NEW DELHI: Terrified for her safety, Indian actress Sreelekha Mitra remembers pushing chairs and a sofa against her hotel door after she said an award-winning veteran director sexually harassed her.
Mitra waited 15 years to speak out about the incident, one of several cases exposing the dark underbelly of India’s Malayalam-language “Mollywood” film industry that has won awards at Cannes.
Her revelation was spurred by an explosive government report documenting widespread sexual harassment in an industry dominated by powerful and wealthy men who believe that an actress willing to kiss on screen would do the same in real life.
“That entire night I stayed awake,” Mitra, 51, told AFP.
Mitra was invited to a gathering at the director’s house, where she said he lured her into his room for a phone call with a cinematographer.
“He started playing with my hair and neck... I knew if I did not say anything then, his hand would roam around other parts of my body,” she said, describing events from 2009, when she was 36.
She left and returned to her hotel.
“The intentions behind his moves were pretty clear to me... I was petrified.”
Her case and close to a dozen others have triggered a MeToo reckoning in the industry, with at least 10 prominent figures accused, according to Indian media.
Kerala-based Mollywood is known for critically acclaimed movies with strong and progressive themes, a change from the big dance and song numbers of India’s giant Hindi-language Bollywood in Mumbai.
The industry is prolific, producing up to 200 films a year, loved not only by southern India’s 37 million Malayalam speakers, but also dubbed and streamed across the rest of India and abroad.
Internationally, its films have won awards, including the 1999 satire Marana Simhasanam (“Throne of Death“), winner of the Camera d’Or at Cannes.
This year’s “Manjummel Boys,” a survival thriller, took $29 million at the box office, the highest-grossing Malayalam movie ever and the fifth-most successful in India this year.
The industry report, released August 19, said women actors faced the widespread “worst evil” of sexual harassment.
The report was released by the Hema Committee, headed by a former high court judge, set up after a leading Malayalam actress reported she was sexually assaulted in 2017.
Gopalakrishnan Padmanabhan, a prominent Malayalam actor better known by his stage name Dileep, was arrested for allegedly orchestrating the assault.
He was imprisoned for three months before being released on bail. The case continues.
But the release of the report has opened discussion on the far wider issue of chronic violence against women, encouraging people like Mitra to speak out in public for the first time.
It said that women who considered speaking out about sexual assault were silenced by threats to their life, and to their families.
Award-winning actress Parvathy Thiruvothu, 36, called the investigation a “game changer” and a “historic moment.”
“There was this idea that women working in the industry should feel grateful for having been given an opportunity by the men who were hiring them,” said Thiruvothu, a member of the campaign group Women in Cinema Collective.
Allegations of abuse in Indian cinema are not new.
It witnessed a wave in 2018, shortly after the 2017 MeToo movement erupted in Hollywood against disgraced US movie producer Harvey Weinstein.
But Thiruvothu called the latest allegations more than “MeToo Part Two.”
“It’s shaking everything,” she told AFP. “It isn’t an individual-to-individual complaint anymore. It’s about a systemic structure that has continued to fail women.”
Since the report, several top actors have been accused.
The Association of Malayalam Movie Artists was dissolved following the resignation of its chief on “moral grounds” with some members among the accused.
Ranjith Balakrishnan, 59, chairman of the state’s film academy, has also quit.
Balakrishnan, who denies any wrongdoing, was the man Mitra accused of sexual harassment.
Police have filed a case against him for outraging a woman’s modesty, a non-bailable offense.
Mitra, who until the release of the report had only mentioned the incident to an industry colleague, told AFP that Balakrishnan had misused “his power.”
Thiruvothu offered a message to all women in the film industry who have survived sexual assault.
“You are a skilled artist... do not listen to anyone who tells you to find another job if it is so difficult for you,” she said.
“This is your industry, as much as it is anybody else’s. Speak up, so that we are taking the space that is rightfully ours.”
India’s ‘Mollywood’ cinema rocked by MeToo abuse claims
https://arab.news/zg8eu
India’s ‘Mollywood’ cinema rocked by MeToo abuse claims
- Explosive government report has documented widespread sexual harassment in an industry dominated by powerful and wealthy men
- Case of Sreelekha Mitra and close to a dozen others have triggered a MeToo reckoning in the industry, with 10 prominent figures accused
‘Ocean’ — bleak indictment of mankind offers a glimmer of hope
- David Attenborough’s latest documentary is a vital, compelling call to action
JEDDAH: “Ocean with David Attenborough” was released regionally on Disney+ on June 8 — World Ocean Day. It hit cinemas in May, on the 99th birthday of its venerable and venerated presenter, the famed biologist and broadcaster.
Like all Attenborough-fronted nature docs, “Ocean” is gorgeously shot and an immersive viewing experience. But while the vast majority of his output leaves you speechless at the on-screen beauty, “Ocean” also strikes you dumb at the horrifying devastation wrought on the open seas by the 40,000+ super-sized fishing trawlers operating around our planet constantly.
Sweeping the seabed with their giant nets, these ships commit slaughter on an unimaginable scale, leaving little alive in their rapacious search for a few specific species that humans actually eat. In their wake they leave something akin to the dystopian portrayals of a nuclear winter in post-apocalyptic dramas. These grim, heart-breaking shots are interspersed with glorious, vibrant scenes of what a healthy seabed should look like — towering forests of kelp, sea meadows, abundant diverse communities of extraordinary marine life… A reminder of what we are destroying every minute of every day.
Attenborough lays out for us with all of his trademark passion and authority just what is at risk here. The seas, he stresses, are vital for the survival of humankind. And humankind is putting the seas in terrible jeopardy. Marine ecosystems are delicately balanced and linked in complex, subtle ways that we are only now beginning to understand. And industrial fishing is far from subtle. As Attenborough notes, if rainforests were being razed at this rate, the protests would be global and furious. But because this destruction takes place miles below the surface of the water, it goes mainly unnoticed. Incredibly, this mindless, untargeted carnage is not illegal; it is positively encouraged — and heavily subsidized — by many governments.
Thankfully, there is hope. Attenborough reveals that scientists have discovered that — if left alone through the imposition of “no-take zones” — the oceans can recover at an incredible rate, and the most barren of sea floors can once again flourish in just a few years. There is now an international pact to turn one-third of Earth’s seas into no-take zones by 2030. And if this does happen — note the if — then there’s a good chance that man-made damage can be reversed not just in the water, but on land, as sea life is, it turns out, extremely adept at reducing carbon. The sea could save the world.
As nature documentaries go, it’s hard to imagine “Ocean” being bettered (except perhaps for the distracting clichéd mishmash that serves as its soundtrack, which deserves to be classified as a man-made disaster itself). This is a compelling, vital and urgent narrative delivered by an expert scientist and broadcaster accompanied by awe-inspiring, mind-boggling cinematography showing us wonders that most of us will never come close to seeing first-hand. And it lays out a path for survival. Whether we actually take that path...
Streaming successes: What’s coming to your screens later this year
- From stressed-out cooks to foul-mouthed spymasters, the must-see shows still to come in 2025
‘Squid Game’ season 3
Starring: Lee Jung-jae, Lee Byung-hun, Wi Ha-joon
Where: Netflix
When: June 27
The final season of the South Korean survival thriller about a game show where the rewards are enormous but loss means death, Seong Gi-hun (or player 456, as you might know him) and his friends must fight for survival in ever-more fiendish challenges. The VIPs — the wealthy individuals who fund the games — return to the island once again, perhaps setting the stage for a vengeance-fueled finale and a showdown between the Front Man and his brother, police officer Jun-ho.
‘Ironheart’
Starring: Dominique Thorne, Anthony Ramos, Lyric Ross
Where: Disney+
When: June 25
This Marvel miniseries is a spinoff from the “Black Panther” movie franchise and follows MIT student and genius inventor Riri Williams, aka Ironheart, who was responsible for creating the vibranium detector that sparked the events of 2022’s “Black Panther: Wakanda Forever,” in which she also invented an exoskeleton to rival that of Tony Stark/Ironman so that she could fight alongside the Wakandans. Now Williams has returned home to Chicago, where she meets Parker Robbins, aka The Hood, who is able to access dark magic, setting Williams on a “path of danger and adventure.”
‘The Bear’ season 4
Starring: Jeremy Allen White, Ebon Moss-Bachrach, Ayo Edebiri
Where: Disney+
When: June 26
The first two seasons of the horribly tense kitchen-based drama “The Bear” were fantastic TV. The third? Not so much. (Although it should be said that even weak episodes of “The Bear” are still better than the vast majority of shows.) But hopefully season four finds super-talented chef Carmy Berzatto and his crew back on form as they try to make a success of the titular family restaurant which they’ve shifted from run-down sandwich shop to fine-dining venue. And after a wait of almost a year, we’ll finally get to find out what that all-important review said.
‘Wednesday’ season 2
Starring: Jenna Ortega, Catherine Zeta-Jones, Luis Guzman
Where: Netflix
When: August 6
Wednesday Addams is back at Nevermore Academy for another year. And this time around, the rest of her spooky, kooky family will be spending a lot more time there, too — much to Wednesday’s chagrin — and not just because her brother Pugsley has enrolled. Co-showrunners Alfred Gough and Miles Millar have promised a “darker, more complex” series. And at Netlix’s live Tudum event last month, it was announced that Lady Gaga will be guest starring as the “mysterious and enigmatic” Nevermore teacher Rosaline Rotwood.
‘Slow Horses’ season 5
Starring: Gary Oldman, Jack Lowden, Kristin Scott Thomas
Where: Apple+ TV
When: Sept. 24
Former British super-spy Jackson Lamb and his unfortunate crew of misfit spooks return for another series of this excellent, darkly humorous espionage drama. This time around, the trouble starts when Slough House’s resident tech nerd Roddy gets a glamorous new girlfriend, who everyone — or, at least, everyone except for Roddy — can see is well out of his league. The show is an adaptation of Mick Herron’s “Slough House” novels, and this season is based on “London Rules.” “Ted Lasso” star Nick Mohammed is perhaps the biggest new name to join the cast; he'll be playing an ambitious London mayoral candidate.
‘Stranger Things’ season 5
Starring: Winona Ryder, David Harbour, Millie Bobby Brown
Where: Netflix
When: November 26
The final (really?) season of the phenomenally successful Eighties-set sci-fi horror drama has a lot to live up to. Once again, psychokinetic Eleven and her pals in Hawkins, Indiana, must fight to save the Earth from the alternate dimension known as the Upside Down. Since its arrival on our screens in 2016, “Stranger Things” has been one of the world’s most talked-about and beloved series. Showrunners The Duffer Brothers have got pretty much everything right so far. Can they stick the landing?
‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix
DUBAI: Saudi filmmaker Faris Godus’ latest feature “Fever Dream” is now available to stream on Netflix, bringing together a star-studded local cast including Fatima Al-Banawi, Sohayb Godus, Najm, Hakeem Jomah and Nour Al-Khadra.
Supported by the Red Sea Fund, the film, which explores themes of media manipulation, digital identity, and the cost of fame in the age of online influence, had its world premiere at the 2023 Red Sea International Film Festival.
It tells the story of Samado, a retired football star who, burdened by media scrutiny and public notoriety, finds a chance to reclaim control. Partnering with his daughter, he sets out to take revenge on a powerful social media portal. But as they plunge deeper into their pursuit of fame and digital redemption, the line between ambition and obsession begins to blur.
Najm plays Ahlam, the daughter of Samado, while Jomah appears as Hakeem, a PR agent hired to help restore Samado’s public image. Al-Banawi takes on the role of Alaa, another key PR agent working alongside Hakeem.
Godus is famous for his work “Shams Alma’arif” (The Book of Sun), which also streamed on Netflix, and “Predicament in Sight.”
He previously said in an interview with Arab News: “(In Saudi Arabia), we have a rich soil to build content on and so many stories to tell. I do believe that nowadays the support coming from our country is just awesome. People have so many chances to create films now.”
Meanwhile, Al-Banawi is recognized for her roles in “Barakah Meets Barakah” and the Saudi thriller “Route 10.”
She made her directorial debut with “Basma,” in which she also plays the title role — a young Saudi woman who returns to her hometown of Jeddah after studying in the US. Back home, she is confronted with her father’s mental illness, strained family ties, and the challenge of reconnecting with a past life that no longer feels familiar.
“I really went into cinema — in 2015 with my first feature as an actress — with one intention: to bridge the gap between the arts and social impact and psychology,” she previously told Arab News. “And I was able to come closer to this union when I positioned myself as a writer-director, more so than as an actor.”
Mya lights up BET red carpet in Alexis Bittar jewels
DUBAI: US singer-songwriter Mya Marie Harrison, who goes by the stage name Mya, showed off accessories by a part-Syrian designer at the BET Awards in Los Angeles on Monday night.
Grammy Award–winning singer and entertainer Mya showed off a handbag and jewelry by accessories designer Alexis Bittar on the red carpet before she delivered a dynamic performance of her 2000 hit “Case of the Ex.”
On the carpet, she was fully accessorized in Bittar’s flashy, decadent pieces — from an extravagant pendant at her neck to an eclectic stack of bangles, all topped off with a sparkly silver clutch.
Known for his bold, organic designs and use of mixed materials, Bittar infuses distinct Middle Eastern flair into his work. The New York–based designer, who is half Syrian on his father’s side, has built a global reputation for his statement-making accessories.
Mya is far from his first celebrity client. His expansive portfolio includes the likes of Michelle Obama and Cameron Diaz, and he famously served as the costume jewelry designer for HBO series “Sex and the City,” helping define character Carrie Bradshaw’s now iconic looks.
On Monday night, Bittar’s creations were just one part of a star-studded evening that balanced fashion, purpose, and powerful performances.
The BET Awards delivered a night of major star power and poignant moments, marking the ceremony's 25th anniversary with a mix of comedy, emotion and calls for justice, the Associated Press reported. The festivities included a powerful speech by Doechii, Jamie Foxx’s emotional reflection and Kevin Hart’s sharp comedic opener.
Doechii, in particular, made her presence felt early during the five-hour ceremony, using her acceptance speech for best female hip-hop artist to draw attention to the immigration raids and protest crackdowns taking place just miles from the venue.
Foxx, Mariah Carey, Snoop Dogg and Kirk Franklin received the Ultimate Icon Award. They were selected due to their impact on entertainment as well as their community impact and advocacy.
Carey said this was her first time collecting a trophy at the BET Awards.
“It took me a while, but I finally realized that life is far too short to live for anyone else's approval, which is something I always did,” said Carey, a five-time Grammy winner. “I decided to own who I am.”
Gerard Butler on bringing Stoick to life in live-action ‘How to Train Your Dragon’
RIYADH: Scottish actor Gerard Butler is returning to the Viking Isle of Berk, but this time he is trading his animated voice for full costume and presence in the live-action adaptation of “How to Train Your Dragon” — a remake of the beloved DreamWorks franchise, helmed by three-time Oscar nominee Dean DeBlois.
In this new retelling, which releases on June 12, Mason Thames plays the inventive Hiccup, a young Viking who defies tradition to befriend Toothless, a Night Fury dragon. Butler reprises his role as Stoick the Vast, Hiccup’s formidable father, stepping from the recording booth into full-bodied performance.
“It’s a big change,” Butler told Arab News. “When I’m doing the recording, the animation, I could pretty much turn up in my pajamas if I wanted to. But there’s no getting away with that here. It was all of me. There’s no excuses.”
He described the live-action shift as “a chance to bring Stoick’s bigness and smallness” to life in a whole new way.
Butler praised his co-stars, including Nico Parker as Astrid and Nick Frost as Gobber, and especially young lead Thames.
He reflected on the dynamic between the father and son, saying: “Well, he’s an incredible young actor. And I feel like the characters and the relationships that our writer-director Dean DeBlois (has created), there’s a reason they became so beloved and people feel so strongly because they’re incredibly emotional.
“So, I think to play that Viking father who expects so much from his son, and his son who’s trying his best and actually has all these incredible characteristics that I just can’t see, was beautiful to delve into ... on sets with our clothes, with our costumes, and really believe that we were in that world. That was pretty epic.”
Returning to Saudi Arabia for the film’s press tour, Butler shared his affection for the Kingdom, saying: “I had an incredible experience here and made some really nice friends. AlUla is beyond. I became very attached to that place, to its energy, its history, and to the community there.”
Butler expressed his excitement for the audience, adding: “There’s so much … for them to see because there’s so much in this movie. I think that some of the scenes of the dragons flying are some of the most beautiful, immersive, powerful scenes that I’ve seen on a big screen. But on top of that, I think that we have very complex, emotional, heartfelt performances and a story that they can also climb into. I think we have a lot of modern references that we can all like; the characters are so relatable.
“It’s a big honor for me to be able to play this character again. I feel very lucky to be part of this franchise. I feel very protective of it because I was there. I was actually there even before Dean DeBlois was there, you know, because we had a different director way, way back. So I’ve been with it for a long, long time, and to see it start as just a little planet and then become a whole universe has been amazing.”
