Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

Saud Aljadhi is the sous chef at The Ritz-Carlton Riyadh Palace. (Supplied)
Short Url
Updated 02 October 2024
Follow

Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

DUBAI: From being a young boy helping his mother prepare Ramadan meals to becoming a sous chef at The Ritz-Carlton Riyadh Palace, Saud Aljadhi’s journey is one of perseverance, passion and overcoming the odds.  

Aljadhi always had a passion for cooking, he says. He would help to prepare salads and soups in his family home near Riyadh.  

In 2014, he launched a food truck business, serving burgers. Its success prompted him to quit his job at the Ministry of Education and pursue cooking full-time.  




Saudi National Day cake. (Supplied)

“I honestly lost a lot — whether financially or socially — but it was all for my passion,” Aljadhi tells Arab News. “It was a one-man show. I was operating alone.” 

Aljadhi’s ambitions led him abroad, first to Canada to study at George Brown College, then to Australia, where he was balancing his studies at Victoria University with working at restaurants while raising his child as a single father.  

“I would drop my son off at kindergarten every morning before going to work. It was quite the challenge,” he recalls. “But I got help from my colleagues, many of whom were single parents as well.” 

Despite challenges like the devastating fires in Australia in 2019, earthquakes, and the COVID-19 pandemic, Aljadhi’s determination never wavered. He returned to Saudi Arabia in 2022 and landed a position at The Ritz-Carlton Riyadh, fulfilling a long-held dream.  




Chorisia Restaurant. (Supplied)

“I used to say I would come to The Ritz-Carlton and be a sous chef,” he says. “I even have a video from over 10 years ago where I made that promise to myself when I was at the hotel. And today, I’m where I dreamed to be. I even have a video from over 10 years ago where I made that promise to myself when I was at the hotel,” he added. 

“It’s nice to reach your dreams and goals in life. It makes me extremely happy,” he continues. “But I still have a lot of ambitions, and I’m working on a plan to achieve them.” 

While working at The Ritz-Carlton, Aljadhi was selected for Marriott International’s prestigious Tahseen leadership program, aimed at nurturing local talent in Saudi Arabia. “The program taught me a lot,” he said. “I learned leadership skills, teamwork, budgeting and revenue management.” It further solidified his career path, giving him the tools to excel in the hospitality industry, he said. 

Breaking through societal stereotypes as a Saudi male chef, Aljadhi has earned respect and recognition for his accomplishments. “In our tribe, it wasn’t even allowed to work this job,” he shares. “But now, society accepts me after all that I’ve achieved. It has even become a trend now to be a chef.” 

However, he points out, it’s not an easy job. 

“People think chefs just cook, but that’s not true. A chef is like a physician, chemist, mathematician, and engineer all in one. For example, right now, I’m working on a cake that’s three by two meters for Saudi National Day. My team and I are measuring everything down to the millimeter. We’re even manufacturing custom molds that aren’t available in the market just to get this cake built. This job isn’t easy — it requires creativity and precision. Just like an engineer builds a building, we as chefs are building a plate and a dish.” 

Here, Aljadhi discusses local cuisine, his favorite dish to cook, and his management style.    

When you were starting out, what was the most common mistake you made?  

My cutting technique was all wrong. How you hold a knife and cut is so important — it really affects the dish. For example, it can change the ratio of leachate in your ingredients. I used to cut my fingers a lot — I have plenty of scars to prove it. But once I learned the proper technique, everything changed. Now, the first thing I teach my Saudi trainees is how to handle a knife properly. 

What’s your top tip for amateur chefs?  

Specialize in what you love. That’s where you’ll really excel. Find your passion — it might be pastry or baking — and go after it. Focus on what you love and you’ll never get bored. 




Moflaq Hasawi at AlOrjouan. (Supplied)

What one ingredient can instantly improve any dish?  

When it comes to local dishes, ghee is the magic ingredient. As soon as you add it, the dish instantly gets better. We use it in so many things — kabsa, jareesh, and many other dishes. Authentic, local ghee especially has such a unique flavor. And for spices, coriander is my go-to. It works with so many dishes — falafel, kabsa, molokhiya, you name it. It just adds that extra something. 

When you go out to eat, do you find yourself critiquing the food?  

I’m really detail-oriented. For example, I love going to Italian restaurants, but I always notice the little things. If a fork or plate is missing from the table, especially in a fine-dining setting, it makes me feel like I’m not welcome. It might annoy the people I’m with, but I can’t help paying attention to those details. When you’re paying for a meal, you expect everything to be perfect. One thing that really stands out to me is how the flavors in the same dish can sometimes change. Maybe they switched the type of cheese or used a different supplier—whatever it is, I can tell right away. Consistency is key in the restaurant business. If the quality starts to vary, it can really hurt the restaurant. Customers expect the same great dish every time, and if that slips, it can cost the business in the long run. 

What’s the most-common issue that you find in other restaurants?  

Many don’t really understand how much revenue they’re actually bringing in. Not many people seem interested in learning how that financial flow works, even though there’s a lot of government support available to help with it. 

When you go out to eat, what’s your favorite dish to order? 

Neopolitan pizza. I’m actually opening my own pizza business, focused on making authentic pizza, just like in Italy. I learned from the best at a restaurant in Melbourne that’s been specializing in pizza for over 70 years. They taught me how to make pizza, pasta, and tiramisu the traditional way. It’s surprisingly simple, but it’s all about doing it the right way, starting with making the dough from scratch just like the Italians do. 

What’s your go-to dish if you have to cook something quickly at home?  

Something like what I had for dinner last night — steak with asparagus, broccoli and cherry tomatoes. It doesn’t even take five minutes. I just sear the steak for two minutes on each side to get it medium-rare, toss the veggies in the pan, and that’s it. Bon appétit! 

What’s your favorite dish to cook and why?  

I really love making pizza. I let the dough rest for three days to get it just right, and I take great care of it during that time. Everyone knows that when the weekend rolls around, it’s pizza time. I have pretty high standards for my pizza, so I always use the best quality ingredients. It makes all the difference. 

What’s the most difficult dish for you to get right?  

I honestly think Saudi dishes are some of the hardest to make because they take so much time. For example, margoog can take two to three hours, and jareesh can take up to five hours. Sure, you could make them faster, but the flavor just wouldn’t be the same. Kabsa is probably the easiest local dish to make, but even that takes about an hour and a half before you’re ready to eat. 

As a leader, what are you like? 

I love working in a positive, happy environment, and I try to bring that energy to the team. I make sure everyone is happy and satisfied. Of course, when mistakes happen, there are times when I can get frustrated. The first time, I’ll address it kindly. But if the same issue keeps happening, especially when it comes to hygiene, I might get a little irritated. I have to be sharp sometimes because, at the end of the day, I’m the manager. 

When things do get stressful, I do my best to motivate the team and lighten the mood. I want them to present food with joy, not just treat it like another task. They can all cook, but if the food isn’t made with love, it won’t taste as good. The flavor just won’t be there. 

Chef Saud’s mataziz recipe 

INGREDIENTS 

For the lamb broth: 

900g lamb (shoulder or leg, cut into pieces); 2 tbsp olive oil; 1 onion, chopped; 3 cloves garlic, chopped; 3 carrots, cubed; 4 medium potatoes, peeled and cubed; 1L meat or vegetable stock; 2 tsp ground cumin; 1 tsp ground coriander; salt and pepper to taste; fresh parsley or dill for garnish. 

For the mataziz dough: 3 cups all-purpose flour; 1 tsp salt; 1 cup warm water (adjust as needed); 2 tbsp olive oil (optional) 

INSTRUCTIONS 

For the lamb broth: 

1. In a large pot, heat the olive oil over medium-high heat. Add the lamb pieces and leave until browned on all sides. Remove from the pan and set aside. 

2. In the same pan, sauté the chopped onion until soft, then add the garlic and cook for another minute. 

3. Return the browned lamb to the pan. Add the carrots, potatoes, and stock. 

4. Stir in the cumin, coriander, salt and pepper. Bring to a boil, then reduce the heat, cover and simmer for 1.5 to 2 hours until the lamb is tender. 

For the mataziz dough:  

1. In a mixing bowl, combine the flour and salt. Gradually add warm water and mix until a dough forms. 

2. Knead on a floured surface for about 5-10 minutes until smooth. Add olive oil for extra flavor and softness, if desired. 

3. Cover the dough with a damp cloth and let it rest for about 30 minutes. This helps to relax the gluten. 

4. Divide the dough into small balls (about the size of a golf ball). 

5. Roll each ball out on a floured surface until very thin (about 1/8 inch thick) and cut to size for the dish. 

6. Heat a skillet over medium-high heat. 

7. Cook each rolled out dough for 4-8 minutes on each side until lightly browned and cooked through. They should be slightly puffed. 

SERVING 

Presentation is always an opportunity to show your creativity. My only advice is to reflect nature on the plate. Start with a circle of mataziz dough in the middle as a base for all the vegetables. Don’t forget to add black lemon as it gives a different flavor to the dish. Create a garden around it using meat broth. Add the lamb and add your touch of dill or coriander. The dish should be served hot. 


Saudi comedy film ‘Ambulance’ to get sequel

Updated 19 April 2025
Follow

Saudi comedy film ‘Ambulance’ to get sequel

DUBAI: A sequel is already in the works for “Esaaf” (“Ambulance”), the new comedy starring Saudi actor and stand-up comedian Ibrahim Al-Hajjaj and directed by British filmmaker Colin Teague.

The film premiered on Tuesday, making history as the first Arabic-language movie to be released by Imax. 

The plot revolves around two Saudi paramedics who discover a briefcase containing holding SR2 million (around $533,300) and find themselves caught up in a dangerous kidnapping scheme.

The movie is written by Alberto Lopez and produced by Al-Hajjaj’s House of Comedy, Saudi producer Talal Anazi’s Black Light Operations and former MBC Studios chief Peter Smith in tandem with Saudi Media Company. 

The film marks Al-Hajjaj’s first major release since “Sattar,” the 2023 wrestling film which grossed over $30 million, primarily from Saudi audiences.


Princess Rajwa, Prince Hussein visit historic site in Jordan

Updated 19 April 2025
Follow

Princess Rajwa, Prince Hussein visit historic site in Jordan

DUBAI: Princess Rajwa Al-Hussein of Jordan opted for a relaxed look this week when she visited the archaeological site of Umm Qais with her husband, Crown Prince Hussein bin Abdullah.

Rajwa, who is of Saudi origin, wore beige Atelier canvas straight-leg cargo pants by Jacquemus, paired with a black fitted top and matching Prada re-edition 2005 nylon bag. She completed her look with Gentle Monster’s Musee 01 sunglasses.

The crown prince also kept it casual in a plain white T-shirt, olive green cargo shorts and sunglasses.

Bin Abdullah took to Instagram to share a heartwarming photo with his wife taken during their visit.

“There is nothing like spring in the north of Jordan,” read the caption.

The couple also made headlines this week as their eight-month-old daughter, Princess Iman bint Al-Hussein, marked a significant milestone when she accompanied them to the Kingdom of Bahrain on her first official overseas visit.

The young princess was received by Bahrain’s King Hamad bin Isa Al-Khalifa at Al-Sakhir Palace. (Instagram)

The young princess was received by Bahrain’s King Hamad bin Isa Al-Khalifa at Al-Sakhir Palace.

Princess Rajwa opted for a white-and-blue ensemble from London-based fashion label Erdem for the occasion. This included a floral midi pencil skirt and a draped short-sleeved top. She completed the look with white lace slingback pumps from Manolo Blahnik and a Jacquemus shoulder bag.

Last month, Crown Prince Hussein took to Instagram to mark Mother’s Day with a heartfelt tribute to his mother, Queen Rania, and Princess Rajwa.

In the first of two images, Queen Rania is holding her granddaughter, Princess Iman, as the crown prince watches on.

In the second image, Princess Rajwa, dressed in a plain white t-shirt, is seen holding her daughter.

“To my beloved mother and my loving wife, your presence fills our lives with joy, and your love is the true meaning of giving. Happy Mother’s Day,” he wrote.

The royal couple welcomed Iman in August last year.

They are also active in their humanitarian efforts. During Ramadan, they visited the Children’s Museum Jordan to attend an iftar event with orphans.

They spent time with the children, playing games, sharing a meal and engaging in conversation. The couple also posed for photos with the young attendees.


At Art Dubai, Pakistani artists find the space missing at home

Updated 19 April 2025
Follow

At Art Dubai, Pakistani artists find the space missing at home

  • The Middle East’s leading art fair draws galleries and collectors from around the world
  • Pakistani artists say global interest is rising in their work, bringing international recognition

KARACHI: Pakistani artists have been receiving increasing international recognition, but many still grapple with limited opportunities and visibility at home, a participant at a major Gulf art fair said this week.
Her comments coincided with Art Dubai 2025, the Middle East’s leading contemporary art fair, where 10 Pakistani artists are exhibiting their work this year.
The event, running since 2007, draws galleries and collectors from across the globe and has become a vital platform for people with creative abilities in places like Pakistan.
“It’s wonderful that we as artists who have been invisible because of the greater struggles of [our] country are visible through this platform in the Gulf,” said Faiza Butt, a London-based Pakistani artist currently attending the fair, told Arab News over the phone.

Artist Faiza Butt poses against the backdrop of her artwork ‘The Male Figure’ during the Art Dubai 2025 preview at Madinat Jumeirah in Dubai on April 17, 2025. (Photo courtesy: Handout/Grosvenor Gallery)

“It’s really a matter of pride that despite all the odds, Pakistani artists continue to appear, and work and make themselves visible, especially female artists.”
Butt maintained Pakistani artists are shaped by the country’s complex realities, adding that is what gives their work its depth.
“Our social and political struggles really feed the artists’ imagination,” she said. “Art doesn’t come from a happy place. So one of the reasons our artists are so strong is because our country has gone through a great deal of strife.”
She also credited the country’s mature art education institutions, such as the National College of Arts in Lahore and the Indus Valley School of Arts in Karachi, for nurturing generations of artists despite systemic challenges.

Artwork ‘The Male Figure’ by Pakistani artists Anwar Saeed and Faiza Butt on display by Grosvenor Gallery during the Art Dubai 2025 at Madinat Jumeirah in Dubai. (Photo courtesy: Handout/Grosvenor Gallery)

Karachi-based visual artist Sana Arjumand, who is also exhibiting at the fair, echoed similar views.
“There is now more and more interest coming into Pakistani art because we are really making very good art,” she said.
“Because of so many different experiences here [in Pakistan], we have that informed kind of making of art. It’s more vibrant and alive. It stands out as well — that is why more and more interest is coming here.”
Arjumand, who studied painting at NCA, said her early work focused on self-reflection but has since evolved to include themes of Sufism, mysticism and human interconnectedness with nature.
Her new work, presented at the fair, explores the idea that human behavior mirrors elements in the natural world.
“It’s for everyone,” she said. “It has a storyline that anybody can relate to.”
A total of ten Pakistani artists, including one posthumously, are featured in the fair’s Contemporary Art section. Among them is the late Sadequain, whose pioneering calligraphy and figurative works helped define Pakistan’s post-Partition art movement and continue to influence generations of artists.

Sana Arjumand’s painting ‘The Perfect Mirror’ on display by Aicon Gallery at Booth E5 as they set up for the Art Dubai 2025 preview at Madinat Jumeirah in Dubai on April 16, 2025. (Photo courtesy: Handout/Sana Arjumand Studio)

Also exhibiting are Rasheed Araeen, a Karachi-born conceptualist known internationally for his contributions to British minimalist and postcolonial art, and Imran Qureshi, whose fusion of classical Mughal miniature techniques with contemporary themes has earned him acclaim worldwide.
Other featured names include Anwar Saeed, celebrated for his explorations of identity and sexuality, and Shezad Dawood, a London-based multidisciplinary artist with Pakistani and Indian heritage.
Butt is being represented by Grosvenor Gallery in London, which is exhibiting her work alongside that of Anwar Saeed under a shared curatorial concept focused on representations of the male form.
“The female figure is represented enough in the arts,” said Butt. “Anwar and I both discuss the male form but with our own unique politics based on our unique ethnography. But we are both Pakistanis, and there are overlaps in our concerns.”
She will also deliver a talk on behalf of Saeed, reflecting on his practice and political engagement through art.
Despite global attention, Butt stressed that Pakistan lacks the institutional and financial infrastructure to support a thriving art scene.
“Art is a very priced project, and Pakistan cannot afford having art fairs or a very established art market,” she said. “Pakistani artists get absorbed by galleries from other countries.”
She described Art Dubai as a great opportunity for artists in her country.
“Dubai is a very stable financial hub of the Gulf region,” she continued. “It has welcomed a great deal of migration from India and Pakistan. You get a diverse audience. It’s a beautiful coming together, in a positive way, of ideas, culture and exchange of thought.”


Art Dubai’s 18th edition marks UAE’s rise as key market for contemporary art 

Updated 19 April 2025
Follow

Art Dubai’s 18th edition marks UAE’s rise as key market for contemporary art 

  • Latest edition of the region’s leading contemporary art fair presented high-quality works from around the world, cementing the Gulf metropolis as a key market player 

DUBAI: The Madinat Jumeirah is alive once again with the invigorating buzz of collectors, artists, gallerists and art lovers all gathered for the 18th edition of Art Dubai, which runs until April 20. There is the familiar sound of a multitude of languages and accents, reflecting Dubai’s ever-growing international population as gallerists from around the world, including North America, China, South and Central Asia, Africa and from across the Middle East, showcase works that reflect the artistic breadth and culture of their respective countries.

Of note are the 30 new exhibitors at Art Dubai, hailing from around the world, forming part of the 120 galleries taking part this year. The quality of works on display, underlined artistic director Pablo del Val, are particularly noteworthy this year and, he says, evoke a sense of escapism and surrealism as if to provide refuge from the uncertainty of today’s times.

The quality of works and international range of galleries also reflect the changing nature of Dubai.

Mohasses, Untitled, 50 x 70 cm. (Supplied)

Rather than take up residence in Dubai for a short-term period of a few years, new residents are coming to the city with plans, it seems, to stay for longer. At the same time, there has been notable investment in cultural infrastructure within the UAE that is now paying off, resulting in a plethora of new museums, galleries, institutions and initiatives offering visitors to Art Dubai a wealth of cultural activities outside the fair.

“Today there is a change in the architecture (of Dubai), with residents desiring more state-of-the-art homes with more space,” del Val told Arab News. “When these people move to Dubai they are doing so with a long-term version. This gives a sense of stability to the city and necessitates a different kind of art collecting.”

Among the newcomers to the fair was Richard Saltoun Gallery, which has branches in Rome, London and New York.

Mohasses, Untitled, 70 x 100 cm. (Supplied)

“This will be our first participation at Art Dubai and we are thrilled to be participating. Dubai, and the UAE in general, is one of the most interesting and growing markets that we work with,” Niamh Coglan, sales director at Richard Saltoun Gallery, told Arab News. “The institutional collections, foundations and private collections are curious, active and engaging to work with. Having worked with several major museums and foundations over the past few years in the region, we knew we had to take a more active role and be more present.”

Among the artists the gallery will show at the fair is Mozambican modernist Bertina Lopes, whose work is on display in the exhibition Kings and Queens of Africa at the Louvre Abu Dhabi.

Among the notable works at the fair was a large 196 x 363 cm painting by the late Iranian artist Bahman Mohassess and New York-based Leila Heller Gallery’s booth portraying two abstract figures locked in a passionate embrace, one colored red and the other off-white next to a group of stones and an abstract black bird flying overhead. The work, which has garnered great interest among collectors, is being sold for $2,650,000.

Mohasses, Untitled.25 x 35 cm. (Supplied)

In the Bawwaba section of specially commissioned works for the fair, Saudi artist Abdullah Al-Othman is showcasing a solo project in the form of a large installation work of signs, symbols and photography from around Riyadh as part of his series Manifesto: the Language & the City (2011). The work is being displayed through Iris Art Projects, the only GCC gallery exhibiting in the section.

Showcasing works from the African continent and diaspora is Efie Gallery, a Dubai-based gallery that recently moved to Alserkal Avenue. The gallery’s booth presented a mixed media presentation that is thoughtfully and serenely curated featuring works by Abdoulaye Konate, Maria Magdalena Campos-Pons, Hugh Findletar and J.K. Bruce Vanderpuije.

“We love being in the Middle East and Dubai because it has offered us a clean slate as opposed to the West, where we need to deconstruct narratives,” said co-founder of the gallery Kwame Mintah. “Here we are offered the space to construct the narratives.”


11th Saudi Film Festival opens with a night of cinema, culture, stars

Updated 18 April 2025
Follow

11th Saudi Film Festival opens with a night of cinema, culture, stars

DHAHRAN: The red carpet was rolled out for the 11th edition of the Saudi Film Festival on Thursday, as the event confirmed its role as a cornerstone of the Kingdom’s burgeoning movie culture.

Hosted by the dynamic duo — Saudi actors Aixa Kay and Khaled Saqer — the celebration at the King Abdulaziz Center for World Culture (Ithra) in Dhahran was brimming with glamor and drama.

Saudi opera singer Mohammed Khayran Al-Zahrani and renowned French soprano Fabienne Conrad serenaded the crowd, while a live orchestra performed a medley of classical renditions of popular film scores under the direction of maestro Gevorg Sargsyan.

The 11th Saudi Film Festival was hosted by Saudi actress Aixa Kay and actor Khaled Saqer. (Supplied)

The event was organized by the Cinema Association in strategic partnership with Ithra — an Aramco initiative — and was supported by the Saudi Film Commission of the Ministry of Culture.

This year’s festival, with the theme “Cinema of Identity,” delves into the power of storytelling to reflect and shape cultural, personal and collective narratives.

At the opening, Cinema Association chairwoman Hana Al-Omair emphasized the theme’s significance.

“We present this year’s edition at a time when Saudi film production is undergoing noticeable growth. Saudi films are no longer rare appearances; they are now competing for prime slots in Arab cinemas. This reflects an artistic momentum worth pausing and reflecting upon,” she said.

She also highlighted the festival’s special focus.

Saudi opera singer Mohammed Khayran Al-Zahrani and renowned French soprano Fabienne Conrad. (Supplied)

“In addition to the usual festival activities, we are shining a spotlight on the Japanese cinema experience, which has had a profound impact on world cinema, thanks to its artistic schools, rich experience and global history,” she said.

Opening night saw visitors treated to the premiere of “Siwar” by Osama Al-Khuraiji.

The program, which runs until April 23, is packed with events including a steady stream of stars, film screenings, seminars, workshops, masterclasses and the coveted Golden Palm awards.

Since its founding in 2008, the Saudi Film Festival has become the Kingdom’s longest-running cinematic event.

This year, 36 out of 68 screenings are Saudi and Gulf films, comprising eight narrative features, 21 shorts and seven documentaries. Parts of the proceedings, and some other festival events, are being live-streamed.

For more information about buying tickets, visit the Ithra website.