NEW DELHI: Terrified for her safety, Indian actress Sreelekha Mitra remembers pushing chairs and a sofa against her hotel door after she said an award-winning veteran director sexually harassed her.
Mitra waited 15 years to speak out about the incident, one of several cases exposing the dark underbelly of India’s Malayalam-language “Mollywood” film industry that has won awards at Cannes.
Her revelation was spurred by an explosive government report documenting widespread sexual harassment in an industry dominated by powerful and wealthy men who believe that an actress willing to kiss on screen would do the same in real life.
“That entire night I stayed awake,” Mitra, 51, told AFP.
Mitra was invited to a gathering at the director’s house, where she said he lured her into his room for a phone call with a cinematographer.
“He started playing with my hair and neck... I knew if I did not say anything then, his hand would roam around other parts of my body,” she said, describing events from 2009, when she was 36.
She left and returned to her hotel.
“The intentions behind his moves were pretty clear to me... I was petrified.”
Her case and close to a dozen others have triggered a MeToo reckoning in the industry, with at least 10 prominent figures accused, according to Indian media.
Kerala-based Mollywood is known for critically acclaimed movies with strong and progressive themes, a change from the big dance and song numbers of India’s giant Hindi-language Bollywood in Mumbai.
The industry is prolific, producing up to 200 films a year, loved not only by southern India’s 37 million Malayalam speakers, but also dubbed and streamed across the rest of India and abroad.
Internationally, its films have won awards, including the 1999 satire Marana Simhasanam (“Throne of Death“), winner of the Camera d’Or at Cannes.
This year’s “Manjummel Boys,” a survival thriller, took $29 million at the box office, the highest-grossing Malayalam movie ever and the fifth-most successful in India this year.
The industry report, released August 19, said women actors faced the widespread “worst evil” of sexual harassment.
The report was released by the Hema Committee, headed by a former high court judge, set up after a leading Malayalam actress reported she was sexually assaulted in 2017.
Gopalakrishnan Padmanabhan, a prominent Malayalam actor better known by his stage name Dileep, was arrested for allegedly orchestrating the assault.
He was imprisoned for three months before being released on bail. The case continues.
But the release of the report has opened discussion on the far wider issue of chronic violence against women, encouraging people like Mitra to speak out in public for the first time.
It said that women who considered speaking out about sexual assault were silenced by threats to their life, and to their families.
Award-winning actress Parvathy Thiruvothu, 36, called the investigation a “game changer” and a “historic moment.”
“There was this idea that women working in the industry should feel grateful for having been given an opportunity by the men who were hiring them,” said Thiruvothu, a member of the campaign group Women in Cinema Collective.
Allegations of abuse in Indian cinema are not new.
It witnessed a wave in 2018, shortly after the 2017 MeToo movement erupted in Hollywood against disgraced US movie producer Harvey Weinstein.
But Thiruvothu called the latest allegations more than “MeToo Part Two.”
“It’s shaking everything,” she told AFP. “It isn’t an individual-to-individual complaint anymore. It’s about a systemic structure that has continued to fail women.”
Since the report, several top actors have been accused.
The Association of Malayalam Movie Artists was dissolved following the resignation of its chief on “moral grounds” with some members among the accused.
Ranjith Balakrishnan, 59, chairman of the state’s film academy, has also quit.
Balakrishnan, who denies any wrongdoing, was the man Mitra accused of sexual harassment.
Police have filed a case against him for outraging a woman’s modesty, a non-bailable offense.
Mitra, who until the release of the report had only mentioned the incident to an industry colleague, told AFP that Balakrishnan had misused “his power.”
Thiruvothu offered a message to all women in the film industry who have survived sexual assault.
“You are a skilled artist... do not listen to anyone who tells you to find another job if it is so difficult for you,” she said.
“This is your industry, as much as it is anybody else’s. Speak up, so that we are taking the space that is rightfully ours.”
India’s ‘Mollywood’ cinema rocked by MeToo abuse claims
https://arab.news/zg8eu
India’s ‘Mollywood’ cinema rocked by MeToo abuse claims
- Explosive government report has documented widespread sexual harassment in an industry dominated by powerful and wealthy men
- Case of Sreelekha Mitra and close to a dozen others have triggered a MeToo reckoning in the industry, with 10 prominent figures accused
Review: ‘A Man on the Inside’ – comedy series on Netflix
- Dressed in impeccably pressed suits and armed with plenty of trivia about architecture, he saunters in, shyly at first, then begins to find his footing
“A Man on the Inside” is an eight-episode comedy series that premiered on Netflix in 2024, blending humor, heartfelt storytelling and a touch of mystery.
After retired professor and widower Charles Nieuwendyk (Ted Danson of “The Good Place”) speaks to his concerned only daughter, Emily (Mary Elizabeth Ellis), he decides to make a change. A year after her mother’s death, Emily encourages her father to find a new purpose; to take a class or try a new hobby.
With a love of newspaper cutouts (he would often clip and mail interesting articles to Emily), Charles finds an intriguing yet vague job listing in the classified section.
He is soon recruited by Julie, a private investigator (Lilah Richcreek Estrada), who reluctantly enlists his help to uncover the whereabouts of a stolen necklace in a local San Francisco retirement community.
At its heart, the series explores the evolving father-daughter relationship between Charles and Emily, along with her husband and three teenage sons.
It also shows Charles making friends and trying out new things at an age and stage in his life when he thought life ended with his wife’s death.
Dressed in impeccably pressed suits and armed with plenty of trivia about architecture, he saunters in, shyly at first, then begins to find his footing.
“He’s like if a podcast wore a suit,” one staff member aptly describes him.
Then another valuable item is stolen from the community. Then another.
Stephanie Beatriz (“Brooklyn Nine-Nine”) co-stars as Didi, the sharp and determined managing director of the retirement community, bringing her trademark wit and charm to the role.
The whodunit-style show examines coping with grief, lost love, and the excitement of new beginnings from the perspective of seniors.
Whether you’re here for the mystery, the comedy, or its effortless charm, the series delivers a family-friendly binge-worthy viewing experience.
Andrew Garfield says tear-jerker film ‘We Live in Time’ is everyone’s story
DUBAI: It is no secret that Andrew Garfield’s latest movie, John Crowley’s “We Live in Time,” now in cinemas across the Middle East, is a tear-jerker that will pull at your heartstrings from Scene 1.
Beginning with the cancer diagnosis of co-main character Almut (Florence Pugh), the story then follows her back and forth through time to tell the story of her relationship with Tobias (Garfield), from their first encounter after a road accident to the birth of their daughter at a filling station and more.
“I think the point of this film is that it is everyone’s story,” Garfield told Arab News. “I think after any human being lives a certain amount of time, if they’re lucky, they get to experience terrible loss. And I know that that’s a strange way of phrasing it, but I do see it as a privilege to love deeply and therefore to lose terribly, to lose each other, whether it’s a partner or a mother or a father or a friend.”
While over the past few years Garfield has been on an on-and-off break from filming in an attempt to know himself better, the script from Justine Wright lured him back to set.
“I was in a very peaceful, contemplative place in my life, and reflecting on everything and wanting to be creative, but not necessarily wanting to be on a film set. But then, you know, reading the script, I thought, ‘Oh, this will be a very natural creative process,’” he said.
“There was a certain amount of letting go, but it was a letting go of a different kind. It was a letting go of too much overthinking. It felt like a very natural letting go, getting out of the way of not working too hard, letting the moment define the moment, letting myself be filled up, and trusting that the moment was enough,” said Garfield, who lost his mother to cancer in 2019.
His subsequent journey of self-discovery has further helped his craft as an actor.
“This is one of the privileges of being an actor, I think, being an artist, but particularly about being an actor is that, depending on the roles you get to play, you’re accessing and finding and inhabiting parts of yourself that you didn’t know were there and capabilities that you didn’t know you had. Dark and light, expressive, expansive and destructive and shady. So, yes, I’m definitely drawn to knowing myself as thoroughly as possible,” Garfield said.
“And yeah, I’m definitely seeking out as much of being in authentic relationship to myself, and therefore others, and therefore the world, and therefore my work as possible. And sometimes it’s really, really painful, because there are aspects of myself that I wish I didn’t have, like all of us. But the danger is, I think, if we try to exile those parts of ourselves, we end up being in denial of what we’re capable of, and then we end up really doing damage and electing the wrong people to lead countries, etc.
“So, yeah, it feels important to me to find all of those different parts and own them and welcome them; and therefore be able to govern them and not be governed by them, because they’re just unconscious drives.”
Christina Aguilera, Michael Buble perform at Riyadh’s Joy Awards
- Joy Awards are Saudi Arabia’s largest event honoring the Arab world’s leading artists and their achievements
- Winners were selected based on public voting through an application launched by the General Entertainment Authority
RIYADH: The annual Joy Awards honored Arab talent with musical performances that serenaded a star-studded guest list at Riyadh’s Kingdom Arena on Saturday.
The award show opened with a concert by Christina Aguilera, who performed “The Voice Within” and her hit song “Genie in a Bottle.”
Musical icons Mohammed Abdo and Andrea Bocelli performed together, blending Gulf and Italian sounds.
Lebanese singer Wael Kfoury and Canadian artist Michael Buble collaborated on a striking rendition of Frank Sinatra’s “My Way,” performed in both English and Arabic.
Amanda Seyfried, Morgan Freeman and Matthew McConaughey were among the international and local celebrities who showcased their dazzling ensembles on the ceremony’s iconic lavender carpet on Saturday.
As a tribute to her first visit to the Kingdom, US actress Kate Siegel attended the ceremony wearing a pearly white dress with black drapings by Saudi brand Abadia.
“I picked it because I wanted to represent Saudi Arabian designers and fashion, especially here in Riyadh, which is such an upcoming hot spot for Saudi Arabian fashion,” she said.
Lebanese actress Nawal Kamel arrived in a black and silver studded gown designed by her go-to Lebanese fashion designer, Joelle Nemnum.
“I can’t believe I’m here. I’m very excited to meet the (Saudi) people up close. I know many people from Lebanon but being here and seeing the locals, who are so different and incredible, is amazing. They (Saudis) are so kind and welcoming — they truly lift you up and take care of you. I’m so grateful to be here and to witness the Joy Awards,” she said.
Held at the Kingdom Arena, the Joy Awards are Saudi Arabia’s largest event recognizing and honoring the Arab world’s leading artists and their achievements. The event is part of Riyadh Season and is co-organized by MBC Group.
The winners were selected based on public voting through an application launched by the General Entertainment Authority. The list included candidates across various categories. The nominees were carefully chosen by specialized committees based on their efforts and achievements over the past year.
Review: ‘Unstoppable’ is a predictable, feel-good outing
- Story of Anthony Robles, championship-winning wrestler born with one leg, makes for a satisfying biopic
LONDON: It is easy to forget that, sometimes, all you want from a movie is a healthy dose of good vibes — and few genres are better suited to that than the sports biopic.
The film “Unstoppable” tells the real-life story of Anthony Robles, an American wrestler who won the 125-pound (57 kg) US National college wrestling championship in 2011 despite being born with one leg.
Directed by William Goldenberg (a storied screenwriter and editor, making his directorial debut here), “Unstoppable” stars Jharrel Jerome (“Moonlight,” “When They See Us”) as Robles, with Jennifer Lopez as his mother Judy and Bobby Cannavale as his stepfather Rick.
Already a talented high-school wrestler, Robles misses out on his dream college scholarship, but opts instead to pay to attend Arizona State University and win a place on their feted wrestling team.
Despite dealing with Rick’s abusive behavior at home, Robles continues to win over his teammates. And, backed by his mom’s unending belief, and that of his high-school coach (played by Michael Pena), he proves himself not only worthy of his spot, but an athlete capable of performing on the national stage.
Here is the thing with sports movies (or the good ones, at least), you have to really lean into every single cliche and embrace all the heartstring-plucking tropes. Because, if you do — and if the film has a decent cast doing an earnest job — the payoff is worth it.
And so it is with “Unstoppable,” a movie that is as determined as its real-world protagonist. Sure, there are a few story beats that get teased and then dropped. Sure, the by-the-numbers buildup to the climactic showdown is beyond predictable.
But this movie has a stellar lead performance from Jerome (helped by absolutely seamless effects and stunt work, which sees Robles himself performing some of the wrestling sequences), and an immensely talented supporting cast.
Lopez, Cannavale and Pena are all great, but Don Cheadle also deserves his share of the plaudits for his turn as Robles’ college coach and mentor.
Is this the most sophisticated exploration of the world of collegiate wrestling? Nah. But is it a heartwarmingly decent movie that will make you feel good? Absolutely.
Courchevel Boulevard World brings skiing experience to Riyadh
- Ski zone provides the thrill of the slopes in the heart of the city
- Around 200 people per day visit Riyadh’s new wintry attraction
RIYADH: A new attraction is thriving in Riyadh at the Courchevel zone at Boulevard World, where visitors can indulge in an authentic skiing adventure.
This unique attraction which opened in December brings the thrill of the slopes to the heart of the city, allowing both beginners and seasoned skiers to enjoy the winter sport under the guidance of professional trainers.
These skilled professionals want to do more than teach. “We are here to train and help everyone learn how to ski while enjoying the experience,” said Marwan Akiki, a ski instructor from Lebanon.
The focus at Courchevel is on creating a fun environment for the entire family. “Every day, we receive approximately 200 visitors of different ages, from 7 years old to adults,” Akiki explained.
I came with my children today, and we had a great time in the snow town, especially since they haven’t seen snow before.
Salman Al-Ghamdi, Visitor
The attraction also features an enchanting igloo area designed for both children and adults. This whimsical setting allows families to feel as though they have been transported to the snowy parts of Europe.
Children can revel in the joy of making figures from the fresh snow, adding an extra layer of fun to their experience.
Salman Al-Ghamdi recently brought his children, Mohammed and Sara, to Courchevel, and their delight was palpable.
“I came with my children today, and we had a great time in the snow town, especially since they haven’t seen snow before. You should come and visit; honestly, it’s magical,” Al-Ghamdi told Arab News.
For many, Courchevel Boulevard World represents a first encounter with snow and skiing. “This is the first time in Riyadh where we found snow and a school to teach this experience,” Akiki noted.
One of the standout features of Courchevel Boulevard World is the provision of comfortable, tailored clothing for all guests so that they can enjoy their time without worrying about the cold.
“We want to make it a seamless experience for our guests, so they can focus on having fun,” Akiki explained.
After a thrilling day of skiing, visitors can unwind at the on-site restaurants, which offer a range of dining options. These eateries provide a cozy atmosphere ideal for relaxing and sharing stories about the day’s adventures.
Additionally, there is a shop offering equipment and outfits for the snow from various global brands, ensuring guests have access to high-quality gear for their skiing needs.
There are plans to have various events and competitions to further enhance the community aspect of the attraction.
