted the attention of the authorities. Or, at least, of people claiming to be the authorities.
‘Black Dog’
Director: Guan Hu
Starring: Eddie Peng, Tong Liya, Xin the dog
The winner of the Un Certain Regard prize at this year’s Cannes Film Festival is, according to The Observer in one of many favorable reviews from the international press, a “heartfelt tale of outcast redemption.” Set in the Gobi desert in the northwest of China prior to the 2008 Beijing Olympics — a time when the country was undergoing rapid redevelopment — it follows Lang, a recently released ex-convict (and former stuntman and musician) returning to his hometown, which he finds many people have left and is now home to a large community of stray dogs. One of them — the ‘black dog’ of the title — is rumored to have rabies, and there’s a bounty on its head which Lang decides he will try to collect. But when he actually encounters the dog, his plans change.
‘Santosh’
Director: Sandhya Suri
Starring: Shahana Goswami, Sunita Rajwar, Sanjay Bishnoi
British-Indian documentary maker Sandhya Suri’s feature debut — a Hindi-language crime drama — is the UK’s entry for next year’s Oscars and has already received critical acclaim following its showing in the Un Certain Regard section at Cannes this year. It’s a police procedural set in northern India and follows the title character, a young widow, who has taken over her late husband’s job as a police constable. Her newfound independence and power is somewhat negated by her discovery of the institutional corruption and sexism of law enforcement in the area.
‘East of Noon’
Director: Hala Elkoussy
Starring: Menha El-Batroui, Ahmed Kamal, Omar Rozeik
Screen Daily called this — Elkoussy’s second feature — “a sumptuous piece of filmmaking.” It’s a surrealist fable about a teenage musician, Abdo and his partner Nunna, who are looking for a way out of their impoverished town, which offers few prospects of a bright future. But the corrupt elders have other ideas, seeking to crush not just their rebellious dreams, but their spirits.
‘Eephus’
Director: Carson Lund
Starring: Keith William Richards, Frederick Wiseman, Cliff Blake
Set in a small Massachusetts town in the Nineties, “Eephus” follows an team of out-of-shape middle-aged men who play for the Adler’s Paint baseball team as they prepare to face their fiercest rivals in one final game before their stadium is demolished to make way for a new school. Variety called Lund’s movie an “adorably existential, off-kilter take on the sports movie.”
‘Familiar Touch’
Director: Sarah Friedland
Starring: H. Jon Benjamin, Kathleen Chalfant, London Garcia
Friedland’s intensely moving feature debut won the Lion of the Future at this year’s Venice Film Festival. It centers on a beautiful performance by Chalfant as Ruth, an octogenarian who is dealing with cognitive decline while transitioning to assisted living at a care facility.
‘Freedom Way’
Director: Afolabi Olalekan
Starring: Adebowale Adedayo, Mike Afolarin, Bimbo Akintola
In Olalekan’s fast-paced thriller, three young co-founders of a startup in Lagos struggle to keep their entrepreneurial dreams alive amid corruption, police violence and extortion that affects both them and their customers.
‘The Inevitable Journey to Find a Wedding Dress’
Director: Jaylan Auf
Starring: Yasmin Raeis, Asmaa Galal, Salwa Mohamed Ali
Egyptian social drama. On the eve of her wedding, Warda’s wedding dress is accidentally ruined leading her on a frantic trip around Cairo to find a replacement, accompanied by her best friend. It turns into a journey of self-discovery for Warda — one that causes her to reassess her relationship with the city.
What to expect at Hia Hub 2024
DUBAI: Hia Hub, Saudi Arabia’s fashion, beauty and lifestyle conference, returns for its fourth edition in Riyad’s JAX District.
Taking place from Oct. 30 to Nov. 3, the event will feature discussions, masterclasses, workshops, interactive exhibitions and live performances.
Tunisian actress Dorra Zarrouk will host a meet-and-greet on Oct. 31, while on Nov. 2 Egyptian actress Yasmine Sabri will talk about her career, challenges within the entertainment industry, and her personal development.
Iraqi YouTuber and content creator Noor Naeem, known as Noor Stars, will present a talk titled “Redefining Digital Success” on Oct. 31, where she will discuss achieving success in the digital world. The session will cover her methods for engaging with followers, balancing creativity with practical business strategies, and her experiences collaborating with major global brands.
Egyptian dancer and actress Fifi Abdou will join a discussion on Nov. 3 titled “Fifi Abdou on Redesigning Arab Entertainment,” where attendees can learn about her career path, contributions to the arts, and her role in Arab entertainment.
Also on Nov. 3, Saudi influencer Yara Al-Namlah, founder of Saudi skincare brand Treat, will host a session with her mother to discuss the personal experiences and family rituals that have shaped their skincare routines.
Masterclasses will include Lebanese celebrity makeup artist Bassam Fattouh, who will share tips and tricks; Maria Tash, who will offer insights on the art of piercing and fine jewelry design; Oscar de la Renta creative directors Laura Kim and Fernando Garcia, who will discuss couture craftsmanship; and a skincare masterclass with Inge Theron, founder of FaceGym.
International brands such as Benefit, YSL Beauty, Dior, Clinique, The Ordinary, Hublot, Shiseido, Guerlain and more will offer opportunities to connect with professionals and engage in hands-on learning through a series of workshops.
Sally Rooney, Hisham Matar and Arundhati Roy call for boycott of Israeli cultural institutions
DUBAI: Leading authors from around the world are calling for a boycott of Israeli cultural institutions.
More than 1,000 writers and publishing professionals have signed a letter pledging to boycott Israeli cultural institutions that “are complicit or have remained silent observers of the overwhelming oppression of Palestinians.”
Popular authors who have signed the letter include Irish author Sally Rooney, known for novels like “Conversations with Friends,” “Normal People” and, most recently, “Intermezzo”; Pulitzer Prize-winning American-Libyan novelist Hisham Matar; Pulitzer Prize-winning novelist Viet Thanh Nguyen; Booker Prize winner Arundhati Roy; Mohsin Hamid, author of “The Reluctant Fundamentalist”; and Booker Prize-nominated Avni Doshi, who is based in Dubai.
The authors pledged to not work with Israeli publishers, festivals, literary agencies and publications that are “complicit in violating Palestinian rights,” including operating “discriminatory policies and practices” or “whitewashing and justifying Israel’s occupation, apartheid or genocide.”
Institutions that have never publicly recognized the “inalienable rights of the Palestinian people as enshrined in international law” will also be boycotted.
The campaign was organized by the Palestine Festival of Literature (also known as PalFest), which runs annually with free public events in cities across Palestine.
“We, as writers, publishers, literary festival workers, and other book workers, publish this letter as we face the most profound moral, political and cultural crisis of the 21st century,” begins the statement, which goes on to say that Israel has killed “at the very least 43,362” Palestinians in Gaza since last October and that this follows “75 years of displacement, ethnic cleansing and apartheid.”
Culture “has played an integral role in normalizing these injustices,” it says. Israeli cultural institutions, “often working directly with the state, have been crucial in obfuscating, disguising and art-washing the dispossession and oppression of millions of Palestinians for decades.”
Industry workers have a “role to play,” states the pledge. “We cannot in good conscience engage with Israeli institutions without interrogating their relationship to apartheid and displacement,” it reads, noting that “countless authors” took the same position against apartheid in South Africa.
The letter ends with a call to the signatories’ peers to join the pledge.
‘Love is Blind, Habibi’ announces reunion episode
DUBAI: The cast members of the widely-acclaimed “Love is Blind, Habibi” inaugural season will return for a reunion episode to answer burning questions about their experiences filming the reality TV series.
Set to premiere on Nov. 1, the reunion episode will see them sit down with Saudi Arabian actress and host of the eponymous show Elham Ali, to dissect moments from the series.
The Arab version of the international reality show was viewed more than 1.6 million times and ranked No. 6 globally on Netflix’s non-English shows chart.
Season one of “Love is Blind, Habibi” saw three couples get engaged. However, only one couple — Safa and Mohammed — made it down the aisle and tied the knot.
Audiences are eager to see how the married couple and the singles are doing.
